1 013 Sound System Sets 0000 2 104E20 Sets 0000 3 303

Total Page:16

File Type:pdf, Size:1020Kb

1 013 Sound System Sets 0000 2 104E20 Sets 0000 3 303 1 013 Sound System Sets 0000 2 104e20 Sets 0000 3 303 Entertainment Sets 0000 4 3faze Sets 0000 5 400cc Sets 0000 6 44-enk-val Sets 0000 7 69db Sets 0000 8 6mik vs la Bloukak Sets 0000 9 6Tem Kronos Sets 0000 10 6TeMaTeK Sets 0000 11 6terzone Sets 0000 12 9mm Sets 0000 13 A-kriv Sets 0000 14 A2f Sound System Sets 0000 15 a2h Sets 0000 16 A6tek Sets 0000 17 AA Sets 0000 18 ABSTRAKT TrAffikBAsS Sets 0000 19 Absurde Sets 0000 20 Acid Anonymous Sets 0000 21 Acid Comix Sets 0000 22 Acid Drops Sets 0000 23 Acid Factory aka Dr. Marius Sets 0000 24 Acid Freaks Sets 0000 25 Acid Hunter Sets 0000 26 Acid Junkies Sets 0000 27 Acid Junkies The acid life 02 0000 28 Acid Junkies The acid life 01 0000 29 Acid Noise aka Cyber23 Sets 0000 30 Acid Polak Sets 0000 31 Acid Rain Sets 0000 32 Acid2fik Sets 0000 33 Acidaminé Sets 0000 34 Acratek Sets 0000 35 Acrobass Sound System Sets 0000 36 Acrotek Sets 0000 37 Active Alliance Sets 0000 38 Adaptek Crew Sets 0000 39 Adiktos al Tekno Sets 0000 40 Adrenokrome Sets 0000 41 Adrenokrome Tracks 0000 42 Agent23 Sets 0000 43 Aggressive Pirata Sets 0000 44 Agnes P Sets 0000 45 AGT Sets 0000 46 AK47 Sets 0000 47 Aka IO Sets 0000 48 Aka IO AKA.IO - sobota 0000 49 Aka IO AKA.IO - nedele 0000 50 Aka IO AKA.IO - pondeli 0000 51 Aka IO AKA.IO - utery 0000 52 Akedia Sound System Sets 0000 53 Akira Sets 0000 54 AKS Sets 0000 55 Al Core - Micropoint Sets 0000 56 Al3French Sets 0000 57 Alamas Sets 0000 58 Alchymist Sets 0000 59 Aleph Sets 0000 60 Alex Tune Sets 0000 61 AleXtrem Sets 0000 62 Alias23 Sets 0000 63 Alice Sound Connection Sets 0000 64 Alien Dutch Sets 0000 65 Alien Trip Sets 0000 4/10/2021 18:59 1 66 Alif Sound System Sets 0000 67 Alkaline Sets 0000 68 Alkaloid Sets 0000 69 Alr Aka Dbz Sets 0000 70 Alternativ Sound System Tracks 0000 71 Alternative Sound System Sets 0000 72 Alx No23 Sets 0000 73 Amanes Sets 0000 74 Amigos Sets 0000 75 Amipokalipse Sets 0000 76 Amnezik Sound Sets 0000 77 AMok SOund Tracks 0000 78 AMok SOund Sets 0000 79 Amok VRS Sets 0000 80 Amonyte Sets 0000 81 Anal Comandoz Sets 0000 82 Analog Cirkus Sets 0000 83 Analog Obsession Sets 0000 84 AnalogFrequency Sets 0000 85 Anarkya Dzk Sets 0000 86 Anarshitek Sets 0000 87 Anax Sets 0000 88 Anax Hard Frenchcore Mix Mr Samik RuTube 0000 89 Andrenalin Sets 0000 90 Androgyn Network Sets 0000 91 Angerfist Sets 0000 92 Angerkick Sets 0000 93 AngrY LunA Sets 0000 94 Annex Sets 0000 95 Anon 6tem Sets 0000 96 Anonym Sets 0000 97 Ans Sets 0000 98 Anticartel Sets 0000 99 Anticore Sets 0000 100 Antidote Sets 0000 101 Antinorm Sets 0000 102 Antistatik Sets 0000 103 Antistatik Sets 0000 104 Antrepofaz Sets 0000 105 Aphex Twin Sets 0000 106 Aphrikka Sets 0000 107 Aphrikka 10traktion02 0000 108 Aphrikka Blaerg live 0000 109 Apin Sets 0000 110 Apokalyptik Sets 0000 111 Ara Company Sets 0000 112 Arakneed Sets 0000 113 Architek Sets 0000 114 Arcid Sets 0000 115 Aretmetik Sets 0000 116 ARK-AIK Ark-alk bday2005 0000 117 ARK-AIK Di-om 0000 118 ARK-AIK Lingouf 0000 119 ARK-AIK Manoosh 0000 120 ARK-AIK Processus 0000 121 ARK-AIK