Menander's Samia: a New Translation
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9/15 JEFFREY JAMES HENDERSON William Goodwin Aurelio Professor
9/15 JEFFREY JAMES HENDERSON William Goodwin Aurelio Professor of Greek Language and Literature General Editor, Loeb Classical Library Fellow, American Academy of Arts and Sciences Department of Classical Studies 460 Park Drive Boston University Boston, MA 02215 745 Commonwealth Avenue, Rm. 435 (857) 250-4216 Boston, MA 02215 (617) 358-5072 or 2427 email: [email protected] EDUCATION PhD 1972 Harvard University MA 1970 Harvard University BA 1968 Kenyon College (summa cum laude) POSITIONS HELD Visiting Professor Spring 2010 Brown University Aurelio Professor of Greek 2002-- Boston University Dean of Arts and Sciences 2002-07 Boston University Professor and Chair 1991-2002 Boston University Visiting Professor 1986 Univ. California at Los Angeles Professor 1986-91 Univ. Southern California Associate Professor 1983-86 Univ. Southern California Visiting Professor 1982-83 Univ. Southern California Associate Professor 1978-82 Univ. of Michigan (Ann Arbor) Assistant Professor 1972-78 Yale University ACADEMIC HONORS Kenyon College Highest Honors in Classics Brain Prize in Classics Essay Prize in English Phi Beta Kappa Harvard Univ. Bowdoin Prize in Latin Prose Composition PRIZES AND HONORS Raubenheimer Distinguished Faculty Award (1991) University of Southern California Doctor of Humane Letters (1994) Kenyon College Charles J. Goodwin Award of Merit (2002) American Philological Association Fellow, American Academy of Arts and Sciences elected 2011 eProduct/Best in Humanities (2015) for digital LCL American Publishers Awards for Professional and Scholarly -
The Birth of Abortion: Ancient Views, Modern Interpretations, and Enduring Debates
The Birth of Abortion: Ancient Views, Modern Interpretations, and Enduring Debates By Cody Kornack Classics, History, Politics Colorado College Bachelor of Arts May 2014 Kornack “Our society may allow women far greater control of their own destiny than the ancient world did, but women are still subject to political, social and personal restrictions, norms and rules that make motherhood not always desirable.” ~Konstantinos Kapparis, Abortion in the Ancient World Kornack Acknowledgements Foremost, I would like to thank the professors of the Classics, History, and Politics departments at Colorado College for creating an environment that cultivated my intellect, encouraged my curiosity, and imbued me with the determination to pursue this thesis topic. In particular, I am especially thankful for the guidance and encouragement of Sanjaya Thakur who helped me throughout the research and writing of this thesis. Likewise, I would like to thank Owen Cramer and Marcia Dobson for their enduring support with regards to teaching me Greek, as well as Dan Leon and Carol Neel for their helpful comments and suggestions in my editing process. I am endlessly thankful for the love, guidance, and support of my parents, Julie and Russ, and both of my brothers, Kyle and Jake. Honor Code Upheld Cody Kornack Kornack Table of Contents Introduction ........................................................................................................................ 1 Ancient Abortions Terminology ........................................................................................................... -
The Higher Aspects of Greek Religion. Lectures Delivered at Oxford and In
BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIET OF Henirg m. Sage 1891 .A^^^ffM3. islm^lix.. 5931 CornelJ University Library BL 25.H621911 The higher aspects of Greek religion.Lec 3 1924 007 845 450 The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924007845450 THE HIBBERT LECTURES SECOND SERIES 1911 THE HIBBERT LECTURES SECOND SERIES THE HIGHER ASPECTS OF GREEK RELIGION LECTURES DELIVERED AT OXFORD AND IN LONDON IN APRIL AND MAY igii BY L. R. FARNELL, D.Litt. WILDE LECTURER IN THE UNIVERSITY OF OXFORD LONDON WILLIAMS AND NORGATE GARDEN, W.C. 14 HENRIETTA STREET, COVENT 1912 CONTENTS Lecture I GENERAL FEATURES AND ORIGINS OF GREEK RELIGION Greek religion mainly a social-political system, 1. In its earliest " period a " theistic creed, that is^ a worship of personal individual deities, ethical personalities rather than mere nature forces, 2. Anthrqgomorphism its predominant bias, 2-3. Yet preserving many primitive features of " animism " or " animatism," 3-5. Its progress gradual without violent break with its distant past, 5-6. The ele- ment of magic fused with the religion but not predominant, 6-7. Hellenism and Hellenic religion a blend of two ethnic strains, one North-Aryan, the other Mediterranean, mainly Minoan-Mycenaean, 7-9. Criteria by which we can distinguish the various influences of these two, 9-1 6. The value of Homeric evidence, 18-20. Sum- mary of results, 21-24. Lecture II THE RELIGIOUS BOND AND MORALITY OF THE FAMILY The earliest type of family in Hellenic society patrilinear, 25-27. -
