DOCSLIB.ORG

17-08-02 Leisuretec HARMAN PA Essentials WEB Compressed

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
17-08-02 Leisuretec HARMAN PA Essentials WEB Compressed presents Portable PA Essentials A guide to HARMAN small to medium size live audio solutions Welcome to HARMAN Audio Portable PA Essentials which features the must-have products from the HARMAN Professional audio brands - AKG, BSS Audio, Crown, dbx, JBL Professional and Soundcraft - for professional, portable PA systems. Each brand's full product range extends beyond what is highlighted here, and if you can't see a product which fulfils your requirement in this catalogue, you will almost certainly find by browsing the brand's website, or by contacting Leisuretec on 01525 850085. AKG’s microphones and headphones are a synthesis of leading-edge industrial design, innovative electronics and world-class acoustics. For over 60 years, AKG has used its considerable expertise and know-how to develop products that serve the music, recording, broadcast and installation markets. From its beginning as a designer and manufacturer of analogue signal processing to its current status as a leader in the field of audio DSP, signal distribution and control, BSS Audio has amassed an international reputation for providing simple, flexible and cost-effective installed sound solutions. For over 65 years, Crown has pioneered the design and manufacture of professional audio amplifiers. Today Crown products are used by some of the largest and most respected sound companies in the world in fixed and touring applications. The best sound systems depend on advanced digital signal processing from dbx to really make them shine. Its offering includes complete equalization and speaker management systems, powered speaker optimizers, direct boxes, zone controllers, EQs and more. Before THX® and Dolby®, before stereo and even hi-fi, there was JBL. Today, you’ll hear JBL Pro sound in 70 percent of all professional venues, including legendary recording studios, famous concert halls and premier cinemas around the world. JBL Pro loudspeakers are the one benchmark for quality and the singular reference for accuracy in the reproduction of recorded or performed sound. Soundcraft designs, manufactures and markets a wide range of professional audio mixing consoles for use in the live performance, broadcast, sound recording, stage and film arenas. Founded in 1973, just as the music touring business was taking off, the company built a reputation for desks that became synonymous with the “British Sound.” MIXING CONSOLES Now mixes 80 channels! 80 DSP channels - 31 output busses - 8 VCAs + 8 mute groups - Full DSP on every channel & output - 32x32 USB interface - Motorised faders - Built-in stagebox connectivity - ViSi iPad control SOUNDCRAFT SI IMPACT 80 INPUT DIGITAL MIXING CONSOLE WITH RECORDING INTERFACE The Si Impact is Soundcraft’s ‘greatest hits’ collection of Si series technology; combining all of the most powerful features of the Si Expression and Performer consoles into a single 32-channel chassis. On the outside, the Si Impact features an improved, user friendly control layout and simplified screen surround, whilst on the inside, you’ll find enough DSP processing for 80 inputs to mix and 35 busses. Other unique features include 32 built-in Mic inputs, 8 of which are on Combi jack connectors for XLR or 1/4” connectivity, 24 Input faders over 4 fully customisable fader layers with dedicated LR and Mono faders, high contrast LCD scribble strips per channel with comprehensive level and dynamics metering, 8 VCA and Mute groups as well as a full complement of Harman approved processing including dbx dynamics processors, BSS graphic EQ’s and Lexicon effects. The Si Impact also features 2 Si option