Specinem 0000 122 ARK-AIK Speedygonzator 0000 123 ARK-AIK The Soul Grinder 0000 124 ARK-AIK Ybrit 0000 125 Arkanoid Sets 0000 126 Arobass Sets 0000 127 Arphetic Sets 0000 128 Arsen Sets 0000 129 Art H Crew Sets 0000 130 Arthur Sets 0000 131 Artizanal Lx6t Sets 0000 4/10/2021 18:59 2 132 Ascender Soundseeker 0000 133 Asmat Sound System Sets 0000 134 Asphalt Pirates Sets 0000 135 Ass Lobotomy Sets 0000 136 Assault Sound System Sets 0000 137 Astraloxytek Sets 0000 138 Astriky Sets 0000 139 Asylum Corp Sets 0000 140 Asystematik connected (tekitaprod) 2004 0000 141 Asystematik Nautilus 0000 142 Asystematik Sets 0000 143 Ath Core Sets 0000 144 Atipik Sets 0000 145 ATN Sound Sets 0000 146 Atomik Sound Sets 0000 147 Audio Maniacs Look at the Bells 2011 0000 148 Audio Maniacs Lets Get Maniac 2010 0000 149 Audio Maniacs OutBreak 0000 150 Audiopirat23 Sets 0000 151 Audiotrix Sets 0000 152 Audiotrix IXINDAMIX Sets 0000 153 Audiotrix IXI - The Return of Clutchn Breatrz 0000 154 Audiotrix Ixindamix - Live and Direct CD-2002 0000 155 Audiotrix Ixindamix - Chip Jockey 7 0000 156 Australopitek Sets 0000 157 Awka Tribe Sets 0000 158 Axiome Sets 0000 159 Axium Bens akaPutain de zic - Impakt oldschool 0000 160 Axium Space Invaders 0000 161 Axium Records - Mix CD Volume 2-2004 0000 162 AXN Sets 0000 163 Azotek aka Dubstep Laboratory Sets 0000 164 Azra3l Sets 0000 165 AztekCore Sets 0000 166 B.Side Sets 0000 167 Babylon Joke Sets 0000 168 Bacid Sets 0000 169 Badtekk Sets 0000 170 Baeng - BÆNG Sound System Aztekk sets 0000 171 Baeng - BÆNG Sound System Dozer Sets 0000 172 Baeng - BÆNG Sound System Joris Sets 0000 173 Baeng - BÆNG Sound System Mangel Moes 0000 174 Bagr Core Sets 0000 175 Bakatek Sets 0000 176 Baldor Sets 0000 177 Baldy Sets 0000 178 Bandidos Sets 0000 179 Banditos Sets 0000 180 Banditos Aromes 12.24.02 0000 181 Banditos Digital Egg 0000 182 Banditos Supermario 0000 183 Banditos Tracks 0000 184 Bangbass Sets 0000 185 Baseck Sets 0000 186 Basil Sets 0000 187 Basil Live At Pro Ost Kaylaboration-05-02 2009 0000 188 Bass Frekence Sets 0000 189 Bassadonf Sets 0000 190 Basscoffe Sets 0000 191 Bassmekk Sets 0000 192 Basswood Sets 0000 193 Basze Sets 0000 194 Beat Kouple Sets 0000 195 Belka Sets 0000 196 Beltram56k Sets 0000 197 Bernie Sets 0000 4/10/2021 18:59 3 198 Betty23 Sets 0000 199 Betty23 Blackoutparty 0000 200 Betty23 Bollate 20.12.2003 0000 201 Betty23 Bozombo 0000 202 Beuken bv boKAoZ - French Technology is Dead 0000 203 Beuken bv Rick Rok 0000 204 Beuken bv Sets 0000 205 Beuken bv Duister and Beuken BV 0000 206 Beuken bv Remy 0000 207 Bezmastekk Sound System Sets 0000 208 Bidouil Sets 0000 209 Big5mile Sets 0000 210 Billx Sets 0000 211 BINARY SQUAD Sets 0000 212 Bio Bananas Sets 0000 213 Bioss Sets 0000 214 Bioss Hardtekk 0000 215 Bioxeed Sets 0000 216 Bit Reactors Sets 0000 217 Black Sheep Crew Sets 0000 218 Blackbeat Sets 0000 219 Block Heads Sets 0000 220 Bmhot Sets 0000 221 BobataK Sets 0000 222 Bollini Verdi DamIam 0000 223 Bonebreaker Sets 0000 224 Bonehead Sets 0000 225 Bong Brother Sets 0000 226 Botanik Sound System Sets 0000 227 Boxtek Sound System Sets 0000 228 The Braindestroyer Sets 0000 229 Brian Kx Starter Sets 0000 230 Bruxisme