El Pensamiento Político De Blanco White. Sus Conflictos Con Las Cortes
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Gertrudis Gómez De Avellaneda
u Introduction Gertrudis the Great: First Abolitionist and Feminist in the Americas and Spain María C. Albin, Megan Corbin, and Raúl Marrero-Fente To the Editor of The Sun—Sir: I was asked the other day who was the greatest Amer- ican poetess, and I said there isn’t one. And for that matter there isn’t one in the world. If the answer was not correct will THE SUN undertake to mention the lady’s name? M. N. Boston, Mass. The Sun (New York) Saturday, January 5, 1899, 6 To the Editor of The Sun—Sir: Will you be so kind as to mention in your valuable paper the name of Mrs. Gertrudis Gómez de Avellaneda, a Cuban by birth, as a great poetess, and perhaps the greatest ever born in America, or in the whole world, for that matter? I see in your editorial page of today that Mr. M. N. of Boston makes inquiry of the above name. D. Sardine New York, Jan. 5 The Sun (New York) January 7, 1899, 6 Gender and the Politics of Literature: Gertrudis Gómez de Avellaneda Hispanic Issues On Line 18 (2017) 2 u GERTRUDIS THE GREAT: FIRST ABOLITIONIST AND FEMINIST IN THE AMERICAS AND SPAIN The Cuban-Spanish writer Gertrudis Gómez de Avellaneda (Puerto Príncipe, Cuba, 1814–Madrid, 1873) was a remarkable woman ahead of her time: a pioneer and versatile author who cultivated all the literary genres with great mastery and success. At the same time, she was also a public figure who used her writings to address the main issues of her century, in particular the eman- cipation of women, the abolition of slavery, secularization, and the role of religion in society.1 Foremost female writer of the nineteenth century and one of the greatest poets and playwrights of all time, she was a pioneer of the abo- litionist novel in the Americas with her work Sab, the first anti-slavery novel, published eleven years before Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852). -
Gertrudis Gómez De Avellaneda
HISPANIC ISSUES ON LINE VOLUME 18 Gender and the Politics of Literature: Gertrudis Gómez de Avellaneda María C. Albin, Megan Corbin, and Raúl Marrero-Fente EDITORS Hispanic Issues Editorial Board Nicholas Spadaccini, Editor-in-Chief Luis MartÍn-Estudillo, Managing Editor Ana Forcinito, Associate Managing Editor Megan Corbin, Nelsy Echávez-Solano, William Viestenz, Associate Editors Scott Ehrenburg, Tim Frye, Heather Mawhiney, N. Ramos Flores, Pablo RodrÍguez BalbontÍn, Assistant Editors Table of Contents Introduction 1 Gertrudis the Great: First Abolitionist and Feminist in the Americas and Spain MarÍa C. Albin, Megan Corbin, and Raúl Marrero-Fente Part I: The Transnational Press and Gertrudis Gómez de Avellaneda 67 A Transnational Figure: Gertrudis Gómez de Avellaneda and the American Press MarÍa C. Albin, Megan Corbin, and Raúl Marrero-Fente Part II: Sab (1841): The First Anti-Slavery Novel in the Americas 136 Nothing to Hide: Sab as an Anti-Slavery and Feminist Novel Julia C. Paulk 155 Picturing Cuba: Romantic Ecology in Gómez de Avellaneda’s Sab (1841) Adriana Méndez Rodenas 175 Nation, Violence, Memory: Interrupting the Foundational Discourse in Sab Jenna Leving Jacobson Part III: GuatimozÍn and the Rewriting of the Conquest 194 Rewriting History and Reconciling Cultural Differences in GuatimozÍn Rogelia Lily Ibarra 215 Gertrudis Gómez de Avellaneda and her View of the Colonial Past Mariselle Meléndez Part IV: Travel Writing and Folk Tales 237 The “Presence” of Gertrudis Gómez de Avellaneda in the Three Tradiciones from her Última excursión por los Pirineos (1859) Catharina Vallejo Part V: A Writer for All Times: The Plays, Poems, and Love Letters of Gertrudis Gómez de Avellaneda 251 The Making of Leoncia: Romanticism, Tragedy, and Feminism Alexander Selimov 264 Rebellious Apprentice Devours Maestros: Is it Hunger or Vengeance? Mary Louise Pratt 283 Tu amante ultrajada no puede ser tu amiga (Your Scorned Lover Can’t Be Your Friend): Editing Tula’s Love Letters Emil Volek Translated by Katie A. -