card slots; one of which is pre-installed with the MADI/USB Combo card to enable 32 channels of USB recording and full Cat 5 MADI stagebox connectivity out of the box. MIXING CONSOLES MIXING CONSOLES 80 DSP channels - 20 aux/group busses - 4 Lexicon FX busses - 8 Matrix busses - 8 VCAs + 8 mute groups - Full DSP on every channel & output - 32x32 USB interface - Assignable insert loops - AES I/O - DMX interface - 2 ViSi Connect option card slots - Global mode encoders SOUNDCRAFT SI PERFORMER 80 INPUT DIGITAL MIXING CONSOLES The Si Performer harnesses 448 ‘rack units’ of power to produce the most powerful evolution in the SI series, combining the revolutionary workflow breakthroughs of the SI Expression with the added flexibility of LCD scribble strips, 2 Option card slots, 8 line input jacks and 8 VCA and mute group controllers. Each model features unique fader and local mic preamp counts however they are all capable of mixing up to 64 mic and 16 line input sources into 35 busses, with shows and snapshots interchangeable between all models via USB stick. The 2 option card slots combine for a total of 128x96 possible cross-points that can provide a multitude of networking I/O options via the ViSi connect potion card range or direct connection to any Soundcraft MADI stageboxes; positioning the SI Performer at the heart of any installation or music venue. Si Performer 1 Si Performer 2 Si Performer 3 16 mic preamps 24 mic preamps 32 mic preamps 16 faders 24 faders 32 faders MIXING CONSOLES 66 DSP channels - 20 aux/group busses - 4 Lexicon FX busses - 8 Matrix busses - 4 mute groups - Full DSP on every channel & output - Motorised faders - Assignable insert loops - AES I/O - 1 ViSi Connect option card slot - Global mode encoders SOUNDCRAFT SI EXPRESSION POWERFUL COST-EFFECTIVE DIGITAL CONSOLES The Si Expression combines the power of digital mixing with the simplistic workflow of analogue. The range consists of 3 frame sizes, each with the same 66 channel DSP engine and total mix bus count of 35. Once you’ve selected your desired fader count and your desired mic preamp count, you will have the full power of Harman’s legendary brands available at your fingertips. Soundcraft applies their seasoned EQ knowledge whilst dbx supplies the Gates and Compressors. BSS FCS-960 algorithms power all 31 graphic EQ whilst we turn to Lexicon to provide 4 totally independent effects engines to supplement your sound. Adjustment of these extensive parameters are done via physical controls on a dedicated and comprehensive assignable channel strip. A single option card slot enables connectivity to more mic inputs via a stage box, recording via USB and even advanced networking capabilities via Dante and BLU link options. Si Performer 1 Si Performer 2 Si Performer 3 16 mic preamps 24 mic preamps 32 mic preamps 16 faders 24 faders 32 faders MIXING CONSOLES 24 input channels - 20 Studer preamps - 8 aux/monitor outputs - Multi-channel recording & playback - EQ, dynamics & dbx AFS2 feedback suppression - dbx dynamics and Lexicon effects - RTA - HARMAN Connected PA compatible SOUNDCRAFT UI24R 24-CHANNEL DIGITAL MIXER/USB MULTI-TRACK RECORDER WITH WIRELESS CONTROL The Soundcraft Ui24R is a complete, rack-mountable, digital mixing and multi-track recording system that delivers flexible I/O, pristine sound quality, intuitive wireless control, and roadworthy reliability - all in a streamlined design. The system can double as a stagebox and can be controlled by up to 10 devices via Ethernet or built-in dual- band Wi-Fi, making it possible to control mixing and multi-track recording wirelessly from anywhere in the venue. Renowned Lexicon, dbx and DigiTech signal processing ensures pristine sound, while 20 Studer-designed microphone preamps deliver more professional inputs