Sound System Sets 0000 231 BRZ Sets 0000 232 BSE Sets 0000 233 BSS Sets 0000 234 Bubble Beatz Sets 0000 235 Budburnerz Sets 0000 236 Bunker23 Crew Sets 0000 237 Burm ! Sets 0000 238 Burning Squad Sets 0000 239 BZH Sets 0000 240 C'RhuM Sets 0000 241 Cabaret Sets 0000 242 Canabass Sets 0000 243 Caps lock Sets 0000 244 Capsule Corps Sets 0000 245 Captain Karacho Sets 0000 246 Cardiak Sets 0000 247 Cardiak Camatox 0000 248 Carl Sets 0000 249 Carl Coke Sets 0000 250 Carles S Sets 0000 251 Carnival Sets 0000 252 Carol Tekk Sets 0000 253 Castelotek Sets 0000 254 CAZ IPNOTEK Sets 0000 255 Cenobit Sets 0000 256 Censure 6tem Sets 0000 257 Cestfini Sets 0000 258 Cetenza Sets 0000 259 Chaeoz Sets 0000 260 Chaouette Sets 0000 261 Cheater Sets 0000 262 Chem D Sets 0000 263 Chemical Terror Sets 0000 4/10/2021 18:59 4 264 Chemotaxis Sets 0000 265 Children of Chaos23 Sets 0000 266 Chris Liberator Sets 0000 267 Chromosome X Sets 0000 268 Cinkope Sets 0000 269 Cirkus Alien Sets 0000 270 Clift Sets 0000 271 CMDER Sets 0000 272 CO2 Sets 0000 273 CO2 Maissouille Le Projet KO 2007 0000 274 CO2 Maissouille - Phase Of Master 2008 0000 275 Co23 Sound System Sets 0000 276 Collapse Sound System Sets 0000 277 Combain 6tem Sets 0000 278 Combain 6tem Efliq 0000 279 Combain 6tem Krivak Vykrivenej 0000 280 Combain 6tem Reap Mexc 0000 281 Combain 6tem Terkel 0000 282 Comixx Sound Sets 0000 283 The Commandor Sets 0000 284 Comor Teror Sets 0000 285 The Constructor Sets 0000 286 Contrabass Sets 0000 287 Contrazt Sets 0000 288 Corbo Sets 0000 289 The Core Dealers D.A.K.S 0000 290 The Core Dealers Killercel 0000 291 Core-Tex Sets 0000 292 Core-Tex A999c 0000 293 Core-Tex Abrasif 0000 294 Core-Tex Alien 0000 295 Core-Tex Core Tex-Labs - Vault 13 0000 296 Core-Tex Core Tex-Labs 01 0000 297 Core-Tex Labs 02 - Pure Rakaille 0000 298 Core-Tex Labs 03 - Le Méntal Hurlant 0000 299 Core-Tex Labs 05 0000 300 Core-Tex Labs 13 - Paf Le Chien 0000 301 Core-Tex Dr Death 0000 302 Core-Tex Core-Tex En Vacances 0000 303 Core-Tex Liveconspiracy 0000 304 Core-Tex S.A.G. 0000 305 Core-Tex Linvite Fantome 0000 306 Corps a Core Sets 0000 307 Corrosive Sets 0000 308 CPE Sound System Sets 0000 309 Crap'lo Sets 0000 310 CraP_cillA Sets 0000 311 Crash 6tem Sets 0000 312 Crazy Trip Sets 0000 313 CRiS3R Sets 0000 314 Criss Chaos Sets 0000 315 Criss Chaos Ultimate Speedcore Vol.7 Armageddon 0000 316 Criss Chaos X-Treme Speedcore 13.12.09 0000 317 Critical Storm Sets 0000 318 Crock crk Opulsif Sets 0000 319 Crock crk Opulsif Tracks 0000 320 CrOpS CiRcLe Sets 0000 321 Crystal Distortion Sets 0000 322 Cubensis Sets 0000 323 Cuntcores Sets 0000 324 Cup a core Sets 0000 325 Curley Sets 0000 326 Curley Tape 0000 327 Curley System is a failure 0000 328 Cyberrise Sets 0000 329 Cyberskum Sets 0000 4/10/2021 18:59 5 330 Cybertek23 Sets 0000 331 Cyclops Sets 0000 332 CyCO Sets 0000 333 Czajovna Sets 0000 334 Czech Leepa ss Sets 0000 335 Czernobyl ss Sets 0000 336 Czerokezz ss Sets 0000 337 D-Audio Sets 0000 338 D-kalke Sets 0000 339 D-Tekted Sets 0000 340 D.A.T.
Recommended publications
  • On Being Watched …!
