DOCSLIB.ORG

Art Exhibition Catalogs

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Art Exhibition Catalogs Art Exhibition Catalogs Microfiche collection Nineteenth Century Art Subject list Pro uesf --- Start here. ---- This volume is a finding aid to a ProQuest Research Collection in Microform. To learn more visit: www.proguest.com or call (800) 521-0600 About ProQuest: ProQuest connects people with vetted, reliable information. Key to serious research, the company has forged a 70-year reputation as a gateway to the world's knowledge - from dissertations fo governmental and cultural archives to news, in all its forms. Its role is essential to libraries and other organizations whose missions depend on the delivery of complete, trustworthy information. 789 E. Eisenhower Parkway • P.O Box 1346 • Ann Arbor, Ml 48106-1346 • USA •Tel: 734.461.4700 • Toll-free 800-521-0600 • www.proquest.com Art Exhibition Catalogs Nineteenth Century Art Subject List KEYWORD MUSEUM TITLE YEAR FICHE NUM. #OF #OF FICHE ILL. Alma-Tadema LONDON - Royal Academy of 44th winter exhibition. 1913 15.031.069 1 Arts Sir Lawrence Alma- Tadema American TORONTO-Art Gallery American painting 1865- 1961 5.271.057 1 30 1905 Animal BIRMINGHAM,ENG. Museum Modern English animal 1892 4.051.003 1 23 and Art Gallery painters Architectural LONDON-Victoria and Albert Victorian architectural 1973 6.169.089 1 Museum source books Art Nouveau LONDON - Arts Council Art Nouveau in Britain 1965 2.055.010 1 9 Art Nouveau ZURICH - Kunstgewerbemuseum Um 1900. Art Nouveau 1952 3.090.001 1 24 und Jugendstil Art Nouveau LONDON - Royal Academy of Vienna Secession. Art 1971 1.031.013 1 49 Arts Nouveau to 1970 Art Nouveau PARIS- Hotel Bing Salon de L'Art Nouveau 1896 4.146.001 3 Arts and LEEDS, ENG. City Art Gallery Arts and crafts 1904 4.246.005 2 Crafts Baccarat PARIS - Musee des Arts Baccarat 1963-64 25.148.359 1 6 Deco ratifs Balthus LONDON - Arts Council Balthus 1968 2.055.021 2 104 Baudelaire PARIS - Petit Palais Baudelaire 1968 12.296.042 3 62 Beardsley BRIGHTON- Public Art Galleries Beardsley-Garrido-Goff 1915 4.053.002 1 2 Beardsley BROOKLYN- Brooklyn Museum Aubrey Beardsley. 1923 4.155.001 1 Original drawings Beardsley LONDON-Victoria and Albert Aubrey Beardsley 1966 6.169.093 3 Museum Beaudin NEW YORK - Buchholz Gallery Beaudin, Braque, Gris, 1941 14.337.017 1 1 Klee, Leger, Masson, Picasso Beaudin NEW YORK - Buchholz Gallery Andre Beaudin 1949 14.337.086 1 17 Beaux-Arts PARIS- Societe Nationale de Salon de 1914 1914 4.282.005 3 223 Beaux-Arts Beaux-Arts PARIS- Champs-de-Mars Societe National des 1913 4.282.004 3 227 Beaux-Arts. Salon de 1913 Beaux-Arts PARIS- Champs-de-Mars Societe National des 1890 4.282.001 3 329 Beaux-Arts. Exposition de 1890 Berard LONDON - Arts Council Christina Berard. 1950 2.055.023 1 2 Paintings and decors Berard PARIS - Musee National d'Art Christian Berard 1950 12.292.013 1 16 Moderne Berghs STOCKHOLM- Nationalmuseum Richard Berghs 1919 4.039.010 1 efterlamnade arbeten Bernard MILAN- Galleria Pesaro Emile Bernard 1923 4.244.035 1 10 Bevan LONDON Arts Council Robert Bevan 1865-1925 1956 33.055.614 1 9 Blake LONDON - Royal Academy of 24th winter exhibition. 