At a Winter's Fire
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Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Black Performance and Cultural Criticism Valerie Lee and E. Patrick Johnson, Series Editors
Black Performance and Cultural Criticism Valerie Lee and E. Patrick Johnson, Series Editors Seniors_Book4print.indb 1 5/28/2009 11:30:56 AM Seniors_Book4print.indb 2 5/28/2009 11:30:56 AM BEYOND LIFT EVERY VOICE AND SING The Culture of Uplift, Identity, and Politics in Black Musical Theater • Paula Marie Seniors The Ohio State University Press Columbus Seniors_Book4print.indb 3 5/28/2009 11:30:56 AM Copyright © 2009 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Seniors, Paula Marie. Beyond lift every voice and sing : the culture of uplift, identity, and politics in black musical theater / Paula Marie Seniors. p. cm. — (Black performance and cultural criticism) Includes bibliographical references and index. ISBN-13: 978-0-8142-1100-7 (cloth : alk. paper) ISBN-10: 0-8142-1100-3 (cloth : alk. paper) 1. African Americans in musical theater—History. 2. Musical theater—United States—History. 3. Johnson, James Weldon, 1871–1938. 4. Johnson, J. Rosamond (John Rosamond), 1873–1954. 5. Cole, Bob, 1868–1911. I. Title. ML1711.S46 2009 792.6089'96073—dc22 2008048102 This book is available in the following editions: Cloth (ISBN 978-0-8142-1100-7) CD-ROM (ISBN 978-0-8142-9198-6) Cover design by Laurence Nozik. Type set in Adobe Sabon. Text design by Jennifer Shoffey Forsythe. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the Ameri- can National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 Seniors_Book4print.indb 4 5/28/2009 11:30:56 AM This book is dedicated to my scholar activist parents AUDREY PROCTOR SENIORS CLARENCE HENRY SENIORS AND TO MIss PARK SENIORS Their life lessons and love nurtured me. -
Literature for Composition Reading and Writing Arguments About Essays, Stories, Poems, and Plays
BARN.2138.bkfm.i-xxvi_BARN.2138.bkfm.i-xxvi 2/27/13 1:27 PM Page i INSTRUCTOR’S HANDBOOK TO ACCOMPANY Literature for Composition Reading and Writing Arguments About Essays, Stories, Poems, and Plays TENTH EDITION Edited by Sylvan Barnet Tufts University William Burto University of Massachusetts at Lowell William E. Cain Wellesley College Boston Columbus Indianapolis New York San Francisco Upper Saddle River Amsterdam Cape Town Dubai London Madrid Milan Munich Paris Montreal Toronto Delhi Mexico City São Paulo Sydney Hong Kong Seoul Singapore Taipei Tokyo BARN.2138.bkfm.i-xxvi_BARN.2138.bkfm.i-xxvi 2/27/13 1:27 PM Page ii Vice President and Editor in Chief: Joseph P. Terry Senior Supplements Editor: Donna Campion Electronic Page Makeup: Grapevine Publishing Services, Inc. Instructor’s Handbook to Accompany Literature for Composition: Essays, Stories, Poems, and Plays, Tenth Edition, by Sylvan Barnet, William Burto, and William E. Cain. Copyright © 2014, 2011, 2007 Pearson Education, Inc. All rights reserved. Printed in the United States of America. Instructors may re- produce portions of this book for classroom use only. All other reproductions are strictly prohibited without prior permission of the publisher, except in the case of brief quotations embodied in critical articles and reviews. 1 2 3 4 5 6 7 8 9 10–online–15 14 13 12 ISBN 10: 0-321-84213-8 www.pearsonhighered.com ISBN 13: 978-0-321-84213-8 BARN.2138.bkfm.i-xxvi_BARN.2138.bkfm.i-xxvi 2/27/13 1:27 PM Page iii Contents Preface xv Using the “Short Views” and the “Overviews” xvii Guide to MyLiteratureLabTM xix The First Day 1 PART I Getting Started: From Response to Argument CHAPTER 1 How to Write an Effective Essay: A Crash Course 4 CHAPTER 2 The Writer as Reader 5 KATE CHOPIN Ripe Figs 5 LYDIA DAVIS City People 6 RAY BRADBURY August 2026: There Will Come Soft Rains 7 MICHELE SERROS Senior Picture Day 8 GUY DE MAUPASSANT The Necklace 9 GUY DE MAUPASSANT Hautot and Son 13 T. -