    ON BEING WATCHED …! All about my ‘Big Brother’ http://www.gn.apc.org/tash On being watched ……… all about my ‘Big Brother’ 1 CCoonntteennttss IIInntttrroo …… 55 SSeeccuurriiitttyy SSeerrvviiicceess AAccttt eetttcc …… 55 SSoommee oofff ttthhee sstttoorryy ssoo fffaarr ......... 77 OOppeerraatttiiioonn SSoolllsstttiiiccee …… 88 OOppeerraatttiiioonn NNoommaadd …… 1100 OOppeerraatttiiioonn SSnnaappsshhoottt …… 1111 FFoorrwwaarrdd IIInnttteelllllliiiggeennccee TTeeaammss …… 1133 EEnnvviiirroonnmmeenntttaalll PPoollliiicciiinngg …… 1155 CCCCTTVV aanndd ttthhee MMaannddrraakkee ssyyssttteemm …… 1166 MMiiinniiiaatttuurree ssuurrvveeiiillllllaannccee ccaammeerraass aanndd ddeevveelllooppmmeenntttss …… 1199 MMiiinniiiaatttuurree ssuurrvveeiiillllllaannccee ccaammeerraass aappppllliiieedd ccoovveerrtttlllyy …… 2200 EEvviiiddeennccee …… 2211 MMaanniiippuulllaatttiiioonn oofff ttthhee mmeeddiiiaa …… 2211 WWeerree iiiss aallllll ttthhiiiss ggooiiinngg .........?? 2255 WWeebb SSiiittteess …… 2288 On being watched ……… all about my ‘Big Brother’ 2 "It's not the big battalions that win battles, it's the best shots" Voltaire On being watched ……… all about my ‘Big Brother’ 3 IIInntttrroo …… "It's not paranoia .… if they're really after you …! n recent years, surveillance techniques have been developed, they say, for the Icatching of criminals in criminal acts, further, to provide evidence for their prosecution. I think society at large would argue, that that's fair enough. Fingerprint detection, after all, seems to be acceptable to most! Now, however, these
    [Show full text]
  • Origin Al Ar Ticle
    Journal of Nursing, Social Studies, Public Health and Rehabilitation 3–4, 2011, pp. 264–269 MOTIVATION FOR USING ILLEGAL DRUGS AT FREETEKNO PARTIES Alena Kajanová1, Aneta Klečacká2 1University of South Bohemia, Faculty of Health and Social Studies, České Budějovice, Czech Republic 2A student of MUNI in Brno, branch of study – social work, Czech Republic Submitted: 2011-03-02 Accepted: 2011-09-12 Published online: 2011-12-15 Abstract The knowledge acquired about the freetechno subculture by the general public in the Czech Republic has been obtained exclusively through its negative image associated with consumption of socially illegal drugs as it is depicted in the mass media and which has also been substantiated with results of addictological and sociological surveys. The objective of our paper is to identify whether there is a connection between the type of drugs used at freetekno parties and the freetekno subculture in the sense of subjectively perceived connection between the type of used drugs and the specific type of a dance party. Another objective is to outline whether the possibility to buy/use a drug represents the priority motivation for visiting a party or only makes the atmosphere of an even as such complete. We selected the qualitative research, techniques of semi-structured interviews and participant observation in the party environment as the research method. The research set comprised of participants in randomly selected freetekno parties (N=10). The results of the research show that music and the overall atmosphere of an event with an accent on its tribal character are stated by respondents as the principal motivation for visiting a party.
