Television & Films

Total Page:16

File Type:pdf, Size:1020Kb

Television & Films Spine to be adjusted by printer TELEVISION & FILMS Balaji Telefilms Limited Annual Report 2012-13 FOCUS ON dickenson www.dickensonworld.com Balaji Telefilms Limited VALUE C-13, Balaji House, Dalia Industrial Estate, Opposite Laxmi Industrial Estate, CREATION New Link Road, Andheri (West) Pg. 38 Pg. 50 Pg. 52 Mumbai - 400 053. FOCUSING ON Catering TO DIVERSE BUILDING OPERATIONAL EFFICIENCIES SENSIBILITIES THE EDIFICE Transforming our underpinning Making a mark through Growing from strength to www.balajitelefilms.com TV business model cutting-edge cinematic content strength with new drivers Spine to be adjusted by printer Spine to be adjusted by printer FOCUS ON VALUE CREATION At Balaji Telefilms, we hold our heads up high with pride. There’s so much to be proud of. Pride comes from fuelling the satellite television boom… maintaining an undisputed leadership in TV content space… Through a healthy pipeline of film releases breaking fresh ground and new TV shows, we aim to consistently in producing boundary- deliver top-quality content to a diverse breaking movie content… audience and capitalise on the industry’s netting lasting and loyal projected growth. viewership year on year. Spine to be adjusted by printer 1 As we deepen our film production, our pride continued…from daring to be different…producing movies that push the envelope of style and substance… grossing critical acclaim along with revenues…earning the reputation of being a good judge for talent…emerging as a force to reckon with. Now, we rewrite the rules of the game and set the entertainment bar higher across the entire value spectrum. At Balaji, consistent value With a robust commitment creation is a journey that for value, there’s so much more never stops. Value comes we’re still hungry to achieve. from cost rationalisation… We chase value by accelerating from de-cluttering our film monetisation…We build wardrobe…from resource value by strengthening the optimisation…from scope for creative freedom… increasing our films and TV We create value by maintaining slate…from nurturing new a perfect balance between our talent…from strengthening dual delivery platforms…We our distribution and preserve value through marketing capabilities… a compelling film slate… and from generating And we enhance value by diverse and widening the global platform superior content. for Indian cinema. Paraphrasing Robert Frost just a bit, we have… “Miles to go before we sleep.” 2 Balaji Telefilms Limited CONTENTS Corporate Information ..................................................................................3 About Balaji Telefilms Limited ...................................................................4 Balaji at a Glance ...............................................................................................5 Operational Highlights .................................................................................6 Financial Highlights ........................................................................................7 Awards & Recognition ...................................................................................8 Vision & Values ...................................................................................................9 Established Market Leadership .............................................................10 Chairman’s LetTER .........................................................12 MANAGING DIRECTOR’s REVIEW ....................................14 JOINT MANAGING DIRECTOR’s MESSAGE .....................16 MANAGEMENT DISCUSSION & ANALYSIS ......................18 Our Television Business ............................................... 23 Ongoing Serials ..............................................................................................24 Completed Serials .........................................................................................30 Upcoming Serials ..........................................................................................32 Strategies in Play for our Television Business ...............38 Transforming the Underpinning Business Model towards better Profitability , Predictable Growth ......................................................................................38 Leveraging our Core Strengths in Creativity to build an even Deeper Portfolio ......................................................40 Total Exit from Sponsored Programming for Increased Profitability ..........................................................................42 Our Films Business .............................................................44 Consistent Success at the Box Office ................................................44 Project Pipeline ...............................................................................................47 Synopsis of Movies