1893 15.031.050 1 Arts Old Masters and deceased British masters Becklin LONDON Arts Council Arnold Becklin 1827- 1971 33.055.754 1 26 1901 1 Art Exhibition Catalogs Nineteenth Century Art Subject List KEYWORD MUSEUM TITLE YEAR FICHE NUM. #OF #OF FICHE ILL. Bonaparte PARIS - Musee de l'Orangerie Bonaparte en Egypte 1938 12.291.106 4 Bonington LONDON Arts Council R.P. Bonington 1802- 1965 33.055.668 1 50 1828 Bonington LONDON - Burlington Fine Arts Richard Parkes 1937 3.062.003 1 Club Bonington and his circle. Drawings Bonnard PARIS - Musee de l'Orangerie Bonnard 1947 12.291.035 1 8 Bonnard PARIS-Bernheim-Jeune & Cie Bonnard. Oeuvres 1913 4.035.003 1 10 recentes Bonnard LONDON - Arts Council Pierre Bonnard and 1948 2.055.032 1 18 Edouard Vuillard Bonnard MUNICH - Haus der Kunst Von Bonnard his heute 1961 10.018.056 2 67 Bonnard LONDON - Royal Academy of Pierre Bonnard 1966 1.031.010 2 98 Arts Bonnard PARIS - Musee de l'Orangerie Pierre Bonnard. 1967 12.291.075 4 267 Centenaire de sa naissance Bonnard, see also Nabis, Roussel Boudin LONDON - Grafton Galleries Pictures exhibited by 1905 1.047.001 1 48 Durand-Ruel Bourdelle PARIS - Musee de l'Orangerie Bourdelle 1931 12.291.003 2 18 Brabazon LONDON - Fine Art Society Hercules Brabazon 1974 16.044.039 1 10 Brabazon 1821-1906 Brangwyn LONDON - Royal Academy of Sir Frank Brangwyn R.A. 1952 15.031.111 1 Arts Brangwyn LONDON Arts Council Drawings and etchings 1953 33.055.593 1 by Sir Frank Brangwyn R.A. Braque NEW YORK - Buchholz Gallery G. Braque. Some 1938 14.337.006 1 1 selected paintings Braque HAMBURG - Museum fur Kunst Braque, Chagall and 1962 3.058.001 1 3 und Gewerbe Miro Braque LONDON - Institute of Georges Braque 1954 1.025.001 1 6 Contemporary Arts Braque LONDON - London Arts Gallery Georges Braque. 1967 1.029.003 1 9 Graphic works 1882- 1963 Braque BERN - Kunsthalle Braque 1953 1.006.001 1 20 Braque PARIS - Musee du Louvre L'atelier de Braque 1961 12.088.018 1 47 Braque LONDON - Arts Council G. Braque 1956 2.055.042 1 87 Braque MUNICH - Haus der Kunst Georges Braque 1963 1.018.008 3 165 Braque LONDON - Royal Academy of 42nd winter exhibition. 1911 15.031.067 1 Arts 5 deceased British artists. Braque, see also Beaudein Brough LONDON - Burlington Fine Arts Robert Brough. Pictures 1907 3.062.004 1 Club and sketches 2 Art Exhibition Catalogs Nineteenth Century Art Subject List KEYWORD MUSEUM TmE YEAR FICHENUM. #OF #OF FICHE ILL Brown LONDON - Arts Council Ford Madox Brown 1964 2.055.059 1 12 1821-1893 Burne-Jones LONDON - Fine Art Society Studies and drawings by 1896 16.044.083 1 1 Sir Edward Burne-Jones Burne-Jones LONDON Arts Council Edward Burne-Jones: 1975 33.055.523 2 70 paintings, graphic and decorative work 1833-98 Calcott LONDON - Royal Academy of 6th winter exhibition. 