    [Show full text]
  • Neotrance and the Psychedelic Festival DC
    Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival.
    [Show full text]
  • Politizace Ceske Freetekno Subkultury
    MASARYKOVA UNIVERZITA FAKULTA SOCIÁLNÍCH STUDIÍ Katedra sociologie POLITIZACE ČESKÉ FREETEKNO SUBKULTURY Diplomová práce Jan Segeš Vedoucí práce: doc. PhDr. Csaba Szaló, Ph.D. UČO: 137526 Obor: Sociologie Imatrikulační ročník: 2009 Brno, 2011 Čestné prohlášení Prohlašuji, ţe jsem diplomovou práci „Politizace české freetekno subkultury“ vypracoval samostatně a pouze s pouţitím pramenů uvedených v seznamu literatury. ................................... V Brně dne 15. května 2011 Jan Segeš Poděkování Děkuji doc. PhDr. Csabovi Szaló, Ph.D. za odborné vedení práce a za podnětné připomínky, které mi poskytl. Dále děkuji RaveBoyovi za ochotu odpovídat na mé otázky a přístup k archivu dokumentů. V neposlední řadě děkuji svým rodičům a prarodičům za jejich podporu v průběhu celého mého studia. ANOTACE Práce se zabývá politizací freetekno subkultury v České Republice. Politizace je v nahlíţena ve dvou dimenzích. První dimenzí je explicitní politizace, kterou můţeme vnímat jako aktivní politickou participaci. Druhou dimenzí je politizace na úrovni kaţdodenního ţivota. Ta je odkrývána díky re-definici subkultury pomocí post- subkulturních teorií, zejména pak Maffesoliho konceptem neotribalismu a teorie dočasné autonomní zóny Hakima Beye. Práce se snaţí odkrýt obě úrovně politizace freetekno subkultury v českém prostředí pomocí analýzy dostupných dokumentů týkajících se teknivalů CzechTek, CzaroTek a pouličního festivalu DIY Karneval. Rozsah práce: základní text + poznámky pod čarou, titulní list, obsah, rejstřík, anotace a seznam literatury je 138 866 znaků. Klíčová slova: freetekno, politizace, dočasná autonomní zóna, DAZ, neo-kmen, neotribalismus, CzechTek, subkultura, post-subkultury ANNOTATION The presented work focuses on the politicization of the freetekno subculture in the Czech Republic. The politicization is perceived in two dimensions. The first dimension is the explicit politicization, which could be represented as the active political participation.
    [Show full text]
  • Drug Use at Free Parties: Field Survey 2012
    2015/ 15 / 2 ORIGINAL ARTICLE Drug Use at Free Parties: Field Survey 2012 NOVOTNÁ, P.1, VACEK, J.2 1Prague College of Psychosocial Studies, Prague, Czech Republic 2Department of Addictology, First Faculty of Medicine, Charles University in Prague, and General University Hospital in Prague, Czech Republic Citation: Novotná, P., Vacek, J. (2015). Užívání návykových látek na freeparties: terénní dotazníkové šetøení 2012. Adiktologie, 15(2), 150–162. BACKGROUND: Standard quantitative research analys- recruited at four free parties in the period from April to Au- ing drug use at dance events (e.g. the “Dance and Drugs” gust 2012. RESULTS: Alcohol, tobacco, and marijuana had survey) does not provide specific information about drug been used by at least 70% of the respondents during the use at free parties. AIMS: The goal of this paper is to create past year. Other substances included hallucinogens (63%), a comprehensive survey of drug use at free parties sup- stimulants, ecstasy, GHB, and synthetic piperazine (59%), ported by the results of a questionnaire survey. DESIGN poppers (~12%), and opiates (~9%). CONCLUSIONS: AND MEASUREMENTS: The questionnaire was distrib- The prevalence rates identified by our survey are in many uted directly at free parties in order to collect data, which cases higher than those yielded by the “Dance and Drugs were subsequently analysed using standard mathematical 2007” survey. For example, major differences were found statistical techniques. PARTICIPANTS: The sample con- for the annual prevalence of LSD (53% vs. 21%) and magic sists of 127 non-randomly selected (available) respondents mushrooms (48% vs. 20%). KEY WORDS: DRUG USE – EPIDEMIOLOGY – FREE PARTY – FREETEKNO – PREVALENCE – YOUNG ADULTS Submitted: 19 / JUNE / 2014 Accepted: 26 / AUGUST / 2015 Grant support: This paper was made possible by institutional support from Charles University in Prague as part of the PRVOUK-P03/LF1/9 programme.
