Comixology Cyber Monday: Buy One Get One Free Sale

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Comixology Cyber Monday: Buy One Get One Free Sale For the first time ever, comiXology is having a HUGE Buy One, Get One Free sale on all DC Comics and Vertigo titles released digitally before 9/1/2015! Just use the code DCBOGO at check out to take advantage of this great offer that includes comics that inspired TV shows and upcoming movies like The Flash, Arrow, Supergirl, iZombie, Batman vs Superman and Suicide Squad. Also, on Cyber Monday we have sales on select Dark Horse trades, select VIZ manga, as well as continuing our humongous Black Friday sales! Here’s a run down of all the sales happening on Monday: Cyber Monday: DC Comics Buy One, Get One Free Sale - Use promo code DCBOGO at checkout • Offer good on all DC Comics and Vertigo titles released digitally before 9/1/15 Dark Horse Sale - 30 trades for $2.99 each VIZ Sale - 10 volumes for $2.00 off each Marvel X-Men & The Black Vortex Sale Continuing Black Friday Sales: Image Comics 50% off Sale- Use promo code IMAGE at checkout Marvel Black Friday Collection Sale Marvel Spider-Verse Sale ***** Cyber Monday: DC Comics Buy One, Get One Free Sale - Use promo code DCBOGO at checkout Dark Horse Sale - 30 trades for $3.00 each Alien vs. Predator: Fire and Stone Aliens: Fire and Stone ApocalyptiGirl: An Aria for the End Times Avatar: The Last Airbender - Smoke and Shadow Part One Archie vs Predator Big Guy and Rusty Conan Red Sonja Courageous Princess Vol 1 Drug and Drop Vol 1 EI8HT Vol 1: Outcast Ghost Fleet Vol 1 Deadhead Green River Killer Halo: Escalation Volume Heart in a Box Hellboy and the B.P.R.D: 1952 How to Pass as Human Lady Killer Predator: Fire and Stone Prometheus: Fire and Stone Plants vs. Zombies: Bully For You Rat God Rexodus Serenity: Leaves on the Wind The Goon Vol14: Occasion of Revenge The New Deal The Witcher: Vol 2 - Fox Children Tomb Raider Vol 1 : Season of the Witch Veda: Assembly Required Buffy: Season Ten Vol 1 : New Rules BloodC Vol 1 VIZ Sale - 10 volumes for $4.99 each My Hero Academia Vol 1 Assassination Classroom Vol 1 Ultraman Vol 1 Twin Star Exorcists Vol 1 Tokyo Ghoul Vol 1 Time Killers Vol 1 Demon Prince Momochi House Vol 1 Kiss of the Rose Princess Vol 1 My Love Story! Vol 1 Spell of Desire Vol 1 Marvel X-Men & The Black Vortex Sale The Black Vortex Alpha #1 Guardians of the Galaxy #24-25 Legendary Star-Lord #1-11 All-New X-Men #38-39 Guardians Team-Up #1-3 Nova #28 Cyclops #12 Captain Marvel #14 The Black Vortex Omega #1 Continuing Black Friday Sales: Image Comics 50% off Sale - Use promo code IMAGE at checkout Marvel Black Friday Collection Sale Avengers/X-Men: Utopia Avengers Vs. X-Men Death of Wolverine Fear Itself House of M Marvel 1602 Original Sin Secret Invasion Secret Wars X-Men: Battle of the Atom Marvel Spider-Verse Sale The Black Vortex Alpha #1 Superior Spider-Man #32-33 Spider-Man 2099 #5 Amazing Spider-Man #1-18 Spider-Verse #1-2 Spider-Verse Team-Up #1-3 Spider-Woman #1-4 Scarlet Spiders #1-3 Spider-Man 2099 #6-8 Amazing Spider-Man #1.1, 1.2, 1.3, 1.4, 1.5, 16.1, 17.1, 18.1, 19.1, 20.1 Kodansha 99¢ Black Friday Sale Attack On Titan Vol 1 Say I love You Vol 1 Seven Deadly Sins Vol 11 ComiXology | 512 7th Avenue, 12th Floor | New York | NY | 10018 .

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(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership.