1875 15.031.032 1 Arts Old Masters and deceased British masters Calvert, see Blake Cartoons LONDON - Fine Art Society Punch and the Prussian 1914 16.044.005 1 8 bully Ceramique SEVRES - Musee National de La ceramique du verre et 1970 12.444.007 3 83 Ceramique les arts de feu Cezanne LONDON - Arts Council Paintings by Cezanne 1954 2.055.072 1 17 Cezanne PARIS - Musee de l'Orangerie Hommage a Cezanne 1954 12.291.055 1 32 Cezanne PARIS - Musee de l'Orangerie Cezanne 1936 12.291.024 3 40 Cezanne MUNICH - Haus der Kunst Paul Cezanne 1956 3.018.002 2 83 Cezanne HAGUE - Gemeentmuseum Paul Cezanne, 1839- 1.014.001 2 84 1906,1956 Cezanne LONDON - Arts Council Paul Cezanne. 1946 2.055.073 1 Exhibition of watercolours Cezanne LONDON - Stafford Gallery Paul Cezanne and Paul 1911 3.083.001 1 Gauguin Cezanne NEW YORK-Solomon R. Cezanne and structure in 1963 5.075.019 1 Guggenheim Museum Modern painting Cezanne, see also Boudin Chagall, see Braque Chaplet PARIS - Musee des Arts Ernest Chaplet 1835- 1976 25.148.415 2 98 Decoratifs 1909 Chasseriau PARIS - Musee de l'Orangerie Chasseriau 1819-1856 1933 12.291.010 2 18 Chinnery LONDON Arts Council George Chinnery 177- 1957 33.055.620 1 8 1852 Christ PARIS - Musee de Sculpture La passion du Christ 1934 12.452.001 3 21 comparee du Trocadero dans l'art francais Clausen LONDON - Arts Council A time of harvest. Sir 1949 2.055.082 1 George Clausen R.A. Corbusier PARIS - Musee National d'Art Le Corbusier. Oeuvres 1953 12.292.033 1 8 Moderne plastiques Corbusier MUNICH - Haus der Kunst Le Corbusier 1957 10.018.043 2 47 Corbusier PARIS- Musee National d'Art Le Corbusier 1962 12.292.076 1 53 Moderne Corinth BERLIN-Akademie der Kunste Lovis Corinth. 1926 4.131.001 1 17 Graphisches Werk Corinth LONDON - Arts Council Lovis Corinth 1858-1925 1959 2.055.108 1 31 Corot BERN - Kunstmuseum Corot 1960 1.007.001 2 24 3 Art Exhibition Catalogs Nineteenth Century Art Subject List KEYWORD MUSEUM TITLE YEAR FICHE NUM. #OF #OF FICHE ILL. Corot PARIS - Musee de l'Orangerie Corot 1936 12.291.023 2 25 Corot LONDON - Arts Council Corot 1965 2.055.110 1 53 Corot PARIS - Musee du Louvre Figures de Corot 1962 12.088.021 3 83 Correge PARIS - Musee de l'Orangerie Hommage au Correge 1934 12.291.015 1 1 Dadd LONDON Arts Council The late Richard Dadd 1974 33.055.814 1 1 1817-1886 Danby LONDON - Arts Council Francis Danby 1793- 1961 2.055.125 1 8 1861 Daumier LOS ANGELES - County Museum Honore Daumier: Prints, 1958 27.095.061 1 2 of Art drawings, watercolors, paintings Daumier PARIS - Musee de l'Orangerie Daumier. Peintures, 1934 12.291.112 3 34 aquarelles, dessins Daumier LONDON - Arts Council A selection of 1946 2.055.129 1 lithographs by Daumier and Gavarni Dauphine VERSAILLES - Musee National Rattachement du 1949 12.445.004 1 2 Dauphine a la France 1349-1949 Decade LONDON - Arts Council Decade 1890-1900 1967 2.055.131 1 17 Decorative LONDON - Royal Academy of Victorian and Edwardian 1972 1.031.016 2 92 Arts decorative art, Handley- Read collection Decorative LONDON-Victoria and Albert Victorian and Edwardian 1952 6.169.145 2 Museum decorative arts Degas LONDON - Arts Council Degas 1952 2.055.132 1 12 Degas PARIS - Musee de l'Orangerie Degas.