Copyright by Kyle Austin Sanders 2018
Copyright by Kyle Austin Sanders 2018 The Dissertation Committee for Kyle Austin Sanders Certifies that this is the approved version of the following Dissertation: Pindar and the Enigmatic Tradition Committee: ____________________________________ Thomas Hubbard, Supervisor ____________________________________ Deborah Beck ____________________________________ Lesley Dean-Jones ____________________________________ Ayelet Haimson Lushkov ____________________________________ Joshua Katz Pindar and the Enigmatic Tradition by Kyle Austin Sanders Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2018 Acknowledgments The germ of this project came in a graduate seminar on Pindar offered by Thomas Hubbard, whose expertise and guidance has informed every step of this process. I have also benefited from the lively discussion and feedback of many fellow graduate students. I am especially grateful to my colleague and dear friend Laura Takakjy, who closely read countless drafts over breakfasts at Kerbey Lane. I thank as well the numerous friends and fellow graduate students at Texas, including Chuck Oughton, Paul Hay, and the others in our dissertation reading group, who advised on preliminary versions of several chapters. My time in graduate school would surely not have been so productive and enriching were it not for the wide-ranging acumen and camaraderie of Matt Sibley and Olga Koutseridi. I deeply appreciate the contributions of my dissertation committee, whose careful feedback greatly shaped the later revisions I made to this project. Joshua Katz was very generous in commenting on the manuscript and in travelling to Austin to attend my defense. -
The Odd Thesmophoria of Aristophanes' Thesmophoriazusae Habash, Martha Greek, Roman and Byzantine Studies; Spring 1997; 38, 1; Proquest Pg
The odd Thesmophoria of Aristophanes' Thesmophoriazusae Habash, Martha Greek, Roman and Byzantine Studies; Spring 1997; 38, 1; ProQuest pg. 19 The Odd Thesmophoria of Aristophanes' Thesmophoriaz usae Martha Habash EXPECTED FROM THE TITLE, Aristophanes' Thesmophoria zusae does in fact concern the Thesmophoria, that A:. annual, secret women's festival of Demeter and Kore held thoughout the Greek world. From line 277 the play is set at a Thesmophoria, but a very odd Thesmophoria, in which the poet demonstrates his bold, inventive, and creative genius at work in reshaping this 'festival'.1 Aristophanes employs suf ficient elements of the real Thesmophoria to make the pro ceedings recognizable, but he also adds as major components several non-Thesmophoric elements, introduced in part for sheer comic effect, and in part, I shall argue, to shape his Thes mophoria and his play into a form more arpropriate to the civic and religious purposes and atmosphere 0 the festival in which it was presented, the City Dionysia.2 I For studies of the poet's presentation of genuine Thesmophoric elements and themes, see H. Hansen, U Aristophanes' Thesmophoriazusae: Theme, Struc ture, and Production," Philologus 120 (1976) 165-85; A. Bowie, Aristophanes: Myth, Ritual and Comedy (Cambridge 1993); the role of mimesis in this play: F. Zeitlin, uTravesties of Gender and Genre in Aristophanes' Thesmo phoriazousae, " in H. Foley, ed., Reflections of Women in Antiquity (New York 1981) 169-217; M. DETIENNE, MThe Violence of Wellborn Ladies: Women in the Thesmophoria," in M. Detienne and J.-P. Vernant. edd., The Cuisine of Sacrifice among the Greeks, tr. -
Menander: Personal Address and Addressing the Audience
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UTokyo Repository Menander: Personal Address and Addressing the Audience journal or 東京大学西洋古典学研究室紀要 publication title volume 8 page range 103-133 year 2013-12 URL http://doi.org/10.15083/00078898 Menander: Personal Address and Addressing the Audience*1 Adele C. Scafuro 1 Introduction Studies of personal address have become increasingly visible in the field of Classics as a part of the larger methodological camp of Discourse Anal- ysis. Classical scholars have long paid attention to personal address in Menander, even if, as we shall soon see, Menander is rather sparing in his use of it. Sandbach and Gomme, for example, were particularly sensitive to its nuanced appearances in their grand commentary published in 1973. This is evident, for example, in their comments on Act IV of Epitrepontes. At this point in the play (at lines 853-877), Pamphile is already onstage after a heart-rending discussion with her father; he wants her to divorce her husband Charisios. Unbeknownst to her father, Pamphile had been raped before she married (this happened before the play began); she had *1 I am grateful to Prof. Y. Kasai for arranging my visit and the occasion for the pre- sentation of this (now revised) paper at the University of Tokyo in March 2013; I am also grateful to the audience for its attentive responses, and especially to Profs. M. Kubo and M. Sakurai for their observations. Further thanks are due Oxford Univer- sity Press for permission to repeat and expand, in sections 3 and 4 of this essay, a portion of chapter 10 ‘Menander’ (pp.218-38) in The Oxford Handbook of Greek and Roman Comedy, eds. -