    [Show full text]
  • Alternative Spaces in Post-Socialist Prague
    Michaela Pixová: Struggle for the Right to the City: Alternative Spaces in Post-Socialist Prague UNIVERZITA KARLOVA V PRAZE Přírodovědecká fakulta Katedra sociální geografie a regionálního rozvoje Michaela Pixová STRUGGLE FOR THE RIGHT TO THE CITY: ALTERNATIVE SPACES IN POST-SOCIALIST PRAGUE BOJ O PRÁVO NA MĚSTO: ALTERNATIVNÍ PROSTORY V POST-SOCIALISTICKÉ PRAZE Ph.D Thesis The Supervisor: Doc. RNDr. Luděk Sýkora, Ph.D. Prague 2012 Michaela Pixová: Struggle for the Right to the City: Alternative Spaces in Post-Socialist Prague Declaration I declare that this dissertation is my original work conducted under the supervision of Doc. RNDr. Luděk Sýkora, Ph.D. All sources used in the dissertation are indicated by special reference in the text and no part of the dissertation has been submitted for any other degree. Any views expressed in the dissertation are those of the author and in no way represent those of Charles University in Prague. The dissertation has not been presented to any other University for examination either in Czechia or overseas. In Prague, July 30, 2012 ……….…………………… Signature i Michaela Pixová: Struggle for the Right to the City: Alternative Spaces in Post-Socialist Prague Acknowledgement This dissertation could not have been carried out without the help and support of many people. To name all of them would require a long list, and therefore I would like to acknowledge in particular the ones whose help was indispensable to my research and for the production of this thesis. Most of my thanks go obviously to my supervisor, Luděk Sýkora, who not only provided my research with the much needed expertise, but also featured as an invaluable source of inspiration, encouragement and mental support.
    [Show full text]
  • Text-Based Description of Music for Indexing, Retrieval, and Browsing
    JOHANNES KEPLER UNIVERSITAT¨ LINZ JKU Technisch-Naturwissenschaftliche Fakult¨at Text-Based Description of Music for Indexing, Retrieval, and Browsing DISSERTATION zur Erlangung des akademischen Grades Doktor im Doktoratsstudium der Technischen Wissenschaften Eingereicht von: Dipl.-Ing. Peter Knees Angefertigt am: Institut f¨ur Computational Perception Beurteilung: Univ.Prof. Dipl.-Ing. Dr. Gerhard Widmer (Betreuung) Ao.Univ.Prof. Dipl.-Ing. Dr. Andreas Rauber Linz, November 2010 ii Eidesstattliche Erkl¨arung Ich erkl¨are an Eides statt, dass ich die vorliegende Dissertation selbstst¨andig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen und Hilfsmittel nicht benutzt bzw. die w¨ortlich oder sinngem¨aß entnommenen Stellen als solche kenntlich gemacht habe. iii iv Kurzfassung Ziel der vorliegenden Dissertation ist die Entwicklung automatischer Methoden zur Extraktion von Deskriptoren aus dem Web, die mit Musikst¨ucken assoziiert wer- den k¨onnen. Die so gewonnenen Musikdeskriptoren erlauben die Indizierung um- fassender Musiksammlungen mithilfe vielf¨altiger Bezeichnungen und erm¨oglichen es, Musikst¨ucke auffindbar zu machen und Sammlungen zu explorieren. Die vorgestell- ten Techniken bedienen sich g¨angiger Web-Suchmaschinen um Texte zu finden, die in Beziehung zu den St¨ucken stehen. Aus diesen Texten werden Deskriptoren gewon- nen, die zum Einsatz kommen k¨onnen zur Beschriftung, um die Orientierung innerhalb von Musikinterfaces zu ver- • einfachen (speziell in einem ebenfalls vorgestellten dreidimensionalen Musik- interface), als Indizierungsschlagworte, die in Folge als Features in Retrieval-Systemen f¨ur • Musik dienen, die Abfragen bestehend aus beliebigem, beschreibendem Text verarbeiten k¨onnen, oder als Features in adaptiven Retrieval-Systemen, die versuchen, zielgerichtete • Vorschl¨age basierend auf dem Suchverhalten des Benutzers zu machen.