Load more

Recommended publications
  • Recording of Marcel Duchamp’S Armory Show
    Recording of Marcel Duchamp’s Armory Show Lecture, 1963 [The following is the transcript of the talk Marcel Duchamp (Fig. 1A, 1B)gave on February 17th, 1963, on the occasion of the opening ceremonies of the 50th anniversary retrospective of the 1913 Armory Show (Munson-Williams-Procter Institute, Utica, NY, February 17th – March 31st; Armory of the 69th Regiment, NY, April 6th – 28th) Mr. Richard N. Miller was in attendance that day taping the Utica lecture. Its total length is 48:08. The following transcription by Taylor M. Stapleton of this previously unknown recording is published inTout-Fait for the first time.] click to enlarge Figure 1A Marcel Duchamp in Utica at the opening of “The Armory Show-50th Anniversary Exhibition, 2/17/1963″ Figure 1B Marcel Duchamp at the entrance of the th50 anniversary exhibition of the Armory Show, NY, April 1963, Photo: Michel Sanouillet Announcer: I present to you Marcel Duchamp. (Applause) Marcel Duchamp: (aside) It’s OK now, is it? Is it done? Can you hear me? Can you hear me now? Yes, I think so. I’ll have to put my glasses on. As you all know (feedback noise). My God. (laughter.)As you all know, the Armory Show was opened on February 17th, 1913, fifty years ago, to the day (Fig. 2A, 2B). As a result of this event, it is rewarding to realize that, in these last fifty years, the United States has collected, in its private collections and its museums, probably the greatest examples of modern art in the world today. It would be interesting, like in all revivals, to compare the reactions of the two different audiences, fifty years apart.
    [Show full text]
  • The Art Digest 1929-12-01: Vol 4 Iss 5
    8 on DEC 6 1929 ger » The ART DIGEST Combined with THE Arcus of San Francisco The News --Magazine of Art “LADY WITH A GOLD CHAIN,” BY LUCAS CRANACH (1472-1553). A “German Mona Lisa.” Shown at the Van Diemen Galleries’ Cranach Exhibition. Reproduced by Courtesy of the Owner, Edouard Jonas. nil FIRST-DECEMBER 1929 TWENTY-FIVE CENTS The Art Digest, rst December, 1929 JACQUES SELIGMANN & C° 3 East 51st Street, New York PAINTINGS and WORKS of cART Ancien Palais Sagan, Rue St. Dominique PARIS 9 Rue de la Paix JOHN LEVY cALLERY “The 0 GALLERIES P. Jackson Higgs” : ; 11 EAST 54th STREET Paintings NEW YORK 5 NEW YORK 559 FIFTH AVENUE HIGH CLASS OLD MASTERS ANTIQUITIES THOMAS J. KERR HOWARD YOUNG GALLERIES formerly with DuvEEN BROTHERS IMPORTANT PAINTINGS IMPORTANT PAINTINGS Old and Modern By O_p Masters ANTIQUE Works OF ArT IIIS IIIAIAAIIIIT peppers | NEW YORK LONDON TAPESTRIES FURNITURE er 35 OLD BoND STREET 510 Mapison AvENvE (4th floor) New York | Duranp-Ruet ||| FERARGIL ||] KHRICH NEW YORK F. NEwLin Price, President GALLE RI ES 12 East Fifty-Seventh Street eee cane i Paintings PARIS 37 East Fifty-Seventh St. poe aS. 37 Avenue de Friedland NEW YORK 36 East 5 7th Street New York GRACE HORNE’S BRODERICK GALLERIES GALLERIES BUFFALO, N. Y. Stuart at Dartmouth, BOSTON Paintings Prints Yorke Ballery Throughout the season a series of Antiques Continuous Exhibitions of Paintings selected exhibitions of the best in by American and European Artists OLD ENGLISH SILVER AND CONTEMPORARY ART SHEFFIELD PLATE 2000 S St. WASHINGTON, D.C. The Art Digest, rst December, 1929 3 —_—— — Est.