The Limits of Communication Between Mortals and Immortals in the Homeric Hymns
Body Language: The Limits of Communication between Mortals and Immortals in the Homeric Hymns. Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Bridget Susan Buchholz, M.A. Graduate Program in Greek and Latin The Ohio State University 2009 Dissertation Committee: Sarah Iles Johnston Fritz Graf Carolina López-Ruiz Copyright by Bridget Susan Buchholz 2009 Abstract This project explores issues of communication as represented in the Homeric Hymns. Drawing on a cognitive model, which provides certain parameters and expectations for the representations of the gods, in particular, for the physical representations their bodies, I examine the anthropomorphic representation of the gods. I show how the narratives of the Homeric Hymns represent communication as based upon false assumptions between the mortals and immortals about the body. I argue that two methods are used to create and maintain the commonality between mortal bodies and immortal bodies; the allocation of skills among many gods and the transference of displays of power to tools used by the gods. However, despite these techniques, the texts represent communication based upon assumptions about the body as unsuccessful. Next, I analyze the instances in which the assumed body of the god is recognized by mortals, within a narrative. This recognition is not based upon physical attributes, but upon the spoken self identification by the god. Finally, I demonstrate how successful communication occurs, within the text, after the god has been recognized. Successful communication is represented as occurring in the presence of ritual references. -
Memory and the Rhetoric of Soteria in Aristophanes' Assembly
Histos Supplement ( ) – MEMORY AND THE RHETORIC OF ΣΩΤΗΡΙΑ IN ARISTOPHANES’ ASSEMBLY WOMEN * Rob Tordoff Abstract : This paper presents a historicising reading of Aristophanes’ Assembly Women in the context of Athenian politics in 0 /. Aristophanes’ thematic engagement with memory and the rhetoric of σωτηρία (‘safety’, ‘preservation’, ‘salvation’) is a case study of ideological struggle over language in the politics of democratic Athens. The word evokes a long and tumultuous history of revolution in Athens stretching back to 9, when Athenian democracy first voted itself out of existence, as the assembly does in Assembly Women . Read from this perspective, Assembly Women is hardly less topical than Aristophanes’ fifth-century plays. On the contrary, history, memory, and the past were centrally topical in Athenian politics in late 0 s Athens, and all may be illuminated by an integrated study of the contemporary evidence of comedy, oratory, and historiography. Introduction n Assembly Women the assembly that Praxagora persuades to hand over power to the women of Athens Iis convoked for the purpose of debating the ‘ sôtêria ’ of the city; so too was the assembly summoned to Kolonos in 9, the assembly that gathered after the battle of Elateia in * I would like to thank Emily Baragwanath and Edith Foster for the invitation to present the paper on which this essay is based at a conference panel at the meeting of CAMWS in Iowa City, for the opportunity to contribute an essay to this collection, and for their historical and editorial expertise and advice. Thanks are due also to the anonymous reader, whose suggestions improved a number of aspects of my work. -
Thesmophoriazusae by Aristophanes
Thesmophoriazusae by Aristophanes Have you ever looked closely at the masks of Comedy and Tragedy? The mask representing Melpomene, the Muse of Tragedy, has its mouth pulled down in an appropriate grimace. The mask of Thalia, Muse of Comedy, has the corners of its mouth pulled up. It’s not an easy grin; it looks almost forced - and that’s something to think about. When Walter Kerr, the celebrated drama critic, sat down to write about comedy, he found that he kept stumbling over tragedy. He realized that he really couldn’t deal with one without the other. If you go through the plots of serious plays, you discover that it wouldn’t take much to make them funny. You could turn “Hamlet” into something hilariously silly without too much effort. And it is only a slightly longer stretch to tease heavy material out of classic comedies. If you’ve ever been at a serious public gathering - at a church service or solemn civic ceremony - and something goes wrong, it suddenly becomes funny and you can find it hard not to laugh. Very often, ministers blend humor with sadness at funerals, making remarkably easy transitions from one to the other. It doesn’t detract from the solemnity of the occasion; the contrast actually heightens its serious impact. When Aristophanes wrote Thesmophoriazusae, he picked one of ancient Athens’ most serious and dislocating observances as a vehicle for poking fun at the tragic playwright, Euripides. While the classic Greeks loved food, wine, and merriment, their religious observances had a strong undercurrent of sadness, almost despair, in them. -