The Representation of American Visual Art in the USSR During the Cold War (1950S to the Late 1960S) by Kirill Chunikhin
The Representation of American Visual Art in the USSR during the Cold War (1950s to the late 1960s) by Kirill Chunikhin a Thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History and Theory of Arts Approved Dissertation Committee _______________________________ Prof. Dr. Isabel Wünsche Jacobs University, Bremen Prof. Dr. Corinna Unger European University Institute, Florence Prof. Dr. Roman Grigoryev The State Hermitage, St. Petersburg Date of Defense: June 30, 2016 Table of Contents Abstract ...................................................................................................................... v Acknowledgements ................................................................................................. vii Statutory Declaration (on Authorship of a Dissertation) ........................................... ix List of Figures ............................................................................................................ x List of Attachments ................................................................................................. xiv Introduction ................................................................................................................ 1 PART I. THE SOVIET APPROACH: MAKING AMERICAN ART ANTI- AMERICAN………………………………………………………………………………..11 Chapter 1. Introduction to the Totalitarian Art Discourse: Politics and Aesthetics in the Soviet Union ...................................................................................................... -
Transformation, Paradox and Continuity in the Poetry of James Mcauley
UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS “So many voices urging:” Transformation, Paradox and Continuity in the Poetry of James McAuley Rosemary Jean Page Orientador: Prof. Doutor Mário Vítor Fernandes Araújo Bastos, Professor Auxiliar, Faculdade de Letras da Universidade de Lisboa Tese especialmente elaborada para obtenção do grau de Doutor no ramo de Estudos da Literatura e Cultura, na Especialidade de Estudos da Literatura e Cultura de Expressão Inglesa 2018 UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS “So many voices urging:” Transformation, Paradox and Continuity in the Poetry of James McAuley Rosemary Jean Page Orientador: Prof. Doutor Mário Vítor Fernandes Araújo Bastos Tese especialmente elaborada para obtenção do grau de Doutor no ramo de Estudos da Literatura e Cultura, na Especialidade de Estudos da Literatura e Cultura de Expressão Inglesa Júri: Presidente: Doutora Maria Cristina de Castro Maia de Sousa Pimentel, Professora Catedrática e Membro do Conselho Científico da Faculdade de Letras da Universidade de Lisboa Vogais: - Doutor François-Xavier Giudicelli, Maître de Conférences, Département d’Anglais, UFR Lettres et Sciences Humaines, Université de Reims Champagne-Ardenne, França - Doutor Kenneth David Callahan, Professor Associado, Departamento de Línguas e Culturas da Universidade de Aveiro - Doutora Isabel Maria da Cunha Rosa Fernandes, Professora Catedrática, Faculdade de Letras da Universidade de Lisboa - Prof. Doutor Mário Vítor Fernandes Araújo Bastos, Professor Auxiliar, Faculdade de Letras da Universidade de Lisboa - Doutora Maria Teresa Correia Casal, Professora Auxiliar, Faculdade de Letras da Universidade de Lisboa 2018 i ii Copyright information The copyright of this thesis is held by the Universidade de Lisboa The copyright of James McAuley is held by the James McAuley Estate (executor Curtis Brown, Sydney) iii DEDICATÓRIA Time out of mind And out of the heart too Yet I am not resigned To be what I do. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Schooling La Raza : a Chicana/o cultural history of education, 1968-2008 Permalink https://escholarship.org/uc/item/8t69s3wd Author Hidalgo, Melissa Martha Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Schooling La Raza: A Chicana/o Cultural History of Education, 1968-2008 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Melissa Martha Hidalgo Committee in charge: Professor Shelley Streeby, Chair Professor Rosemary George Professor Lisa Lowe Professor Olga Vásquez Professor Meg Wesling 2011 This Dissertation of Melissa Martha Hidalgo is approved, and is acceptable in quality and form for publication on microfilm and electronically. Chair University of California, San Diego 2011 iii EPIGRAPH To tell a story is to construct a history, to assert a vision of reality. A history links the living with ancestors and divinities across spatial and temporal dimensions, moving back to retrieve lineage lessons and forward to cast a vision of what might be. Joni L. Jones iv TABLE OF CONTENTS Signature Page……………………………………………………………. iii Epigraph………………………………………………………………….. iv Table of Contents………………………………………………………… v List of Illustrations……………………………………………………….. vi Acknowledgements………………………………………………………. vii Vita……………………………………………………………………….. xi Abstract…………………………………………………………………… xii Introduction……………………………………………………………….. 1 Chapter 1. “Demand, Protest, Organize:” Remembering the 1968 East Los Angeles High School Blowouts………………………………. 28 Chapter 2. Soft Hands: A Genealogy of the Educational Formation of Queer Chicano Identities from Villarreal’s Pocho (1959) to Bracho’s Sissy (2008) ……………………………………………... 81 Chapter 3. Profesora Power: Feminist Pedagogy in Terri de la Peña’s Margins (1992) and Adelina Anthony’s Mastering Sex and Tortillas (2002)…………………………………………….... -
Oldfieldscapes (Pdf)
2020 Oldfieldscapes MUSICALBOXED.WORDPRESS.COM JORDI ADELL ÍNDICE Introduction 1 Tubular Bach (1973) 3 Nursery times (1968-1974) 6 Sobre la cresta de Hergest (1974) 10 Los albores de Ommadawn (1975) 14 Crónicas de Oldfield: el león, el cazador y el granero (1976) 18 Los embrujos de Incantations (1976-1978) 23 Enigmations (1978-1984) 26 Cala Pregonda (1978) 28 I believe in Oldfield Christmas (1974-1979) 31 Campanas de boda (1981-1982) 33 En el ojo de Irlanda (1982) 35 Mount Echeyde (1982) 40 Escribiendo a la luz de la luna (1983) 42 Cr11Ses (1982-1983) 46 Descubriendo el lago (1984) 48 Living on radio (1983-1992) 52 Amarok: los sonidos del silente (1990) 57 Sin sueños (1991) 61 Noche monumental (1993) 63 Midnight songs (1994) 67 Canciones distantes (1994) 69 Viajero en Ibiza (1996) 72 Le mont Saint Michel (1996) 75 Campanas bajo la lluvia (1998) 78 Far above the crowd (1999) 81 Pacha mama (1999) 84 I still believe in Oldfield Christmas (1980-1999) 88 A las lunas de Valencia (2002) 89 Un paseo por el arte gráfico oldfiliano (1973-2005) 92 Altas esferas en el Guggenheim (2008) 95 Take 4 (1978-2011) 99 Fadalack turns the clock back (1973-2012) 101 Man on the seas (2014) 104 Top of the rocks (2017) 106 New arrivals (1979-2019) 109 INTRODUCTION El día que nací salió a la venta The Yes Album de Yes y, cuando cumplí 11 años, Mike Oldfield publicó el disco Five Miles Out. Puede verse como dos coincidencias, pero a mí me gusta pensar que estos hechos tuvieron algún tipo de efecto sobre mi temprana afición por la música. -
Tubular Bells Iii
TUBULAR BELLS III Mike Oldfield – Tubular Bells III (28 Agosto 1998) Il motivo di una vita, un’altra rilettura e re-interpretazione del primo album. Impressioni scolpite in un’anima che si esprimono e riverberano in nuovi arrangiamenti. Viaggio attraverso una notte; la musica del vento. Da ascoltare con le cuffie, al buio, nel silenzio della notte. Un viaggio attraverso una notte fosca, pesante, densa di presagi, paure, ricordi. Un album psichedelico, espressionistico, e infine catartico. Ci leggo le note di dolore di mio padre, ritrovo le notti insonni della mia gioventù presto messa da parte per la necessità di crescere, ferita da una scomparsa inattesa. Ritrovo l’inquietudine notturna di sempre. Ci leggo ancora una comunione tra me e il Vento, tra me e l’Indefinito. Un