Food As a Transcultural Metaphor

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Food As a Transcultural Metaphor MASARYK UNIVERSITY OF BRNO FACULTY OF ARTS DEPARTMENT OF ENGLISH AND AMERICAN STUDIES Food as a Transcultural Metaphor Food Imagery and Ethnocultural Identities in Contemporary Multicultural Women Writing in Canada KatarínaHinnerová Brno2007Supervisor:Mgr.Klára Kolinská,M.A.,Ph.D. Author’sStatement: Ideclare thatIhaveworkedonthis diplomathesisindependently,usingonlythe primaryandsecondarysourceslistedinWorksCited. Acknowledgements: Iwouldlike tothankMgr.KláraKolinská,M.A.,Ph.D.forherkindhelp,valuable adviceandinspiringcomments. Contents Introduction………………………………………………………………………………1 1. ContemporaryCanadianLiterature WithintheContextofMulticulturalismand Transculturalism 1.1. CanadianPolicyofMulticulturalism AndItsReflectioninContemporary CanadianLiterature…………………………………………………………….7 1.2. Multiculturalismvs.Transculturalism—FromCulturalGhettoizationto Cross-culturalInteraction……………………………………………………..15 1.3. Re-definingCanadianEthnocultural Identities……………………………….22 2. ContemporaryFoodDiscourses—SheddingLightonFoodImagery 2.1. FoodStudiesasaReflectionofSocialandCulturalDevelopments………….26 2.2. FoodandIdentity—ACrucialRelationship…………………………………..33 3. FoodImageryandContemporaryCanadianWomenAuthorsofMulticultural Backgrounds—ExpressionsofEthnocultural Identities 3.1. Introduction…………………………………………………………………...37 3.2. FoodasanExpressionofEthnoculturalIdentityandCulturalBarriers inMaryDi Michele’s “LifeisTheatre”………………………………………42 3.3. FoodandtheConflictoftheTraditionalandthe Assimilated inUmaParameswaran’s “Tara’sMother-in-law”…………………………….45 3.4. Tastingthe PastinDionneBrand’s InAnother Place, Not Here ......................48 3.5. ExileandtheMeaningofaCakeinMarlene NourbesePhilip’s “BurnSugar”………………………………………………………………….50 3.6. SharonH.Nelson’s “The Woman’sTestimony”—CookingandGender RolesinImmigrantExperience……………………………………………….53 3.7. Food,PoliticsandHumanPsycheinKristjanaGunnars’ The Prowler ………56 3.8. SharingFoodasaTransculturalAct inBethBrant’s“FoodandSpirits”…….59 3.9. EdenRobinson’s Monkey Beach—FoodasaMeansofSwitching BetweenCulturalIdentities…………………………………………………...62 3.10. Conclusion………………………………………………………………….....64 4. FoodasaTranscultural Metaphor inHiromiGoto’s Chorus of Mushrooms ………65 4.1. Introduction…………………………………………………………………...66 4.2. HiromiGotoasaTransculturalWriter……………………………………….67 4.3. TransculturalAspectsof FoodinGoto’s Chorus of Mushrooms …………….72 4.4. Transculturalism,FoodandStories…………………………………………...85 4.5. OtherFoodIssues in Chorusof Mushrooms ………………………………….89 Conclusion………………………………………………………………………...........92 Resumé…………………………………………………………………………………95 WorksCited…………………………………………………………………………….97 Introduction ContemporaryCanadianliterarylandscapeis composedofthe multitudeofvoices speakingfromthediverseethnoculturalspheres andfromthespacesin-between cultures.Thesevoicesreflectchangingattitudes toCanadianidentities—theyspeak againsthomogeneity,uniformityandexclusionarystructures.Theyapprehendthefact that identitiesarefluidasaconsequenceofcross-culturalexchanges.Suchinteractions area premiseoftransculturalism,whichis consideredbymanyaconcept morefitting fortherealityofclashingculturesthantheofficial policyofmulticulturalism.The experienceof multipleculturaltraditionsandthe sociopoliticaldiscoursesurroundingit havefoundtheirwayintotheCanadianliteraryoutput,andisoftencommentedon throughfoodimagery.Foodisanimportantsocial phenomenon,anintegral partof cultureandthemeansof creating,affectingandmakingstatementsaboutone’sidentity. AccordingtoKimChernin,foodisalsoamediumthroughwhichwomen perceive, experienceandmaterializetheiridentitysearches.Therefore,Canadianwomenauthors usefoodimagerywhentheywantto makestatementsaboutethnicity,cultureand identity/expresstheirethnocultural identities. Themainobjectiveofmythesis is to provethatfoodimageryisanefficientmeans ofconveyingcontemporarydiscourseonethnoculturalidentitieswhichis tending towardstranscultural perspectives,andtohighlightfood’s potentialtoestablishthe awarenessofdiversity,challengeexclusionaryattitudes andstimulatecross-cultural interaction.Myobservationsandconclusions are basedontheanalysisofHiromi Goto’s Chorusof Mushrooms .ThenovelfeaturesthreegenerationsoftheTonkatsu familyandtheirattitudestowardstheirJapanese heritage,whicharerepresentedbytheir foodhabits.Theanalysisofthenovelis putintocontextof Canada’sdiscourseon multiculturalismandtransculturalism,aswellasintothecontextofseveralother 1 examplesof multiculturalwomen’swritinginCanadawhichemploysfoodimageryto commentonissuesofculture,ethnicity,identity,genderandpolitics. Thefirst partof mythesis provides a descriptionofCanada’sspecificsocial, politicalandculturalmilieuwhichis producedbyitsuniquetreatmentof multicultural reality.Knowledgeoftheforceswhichhavecreated,andwhicharestillcreatingthis