David Bowie. Rock'n'roll with Me Pavilion
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Cherokee Studios
Published on AIA Top Ten (http://www.aiatopten.org) Home > Cherokee Studios Cherokee Studios Project Overview The photo shows the eastern street view of the building along Fairfax Avenue. - Photo Credit: John Linden The main entrance, including retail frontage on the first floor, can be seen in this photo. - Photo Credit: John Linden A street view looking northwest is shown in the photo. - Photo Credit: John Linden . This urban infill, mixed-use, market-rate housing project was designed to incorporate green design as a way of marketing a green lifestyle. It is pending LEED Platinum certification. The design maximizes the opportunities of the mild Southern California climate with a passive cooling strategy using cross-ventilation and thermal convection while taking advantage of the abundantly sunny location. A commitment to minimizing the project's ecological footprint informed all aspects of the design. The main architectural feature of this project is the building's owner-controlled double-façade system. The occupant is able to adjust the operable screens of the building façade as necessary for privacy, views, shading, and thermal comfort. As a result, the facade is virtually redesigned "live" from within, responding to the occupants of the building in real time. The façade also enhances the existing streetscape and promotes a lively pedestrian environment. By visually breaking up the façade into smaller, articulated moving elements, the building appears to move with the passing cars and people. Like many features of the building, the façade is multivalent and rich with meaning, performing several roles for formal, functional, and experiential effect. Location: 751 N. -
Cic004 Bowie.Pdf
4 Conversations in Creativity Explorations in inspiration Bowie • 2016 creativelancashire.org Creative Lancashire is a service provided by Lancashire County Council through its economic development company - Lancashire County Developments Ltd (LCDL). They support creative and digital businesses and work with all sectors to realise creative potential. Hemingway Design Lemn Sissay In 2011, Creative Lancashire with local design agencies Wash and JP74 launched ‘Conversations in Creativity’ - a network and series of events where creatives from across the crafts, trades and creative disciplines explore how inspiration from Simon Aldred (Cherry Ghost) around the world informs process. Previous events have featured Hemingway Design, Gary Aspden (Adidas), Pete Fowler (Animator & Artist), Donna Wilson (Designer), Cherry Ghost, I am Kloot, Nick Park (Aardman), Lemn Sissay (Poet) and Jeanette Winterson (Author) - hosted by Dave Haslam & John Robb. Donna Wilson Who’s Involved www.wash-design.co.uk www.jp74.co.uk Made You Look www.sourcecreative.co.uk Pete Fowler THE VERY BEST OF BRITANNIA 1. 2. 3. David Bowie:1947-2016 A wave of sadness and loss rippled through the This provides the context for our next creative world after legendary star man David Conversations in Creativity talk at Harris Bowie (David Robert Jones), singer, songwriter Museum as part of the Best of Britannia (BOB) and actor died on 10 January 2016. North 2016 programme, Bowie’s creative process evolved throughout his As a companion piece to the event we’ve 40+ year career, drawing inspirations from the collaborated with artists and designers including obvious to the obscure. Stephen Caton & Howard Marsden at Source Creative, and Andy Walmsley at Wash and artists; 4. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
WATCHMOJO – the Life and Career of David Bowie (1947-2016)
WATCHMOJO – The life and career of David Bowie (1947-2016) https://www.youtube.com/watch?v=Lan_wotkon0 [Fashion] Welcome to watchmojo.com and today we're taking a look at the life and career of David Bowie. [Queen Bitch] David Robert Jones was born on January 8 1947 in Brixton London England. Though he showed musical interest at a young age it was only in the early 60s that he really pursued the art. He started by joining several blues bands but branched off on his own when they had little success. Renaming himself David Bowie he released his self-titled debut in 1967. [Who's that hiding in the apple tree clinging to a branch] Its lack of success led Bowie to participate in a promotional film called Love you till Tuesday which showcased several of his songs. A particular interest was Space Oddity : that track became a hit after it was released