than any other mixer in its class. Ui16 16 inputs 6 aux/monitor sends Ui12 12 inputs 4 aux/monitor sends LOUDSPEAKERS JBL VRX900 SERIES CONSTANT CURVATURE ARRAY Addressing the need for a small format professional sound system, JBL developed the VRX932LA and VRX928LA Constant Curvature Line Arrays for hire and production companies looking for the ultimate in performance and portability. Featuring the performance of high end line arrays in two compact 8” and 12” formats, including a powered option in the 12“ format. VRX900 can be flown, pole mounted or ground stacked providing flexibility along with affordability and outstanding coverage and coherence. Sharing components with the JBL VERTEC® Line Array Series, it is perfectly suited for use in small to medium venues and sound reinforcement projects. JBL VRX932 12" 2-way line array speaker JBL VRX918S JBL VRX928 18" bass-reflex 8" 2-way line array subwoofer speaker JBL VRX918S 15" bass-reflex subwoofer JBL VRX915M 15" 2-way stage monitor LOUDSPEAKERS JBL SRX800 SERIES HIGH POWER SOUND REINFORCEMENT WITH NETWORK CONTROL Available in passive or powered versions, JBLs’ SRX800 premium portable speakers deliver the best sound quality, power handling, and workmanship in their class. Custom built, industry leading JBL transducers and enclosures give SRX800 the power and ruggedness to stand up to a variety of demanding applications and provide reliable, pristine sound wherever it is needed. The SRX800 Passive incorporates tunings for Crown amplifiers and dbx signal processors, while the powered versions include DSP, Crown DriveCore amplification and network control. JBL SRX818S / SRX818SP 18" subwoofer JBL SRX835 / JBL SRX815 / JBL SRX812 / SRX835P SRX815P SRX812P JBL SRX828S / SRX828SP 15" 3-way 15" 2-way 12" 2-way Twin 18" subwoofer LOUDSPEAKERS JBL PRX800W SERIES HIGH POWERED SOUND REINFORCEMENT WITH WIRELESS CONTROL The JBL PRX800W series is the most advanced PA in its class. Wi-Fi technology and sophisticated DSP give you complete control over system tuning and performance via the free PRX Connect app. An efficient 1500-watt class-D amplifier and patented JBL Differential Drive® technology provide best-in-class
Load more

Recommended publications
  • Mesa Mark Iv Manual
    Owner’s Manual Hello from the Tone Farm Congratulations! The amplifier you have chosen is born of thoroughbred stock that carries worldwide accolades and is still setting trends with top Artists 35 years after its unveiling. The MARK FIVE: 25, like the MARK FIVE it is born from, is really a collection of iconic amplifiers. There are far too many circuits and sounds to think of it as merely an amp... it’s a living history of MESA/Boogie! From the groundbreaking MARK I that introduced the world to high-gain with it’s cascading preamp, to the Mark II, the world’s first high gain Dual Mode Channel Switching amplifier (and it’s later siblings that introduced Simul-Class™ power). From the MARK III that ushered in the era of 3 Channel footswitching. performance, to the MARK IV which gave all that power individual control, the MARK FIVE (and now the MARK FIVE: 25) is the embodiment of the last 45 years of guitar amp evolution. In this latest 25 Watt incarnation, the sounds and attributes that make MARK Series amps so popular on stage and in the studio are not only shrunk to their smallest possible physical size, but are also further refined and improved. The gorgeous sparkling Cleans and soaring high gain Lead sounds have made the jump successfully across output tube platforms and a new and exciting timbre of the MARK Series voice is created here in the MARK FIVE: 25’s EL84 Duet. Brighter, tighter, more shredding in the top end, a bit more forgiving in feel and exceedingly more clip-able, the FIVE: 25 is right on time.