situation,as wellas theresultsoftheiroperation,isnecessarytounderstandtheliterary worksanalyzedinthisthesis.Thesewritingsshouldnot be disconnectedfromthe Canadiansociopolitical discoursesinceit is partlyresponsibleformakingtheirauthors heard—the official policyof multiculturalismhasnotonlytriggeredthe publicdebate, buthasalsobroughtaboutfundingofliteratureofotherthantheEnglishandFrench background.Ontheotherhand,the inadequaciesoftheofficial policy,namelythe consequent compartmentalizationofthesociety,haveinspiredtheseauthorstopropose differentattitudestothe clashingofcultureswithinmulticulturalenvironments,oneof them beingtheconceptoftransculturalism.Onthewhole,thesociopoliticaldiscourse hasacrucialeffectonCanadianidentities,since ithas broughtthediversityofCanada’s ethnic andculturalcompositionintotheforeof publicdebate.Canadians havecometo perceivethemselvesasmulticultural.Andthis inturnaffectshowCanadianwriteabout themselves. Inthis thesis,thecontemporarydiscoursesonculture,identityandethnicityare analyzedthroughfoodimagery.Foodasaliterarydeviceis usedforvarious purposes, andthediversitycanbe illustratedandapprehendedthroughconsideringthescopeof foodstudies.Therefore,thesecondpartofthe thesisisdevotedtothe issuesdiscussed inpresent-dayfoodstudies.Asubstantial portionoffoodresearchisdevotedtothe relationbetweenfoodandcultural identity,foodandethnicityandother issues surroundingit,suchasimmigration,globalization,consumerismandtransculturalismas 2 well.However,foodstudiesalsoengageinanalyzinglinks betweenfoodandgender,or foodandpowerandpolitics.Onecanfindalltheseissuesdebatedinliteraryworksof theauthorschosenforthisthesis.Awarenessofthetreatmentoftheabove mentioned questionswithinfoodstudiescaninformtheanalysisoftheliteraryworks inavaluable way. Eventhoughthemaininterestofthis thesis liesinconsideringthetranscultural potentialof foodimagery,thisusageoffoodincontemporaryCanadianliteratureisnot theonlyoneandshouldnot beanalyzedinisolation.Toemploytransculturalapproach inthis thesis,Ihavedecidedtocross the boundariesofavariouscultures makingupthe Canadianliterarylandscape,andtohavealookathowfoodimageryisusedtoillustrate andcommentondevelopmentsinissuesofculture,identityandethnicity.Thisthesis cannot,ofcourse,containall thewritingreferringtofoodincontemporaryCanadian literature.Therefore,inspiredbyKimChernin’sclaimthatfoodis“the principalway the problemsoffemale beingcometoexpressioninwomen’slives”(qtd.inBlodgett),I havedecidedtofocusonwomenauthorsandtochoosewritersfromvarious ethnocultural backgrounds.Inthis way,Icanprovideatleasta partial illustrationof thevarietyoffemalevoicescomprisingCanadianliterature,aswellas thediversityof foodimageryemployment.Whenreadingthissection,one cannotice thatall the authorsacknowledgetheirethnic identityintheirwriting,whichis the prerequisiteof adoptingtranscultural attitudes.Theworksofthelasttwoauthorsofthis sectionmove towardstranscultural ideals,whichparallelsthedevelopmentinthe present-day socioculturaldiscourse wheretheconceptoftransculturalismisgraduallyreplacing officialmulticulturalism.Theseauthorsandtheirtransculturaluseoffoodimageryalso providea linkwiththefollowingsectionofthethesis. 3 The previous parthasrenderedanoutlineoffoodimageryusedinwritings by diverse ethnoculturalfemalevoices,andseveral worksanalyzedtherehaveintroduced transculturalattitudes tothe positionsinbetweencultures.Nevertheless,I havechosen onespecific worktoshowhowtranscultural perspectivesare bettersuitedforcoping withdual/multipleculturalheritages,andhowthismessagecanbecommunicated throughfoodimagery.HiromiGoto’s Chorus of Mushrooms isa primeexampleof transculturalfictionandalsoofamultifarioususeoffoodimagery.Foodreferencesare present insituationswheretransculturalactsaredepicted,but theyalsooccurin situationswhereissuessuchasgender,colonialismorethnicstereotypes areaddressed. Transculturalactsinthe novelentwinecommunicationthroughfoodwith communicationthroughstories,thus hintingatthedangerof superficialattitudetoother culturesandcreationofstereotypes ifonesticksonlytotemporaryexperienceof “tasting” theother through“exotic” food.Goto’s Chorusof Mushrooms dealswitha varietyofcurrentquestionsconcerningculture,identity,andethnicityandintroducesthe transculturalstance tothesequestions.Andwhat’smore,HiromiGotoeffectivelyuses foodimagerytohandle them. Whilewritingmydiplomathesis,Ihadtocometotermswithterminology consideringculture,ethnicityandidentityinrelationtoliterature,thatis innowayclear andfixed.Themostdifficult taskwasfindinga waytoaddressthegroupofauthors chosenforthethematic analysis.Canadianliterature isacollageofvoicesfromvarious ethnoculturalgroups.Insomeliteraryinterpretations,the terms“ethnic”and“minority’ areusedtodescribeauthorsofvariedethnicorigins.InmythesisIwouldlike toavoid these labels,since theysometimestendtoproducestereotypical
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