album fatto di respiri affannosi, corse nel buio, chiari di luna, batticuore, pianti di disperazione, pianti di bambino, preoccupazione. Infine, la notte è rotta dalla voce squillante e solare di una campana percossa con decisione che risuona da un luogo lontano dell’Infinito, che viene trasportata dal Vento dalla cima di una montagna. Cercami, sono nel Vento. Ascoltami, sono nell’aria. Guardami, sono quello che vuoi vedere, sono quello che tu sarai. Così cercherò mio padre; così cerco il mio Dio. 1. The Source Of Secrets Tuono. Vento. Pioggia. Il viaggio inizia. La notte inizia. La sorgente dei segreti, la notte, come cento altre notti insonni produce le sue preoccupazioni: “Ci sono tanti pericoli; tu dove sei?”. Produce il pensiero per gli altri, per la loro salvezza e incolumità, fa sentire più forti i legami pur deboli con le persone amate. -
Artist Title Rank Spins
Artist Title Rank Spins AVICII FEAT. CHRIS MARTIN HEAVEN 1 74 TONES AND I DANCE MONKEY 1 74 KYGO & WHITNEY HOUSTON HIGHER LOVE 3 73 ED SHEERAN FEAT. KHALID BEAUTIFUL PEOPLE 4 68 YOUNOTUS & JANIEK NARCOTIC 5 57 AVA MAX TORN 6 55 BEAUTIFUL SOUTH EVERYBODY'S TALKIN' 7 52 SHAWN MENDES & CAMILA CABELLO SENORITA 8 50 FREYA RIDINGS CASTLES 9 49 ENRIQUE IGLESIAS THE RHYTHM DIVINE 10 42 CROWDED HOUSE DON'T DREAM IT'S OVER 11 37 BRUCE SPRINGSTEEN GLORY DAYS 12 35 LEWIS CAPALDI SOMEONE YOU LOVED 13 34 HALL & OATES MANEATER 13 34 CHER I FOUND SOMEONE 13 34 CHRIS DE BURGH LADY IN RED 13 34 CAMOUFLAGE LOVE IS A SHIELD 17 33 BILLY OCEAN GET OUTTA MY DREAMS 17 33 CHAMPAIGN HOW ABOUT US 17 33 A-HA THE SUN ALWAYS SHINES ON TV 17 33 BIG MOUNTAIN BABY I LOVE YOUR WAY 17 33 MICHAEL JACKSON WILL YOU BE THERE 17 33 DEPECHE MODE JUST CAN'T GET ENOUGH 23 32 BRYAN FERRY SLAVE TO LOVE 23 32 CLIF RICHARD WE DON'T TALK ANYMORE 23 32 BOY GEORGE + CULTURE CLUB EVERYTHING I OWN 23 32 BRUCE HORNSBY & THE RANGE THE WAY IT IS 23 32 BANGLES MANIC MONDAY 23 32 DAVID BOWIE CHINA GIRL 29 31 DESIRELESS VOYAGE VOYAGE 29 31 NO MERCY WHEN I DIE 29 31 BRYAN ADAMS STRAIGHT FROM THE HEART 32 30 BILLY IDOL SWEET SIXTEEN 32 30 STING DESERT ROSE 34 29 RICHARD MARX HAZARD 35 26 MARC COHN WALKING IN MEMPHIS 36 25 KILLERS HUMAN 37 23 BOYZONE WORDS 37 23 VAYA CON DIOS NAH NEH NAH 39 22 TAL BACHMAN SHE'S SO HIGH 40 21 COLDPLAY ORPHANS 40 21 GABRIELLA CILMI SWEET ABOUT ME 40 21 SOPHIE ELLIS BEXTOR MURDER ON THE DANCE FLOOR 43 20 MARIT LARSEN IF A SONG COULD GET ME YOU 43 20 ALIZEE MOI LOLITTA 43 20 SHAKIRA [+] FRESHLYGROUND WAKA WAKA (THIS TIME FOR AFRICA) 43 20 NELLY FURTADO I'M LIKE A BIRD 43 20 BRUNO MARS MARRY YOU 43 20 SPILLER [+] SOPHIE ELLIS BEXTOR GROOVEJET 43 20 POST MALONE CIRCLES 43 20 LEANN RIMES CAN'T FIGHT THE MOONLIGHT 43 20 UNCLE CRACKER FOLLOW ME 43 20 JAMES MORRISON BROKEN STRINGS 43 20 ROBBIE WILLIAMS [+] NICOLE KIDMAN SOMETHIN' STUPID 43 20 SCISSOR SISTERS I DON'T FEEL LIKE DANCIN' 55 19 MELANIE FIONA MONDAY MORNING 55 19 ALL 4 ONE I SWEAR 55 19 AMY WINEHOUSE FEAT. -
Autores Y Obras Anónimas GR 06/05/2010 1 54 [Grabación Sonora]
Autores y obras anónimas GR 06/05/2010 1 (Part 1) / ABC. Tainted Love (Single Version) / Soft Cell. 54 [Grabación sonora] : B.S.O. de la película de Lessons In Love / Level 42. Everybody Wants To Rule The Miramax Motion Picture World / Tears For Fears. Happy Hour / The Housemartins. Barcelona : Blanco y negro, c. 1998. -- 2 discos Need You Tonight / INXS. Night Birds (Single Edit) / compactos (140 min. aprox.) + 1 folleto (6p.) Shakatak. Tempted / Squeeze. Tom's Diner / Suzanne Vega Contiene: CD1: 1. If yo could read my mind ; 2. feat. DNA. Wonderful Life / Black. What I Am / Edie Haven't stopped dancing yet ; 3. Heaven must have Brickell & New Bohemians. Stop / Sam Brown. Celebrate The sent you ; 4. Loving is really my game ; 5. Disco World / Womack & Womack. Come On Eileen / Kevin Rowland & nights (rock-freak) ; 6. Found a cure ; 7. Don't Dexys Midnight Runners. Funkytown / Lipps Inc. leave me this way ; 8. Come to me ; 9. Take your time D.L. M 32717-2005 (do it right) ; 10. Please don't let me be 1. Pop-Rock I. Título misunderstood ; 11. Spank ; 12. Galaxy ; 13. I need a 2.A 90 man ; 14. Heart of glass ; 15. Cherchez la femme/se Número de Título: 873728 si bon ; 16. Fly robin fly . -- Cd2 : 1. Studio 54 ; 2. Keep on dancin' ; 3. The boss ; 4. Dance dance 873728 4218009 ALM Paterna "Campame FONO CD-2 dance (yowash yowash yowash) ; 5. Vertigo/relight my EXI fire ; 6. You make me feel (mighty real) ; 7. Move on up ; 8. Love machine (part 1) ; 9. -