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“I Am the Villain of This Story!”: the Development of the Sympathetic Supervillain
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Cyber Threats Facing America: an Overview of the Cybersecurity Threat Landscape
S. Hrg. 115–298 CYBER THREATS FACING AMERICA: AN OVERVIEW OF THE CYBERSECURITY THREAT LANDSCAPE HEARING BEFORE THE COMMITTEE ON HOMELAND SECURITY AND GOVERNMENTAL AFFAIRS UNITED STATES SENATE ONE HUNDRED FIFTEENTH CONGRESS FIRST SESSION MAY 10, 2017 Available via the World Wide Web: http://www.fdsys.gov/ Printed for the use of the Committee on Homeland Security and Governmental Affairs ( U.S. GOVERNMENT PUBLISHING OFFICE 27–390 PDF WASHINGTON : 2018 COMMITTEE ON HOMELAND SECURITY AND GOVERNMENTAL AFFAIRS RON JOHNSON, Wisconsin, Chairman JOHN MCCAIN, Arizona CLAIRE MCCASKILL, Missouri ROB PORTMAN, Ohio THOMAS R. CARPER, Delaware RAND PAUL, Kentucky JON TESTER, Montana JAMES LANKFORD, Oklahoma HEIDI HEITKAMP, North Dakota MICHAEL B. ENZI, Wyoming GARY C. PETERS, Michigan JOHN HOEVEN, North Dakota MAGGIE HASSAN, New Hampshire STEVE DAINES, Montana KAMALA D. HARRIS, California CHRISTOPHER R. HIXON, Staff Director GABRIELLE D’ADAMO SINGER, Chief Counsel COLLEEN BERNY, Professional Staff Member MARGARET E. DAUM, Minority Staff Director JULIE KLEIN, Minority Professional Staff Member LAURA W. KILBRIDE, Chief Clerk BONNI DINERSTEIN, Hearing Clerk (II) C O N T E N T S Opening statements: Page Senator Johnson ............................................................................................... 1 Senator McCaskill ............................................................................................ 2 Senator Lankford .............................................................................................. 15 Senator Daines
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Wolverine Logan, of the X-Men and the New Avengers
Religious Affiliation of Comics Book Characters The Religious Affiliation of Comic Book Character Wolverine Logan, of the X-Men and the New Avengers http://www.adherents.com/lit/comics/Wolverine.html Wolverine is the code name of the Marvel Comics character who was long known simply as "Logan." (Long after his introduction, the character's real name was revealed to be "James Howlett.") Although originally a relatively minor character introduced in The Incredible Hulk #180-181 (October - November, 1974), the character eventually became Marvel's second-most popular character (after Spider-Man). Wolverine was for many years one of Marvel's most mysterious characters, as he had no memory of his earlier life Above: Logan and the origins of his distinctive (Wolverine) prays at a Adamantium skeleton and claws. Like Shinto temple in Kyoto, much about the character, his religious Japan. affiliation is uncertain. It is clear that [Source: Wolverine: Wolverine was raised in a devoutly Soultaker, issue #2 (May Christian home in Alberta, Canada. His 2005), page 6. Written by family appears to have been Protestant, Akira Yoshida, illustrated although this is not certain. At least by Shin "Jason" Nagasawa; reprinted in into his teen years, Wolverine had a Wolverine: Soultaker, strong belief in God and was a Marvel Entertainment prayerful person who strived to live by Group: New York City specific Christian ethics and moral (2005).] teachings. Above: Although Logan (Wolverine) is not a Catholic, and Over the many decades since he was a Nightcrawler (Kurt Wagner) is not really a priest, Logan child and youth in 19th Century nevertheless was so troubled by Alberta, Wolverine's character has his recent actions that he changed significantly.
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Uncanny Xmen Box
Official Advanced Game Adventure CAMPAIGN BOOK TABLE OF CONTENTS What Are Mutants? ....... .................... ...2 Creating Mutant Groups . ..... ................ ..46 Why Are Mutants? .............................2 The Crime-Fighting Group . ... ............. .. .46 Where Are Mutants? . ........ ........ .........3 The Tr aining Group . ..........................47 Mutant Histories . ................... ... ... ..... .4 The Government Group ............. ....... .48 The X-Men ..... ... ... ............ .... ... 4 Evil Mutants ........................... ......50 X-Factor . .......... ........ .............. 8 The Legendary Group ... ........... ..... ... 50 The New Mutants ..... ........... ... .........10 The Protective Group .......... ................51 Fallen Angels ................ ......... ... ..12 Non-Mutant Groups ... ... ... ............. ..51 X-Terminators . ... .... ............ .........12 Undercover Groups . .... ............... .......51 Excalibur ...... ..............................12 The False Oppressors ........... .......... 51 Morlocks ............... ...... ......... .....12 The Competition . ............... .............51 Original Brotherhood of Evil Mutants ..... .........13 Freedom Fighters & Te rrorists . ......... .......52 The Savage Land Mutates ........ ............ ..13 The Mutant Campaign ... ........ .... ... .........53 Mutant Force & The Resistants ... ......... ......14 The Mutant Index ...... .... ....... .... 53 The Second Brotherhood of Evil Mutants & Freedom Bring on the Bad Guys ... .......