El Patrimonio Musical Y Las Nuevas Tecnologías De La Información En La Biblioteca Nacional De España
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Universidad de Castilla-La Mancha: Open Journal Systems Cuadernos de Investigación Musical, enero-junio 2019, 7, pp. 3-48 DOI: http://doi.org/10.18239/invesmusic.v0i7.1991 ISSN: 2530-6847 Francisco Andreví (*1786; †1853) entre Francia y España: composición musical e implicaciones sociales en la primera mitad del siglo XIX Parte I. Una trayectoria en ascenso: del Pirineo hacia el Sur. Desde La Seu d’Urgell a la Real Capilla Francisco Andreví (*1786; †1853) between France and Spain: musical composition and social implications in the first half of the 19th century Part I. A Vital Path up: from the Pyrenees to the South. From La Seu d'Urgell to the Royal Chapel Glòria Ballús Casóliva Investigadora independiente [email protected] ORCID iD: http://orcid.org/0000-0002-4666-5724 Antonio Ezquerro Esteban DCH-Musicología, IMF-CSIC [email protected] ORCID iD: http://orcid.org/0000-0001-7289-059X El presente artículo, que se ofrecerá en dos partes (de las que la presente es la primera), cuyo germen parte de una investigación realizada en una primera fase gracias a la obtención de la “III Beca de la Fundació Ernest Lluch de Recerca Musicològica”, edición 2010, se enmarca en los resultados del Proyecto de Investigación Coordinado de I + D + i (Programa Estatal de Fomento de la Investigación Científica y Técnica de Excelencia) titulado El patrimonio musical de la España moderna (siglos XVII-XVIII): recuperación, digitalización, análisis, recepción y estructuras retóricas de los discursos musicales (HAR2017-86039-C2-1-P), del que A. -
Nicolás Fernández De Moratín NICOLÁS FERNÁNDEZ De MORATÍN
Nicolás Fernández de Moratín NICOLÁS FERNÁNDEZ de MORATÍN By DAVID THATCHER GIES University of Virginia TWAYNE PUBLISHERS A DIVISIÓN OF G. K. HALL & CO., BOSTON Copyright © 1979 by G. K. Hall & Co. Published in 1979 by Twayne Publishers, A División of G. K. Hall & Co. All Rights Reserved Printed on permanent/durable acid-free paper and bound in the United States of America First Printing Library of Congress Cataloging in Publication Data Gies, David Thatcher Nicolás Fernández de Moratín. (Twayne's world authors series ; TWAS 558 : Spain) Bibliography: p. 173-79 Includes index. 1. Moratín, Nicolás Fernández de, 1737-1780 — Criticism and interpretation. PQ6549.M2Z67 868'.4'09 79-14980 ISBN 0-8057-6400-3 For Heather Whitney, whom I hope to meet someday Contents About the Author Preface Chronology 1. AShortLife 15 2. Attack and Defend 48 3. Flumisbo, Poet 71 4. The Two Masks of Drama 125 5. Summation: Neoclassical Author, Spanish Patriot 152 Notes and References 157 Selected Bibliography 173 Index 180 About the Author David Thatcher Gies is Associate Professor of Spanish at the Uni- versity of Virginia. He received his B.A. degree from the Pennsylvania State University and his M.A. and Ph.D. degrees from the University of Pittsburgh. Professor Gies has participated in numerous regional, national, and international conferences. He is a corresponding editor of the Purdue University Monographs in Romance Languages. His works include Agustín Duran: A Biography and Literary Appreciation (London, 1975), scholarly articles in Cithara, Modern Language Studies, and Neohelicon, and book reviews in Cithara, Hispanic Review, Hispania, and Bulletin of Hispanic Studies.