Lionsgate and Skydance Media Form Global Television Distribution Pact
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Information Packet for Prospective Students
Information Packet for Prospective Students This packet includes: ! Information about our major ! FAQs ! Press packet with news items on our students, faculty and alumni Be sure to visit our website for more information about our department: http://film.ucsc.edu/ For information about our facilities and to watch student films, visit SlugFilm: http://slugfilm.ucsc.edu/ If you have any questions, you can send an email to [email protected] Scroll Down for packet information More%information%can%be%found%on%the%UCSC%Admissions%website:%% UC Santa Cruz Undergraduate Admissions Film and Digital Media Introduction The Film and Digital Media major at UC Santa Cruz offers an integrated curriculum where students study the cultural impact of movies, television, video, and the Internet and also have the opportunity to pursue creating work in video and interactive digital media, if so desired. Graduates of the UC Santa Cruz Film and Digital Media program have enjoyed considerable success in the professional world and have gained admission to top graduate schools in the field. Degrees Offered ▪ B.A. ▪ M.A. ▪ Minor ▪ Ph.D. Study and Research Opportunities Department-sponsored independent field study opportunities (with faculty and department approval) Information for First-Year Students (Freshmen) High school students who plan to major in Film and Digital Media need no special preparation other than the courses required for UC admission. Freshmen interested in pursuing the major will find pertinent information on the advising web site, which includes a first-year academic plan. advising.ucsc.edu/summaries/summary-docs/FILM_FR.pdf Information for Transfers Transfer students should speak with an academic adviser at the department office prior to enrolling in classes to determine their status and to begin the declaration of major process as soon as possible. -
Tom Cruise Stars in the Critically Acclaimed $789M+ Global Hit MISSION: IMPOSSIBLE—FALLOUT, Debuting on Digital November 20 and 4K Ultra HD, Blu-Ray™ & DVD December 4
Tom Cruise Stars in the Critically Acclaimed $789M+ Global Hit MISSION: IMPOSSIBLE—FALLOUT, Debuting on Digital November 20 and 4K Ultra HD, Blu-ray™ & DVD December 4 October 2, 2018 HOLLYWOOD, Calif.--(BUSINESS WIRE)--Oct. 2, 2018-- “The action is off-the-charts spectacular” ( Peter Travers, Rolling Stone) in the “wildly entertaining” ( Chris Nashawaty, Entertainment Weekly) worldwide blockbuster MISSION: IMPOSSIBLE—FALLOUT, arriving on Digital November 20, 2018 and on 4K Ultra HD, Blu-ray, and DVD December 4 from Paramount Home Media Distribution. The exhilarating, action-packed movie will also be available as part of the MISSION: IMPOSSIBLE 6-movie Blu-ray and 4K Ultra HD + Blu-ray Collection, the perfect gift for the holidays. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20181002006109/en/ Produced by Tom Cruise and Bad Robot, Paramount Pictures and Skydance present MISSION: IMPOSSIBLE—FALLOUT, one of the best reviewed movies of the year, thrilling critics and audiences alike and boasting a 97% Fresh rating on Rotten Tomatoes. Now fans can go deeper into the Mission with over an hour of high-octane, behind-the-scenes footage highlighting the incredible stunts, heart-pounding action and exotic locations on Digital*, a 3-disc 4K Ultra HD Combo Pack or a 3-disc Blu-ray Combo Pack. Drop from the sky, race through Paris, and cling to a cliff with Ethan Hunt as the cast and crew reveal the incredible work that went into creating the breathtaking action. Plus, check out deleted scenes, storyboards, multiple commentaries, and much more. -
Sage Intacct Entertainment
Success Story Sage Intacct Entertainment Sage Intacct and RKL Take a Leading Role With Skydance Media Like the saying goes, “there’s no business like show business.” Even when it comes to technology, the entertainment industry’s business Industry management requirements are unique. Nobody knows that better than Entertainment / Media Skydance Media, a Santa Monica, California-based production company Client Name specializing in film (think blockbusters like Mission Impossible or Star Skydance Media Trek: Into Darkness), animation, TV, and video games. Location The diversity of Skydance’s projects and media channels creates Santa Monica, CA accounting challenges unique to the entertainment industry. Faced with a growing