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Cyber Exercise Playbook
Cyber Exercise Jason Kick Playbook The views, opinions and/or findings contained in this report are those of The MITRE Corporation and should not be construed as an official government position, policy, or decision, unless designated by other documentation. November 2014 Approved for Public Release; Distribution Unlimited. 14-3929 This technical data was produced for the U.S. Government under Contract No. W15P7T-13-C-A802, and is subject to the Rights in Technical Data-Noncommercial Items clause at DFARS 252.227- 7013 (NOV 1995). ©2014 The MITRE Corporation. All rights reserved. MP140714 Wiesbaden, Germany Approved By Mr. Charles Best Date Project Leader ii Abstract This paper provides an overview of the cyber exercise process from inception to reporting. It introduces the terminology and life cycle of a cyber exercise and then focuses on the planning and execution aspects of such exercises, to include objectives, scenarios, reporting and assessment procedures, network architecture, tools, and lessons learned from utilizing the scenarios outlined during an exercise with Partner Nations. Reading this document and reviewing the reference materials should enable exercise planners to understand the purpose, objectives, planning, and execution processes for conducting cyber exercises. iii This page intentionally left blank. iv Acknowledgements Several MITRE staff members contributed to this paper, either by reviewing it or by writing certain sections. Thank you to everyone who took part in ensuring this paper’s accuracy and completeness, especially: • Mr. Nathan Adams • Mr. Dan Aiello • Mr. Charles Best • Mrs. Margaret MacDonald • Mr. John Modrich • Mr. Scott Wilson Several staff of the US Army also reviewed this paper.
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Super Heroes V Scorsese: a Marxist Reading of Alienation and the Political Unconscious in Blockbuster Superhero Film
Kutztown University Research Commons at Kutztown University Kutztown University Masters Theses Spring 5-10-2020 SUPER HEROES V SCORSESE: A MARXIST READING OF ALIENATION AND THE POLITICAL UNCONSCIOUS IN BLOCKBUSTER SUPERHERO FILM David Eltz [email protected] Follow this and additional works at: https://research.library.kutztown.edu/masterstheses Part of the Film Production Commons, Literature in English, North America Commons, and the Screenwriting Commons Recommended Citation Eltz, David, "SUPER HEROES V SCORSESE: A MARXIST READING OF ALIENATION AND THE POLITICAL UNCONSCIOUS IN BLOCKBUSTER SUPERHERO FILM" (2020). Kutztown University Masters Theses. 1. https://research.library.kutztown.edu/masterstheses/1 This Thesis is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Kutztown University Masters Theses by an authorized administrator of Research Commons at Kutztown University. For more information, please contact [email protected]. SUPER HEROES V SCORSESE: A MARXIST READING OF ALIENATION AND THE POLITICAL UNCONSCIOUS IN BLOCKBUSTER SUPERHERO FILM A Thesis Presented to the Faculty of the Department of English Kutztown University of Pennsylvania Kutztown, Pennsylvania In Partial Fulfillment of the Requirements for the Degree Master of Arts in English by David J. Eltz October, 2020 Approval Page Approved: (Date) (Adviser) (Date) (Chair, Department of English) (Date) (Dean, Graduate Studies) Abstract As superhero blockbusters continue to dominate the theatrical landscape, critical detractors of the genre have grown in number and authority. The most influential among them, Martin Scorsese, has been quoted as referring to Marvel films as “theme parks” rather than “cinema” (his own term for auteur film).
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Marvel-Phile
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Customer Order Form
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Superheroes & Stereotypes: a Critical Analysis of Race, Gender, And
SUPERHEROES & STEREOTYPES: A CRITICAL ANALYSIS OF RACE, GENDER, AND SOCIAL ISSUES WITHIN COMIC BOOK MATERIAL Gabriel Arnoldo Cruz A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2018 Committee: Alberto González, Advisor Eric Worch Graduate Faculty Representative Joshua Atkinson Frederick Busselle Christina Knopf © 2018 Gabriel Arnoldo Cruz All Rights Reserved iii ABSTRACT Alberto González, Advisor The popularity of modern comic books has fluctuated since their creation and mass production in the early 20th century, experiencing periods of growth as well as decline. While commercial success is not always consistent from one decade to the next it is clear that the medium has been and will continue to be a cultural staple in the society of the United States. I have selected this type of popular culture for analysis precisely because of the longevity of the medium and the recent commercial success of film and television adaptations of comic book material. In this project I apply a Critical lens to selected comic book materials and apply Critical theories related to race, class, and gender in order to understand how the materials function as vehicles for ideological messages. For the project I selected five Marvel comic book characters and examined materials featuring those characters in the form of comic books, film, and television adaptations. The selected characters are Steve Rogers/Captain America, Luke Cage, Miles Morales/Spider-Man, Jean Grey, and Raven Darkholme/Mystique. Methodologically I interrogated the selected texts through the application of visual and narrative rhetorical criticism.
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