    [Show full text]
  • Chisnallwood Sound Tech Training Summary 2016 (Revised Edition)
    Chisnallwood Sound Tech Training Summary 2016 (revised edition) Name __________________ Coiling Leads • Look after leads carefully • make sure there are no knots • size of loops - not too small or large • alternating loops • when finished the ends of leads should be close together – not dangling • https://youtu.be/0yPcJD7RVuY How to adjust a mic stand • Always loosen before adjusting • Coin to tighten the mic clip • NT5s require different mic clip • Guess the height of the performer when setting up Sound Reinforcement System Basic building blocks mic amp speaker mic mixer amp speaker What’s on each channel? •PreAmp - Gain •EQ - Hi, Mid, Low •Fader - Level •Pan- Left, right Getting the Best Sound • Beforehand, get to know performance • Select the right microphones • Position microphones in optimum locations to give best sound and least feedback • Set gain structure for optimum quality (no noise or distortion) and adjust overall sound level Plugging in the mics: hall stage Type of mics used in the hall: • lectern mic (needs phantom power), • SM58s (common and reliable), • lapel mic, • hand-held mic, • NT5 condensors used for groups such as choir (needs phantom) SM58 Plug into on-stage snake - the channel number matches the channel number on the mixing desk in the control room. Microphones Behringer X32 Digital Mixer http://www.behringer.com/EN/Products/X32.aspx Read all about Download an app the mixer here for your phone or iPad/tablet or computer to control the mixer (or just to Watch some videos practice with at home) about the mixer The device needs to be logged into the X32 wifi called CIS Sound Sends on Fader Use Sends On Fader to adjust foldbacks DI (Direct Input) • Cuts down need to run jack over long distance • Isolates to stop earth loops • Jack in and XLR out • If using an amp use between instrument and amp – eg guitar to DI to amp and mixer Amplifiers in the Hall • AMPLIFIER RULE: the amps are always the last thing to turn on (after the mics are plugged in and mixer get turned on) and the first to turn off at the end.
    [Show full text]
  • User Manual For
    User Manual for PHAB - tube microphone preamp' PHAME - tube instrument preamp' & PHI - tube DI box This manual is also available as a pdf download, Go to: www.phaedrus-audio.com Ver. 1.1 - ©Phædrus Audio Ltd. 2011 All rights reserved. Preface – About Phædrus Audio Phædrus Audio was formed to design, manufacture and sell high-quality products for the professional and semi-professional audio market. Phædrus Audio's founders remain inspired by the music and the recording practices of the fifties and sixties, and are motivated to re-establish the values of the great audio-technology legends of the past with their ideals of transparency, hand- built quality, and serviceability. Using modern manufacturing techniques and the benefits of modern component technology, Phædrus Audio's aim is to reproduce the quality and character of classic equipment but in a modern, highly reliable, and cost-effective way. Chapter 1 - Background The Phædrus Audio PHAB, PHAME and PHI products came about because two, recording musicians wanted to own a "classic" console from the nineteen-sixties. Ideally a famous EMI, REDD, all valve (vacuum tube) mixer used to record The Beatles. But those desks make a collection of hen's teeth look positively prosaic - as well as cheap! So, we set about researching with the idea of producing a replica console. In order to do this, first it was necessary to have a design for the amplifier modules around which the mixers of this vintage are organised. In the famous EMI REDD mixers, these amplifiers were either the German manufactured V72(S) amplifiers or the, very rare, EMI built, REDD.47 amplifiers.
    [Show full text]
  • Triple Crown™ TC-100
    Owner’s Manual Hello from the Tone Farm Congratulations on your choice of the TRIPLE CROWN™ and welcome to the MESA/Boogie® Family! The instrument you’ve selected has a deep heritage that combines the best attributes of vintage tube amplification with pioneering innovation that brings high-gain channel switching performance to a new frontier. One look at the thoroughness of the feature set of this amplifier tells you it’s loaded with inspiring tools, but underneath the hood, the au- thenticity of these groundbreaking circuits and features (beware imitators) dates back to our MARK I™ and the very beginning of Modern guitar amplification. So congratulations on your choice… you should feel a sense of pride that you’re playing an amp like no other, an original in every way! Just like you! Our 45+ year commitment to excellence along with our solemn promise to musicians - to treat each of them as we ourselves would wish to be treated - guarantees you an experience that will make you feel truly justified in your choice. We’re confident your new amplifier will have you smiling and inspired within minutes of plugging in for the first time...but what’s really gratifying is that you will be finding new and inspiring sounds years after the price of admission has faded from memory and the TRIPLE CROWN continues to unveil it’s true worth. It’s with our sincere thanks for trusting us with your TONE and our best wishes for all your musical endeavors that we welcome you home. Should you ever need assistance or guidance we’re here to help.