workload of time-consuming and manual processes to System Sage Intacct produce an ever-increasing number of essential reports, the company Adaptive Insights realized it was time to replace their legacy accounting software. That’s Nexonia when Skydance looked to the cloud and found Sage Intacct and RKL eSolutions. Challenge Act 1: The Scene is Set Skydance Media’s legacy system “When I first came to Skydance,” says Anne Price, Skydance Media, Senior Vice couldn’t support their multi-entity President and Controller, “we were using an older Sage ERP product that we outgrew growth and reporting needs. long ago.” In the entertainment industry, she explains every movie, TV show, star, game or brand is tracked as an individual entity, with its own profit and loss. Then, Solution they have to generate reports on each of those entities individually as well as combine Sage Intacct provides a flexible, user- them all into a single report to monitor the business as a whole. -
Biblical Studies, Science Fiction, and the Marvel Cinematic Universe Aaron Ricker [email protected]
Journal for Interdisciplinary Biblical Studies ISSN 2633-0695 44 Vol 3.1 (Summer 2021) Call it Science: Biblical Studies, Science Fiction, and the Marvel Cinematic Universe Aaron Ricker [email protected] ABSTRACT In the virtual world elaborated in Marvel’s movies (the “Marvel Cinematic Universe” or MCU), “science” is creatively, strategically confused with “magic” and/or “religion.” Key supernatural/magical elements of the franchise’s comic-book source material are “retconned” (retroactively granted new narrative coherence and continuity) as advanced scientific marvels. I argue in the first section that a biblical studies perspective can shed valuable light on this contemporary sci-fi phenomenon, by highlighting the ideologically interested and culturally contingent character of “religious” phenomena like canons and marvels. The perspective thus provided can help elucidate the contexts and consequences of the MCU decision to retcon magical and religious cultural materials as scientific wonders. In the second section, I argue further that such reflection on science fiction and the MCU offers valuable perspective to biblical studies in return by opening new research avenues into the human and historical meaning of certain biblical traditions, in this case by recalling the sense of technology shock that must have sometimes accompanied ancient developments like the widespread use of war horses or the mass production of books—world-changing developments that modern biblical critics are not culturally primed to perceive and investigate as technological marvels. KEYWORDS Science; Science Fiction; Apocalyptic; Popular Culture; Miracles; Wonder; Marvel Cinematic Universe Introduction: Science Fiction, Biblical Studies, and the Marvel Cinematic Universe Marvel Studios is a popular-culture superpower. -
1 Skydance Media and Alibaba Pictures Join Forces To
SKYDANCE MEDIA AND ALIBABA PICTURES JOIN FORCES TO FINANCE AND PRODUCE FLYING TIGERS FEATURE FILM Oscar-Nominated Writer Randall Wallace to Script _____________________________________________________________________________ Santa Monica, CA and Beijing, China – April 6, 2016 – Skydance, a diversified media company that creates elevated, event-level entertainment for global audiences, and Alibaba Pictures, Alibaba Group’s entertainment affiliate, today announced that they will join forces to finance and produce a Flying Tigers feature film for global release. It has been designated by Skydance Media and Alibaba Pictures as a high-priority development project. The screenplay will be written by Oscar-nominated writer Randall Wallace (Braveheart) and the film will be produced by David Ellison and Dana Goldberg of Skydance together with a team from Alibaba Pictures. The Flying Tigers – formally known as the 1st American Volunteer Group of the Chinese Air Force – was a group of volunteer pilots from the U.S. Air Force, Navy and Marine Corps. Led by Captain Claire Lee Chennault, the group fought alongside the Chinese during World War II. The Flying Tigers project will tell the story of the unique brotherhood formed by these intrepid soldiers. “This production partnership with Alibaba Pictures on Flying Tigers marks an important next step in our strategy to expand the reach of the Skydance brand on a global basis,” said David Ellison, Chief Executive Officer of Skydance Media. “We could not be more excited to work with the incomparable Randall Wallace to bring to life the extraordinary, untold story of the great commitment and sacrifices made by this courageous group of pilots.” “Flying Tigers carries with it a rich legacy and a movie about this subject matter has been highly anticipated for a very long time,” added Zhang Wei, President of Alibaba Pictures. -