    [Show full text]
  • Charles Ginner, A.R.A
    THOS. AGNEW & SONS LTD. 6 ST. JAMES’S PLACE, LONDON, SW1A 1NP Tel: +44 (0)20 7491 9219. www.agnewsgallery.com Charles Ginner, A.R.A. (Cannes 1878 – 1952 London) St. Just in Cornwall – A landscape with cottages Signed ‘C. GINNER’ (lower left) Pen and ink and watercolour on paper 9 ¾ x 11 ¾ in. (25 x 30 cm.) Provenance Gifted by the Artist to Mrs. Frank Rutter. The Fine Art Society, 1985. Henry Wyndham Fine Art Ltd, London. Private Collection. Exhibited London, St George's Gallery, Charles Ginner and Randolph Schwabe, March 1926 (details untraced). London, The Fine Art Society, Charles Ginner, 7th - 25th October 1985, cat. no.13, illustrated. Literature Charles Ginner, List of Paintings, Drawings, etc. of Charles Ginner, Book II, 1919-1924, p. 135. Primarily a townscape and landscape painter, Charles Ginner grew up in France where his father, a doctor, practised, but settled in London in 1910. He was heavily influenced by Vincent van Gogh, Paul Gauguin and Paul Cézanne. In 1909, Ginner visited Buenos Aires, Argentina, where he held his first one-person show, which helped to introduce post-Impressionism to South America. Thos Agnew & Sons Ltd, registered in England No 00267436 at 21 Bunhill Row, London EC1Y 8LP VAT Registration No 911 4479 34 THOS. AGNEW & SONS LTD. 6 ST. JAMES’S PLACE, LONDON, SW1A 1NP Tel: +44 (0)20 7491 9219. www.agnewsgallery.com He was a friend of Harold Gilman and Spencer Gore and through them was drawn into Walter Sickert’s circle, becoming a founder member of the Camden Town Group in 1911 and the London Group in 1913.
    [Show full text]
  • Claude Monet : Seasons and Moments by William C
    Claude Monet : seasons and moments By William C. Seitz Author Museum of Modern Art (New York, N.Y.) Date 1960 Publisher The Museum of Modern Art in collaboration with the Los Angeles County Museum: Distributed by Doubleday & Co. Exhibition URL www.moma.org/calendar/exhibitions/2842 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art The Museum of Modern Art, New York Seasons and Moments 64 pages, 50 illustrations (9 in color) $ 3.50 ''Mliili ^ 1* " CLAUDE MONET: Seasons and Moments LIBRARY by William C. Seitz Museumof MotfwnArt ARCHIVE Claude Monet was the purest and most characteristic master of Impressionism. The fundamental principle of his art was a new, wholly perceptual observation of the most fleeting aspects of nature — of moving clouds and water, sun and shadow, rain and snow, mist and fog, dawn and sunset. Over a period of almost seventy years, from the late 1850s to his death in 1926, Monet must have pro duced close to 3,000 paintings, the vast majority of which were landscapes, seascapes, and river scenes. As his involvement with nature became more com plete, he turned from general representations of season and light to paint more specific, momentary, and transitory effects of weather and atmosphere. Late in the seventies he began to repeat his subjects at different seasons of the year or moments of the day, and in the nineties this became a regular procedure that resulted in his well-known "series " — Haystacks, Poplars, Cathedrals, Views of the Thames, Water ERRATA Lilies, etc.