Bending the Universe.Pages
Bending The Universe a collection of original poems by Alaskan poet Justin Wetch ©2016 Justin Wetch Respect the work of the artist by not sharing this work illegally or claiming it as your own. PREFACE Hello, I am Justin Wetch, a poet, writer, musician, and photographer from Alaska. These are my poems. They are the result of five years of writing my heart out. Please treat them kindly. There are five sections in this book, each composed of twenty poems. The sections are Society, Love, Life, Personal, and Nature. These poems are completely honest. They are 20,000 words in all, and I have given my best efort to make them the best I could possibly make them. I hope you enjoy them. If you’re going to distribute these poems, whether online or otherwise, please attribute them to me. Thank you. DEDICATION Dedicated to my friends and family. Without you, I would have nothing to say. Special thanks to Malachi Paulsen, who drew the incredible pencil sketches in this book by hand. His extraordinary talents and perfectionist work ethic have made this book so much better than I could ever have dreamed it could be. Art is the breath of life. We are born with the knowledge of breathing. Don’t let the world stop you and teach you not to breathe. CONTENTS (SECTIONS) Society……………………………..1 Love……………………….33 Life…………………………..69 Personal………………………114 Nature……………………150 section one society SECTION I: SOCIETY CONTENTS: Diversity The Fire’s Still Burning Growing Up The Cosmic Soul Then & Now Femme Tinderbox Minds Church Preaching Tolerance The Girl Down The Street Love Is Dead Rome American Justice Candles How To Tell If Your Rep. -
CARA DILLON at Chequer Mead, East Grinstead Support: James Findlay 2010 Winner of the BBC Radio 2 Young Folk Award
News Release www.acousticsussex.org.uk c/o Martin Snodin, Tel. 01342 716975 (eve/weekends) Farthings, Lion Lane, mobile: 0780 901 3329 Turners Hill, email: [email protected] West Sussex RH104NU For the attention of: 20 March 2011 Friday 8 April 2011 (previously 19 February) CARA DILLON at Chequer Mead, East Grinstead Support: James Findlay 2010 winner of the BBC Radio 2 Young Folk Award Returning two years after her last visit to Chequer Mead, Irish songstress Cara Dillon has that rare talent that you only come across a handful times in your whole life. Her staggeringly beautiful voice has the ability to reach inside the soul of a song and imbue material with not only profound sweetness but also poignancy and depth. Born in Dungiven in 1975, Cara was brought up in a close musical family immersed in the rich cultural heritage of her native Co. Derry. Having won the All Ireland Traditional Singing Trophy aged only 14 she went on to sing with Oige, De Dannan and then Equation. It was in this band that she met her husband and musical collaborator Sam Lakeman. The combination of Cara's expressive vocals and Lakeman's rippling piano and fresh production squeezed new life into ancient material. Their original songs sit happily alongside the traditional, reinforcing the debt they owe, whilst pointing to a distinct and distinguished musical identity all of their own. It was Cara's unrivaled vocal talent and Sam's musical and arranging skills that first saw them signed to major record labels - first, Blanco Y Negro (Warners) and then the enviably hip Rough Trade Records, who released her first 3 solo albums.