    [Show full text]
  • Techno Et Culture Underground À Berlin Publié Le 6 Janvier 2014 – Zones Subversives
    Techno et culture underground à Berlin Publié le 6 Janvier 2014 – Zones subversives Le mouvement techno lance une véritable contre-culture dans le Berlin des années 1990. Mais la fête devient progressivement une marchandise. Le mouvement techno ne se limite pas au formatage musical pour clubbers branchés. En Allemagne, au début des années 1990, cette musique exprime une révolte qui rythme la contre-culture. Deux journalistes évoquent cette nouvelle forme de créativité dans un livre récent, à travers de nombreux entretiens. « La chute du mur survint au moment où naissait une nouvelle musique machinique, rugueuse, fantastique », introduisent Félix Denk et Sven Von Thülen. Avec l’effondrement de la bureaucratie bolchévique, de nouveaux espaces de créativité peuvent s’ouvrir. Des usines désaffectées et des bâtiments vides sont occupés. « Dans tous ces lieux que l’histoire la plus récente avait comme rendus à la vie civile, on s’est mis à danser sur une musique quasiment réinventée de fond en comble chaque semaine », décrivent Félix Denk et Sven Von Thülen. La techno émerge dans les années 1980 dans la ville de Détroit, aux États-Unis. Mais Berlin devient le berceau d’une réinvention contestataire de cette musique. Dans l’Est de la ville, la moindre sous- culture est réprimée, tandis que le rock s’est imposé à l’Ouest. Mais la techno permet un véritable souffle de liberté. Chacun peut expérimenter sa propre musique et exprimer sa créativité. « D’un seul coup, chacun pouvait programmer son propre monde : passer des disques, produire de la musique, fonder un magazine, imprimer des T- shirts… La techno appelait à la participation de chacun.
    [Show full text]
  • Baby Raves: Youth, Adulthood and Ageing in Contemporary British EDM Culture
    Baby Raves: Youth, Adulthood and Ageing in Contemporary British EDM Culture Feature Article Zoe Armour De Montfort University (UK) Abstract This article begins with a reconsideration of the parameters ofage in translocal EDM sound system and (super)club culture through the conceptualisation of a fluid multigenerationality in which attendees at EDM-events encompass a spectrum of ages from 0–75 years. Since the 1980s, it remains the case that the culture is fuelled through a constant influx of newcomers who are predominantly emerging youth, yet there are post-youth members in middle adulthood and later life that are also a growing body that continues to attend EDM-events. In this context, the baby rave initiative (2004–present) has capitalised on a gap in the family entertainment market and created a new chapter in (super)club and festival culture. I argue that the event is a catalyst for live heritage in which the accompanying children (aged from 0–12 years) temporarily become the beneficiaries of their parent’s attendee heritage and performance of an unauthored heritage. Keywords: fluid multigenerationality, EDM-family, baby rave, live heritage, unauthored heritage Zoe Armour is completing a PhD in electronic dance music culture. Her work is interdisciplinary and draws from the fields of cultural sociology, popular music, memory studies, media and communication and film. She is the author of two book chapters on Ageing Clubbers and the Internet and the British Free Party Counterculture in the late 1990s. She is a member of the Media Discourse Centre, IASPM and follows the group for Subcultures, Popular Music and Social Change.