under Production .............................................49 Strategies in Play for our Films Business........................50 Making a mark through Cutting-Edge Cinematic Content .......................................................................................50 Scaling up to build New Growth Drivers ........................................52 De-risking our Business by focusing on Non-Theatre Revenues, Cost Rationalisation ...............................54 Leveraging Relationships ........................................................................56 Widening our Periphery ............................................................................58 Management Outlook ...............................................................................60 BOARD OF DIRECTORS ......................................................62 DIRECTORS’ REPORT ..........................................................64 CORPORATE GOVERNANCE REPORT ...............................70 FINANCIALS Standalone Financials Independent Auditors’ Report .............................................................. 81 Balance Sheet ..................................................................................................84 Statement of Profit and Loss ..................................................................85 Cash Flow Statement ..................................................................................86 Notes .....................................................................................................................88 Consolidated Financials Independent Auditors’ Report ...........................................................109 Balance Sheet ...............................................................................................110 Statement of Profit and Loss ................................................................111 Cash Flow Statement ...............................................................................112 Notes ..................................................................................................................114 Statements Pursuant to Section 212 .............................................. 137 Balaji Motion Pictures Limited Directors’ Report .........................................................................................138 Independent Auditors’ Report ............................................................141 Balance Sheet ...............................................................................................144 Statement of Profit and Loss ...............................................................145 Cash Flow Statement ...............................................................................146 Notes .................................................................................................................. 147 BOLT Media Limited Directors’ Report .........................................................................................158 Independent Auditors’ Report ...........................................................160 Balance Sheet ...............................................................................................162 Statement of Profit and Loss ...............................................................163 Cash Flow Statement ...............................................................................164 Notes ..................................................................................................................165 AGM NOTICE ......................................................................173 3 CORPORATE INFORMATION BOARD OF DIRECTORS Mr. Jeetendra Kapoor, Chairman Mrs. Shobha Kapoor, Managing Director Ms. Ekta Kapoor, Joint Managing Director Mr. Akshay Chudasama, Independent Director Mr. Pradeep Sarda, Independent Director Mr. D. G. Rajan, Independent Director Mr. Ashutosh Khanna, Independent Director Mr. Tusshar Kapoor, Non-Executive & Non-Independent Director CHIEF FINANCIAL OFFICER M r. Sanjay Dwivedi C OMPANY SECRETARY & COMPLIANCE OFFICER Mrs. Simmi Singh Bisht REGISTERED OFFICE C13, Balaji House, Dalia Industrial Estate Opposite Laxmi Industries New Link Road, Andheri (West) Mumbai - 400 053. Tel: +91-22-4069 8000, Fax: +91-22-4069 8181/82 REGIONAL OFFICE # 81, 1st Main Road, Kalyananagar Near K V V English School Moodalapalya Bangalore - 560 072. Tel: +91-080-2340 0275 STATUTORY AUDITORS Deloitte Haskins & Sells Snehal & Associates REGISTRAR & SHARE TRANSFER AGENT Karvy Computershare Private Limited Unit: Balaji Telefilms Limited Plot No.17 to 24, Near Image Hospital, Vittalrao Nagar, Madhapur, Hyderabad - 500 081. Tel: +91-40-2342 0815-820, Fax: +91-40-2342 0814 Email: [email protected] BANKERS
Recommended publications
  • Lions Film Awards 01/01/1993 at Gd Birla Sabhagarh