    [Show full text]
  • The Chester Dale Collection January 31, 2010 - January 2, 2012
    Updated Monday, May 2, 2011 | 1:38:44 PM Last updated Monday, May 2, 2011 Updated Monday, May 2, 2011 | 1:38:44 PM National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 From Impressionism to Modernism: The Chester Dale Collection January 31, 2010 - January 2, 2012 Important: The images displayed on this page are for reference only and are not to be reproduced in any media. To obtain images and permissions for print or digital reproduction please provide your name, press affiliation and all other information as required(*) utilizing the order form at the end of this page. Digital images will be sent via e-mail. Please include a brief description of the kind of press coverage planned and your phone number so that we may contact you. Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, as noted. File Name: 3063-001.jpg Title Title Section Raw File Name: 3063-001.jpg Henri Matisse Henri Matisse The Plumed Hat, 1919 Display Order The Plumed Hat, 1919 oil on canvas oil on canvas Overall: 47.7 x 38.1 cm (18 3/4 x 15 in.) Title Assembly The Plumed Hat Overall: 47.7 x 38.1 cm (18 3/4 x 15 in.) framed: 65.9 x 58.1 x 5.7 cm (25 15/16 x 22 7/8 x 2 1/4 in.) Title Prefix framed: 65.9 x 58.1 x 5.7 cm (25 15/16 x 22 7/8 x 2 1/4 in.) Chester Dale Collection Chester Dale
    [Show full text]
  • The Challenges of French Impressionism in Great Britain
    Crossing the Channel: The Challenges of French Impressionism in Great Britain By Catherine Cheney Senior Honors Thesis Department of Art History University of North Carolina at Chapel Hill April 8, 2016 Approved: 1 Introduction: French Impressionism in England As Impressionism spread throughout Europe in the late nineteenth century, the movement took hold in the British art community and helped to change the fundamental ways in which people viewed and collected art. Impressionism made its debut in London in 1870 when Claude Monet, Camille Pissarro, and Paul Durand-Ruel sought safe haven in London during the Franco- Prussian war. The two artists created works of London landscapes done in the new Impressionist style. Paul Durand-Ruel, a commercial dealer, marketed the Impressionist works of these two artists and of the other Impressionist artists that he brought over from Paris. The movement was officially organized for the First Impressionist Exhibition in 1874 in Paris, but the initial introduction in London laid the groundwork for promoting this new style throughout the international art world. This thesis will explore, first, the cultural transformations of London that allowed for the introduction of Impressionism as a new style in England; second, the now- famous Thames series that Monet created in the 1890s and notable exhibitions held in London during the time; and finally, the impact Impressionism had on private collectors and adding Impressionist works to the national collections. With the exception of Edouard Manet, who met with success at the Salon in Paris over the years and did not exhibit with the Impressionists, the modern artists were not received well.
    [Show full text]
  • Annual Review Are Intended Director on His fi Rst Visit to the Gallery
    THE April – March NATIONAL GALLEY TH E NATIONAL GALLEY April – March – Contents Introduction 5 In June , Dr Nicholas Penny announced During Nicholas Penny’s directorship, overall Director’s Foreword 8 his intention to retire as Director of the National visitor numbers have grown steadily, year on year; Gallery. The handover to his successor, Dr Gabriele in , they stood at some . million while in Acquisitions 10 Finaldi, will take place in August . The Board they reached over . million. Furthermore, Loans 17 looks forward to welcoming Dr Finaldi back to this remarkable increase has taken place during a Conservation 24 the Gallery, where he worked as a curator from period when our resource Grant in Aid has been Framing 28 to . falling. One of the key objectives of the Gallery Exhibitions 32 This, however, is the moment at which to over the last few years has been to improve the Displays 44 refl ect on the directorship of Nicholas Penny, experience for this growing group of visitors, Education 48 the eminent scholar who has led the Gallery so and to engage them more closely with the Scientifi c Research 52 successfully since February . As Director, Gallery and its collection. This year saw both Research and Publications 55 his fi rst priority has been the security, preservation the introduction of Wi-Fi and the relaxation Public and Private Support of the Gallery 60 and enhanced display of the Gallery’s pre-eminent of restrictions on photography, changes which Trustees and Committees of the National Gallery Board 66 collection of Old Master paintings for the benefi t of have been widely welcomed by our visitors.