at the same time as the first moon landing. [Ground control to Major Tom] His sophomore effort of the same name however was another commercial disappointment. [The man who sold the world] To promote his third album The man who sold the world, Bowie was put in a dress to capitalize on his androgynous look. [Life on mars] [Ziggy Stardust] In 1971 a pop influenced record called Hunky-Dory came out and was followed by the creation of his flamboyant Ziggy Stardust persona and stage show with backing band The Spiders from Mars. Then came his breakthrough record The rise and fall of Ziggy Stardust and the Spiders from Mars which climbed the charts thanks to his performance of the single Star Man on Top of the Pops. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Produced Byray Manzarek
PRODUCED BY RAY MANZAREK Originally released April 1980 Originally released May 1981 Originally released July 1982 Originally released September 1983 Frank Gargani Debbie Leavitt Power... Passion... Poetry! Attack the world. Let’s do some damage. What a band. Four monsters of skin. My favorite rockers of the then time. John Doe - Mr. Handsome - of the deep rich voice, the hard, strong jaw, the angular bass stance and the hot/cool lyrics. Their harmonies - some would say Schoenberg - his partner Exene, of the wailing scream in the night, the clear eyed pinning of American failings, the fine words of Diana Bonebrake love and booze and madness in the midnight dawn of Los Angeles. “Johny Hit and Run Paulene...” and he’s got a sterilized hypo filled with a sex-machine drug, and he only has 24 hours to shoot all Paulenes between the legs. So get busy, boy. And he does. Listen to those words! That naughty, naughty Johny. I love ‘em. And Exene’s “The World’s a Mess, it’s in My Kiss.” I just love that crazy combination: World - Mess - Kiss. And Billy Zoom on guitar, or is that at least 3 or 4 guitars. How does he do it? It’s so massive, so sharp, so bright, so fucking LOUD!!! And he is so silver smooth and cool. Effortless fingering, impeccable on the frets. Doesn’t he ever make a mistake? Is he a flesh and blood Valhalla guitar god? Yeahhh! And who is that madman beating the living shit out those drums? Ladies and Gentleman... D. -
TECHNICAL REPORT DOCUMENTATION PAGE Formats
STATE OF CALIFORNIA • DEPARTMENT OF TRANSPORTATION ADA Notice For individuals with sensory disabilities, this document is available in alternate TECHNICAL REPORT DOCUMENTATION PAGE formats. For alternate format information, contact the Forms Management Unit TR0003 (REV 10/98) at (916) 445-1233, TTY 711, or write to Records and Forms Management, 1120 N Street, MS-89, Sacramento, CA 95814. 1. REPORT NUMBER 2. GOVERNMENT ASSOCIATION NUMBER 3. RECIPIENT'S CATALOG NUMBER CA-17-2969 4. TITLE AND SUBTITLE 5. REPORT DATE A Comparative Analysis of High Speed Rail Station Development into Destination and/or Multi-use Facilities: The Case of San Jose Diridon February 2017 6. PERFORMING ORGANIZATION CODE 7. AUTHOR 8. PERFORMING ORGANIZATION REPORT NO. Anastasia Loukaitou-Sideris Ph.D. / Deike Peters, Ph.D. MTI Report 12-75 9. PERFORMING ORGANIZATION NAME AND ADDRESS 10. WORK UNIT NUMBER Mineta Transportation Institute College of Business 3762 San José State University 11. CONTRACT OR GRANT NUMBER San José, CA 95192-0219 65A0499 12. SPONSORING AGENCY AND ADDRESS 13. TYPE OF REPORT AND PERIOD COVERED California Department of Transportation Final Report Division of Research, Innovation and Systems Information MS-42, PO Box 942873 14. SPONSORING AGENCY CODE Sacramento, CA 94273-0001 15. SUPPLEMENTARY NOTES 16. ABSTRACT As a burgeoning literature on high-speed rail development indicates, good station-area planning is a very important prerequisite for the eventual successful operation of a high-speed rail station; it can also trigger opportunities for economic development in the station area and the station-city. At the same time, “on the ground” experiences from international examples of high-speed rail stations can provide valuable lessons for the California high-speed rail system in general, and the San Jose Diridon station in particular. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
Making West Norwood & Tulse Hill Better for Business