    [Show full text]
  • TL Audio Classic Series
    EQ-2 Dual Parametric Valve EQ PA-1 Dual Pentode Valve Pre-Amp EQ-1 Dual Valve Equaliser PA-2 Dual Valve Mic Pre Amp/DI C-1 Dual Valve Compressor VI-1 8 Channel Valve Interface For more information please email: TL Audio EQ-2 Dual Parametric Valve Equaliser The EQ-2 was launched in response to users who wanted the same unmistakably warm and musical sound of our ground breaking EQ-1 equaliser, but required even more flexibility in the way the signal is processed. The EQ-2 boasts two channels of fully parametric 4 band valve equalisation - which in conjunction with variable high and low cut filters offers unlimited control of any audio source. But that's not all - unlike many valve equalisers, the EQ-2 provides continuously variable frequency controls, so choice of frequency is not limited to switched selections. The EQ-2 also features a pair of the acclaimed TL Audio mic pre amps (with phantom power), to enable high quality direct-to-tape microphone recording, and a pair of front panel auxiliary inputs enable a guitar or keyboard to directly access the EQ-2. Another brilliant refinement is the 'stereo mode' switch - when activated, the EQ controls of channel A automatically process the signal on channel B in an identical fashion - thus the audio signals through both channels have the same EQ applied to them: ideal for precise equalisation of stereo sources and overall mixes. Quite simply, we believe that the EQ-2 is one of the best sounding and most versatile equalisers currently available! The EQ-2 employs a total of six valve stages per channel: one in each of the four EQ bands, followed by a pair in the output stage.
    [Show full text]
  • Dance Music Manual This Page Intentionally Left Blank Dance Music Manual Tools, Toys and Techniques
    Dance Music Manual This page intentionally left blank Dance Music Manual Tools, Toys and Techniques Second Edition Rick Snoman AMSTERDAM • BOSTON • HEIDELBERG • LONDON • NEW YORK • OXFORD PARIS • SAN DIEGO • SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier Linacre House, Jordan Hill, Oxford OX2 8DP, UK 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA First published 2009 Copyright © 2009, Rick Snoman. Published by Elsevier Ltd. All rights reserved The right of Rick Snoman to be identifi ed as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 No part of this publication may be reproduced, stored in a retrieval system or transmit- ted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the publisher Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone ( ϩ 44) (0) 1865 843830; fax ( ϩ 44) (0) 1865 853333; email: [email protected]. Alternatively you can submit your request online by visiting the Elsevier website at http://elsevier.com/locate/permissions, and selecting Obtaining permission to use Elsevier material Notice No responsibility is assumed by the publisher for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions or ideas contained in the material herein British Library Cataloguing in Publication Data snoman, Rick The dance music manual : tools, toys and techniques.
    [Show full text]
  • Kd-Avx11[Un] (En
    ENGLISH DVD/CD RECEIVER ALAT PENERIMA DVD/CD INDONESIA KD-AVX11 For canceling the display demonstration, see page 5. Untuk membatalkan tampilan demonstrasi, lihat halaman 5. For installation and connections, refer to the separate manual. Untuk instalasi dan penyambungan, lihat buku pedoman terpisah. INSTRUCTIONS BUKU PETUNJUK LVT1657-004A [UN] CCover_KD-AVX11U_004.inddover_KD-AVX11U_004.indd 2 006.12.196.12.19 1:56:491:56:49 PPMM Thank you for purchasing a JVC product. Please read all instructions carefully before operation, to ensure your complete understanding and to obtain the best possible performance from the unit. IMPORTANT FOR LASER PRODUCTS ENGLISH 1. CLASS 1 LASER PRODUCT 2. CAUTION: Do not open the top cover. There are no user serviceable parts inside the unit; leave all servicing to qualified service personnel. 3. CAUTION: Visible and/or invisible class 1M laser radiation when open. Do not view directly with optical instruments. 4. REPRODUCTION OF LABEL: CAUTION LABEL, PLACED OUTSIDE THE UNIT. [European Union only] WARNINGS: Cautions on the monitor: To prevent accidents and damage • The monitor built in this unit has been produced • DO NOT install any unit and wire any cable in with high precision, but it may have some locations where; ineffective dots. This is inevitable and is not – it may obstruct the steering wheel and malfunction. gearshift lever operations. • Do not expose the monitor to direct sunlight. – it may obstruct the operation of safety devices • When the temperature is very cold or very hot... such as air bags. – Chemical changes occur inside, causing – it may obstruct visibility. malfunction. • DO NOT operate the unit while driving.