    1ST YEAR - LIONS FILM AWARDS 01/01/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR TAPAS PAUL for RUPBAN BEST ACTRESS DEBASREE ROY for PREM BEST RISING ACTOR ABHISEKH CHATTERJEE for PURUSOTAM BEST RISING ACTRESS CHUMKI CHOUDHARY for ABHAGINI BEST FILM INDRAJIT BEST DIRECTOR BABLU SAMADDAR for ABHAGINI BEST UPCOMING DIRECTOR PRASENJIT for PURUSOTAM BEST MUSIC DIRECTOR MRINAL BANERJEE for CHETNA BEST PLAYBACK SINGER USHA UTHUP BEST PLAYBACK SINGER AMIT KUMAR BEST FILM NEWSPAPER CINE ADVANCE BEST P.R.O. NITA SARKAR for BAHADUR BEST PUBLICATION SUCHITRA FILM DIRECTORY SPECIAL AWARD FOR BEST FILM PREM TELEVISION BEST SERIAL NAGAR PARAY RUP NAGAR BEST DIRECTOR RAJA SEN for SUBARNALATA BEST ACTOR BHASKAR BANERJEE for STEPPING OUT BEST ACTRESS RUPA GANGULI for MUKTA BANDHA BEST NEWS READER RITA KAYRAL STAGE BEST ACTOR SOUMITRA CHATTERHEE for GHATAK BIDAI BEST ACTRESS APARNA SEN for BHALO KHARAB MAYE BEST DIRECTOR USHA GANGULI for COURT MARSHALL BEST DRAMA BECHARE JIJA JI BEST DANCER MAMATA SHANKER 2ND YEAR - LIONS FILM AWARDS 24/12/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR CHIRANJEET for GHAR SANSAR BEST ACTRESS INDRANI HALDER for TAPASHYA BEST RISING ACTOR SANKAR CHAKRABORTY for ANUBHAV BEST RISING ACTRESS SOMA SREE for SONAM RAJA BEST SUPPORTING ACTRESS RITUPARNA SENGUPTA for SHWET PATHARER THALA BEST FILM AGANTUK OF SATYAJIT ROY BEST DIRECTOR PRABHAT ROY for SHWET PATHARER THALA BEST MUSIC DIRECTOR BABUL BOSE for MON MANE NA BEST PLAYBACK SINGER INDRANI SEN for SHWET PATHARER THALA BEST PLAYBACK SINGER SAIKAT MITRA for MISTI MADHUR BEST CINEMA NEWSPAPER SCREEN BEST FILM CRITIC CHANDI MUKHERJEE for AAJKAAL BEST P.R.O.
    [Show full text]
  • Guwahati & Dibrugarh
    82 years of service to the nation PUBLISHED SIMULTANEOUSLY FROM GUWAHATI & DIBRUGARH GET IT ON RN-1127/57 TECH/GH – 103/2018-2020, VOL. 82, NO. 122 www.assamtribune.com Google Play ePaper app for The Assam Tribune Pages 12 Price: 6.00 GUWAHATI, THURSDAY, MAY 7, 2020 p2 US COVID-19 deaths top p5 171 doctors providing online p11 Concern over coal mining 70,000, cases cross 1.2 mn consultation in State in Dehing Patkai Top Hizb CM directs proper ultra killed Active cases in J&K in State now 9 screening of people SRINAGAR, May 6: Ter- GUWAHATI, May 6: Two ror group Hizbul Muja- more COVID-19 patients, hideen’s de facto chief Reyaz including the first case to entering State Naikoo, on the run for eight be detected in the State, years, was killed on Wednes- have been discharged from GUWAHATI, May 6: been deployed for round the day by security forces in his Silchar Medical College and Hospital and the Assam Chief Minister Sar- Vigilance clock surveillance. village in Kashmir’s Pulwa- Mahendra Mohan bananda Sonowal on The district administration ma district, police said. Choudhury Hospital here Wednesday directed the stepped-up at has set up a quarantine cen- Anticipating a law and or- respectively, after three Kokrajhar and Dhubri dis- Srirampur and tre at an area adjacent to der problem, authorities sus- consecutive negative trict administrations to en- Chagolia- Chagolia Gate with all facili- pended mobile telephone tests. Now the number of sure proper screening of ties to quarantine around one services of private operators active cases in Assam is people entering the State Boxirhat gates thousand people.
    [Show full text]
  • Licence to Kill in Hindi Watch Online
    Licence To Kill In Hindi Watch Online Is Marty hoiden when Teodor mussy naturalistically? Outmoded and wally Westleigh transhipped while northerlyhomuncular if personalism Sydney noddles Fleming her incapsulateoratorio illustratively or unfeudalized. and nonplussed bureaucratically. Hailey theologised Such killings as they killed in hindi watch list of killing of large vehicles proceeding straight line to kill bond girl: were watching television. Hand signals in hindi watch for his licence to kill you may have killed is. Sahil asks Pramod to shoot Shivaye and kill god he probably give him much death and. You to the killing of online watching site releases hits you know what cmem is. The killings to kill them in. James bond 2015 telugu movie download hd. Step12-Ab Aap ko Apne Driving Licence Ke Liye Payment Karna hai. Colors TV Hindi Serial Ishq Mein Marjawan 2 latest episodes Written Updates are. Watch Pakistani Punjabi Stage Drama s in HD Weekly Update. Arabic Chinese Mandarin French Hindi Korean Russian Ukrainian. And to take a licence to immediately make a crash with the killings have the travel lane is. Shakti 26 Full Episode. Find many contemporary new used options and use the best deals for KILL DIL RANVEER SINGH GOVINDA BOLLYWOOD DVD at. Watch Online Bigg Boss 14 27th October 2020 Full Episode 25 Online HD On Voot. Bicycling and kill you feel more information on the killing, hindi watch spoke in! Aapko hindi online in collision; such as a licence to. Watch set to Kill 199 Online Full rest on uwatchfree You can. List their Top Hindi Dubbed 1 R-Rated Adult phone Sex Erotic.