    [Show full text]
  • Sound System Nation: Jamaica GRAHAM ST JOHN
    Sound System Nation: Jamaica GRAHAM ST JOHN from UNIVERSITY OF QUEENSLAND the floor 1. Photo by author Several years ago, I started gathering interest in mobile initiatives committed to social and political causes in Australia called “sound systems”. The likes of Labrats and other vehicles for the performance of postcolonial desires had been rallying the disaffected to wild and weird frontlines, pursuing, as techno-activist mover and shaker Pete Strong (aka Mashy P) once said, “a sound system for all”. Back then, I’d become excited by these proactive and convivial mobilisations. Responding to local ecological and humanitarian issues, and fed by developments in electronic music culture, a groovement was afoot. Becoming interested in the roots of these developments, one path took me in the direction of the original spinners, the UK’s Spiral Tribe, whose anarchist antics ap- pealed to thousands of tekno-travelers and sonic squatters, attracting the law in the form of a four month and £4 million trial in 1994 that eventually saw Spiral Tribe participants acquitted of the charge of “conspiracy to cause a public nuisance”. The Spirals then kicked off the European and worldwide freetekno movement – whose chief cultural expression is the teknival. Dancecult: Journal of Electronic Dance Music Culture 1(2) 2010, 94-104 ISSN 1947-5403 ©2010 Dancecult http://www.dancecult.net/ DOI 10.12801/1947-5403.2010.01.02.07 St John • Sound System Nation: Jamaica 95 2. Simon Spiral with 303. Photo by Stefan Debatsalier, from New Music Express, 9 January 1993 3. Out of System free party, Italy, July 2008.
    [Show full text]
  • The Diy Free Party Collective.’ Dancecult: Journal of Electronic Dance Music Culture 8 (1)
    Please reference the original article: Payling, Dave. 2016. ‘The DiY Free Party Collective.’ Dancecult: Journal of Electronic Dance Music Culture 8 (1). https://dj.dancecult.net/index.php/dancecult/article/view/897. THE DIY FREE PARTY COLLECTIVE DAVE PAYLING, STAFFORDSHIRE UNIVERSITY INTRODUCTION The DiY free party collective was founded in Nottingham, UK, in 1990 and were among the originators of the Nottingham house music sound. They had many releases on their own Strictly for Groovers label, part of DiY discs, and supported and influenced other producers such as Inland Knights, Nail, the Littlemen and many others. They were also at the forefront of the free party scene in the UK and inspired other local sound systems such as Smokescreen and Pulse to take up the mantle in providing unlicensed all night parties in outdoor locations throughout the Midlands. With the passing of anti-rave legislation, mounting external pressures from police and authorities and internal problems caused by drug abuse, hedonistic lifestyles and the logistics of maintaining businesses, fractures were inevitable. Despite their past problems DiY have amassed a great deal of love and respect for their selfless attitude and contribution to dance music culture and this resurfaced when they held their 25th anniversary party in 2014. FORMATION AND EARLY HISTORY DiY were formed when a group of friends started DJing and holding club nights in Nottingham. Harry had moved from Bolton as a student where he met Rick ‘Digs’ Down, Simon ‘DK’ and other people around the city. Pete ‘Woosh’ was a regular visitor to Nottingham and also later moved down from Bolton.
    [Show full text]
  • From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs
    Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2010 From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs. Ambrose Colombo Claremont McKenna College Recommended Citation Colombo, Ambrose, "From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs." (2010). CMC Senior Theses. Paper 83. http://scholarship.claremont.edu/cmc_theses/83 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Table of Contents I. Introduction 1 II. Disco: New York, Philadelphia, Chicago, and Detroit in the 1970s 3 III. Sound and Technology 13 IV. Chicago House 17 V. Drugs and the UK Acid House Scene 24 VI. Acid house parties: the precursor to raves 32 VII. New genres and exportation to the US 44 VIII. Middle America and Large Festivals 52 IX. Conclusion 57 I. Introduction There are many beginnings to the history of Electronic Dance Music (EDM). It would be a mistake to exclude the impact that disco had upon house, techno, acid house, and dance music in general. While disco evolved mostly in the dance capital of America (New York), it proposed the idea that danceable songs could be mixed smoothly together, allowing for long term dancing to previously recorded music. Prior to the disco era, nightlife dancing was restricted to bands or jukeboxes, which limited variety and options of songs and genres. The selections of the DJs mattered more than their technical excellence at mixing.
    [Show full text]