    [Show full text]
  • Art Era Timeline 3 Early 20Th C – Modern
    1 Art Movement Timeline Early 20th C Centuryentury till the start of Modern Art Time Line Art Movement Description Artists & examples Late 19th/ Early 20th Century Design Britain, Late 19th Arts and Crafts The Arts and Crafts Century Movement was a celebration of individual design and craftsmanship, William Morris , a book designer, 18341834----18961896 spearheaded the William Morris movement. He also produced stained glass, textiles and wallpaper and was a painter and writer. © Nadene of http://practicalpages.wordpress.com 04/2010 2 Late 19th Century to Art Nouveau Art Nouveau is an Early 20th Century elegant decorative art style characterized by intricate patterns of curving lines. Its origins somewhat 18601860----19391939 rooted in the British Alphonse Mucha Arts and Crafts Movement of William Morris , 18721872----18981898 Aubrey Beardsley 18621862----19181918 Gustav Klimt Louis Comfort Tiffany . 18481848----19331933 © Nadene of http://practicalpages.wordpress.com 04/2010 3 1880's to 1920's The Golden Age of The Golden Age of European artists: Illustration Illustration was a period of unprecedented excellence in book and magazine 18451845----19151915 illustration. Walter Crane Advances in technology permitted accurate and inexpensive reproduction of art. The public demand for new graphic art grew in this time. Edmund Dulac 18821882----19531953 18721872----18981898 Aubrey Beardsley 18671867----19391939 Arthur Rackham 18861886----19571957 © Nadene of http://practicalpages.wordpress.com 04/2010 4 The Golden Age of Kay Nielsen . Illustration American artists: 18531853----19111911 Howard Pyle 18821882----19451945 N.C. Wyeth 18701870----19661966 Maxfield Parrish 18771877----19721972 Frank Schoonover 18521852----19111911 Edwin Austin Abbey . © Nadene of http://practicalpages.wordpress.com 04/2010 5 1920's to 1930's Art Deco Art Deco is an elegant style of decorative art, design and architecture which began as a Modernist reaction against the Art 18981898----19801980 Nouveau style.
    [Show full text]
  • Edgar Degas French, 1834–1917 Woman Arranging Her Hair Ca
    Edgar Degas French, 1834–1917 Woman Arranging her Hair ca. 1892, cast 1924 Bronze McNay Art Museum, Mary and Sylvan Lang Collection, 1975.61 In this bronze sculpture, Edgar Degas presents a nude woman, her body leaned forward and face obscured as she styles her hair. The composition of the figure is similar to those found in his paintings of women bathing. The artist displays a greater interest in the curves of the body and actions of the model than in capturing her personality or identity. More so than his posed representations of dancers, the nude served throughout Degas’ life as a subject for exploring new ideas and styles. French Moderns McNay labels_separate format.indd 1 2/27/2017 11:18:51 AM Fernand Léger French, 1881–1955 The Orange Vase 1946 Oil on canvas McNay Art Museum, Gift of Mary and Sylvan Lang, 1972.43 Using bold colors and strong black outlines, Fernand Léger includes in this still life an orange vase and an abstracted bowl of fruit. A leaf floats between the two, but all other elements, including the background, are abstracted beyond recognition. Léger created the painting later in his life when his interests shifted toward more figurative and simplified forms. He abandoned Cubism as well as Tubism, his iconic style that explored cylindrical forms and mechanization, though strong shapes and a similar color palette remained. French Moderns McNay labels_separate format.indd 2 2/27/2017 11:18:51 AM Pablo Picasso Spanish, 1881–1973 Reclining Woman 1932 Oil on canvas McNay Art Museum, Jeanne and Irving Mathews Collection, 2011.181 The languid and curvaceous form of a nude woman painted in soft purples and greens dominates this canvas.