STATION TO STATION: MAKING WEST NORWOOD & TULSE HILL BETTER FOR BUSINESS OUR PLANS TO CREATE A BUSINESS IMPROVEMENT DISTRICT www.stationtostation.london 1 STATION TO STATION IS FOR INTRODUCTION ALL BUSINESSES WHO WANT Dear Friends, TO PROSPER IN A GROWING, I hope you feel as privileged as I do to work in one of the most up-and-coming parts of this great city of ours – West Norwood VIBRANT PLACE & Tulse Hill. I am always finding new ‘hidden gems’ here. “I’m really pleased Since I arrived as manager of Parkhall in 2014, the that the businesses in neighbourhood has seen massive improvements, with a new West Norwood & Tulse Hill are Leisure Centre, upgraded pavements and street furniture, the getting an opportunity to come together. BIDs elsewhere in Lambeth have always-improving Feast and an array of exciting new shops, proven very successful and have brought in bars, cafés and restaurants. extra police officers and new apprenticeships, as well as making their neighbourhoods cleaner I am proud to chair Station to Station – the proposed new and greener. Station to Station BID will help Business Improvement District (BID) for West Norwood & create a thriving business community in West Tulse Hill. By bringing local businesses together, it aims to Norwood & Tulse Hill” take the area to another level. We believe it will make owners, Cllr Jack Hopkins, Cabinet Member customers, staff and clients happier and attract new ones. for Regeneration, Business and Culture, London Borough In the pages that follow you will read about all the exciting of Lambeth. things that Station to Station BID plans to do. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Mott the Hoople and Ian Hunter: All the Young Dudes - the Biography Free Download
MOTT THE HOOPLE AND IAN HUNTER: ALL THE YOUNG DUDES - THE BIOGRAPHY FREE DOWNLOAD Campbell Devine | 423 pages | 09 Aug 2007 | Cherry Red Books | 9781901447958 | English | London, United Kingdom Ian Hunter (singer) Jonesy and Coop went and when I finally tracked them down for a full report, their eyes were still ricocheting around like pinballs, all fan-boy struck and gloating more than just a little bit. Hunter and Ronson then parted professionally, reportedly due to Hunter's refusal to deal with Ronson's manager, Tony DeFries. The new lineup toured in lateand the concerts were documented on 's Mott the Hoople Live. No trivia or quizzes yet. Ditto Bender, with a pair of his own with the criminally overlooked and underappreciated Widowmaker not the wanky Dee Snider outfit. Greg Reeves marked it as to-read Nov 29, Jane marked it as to-read Jun 07, Mott The Hoople and Ian Hunter: All the Young Dudes - The Biography they were interviewed extensively for the book, following publication both Dale Griffin and Overend Watts disowned the book and were scathing about it and the Mott The Hoople and Ian Hunter: All the Young Dudes - The Biography. An album of the same name was released on Columbia Records in the fall, and it became a hit in the U. Lauren Griffin marked it as to-read Dec 30, Queenonce an opening act for Mott the Hoople, provided backing vocals on one track. Hunter's entry into the music business came after a chance encounter with Colin York and Colin Broom at a Butlin's Holiday Campwhere the trio won a talent competition performing " Blue Moon " on acoustic guitars. -
Behind the Gear Studios and I Worked There for Three Weeks
brothers - I’d had enough. So then I went to A&M Behind The Gear Studios and I worked there for three weeks. The studio This Issue’s Guru of Gadgets sucked then. There was sort of a bad, lean-on-the- by Larry Crane shovel attitude. I felt like everyone there was just collecting paychecks - I like to work. So I went to the Jonathan Little Village Recorders, which is a nice studio. It was owned by Geordie Hormel. I worked there from 1984 to 1987. I’d gotten to know Jimmy Iovine and Shelly Yakus from the Cherokee days. They were working at Cherokee and we did the Tom Petty record Southern Accents and the Eurythmics [Be Yourself Tonight], one of those Talking Heads records [True Stories] with Eric Thorngren engineering, Robbie Robertson’s first [self-titled] solo record with Daniel Lanois and a lot of records with Gary Katz. Being a tech was nice because I didn’t have From the first moment another engineer Phase-Corrected Speaker Systems” (which later I put in to sit in the room all the time, but back then you were raved about a Little Labs DI to me, I knew the end of the IBP manual). I sent that out with my pretty involved in the whole process. I built my first that this company was onto something resume, saying, “This is some of my work.” Tom Lubin, mic pre while I was there. Tchad Blake and Mitchell special. It turns out Little Labs is the editor of RE/P Magazine, said to come see him in Froom really liked it.