    [Show full text]
  • Direct Input Box for Bass Guitar
    Direct Input Box For Bass Guitar TorrencesometimesProcrustean disillusionises rearousing Dory sometimes his his fatness cons run-up tenders plaguey any ensconcingmelodramatics and rejuvenize underfoot. posit so mutteringly! attributively. Terrene New-fashioned and criminative Gabriello DI tracks and amp signals to your mix engineer. So we also be implemented with bass for guitar direct input. Overdrive is more true Ampeg preamp, delivering a wide terrain of Ampeg tone perfect for better stage. What define a text box used for? DI1 Active Direct Box Miktek Audio. What other differences are there between passive and active DIs? Function of the low frequencies and bass waves are practically unnoticeable and direct box? If you notice, the hum may lessen or disappear when facing a specific direction. Active and passive instruments Instrumentation and Control. No headings were found on this page. Behringer has a twisted wires. It seems like other best sounding DI for guitars has running been overlooked or simply avoided. A DI Box or in Box is used to obsess in cancer high impedance guitar signal into a. Bass DI Boxes zZounds. How to Build a Boutique Passive DI DIY Recording Equipment. What happens when a direct. Di box products for sale eBay. If you get a good sound without DI then by all means carry on. And boy can use this unit either cup your amp or after. Personally, I chip my Pro Tools LE system this song demos and for in having fun with friends and have recorded everything from electric guitar and bass to vocals one safe at stock time.
    [Show full text]
  • Opendrc-DI USER MANUAL
    OpenDRC-DI USER MANUAL Manual revision Description Date V1.0 Initial revision 18-02-2012 V1.1 Firmware upgrade information 18-04-2012 V1.2 DSP upgrade step by step 17-07-2012 V1.3 Remove Adobe AIR and Flash 22-02-2021 www.miniDSP.com miniDSP Ltd – Hong Kong / Email : [email protected] / Features and Specifications are subject to change without prior notice P 1 Contents 1 Product Introduction .............................................................................................................................................................................................. 3 2 System Connectivity ............................................................................................................................................................................................... 5 2.1 Connectivity ..................................................................................................................................................................................................... 5 2.2 Typical setup .................................................................................................................................................................................................... 5 2.2.1 DC Power connectivity........................................................................................................................................................................ 6 2.2.2 Digital Audio connectivity..................................................................................................................................................................
    [Show full text]
  • Fresno Fire Department (FFD Or Department) Members with the Operational Principles and Technical Data Necessary to Properly Operate the Delsar Life Detector Model LD3
    TRAINING AND EQUIPMENT MANUAL RESCUE EQUIPMENT 306.027 OPERATING PROCEDURES FOR THE DELSAR LIFE DETECTOR EFFECTIVE: NOVEMBER 2010 Current Revision Date: 6/26/19 Next Revision Date: 6/26/24 Author’s Name/Rank: Conor Manning, Firefighter Review Level: 1 Leslie Oulashian Administrative Support Management Analyst II PURPOSE The purpose of this policy is to provide information to familiarize the Fresno Fire Department (FFD or Department) members with the operational principles and technical data necessary to properly operate the Delsar Life Detector Model LD3. APPLICATION The Delsar Life Detector Model LD3 provides seismic and acoustic sensors designed to detect and locate signs of a victim’s presence in the voids of a collapsed building or similar entrapment situation. OPERATIONAL POLICY This section intentionally left blank. OPERATIONAL GUIDELINE This section intentionally left blank. PROCESS Battery Installation The battery is inserted into the battery housing located on the right side of the display indicator (DI) as shown. (See Figure 1.) Section 306.027 Page 1 of 33 Figure 1 1. Remove the threaded battery cap by turning counter-clockwise. 2. Place a battery pack into the unit, inserting the small-diameter end first. Note: The LD3B needs to be stored with the battery removed from the unit. 3. Replace the battery cap by turning it clockwise. 4. Make sure the battery cap is firmly seated. Avoid cross-threading and do not over tighten. (See Figure 2.) Figure 2 Sensor Connection • The seismic sensors detect ultra-low levels of vibration created within and around the structure. The sensors convert the minute structure-borne vibrations into an electrical signal which is then amplified thousands of times.