    [Show full text]
  • An Actor Par Excellence, Here Are 5 Remarkable Performances By
    An actor par excellence, here are 5 remarkable performances by Sakshi Tanwar that have left us in awe of her sheer acting prowess By : Editor Published On : 11 Jul, 2020 07:38 AM IST INVC NEWS Mumbai , Sakshi Tanwar who became a very popular household name as ‘Parvati Bhabhi’ from Kahani Ghar Ghar Ki has carved out a legacy in the TV industry over her illustrious career spanning more than two decades, unlike no other. There simply has been no looking back for Sakshi after her TV debut in the highly-popular show of the early 2000s. Owing to her sheer dedication, hard work and talent, the actress has made her mark in powerful roles across films, TV and the web space. Be it her character of Nandita in the popular web series Mission Over Mars or Daya Kaur from Dangal, she has been winning the hearts of millions. Completing 25+ years in the industry and continuing to impress us with her stellar performances, here are 5 of her best roles that continue to rule our hearts even now. Parvati from Kahaani Ghar Ghar Kii This show definitely made Sakshi an overnight sensation with every boy's mom secretly wishing to have a "bahu" like her! Such was her growing fandom, that women across the country now had a role model in the form of a perfect bahu named Parvati. Along with taking her career to new heights with Balaji Telefilms , the TV series on Star Plus was counted among the most popular TV Indian soap operas on Indian television in the year 2000.
    [Show full text]
  • Management Discussion & Analysis
    18 Balaji Telefilms Limited Annual Report 2012-13 MANAGEMENT DISCUSSION & ANALYSIS INDUSTRY REVIEW INDIAN ECONOMY The global economy faced another challenging year in 2012 as it continued to recover slowly following the global financial crisis of 2008. Slow US economic recovery, European sovereign debt crisis, moderating growth in China and other emerging economies continued to hold back the global GDP growth rates. As per a World Bank report ‘Global Economic Prospects’ released in January 2013, global economic growth was subdued at 2.3% in 2012. It is expected to remain flat in 2013 followed by a gradual increase to 3.1% and 3.3% in 2014 and 2015, respectively. 19 In addition to the weak global also likely in the global economy digital production techniques. New scenario, the Indian economy faced in 2013, prospects for the Indian content distribution platforms such as several internal macro-economic economy look better and real GDP broadband and digital cinema, direct- challenges such as high fiscal growth is expected to be in the range to-home (DTH) and digital cable deficit, large current account deficit, of 6.1% to 6.7% in FY2013 - 14. broadcasting, sophisticated electronic significant rupee depreciation, high devices etc. have resulted in the inflation, high interest rates and INDIAN MEDIA & emergence of new business models consequent slowdown in core sectors and revenue streams in the industry. as well as corporate and infrastructure ENTERTAINMENT Further, an increasing penetration of investments. The Indian GDP thus INDUSTRY multiplexes and entry of domestic as grew at only 5% in FY2012-13, the The Indian M&E industry, one of the well as international corporate houses lowest in the last decade.