The Differing Journeys Through Childhood in Ancient Athens and Sparta
Growing up Greek: The differing journeys through childhood in ancient Athens and Sparta Elizabeth Ann Robertson Thesis presented in fulfilment of the requirements for the degree of Master of Arts in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr Samantha Masters March 2018 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work therein is my own, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Date: March 2018 Elizabeth Ann Robertson Copyright © 2017 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract Athens and Sparta were the two most prominent city-states during the 6th and 5th centuries BCE, but their socio-political systems differed markedly. As a result of such radical differences it could be hypothesised that the childhoods and, in particular, the education and socialisation of children, would also differ. The aims of this thesis are: 1. to examine the extent and nature of the differences between the childhood experiences of each group of children from the two city-states, Athens and Sparta, in particular the type of education and socialisation system to which each was exposed; and 2. to discern to what extent and in what way the socio-political system of their respective state had an impact on their upbringing and their journey to adult citizen status. -
Personification in Ovid's Metamorphoses
Personification in Ovid’s Metamorphoses: Inuidia, Fames, Somnus, Fama Maria Shiaele Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Classics August 2012 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. ©2012 The University of Leeds Maria Shiaele yia tovç yoveiç /lov for mum and dad IV Acknowledgements Throughout all these years of preparing this dissertation many people stood by my side and supported me intellectually, emotionally and financially to whom I would like to express my sincere thanks here. First of all, my deep gratitude goes to my supervisors Professor Robert Maltby and Dr Kenneth Belcher, for their unfailing patience, moral support, valuable criticism on my work and considerable insights. I thank them for believing in me, for being so encouraging during difficult and particularly stressful times and for generously offering their time to discuss concerns and ideas. It has been a great pleasure working with them and learning many things from their wide knowledge and helpful suggestions. Special thanks are owned to my thesis examiners, Dr Andreas Michalopoulos (National and Kapodistrian University of Athens) and Dr Regine May (University of Leeds), for their stimulating criticism and valuable suggestions. For any remaining errors and inadequacies I alone am responsible. Many thanks go to all members of staff at the Department of Classics at Leeds, both academic and secretarial, for making Leeds such a pleasant place to work in. -
Women and Property in Ancient Athens: a Discussion of the Private Orations and Menander Cheryl Cox University of Memphis
Women and Property in Ancient Athens: A Discussion of the Private Orations and Menander Cheryl Cox University of Memphis There has been a great deal of discussion in the past two decades or so among social historians and anthropologists of the proposition that women in European societies, both in the past and in the present, have informal power at the private level of the household. Women’s interests were reflected and expressed in succession practices and in the management of the household economy. Central to the status of women was the dowry because of its place in the conjugal household and the negotiations over its use and transmission. A large dowry ensured the woman’s important role in the decisions of the marital household and thus helped to stabilize the marriage. Because the dowry, as the property of the woman’s natal kin, would ideally be transmitted to the man’s children, the man could become involved in the property interests of his wife’s family of origin.1 In a material sense, in classical Athens the wife’s dowry allowed for the cohesion of two households (oikoi): the oikos of her marriage and that of her natal family. The dowry in legal terms belonged to the woman’s natal family, as it had to be returned to her family of origin either on divorce or on the death of her husband and her remarriage. Much of the information we have for dowries pertains to elite families. Because the woman’s dowry could be inherited by the children, it was worth fighting for, especially if she had not received her full share (Dem.