    [Show full text]
  • News Issue 14
    N E R.I.P. UHF Surround ‘Phones W KG is a headphone that provides surround effects and NS10 Ais a cost efficient alternative to true surround head- S amaha has phones. An SRS chip enables wireless headphones to Yannounced that provide surround effects. (The SRS chip uses stereo signals to generate a 3-D effect that should not be & production of the NS10MS and confused with true surround sound.) Although the NS10MC studio surround quality of these headphones is not the same as N monitors will be dis- that of their HEARO Series headphones with AKG IVA continued. The processing, it does offer those who want more than just E decision was made stereo an affordable alternative. W on the basis that AWA Audio Products: (02) 9669 3477 source of the wood pulp used in the P woofer cone is no Penta Tonic R longer available. Despite a ‘worldwide he fifth member of the Focusrite Platinum Range is O search for a replacement material’, none was found that Ton its way, the Platinum Penta. Penta is designed as D provided an acceptable sonic substitute. Spare parts are an affordable, ‘high spec’ stereo analogue preset com- expected to be available for at least five years. A wreath pressor. The unit features an editable preset compressor U laying ceremony will soon be held for the NS10 at offering a range of compression settings depending on C Yamaha Australia’s South Melbourne head office. Well, the sound required or instrument involved. Its dynamic maybe not, but needless to say, the ‘white-coned ones’ response can add a soft or hard knee shape to the com- T will be sorely missed by many.
    [Show full text]
  • Sonic Farm 2DI4 Pentode Direct Box Think DI Boxes Are Boring? Think Again
    BY PAUL VNUK JR. Sonic Farm was founded in 2009 in Vancouver, BC, Canada. The company is owned and run by lifelong friends Zoran Todorovic and Boris Drazic, who met in 1966 when they formed their first band in their home country, then known as Yugoslavia. Sonic Farm’s modus operandi is, “To come up with pro audio equipment that the market is not saturated with”—in other words, no clones of famous gear of yester- year. Their philosophy is, “To do whatever gets the right tone.” As such they don’t care if they use tubes, transistors, IC chips, or op amps, as long as it sounds good! Currently the company’s line consists of five units: The Creamer and Creamer Plus 2-channel tube preamps; the Creamliner 2- Sonic Farm 2DI4 Pentode Direct Box Think DI boxes are boring? Think again... channel tube/transformer line-level signal On its rear panel it has a pair of male unbalanced buffered amplifier output for conditioner; the brand-new Silkworm 500 XLR outputs; one is a transformer-balanced looping back into your amplifier. Series preamp; and the item we are look- DI output and the other is an op amp-bal- ing at today, the 2DI4 Pentode Direct Box. anced standard line output. This allows Input, drive and tone 1 you to use the unit as a traditional DI with Next to the /4"I/O in front are controls To die four a mixing console, a preamp-equipped for input, tone and output. Overall, input is The 2DI4 is a single-channel Direct Box desktop interface, or any mic preamp of largely handled from the output of your that uses a class-A circuit built around an your choice, or you can use it on its own source, be it guitar, bass, or keyboard, and EF86 pentode tube; this is followed by a as a line-level front end for recording instru- it is monitored by a 2-stage signal LED that solid-state buffer and an output which is ments direct.
    [Show full text]