    [Show full text]
  • Mauritius Times Epaper Tuesday 29 December 2020
    66th Year -- No. 3641 Tuesday, December 29, 2020 www.mauritiustimes.com facebook.com/mauritius.times 18 Pages - ePaper MAURITIUS TIMES l “Cheers to a new year and another chance for us to get it right.” -- Oprah Winfrey Interview: Que sera - sera? Chetan Ramchurn The most perilous job has been futurology, making “After a dreadful first year, the predictions about the future. No model could anticipate what was happening, and it is going to be the same for 2021 worst, I fear, is yet to come” Dr R Neerunjun Gopee + See Page 3 * See Pages 7-8-9 Crystal-Gazing 2021 Coronavirus: how the pandemic could play out in 2021 By Adam Kleczkowski, University of Strathclyde + See Page 2-12 It is easy to look forward to 2021 and list the ills likely to befall the world. Realism dictates that we must do so for ignoring the problems will not make them go away. Photo - himalayanheroes.com By Anil Madan + See Page 4-18 Mauritius Times Tuesday, December 29, 2020 www.mauritiustimes.com Edit Page facebook.com/mauritius.times 2 The Conversation Rough Road Ahead In 2021 Coronavirus: how the pandemic he year that is about to end has been that is, ominously, imposing further financial lived under the deadly shadow of an burden on coming generations. Tinvisible, infiltrative enemy that has all On the political front, there’s the list of could play out in 2021 but decimated the world. It is a year that has questions that have not found answers in had one constant: uncertainties on every Parliament, but government may well be As vaccination begins to take effect, what we'll be able to do front that we can think of.
    [Show full text]
  • “BEING INSTITUTIONAL” Pg
    Spine to be adjusted by printer ANNUAL REPORT 2014 -15 TELEVISION Developing Strong Brand Equity Pg. 42 Collaborating Creatively Pg. 44 “BEING world.com INSTITUTIONAL” Pg. 16 Ekta Kapoor dickenson MOVIES www. Optimising Pg. 52 dickenson Creative Strengths Creating an Exciting Pipeline Pg. 54 C-13, Balaji House, IPR Dalia Industrial Estate, Opposite Laxmi Industrial Estate, New Link Road, Andheri (West) Mumbai - 400 053. Monetising Current Assets Pg. 38 www.balajitelefilms.com Adding New Properties Pg. 39 Spine to be adjusted by printer Spine to be adjusted by printer 9 6 8 10 2 5 7 1 4 1. Ms. Ekta Kapoor 2. Mr. Sameer Nair The ‘Balaji’ brand is getting bigger each day. 3. Ms. Tanusri Dasgupta 4. Mr. Shubhodip Pal We have a strong visibility of our TV and movies 5. Mr. Ketan Gupta slate for 2016 and 2017 which underpins a 6. Mr. Tushar Hiranandani positive outlook. Our key drivers in FY2016 will 7. Ms. Coralie Ansari be great ideas, packaging and marketing. We 8. Mrs. Simmi Singh Bisht 9. Mr. Tanveer Bookwala will continue to focus on building strong brand 10. Ms. Ruchikaa Kapoor franchises to better connect with our TV and 11. Mr. Sanjay Dwivedi 3 film audiences. 12. Mr. Vimal Doshi 13. Mr. Ayan Roy Chowdhury Spine to be adjusted by printer 13 12 11 A transformational change is currently underway at the Balaji House. As a promoter driven company, Balaji has travelled a great journey of growth, stature and maturity. Thanks to the love, passion and hard work of the Kapoor family, Balaji now stands at the forefront of the entertainment industry and has the opportunity to travel into new orbits of growth.
    [Show full text]
  • Pjsoft Ventures Celebrity List S.No Image Bio Languages Spoken I
    Note: Charges may vary depending on your requirement Category: Pjsoft Ventures Celebrity List Social Media Only Video S.No Image Name Bio Languages Spoken IG Followers Post Charges Ashnoor Kaur is an Indian actress. She made her television debut through Zee TV's Jhansi Ki Rani, but became known 1 English,Hindi 5.9m 5-8Lakh 3 - 6 Lakh portraying Naira Singhania in Yeh Rishta Kya Kehlata Hai on Star Plus and Mini Khurana in Sony TV's Patiala Babes Anita Hassanandani is an Indian actress who primarily works in Hindi, Telugu, and Tamil films and serials. She is best known for portraying Anjali in the Star 5-8Lakh 3.6-5 Lakh 2 English,Hindi 5.7m Plus's Kkavyanjali, Shagun onwards onwards Arora in Star Plus's Yeh Hai Mohabbatein and Vishakha Khanna in Colors TV's Naagin 3, 4 and 5 Neha Sharma, known by her stage name Nia Sharma, is an Indian television actress. She made her television debut Price on 3-5 Lakh 3 playing Anu in Kaali – Ek English,Hindi 5.3m Request onwards Agnipariksha in 2010. She is best known for her portrayal as Manvi in Ek Hazaaron Mein Meri Behna Hai Amala Paul is an Indian film actress who mainly appears in Tamil, Malayalam and Telugu films. After appearing in a supporting role in the 3-5 Lakhs 4 English,Hindi 3.7m 5-8Lakh Malayalam-language film onwards Neelathamara, Amala became noted after playing the title role in Mynaa, receiving critical acclaim for her work Karan Kundra is an Indian film and television actor best known for the role of Arjun Punj in Ekta Kapoor's Kitani Mohabbat Hai that aired on NDTV Imagine.