    [Show full text]
  • Scarica La Lista in Formato
    Artinvest2000, i principali movimenti artistici. http://www.artinvest2000.com Dalla lettera A alla G ASTRATTISMO Astrattismo tendenza artistica del XX Secolo. Abbandonando la rappresentazione mimetica del mondo esterno, trova in generale le sue ragioni nella riflessione sulle specificità della ricerca formale e della percezione visiva. Parallelamente allo sviluppo di una speculazione estetica tra positivismo e spiritualismo (K. Fiedler, Origine dell'attività artistica, 1887; W. Worringer, Astrazione e empatia, 1908), molti artisti tendono alla rifondazione del proprio campo d'azione attraverso lo studio degli elementi formali che costituiscono le fondamenta sintattiche del linguaggio visivo, innescando un processo di sempre più radicale semplificazione e scomposizione delle forme. Una tendenza del genere, complicata dall'interesse per il meccanismo dei procedimenti percettivi, sposta progressivamente in secondo piano o elimina del tutto ogni preoccupazione rappresentativa. Sono soprattutto il "Sintetismo" e il decorativismo simbolista e la stilizzazione "Art nouveau" carica di suggestioni irrazionali e vitalistiche. ad alimentare il terreno culturale sul quale, attorno al 1910, si sviluppano diverse tendenze astratte nell'ambito dei movimenti d'avanguardia tedesco, russo, ceco e ungherese. Loro antecedenti immediati sono i due grandi movimenti innovatori dell'inizio del secolo, "Fauvisme" e "Cubismo". A questa duplice matrice formale si collegano i due modi principali dell'astrattismo, entrambi cresciuti nella ricerca di un ordine e di
    [Show full text]
  • 2B77958a.Pdf
    sargent, monet... and manet Elaine Kilmurray In December 2006, I went to Paris to look at a cache of over a thousand letters written to Claude Monet by fellow artists (Caillebotte, Mary Cassatt, Cézanne, Manet, Pissarro, Renoir, Rodin, Sisley), writers (Octave Mirbeau, Gustave Geffroy) and his principal dealer (Paul Durand-Ruel) that had remained in the collection of Monet’s descendents and were about to be auctioned. They had passed through generations of the Monet family and many were unreleased and/or unpublished. Those of us working on the John Singer Sargent catalogue raisonné project were particularly interested in seventeen letters from Sargent to Monet. There has always been a sense of the provisional in accounts of the relationship between the two artists, a scarcity of fixed points and an absence of detail. We wanted to see how illuminating these letters were and how helpful they might be in filling lacunae and deepening our understanding. The timing was fortuitous: we were engaged on research for Volume V of the catalogue raisonné, in which we would catalogue Sargent’s most ‘Impressionist’ paintings. At the Artcurial auction house, I spoke to Thierry Bodin, who had done initial transcriptions of all the letters for the sale catalogue to a daunting deadline. The members of the catalogue raisonné team have struggled with Sargent’s writing (especially when in French, Italian or Spanish) for decades, and it was gratifying to hear from M. Bodin that, while Octave Mirbeau’s tight, closely worked hand had given him the most trouble, Sargent’s had come a close second.
    [Show full text]
  • Catalogo N. 255
    CATALOGO N. 255 LIBRI ILLUSTRATI DA ARTISTI MODERNI ITALIANI E STRANIERI ARte - edizioni di lusso - libri sull’incisione CATALOGHI MOSTRE - LIBRI DI VARIO GENERE CON 79 ILLUSTRAZIONI LIBRERIA ANTIQUARIA PRANDI S.N.C. DI DINO E PAOLO PRANDI REGGIO EMILIA 2017 1 Contemporaneamente a questo catalogo libri abbiamo diffuso il nostro sessantaquatresimo catalogo annuale dedicato alla grafica: CATALOGO N. 256 INCISIONI ORIGINALI ITALIANE E STRANIERE dell’800 e moderne ACQUERELLI E DISEGNI con uno scritto inedito di Marco Fiori Con tavole fuori testo comprendenti numerose riproduzioni a colori e in nero Il catalogo, in considerazione del suo altissimo costo è inviato gratuitamente ai nostri abituali Clienti acquirenti di opere di grafica. A tutti gli altri che ne faranno richiesta verrà inviato dietro versamento anticipato di € 16,00 sul nostro c/c postale n.160424 (o a mezzo francobolli, assegno bancario o postale), oppure in contrassegno postale a € 20,00 (€ 16,00 più spese postali). Il costo del Catalogo è rimborsabile in caso d’acquisto. 2 Indice per argomenti EDIZIONI FORMIGGINI (i numeri si riferiscono alle schede delle opere) Balzac Honoré De 31 Bini Carlo 66 Eroda 356, 357 Petronio Arbitro 636 EDIZIONI MARDERSTEIG ANASTATICHE Epitteto 354 Brofferrio Angelo 91 Eraclito 355 Manzoni Alessandro 511 Garzo Dall’Incisa Ser 395 ó Mucci Velso 575 Machiavelli Nicol 499 Mardersteig Giovanni 518 Smith John Captain 732 Petrarca Francesco - Fabre Jean-Henri 635 Zonca Vittorio 819 EDIZIONI ORIGINALI AUTOGRAFATI Bartolini Luigi 36, 37, 38, 40, 41, 42
    [Show full text]