    [Show full text]
  • SPECIAL Ishita Dutta & Vatsal Sheth EXCLUSIVE I Think You Don't Need One Particular Day to Express Your Love
    R Volume 06 I Issue 07 I February 2021 l Boman Irani joins the cast of Ajay Devgn's Mayday! p08 Renowned cinematographer Kabir Lal's directorial debut will feature 4 leading actresses p11 Film Review p23 Varun Dhawan ties the knot with Natasha Dalal p10 Valentine’s Day PIC/ Kaifi Chouhan SPECIAL Ishita Dutta & Vatsal Sheth EXCLUSIVE I think you don't need one particular day to express your love. #BOLLYWOODTOWN CONTENTSCONTENTS ¡ Boman Irani joins the cast of Ajay ¡ Tripti Dimri on finally getting her due with Devgn's Mayday! Bulbbul says, “It put me back in the game” p08 p06 p30 Small Screen ¡ Varun Dhawan ties the knot with Natasha Dalal p10 p28 ¡ Fashion & Lifestyle There is nothing better than being with my father on set: Krishna Bhatt p18 ¡ Sidharth Malhotra meets Ajay Devgn on the sets of Mayday! p12 ¡ Publicity and cinema p25 ¡ There is no better time than now: Vinay Sapru p14 p20 Cover Story ¡ Film Review p23 From the publisher's desk Editor : Tarakant D. Dwivedi ‘Akela’ Editor-In-Chief : Yogesh Mishra Dear Readers, Sr. Columnist : Nabhkumar ‘Raju’ As we know the year 2020 was not good for many of the filmmakers but Spl. Correspondent : Dr. Amit Kr. Pandey (Delhi) there are huge expectations from the year 2021. The first month i.e January Graphic Designer : Punit Upadhyay witnessed few theatrical releases of the Hindi movies. After Covid situations Sr. Photographer : Raju Asrani in the country, people are still not confident of going to cinema halls. But since vaccination process has started in India so now people have little bit of COO : Pankaj Jain confidence to go to cinema halls.
    [Show full text]
  • Peepli [Live]: a Social Satire on Contemporary India
    Peepli [Live]: A Social Satire on Contemporary India by Archana Nayak DEPARTMENT OF LIBERAL ARTS INDIAN INSTITUTE OF TECHNOLOGY HYDERABAD APRIL, 2015 Peepli [Live]: A Social Satire on Contemporary India A Thesis submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF PHILOSOPHY by Archana Nayak DEPARTMENT OF LIBERAL ARTS INDIAN INSTITUTE OF TECHNOLOGY HYDERABAD APRIL, 2015 Dedicated to my father, Pramod Kumar Nayak and my friends DECLARATION I declare that this thesis represents my own ideas and words and where others ideas or words have been included; I have adequately cited and referenced the original sources. I also declare that I have adhered to all principles of academic honesty and integrity and have not misrepresented, plagiarized, fabricated or falsified any idea/data/fact/source in my submission. I understand that any violation of the above will result in disciplinary action by the Institute and can also evoke penal action from the sources that have not been properly cited or from whom proper permission has not been taken when needed. Signature of candidate ARCHANA NAYAK --------------------------------------------- Name of candidate LA13M1001 --------------------------------------------- Roll number CERTIFICATE It is certified that the work contained in the thesis entitled “Peepli [Live]: A Social Satire on Contemporary India” submitted by Archana Nayak (Roll No. LA13M1001) in partial fulfillment of the degree of Master of Philosophy to the Department of Liberal Arts, Indian Institute of Technology Hyderabad, is a record of bonafide research work carried out by her under my supervision and guidance. The results embodied in the thesis have not been submitted to any other University or Institute for the award of any degree or diploma.
    [Show full text]
  • Media Ecosystems: the Walls Fall Down
    Media ecosystems: The walls fall down KPMG in India’s Media and Entertainment report 2018 September 2018 kpmg.com/in Media ecosystems: The walls fall down KPMG in India’s Media and Entertainment report 2018 We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Image courtesy Makuta VFX Prime Focus Ltd Reliance Animation Sony Pictures Network India Toonz Animation Viacom 18 Media Pvt Ltd Yash Raj Films Zee Entertainment Enterprises Ltd • The information contained in Media ecosystems: The walls fall down report is of a general nature and is not intended to address the circumstances of any particular individual or entity. No one should act on such information without appropriate professional advice after a thorough examination of the particular situation. • Although we have attempted to provide correct and timely information, there can be no guarantee that such information is correct as of the date it is received or that it will continue to be correct in the future. • The report contains information obtained from the public domain or external sources which have not been verified for authenticity, accuracy or completeness. • Use of companies’ names in the report is only to exemplify the trends in the industry. We maintain our independence from such entities and no bias is intended towards any of them in the report. • Our report may make reference to ‘KPMG Analysis’; this merely indicates that we have (where specified) undertaken certain analytical activities on the underlying data to arrive at the information presented; we do not accept responsibility for the veracity of the underlying data.
    [Show full text]
  • 7Zlvwv Dqg 7Xuqv
    April 16-30, 2013 Volume 1, Issue 23 `100 24 7ZLVWVDQG7XUQV 7KHPDNHUVRI+LQGL79VHULDOVXVHDQXPEHURI VWDQGDUGSOR\VWRSURORQJWKHOLIHRIDVWRU\$ORRNDW VRPHRIWKRVHGHIWDVZHOODVGHVSHUDWHPRYHV 18 8 29 10 PLUS SAAVN Big Impact 14 KRRISH Superchild 19 IDEA Get up, Stand up 20 PROFILE GOA FEST TOURISM AUSTRALIA Jaspreet Bindra Away from the Usual Welcome Letter JC DECAUX GETIT’s new CEO has A lowdown on the ad world’s Tourism Australia is digital inclinations. annual bash. spending more in India. Quashed 21 EDITORIAL This fortnight... Volume 1, Issue 23 f you watch television serials, or read about them, it is hard not to laugh at the EDITOR Idesperate attempts made to prolong their natural life. And that is what this Sreekant Khandekar PUBLISHER April 16-30, 2013 Volume 1, Issue 23 `100 week’s cover story is all about: about the skilful and not-so-clever machinations Prasanna Singh 24 employed to keep the story moving. Viewers who can see through this begin to curse SENIOR LAYOUT ARTIST the show, the producers, the channel - and yet can’t stop watching it. Vinay Dominic There is compelling business logic in keeping a serial alive even when the PRODUCTION EXECUTIVE signals say that it is running out of steam. To appreciate the true glory of the Indian Andrias Kisku television business, look closely at Hindi general entertainment channels. At their ADVERTISING ENQUIRIES Rahul Puri, (0120) 4077833, 4077866 heart lies the Hindi serial. Noida 7ZLVWVDQG7XUQV 7KHPDNHUVRI+LQGL79VHULDOVXVHDQXPEHURI Several things make the serial attractive. One, it draws large audiences. Two, it VWDQGDUGSOR\VWRSURORQJWKHOLIHRIDVWRU\$ORRNDW Arunima Bhattacharya, (022) 40429702-5 VRPHRIWKRVHGHIWDVZHOODVGHVSHUDWHPRYHV gets them to the channel every day, month after month – and sometimes, year after Mumbai 18 8 29 10 PLUS SAAVN Big Impact 14 year.
    [Show full text]