Music and Sound Design Placements
Music and Sound Design Placement s Listed from most recent TITLE STUDIO SD / MX Fast 9 NBC Universal SD Promising Young Woman Focus SD Monster Hunter Sony SD Tenant Warner Bros SD Welcome to the Blumhouse Amazon SD Embattled IFC (Rainbow Media) MX + SD The Craft Sony MX + SD Project Zenith (Black Adam) Warner Bros SD See (Season 1) Apple SD Dune Warner Bros SD Apple + Promo Apple SD Greyhound Apple / Sony SD Candyman NBC Universal SD Freaky NBC Universal SD Hala Apple SD You Should Have Left NBC Universal SD Unorthodox Netflix MX (Custom) Voyagers Lionsgate SD The Hunt NBC Universal MX (Custom) New Mutants Disney SD Amazing Stories (Trailer 1) Apple MX (Custom) Amazing Stories (30 spot) Apple MX Nobody NBC Universal SD The Invisible Man NBC Universal SD The Green Knight A24 SD Mythic Quest-Raven Apple SD Let Him Go Focus SD Rhythm Section Paramount MX + SD Bad Boys Sony SD Outsider HBO MX Black Widow Disney SD Ghostbusters Sony MX (Custom) + SD A Quiet Place 2 Paramount SD Fantasy Island Sony SD The Grudge Sony SD Harriet Focus MX + SD Uncut Gems A24 SD Free Guy Disney SD Underwater Disney SD Maleficent 2 Disney SD Midway Lionsgate SD Spiderman: Far from Home Sony SD Rambo: Last Blood Lionsgate MX + SD Goliath S3 Amazon SD Countdown STX SD Godzilla: King of Monsters Warner Bros SD Ready or Not Searchlight SD IT part 2 Warner Bros SD Once Upon a Time in HW Sony SD Angel Has Fallen Lionsgate SD Captive State Focus Feat SD Terminator Fox SD Exposure Sony / Screen Gems SD Crawl Paramount SD The Command / Kursk STX SD Watchmen HBO SD Trial -
Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging. -
Inventario Collocazione Titolo 007 : Al Servizio Segreto Di Sua Maestà / Directed by Peter Hunt ; Music by John Barry
Inventario Collocazione Titolo 007 : Al servizio segreto di Sua Maestà / directed by Peter Hunt ; music by John Barry. - Milano : Twentieth Century Fox home 0/11392/0 M 791.437 2 ZER entertainment [distributore], c2013. - 1 DVD (ca. 136 min.) : sonoro (Dolby digital 5.1, DTS), color 1: Aeronautica, agricoltura, alimentazione / [di Georges Bastien ... et 0/12005/0 R 030 QUI al.]. - Gorle : I Quindici, 2001. - 165 p. : ill. ; 31 cm [1] I viaggi di Egg : in fuga da Mortaria / Geoff Rodkey ; 0/10156/0 R 813.6 ROD [Traduzione di Stefania De Franco]. - Firenze ; Milano : Giunti junior, 2013. - 284 p. ; 23 cm 10 cose che odio di me / Randa Abdel-Fattah ; traduzione di 0/8798/0 R 813.6 ABD Alessandra Orcese. - Milano : Mondadori, 2009. - 356 p. ; 21 cm 10 cose da fare prima di compiere 16 anni / Caroline Plaisted ; 0/11786/0 R 823.914 PLA traduzione di Francesca Manzoni. - Milano : Piemme, 2016. - 161 p. ; 20 cm. 10 + : il mio mondo in un numero / Alessandro Del Piero. - Milano : 0/6397/0 G 853.9 DEL A. Mondadori, 2007. - 164 p. : ill. ; 22 cm 10: Metodi di allevamento, minerali e metalli, musica e danza, poste e 0/12014/0 R 030 QUI telecomunicazioni, pubblicita, radio e televisione / [autori: Jean-Louis Barraud ... et al.]. - Gorle : I Quindici, 2001. - 165 p. : ill.; 31 cm 100 esercizi di stretching per il tennis / [testi: Guillermo Seijas ; G 796.342 077 0/11813/0 SEI illustrazioni: Myriam Ferron]. - Cesena : Elika, ©2017. - 152 p. : ill. ; 28 cm 100 grandi personaggi d'Europa : 3000 anni di storia d'Europa attraverso 100 grandi personaggi / Stefano Varanelli ; illustrazioni di 0/10516/0 R 920.04 VAR Riccardo Guasco. -
ANNIE GUIDICE Editor
ANNIE GUIDICE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS MAID John Wells WARNER BROS. TV / NETFLIX Season 1 Molly Smith Metzler, Terri Murphy, John Wells, Margot Robbie A LOT OF NOTHING Mo McRae ANONYMOUS CONTENT Feature Film Zak Kristofek, Ethan Lazar David Oyelowo BETTER THINGS Pamela Adlon 3 ARTS ENTERTAINMENT / FX Season 4 Erica Sterne, Nisha Ganatra, Dave Becky Blair Breard, Joanne Toll DARE ME Various Directors UNIVERSAL / USA Season 1 Gina Fattore, Megan Abbott, Peter Berg TOO OLD TO DIE YOUNG Nicolas Winding Refn AMAZON Season 1 Ed Brubaker, Brendan Garst Jeffrey Stott LOST TRANSMISSIONS Katharine O’Brien ROYAL ROAD ENTERTAINMENT Feature Film - Additional Editing Filip Jan Rymsza, Alyssa Swanzey Tribeca Film Festival SIMPLE WEDDING Sara Zandieh MAINSTAY ENTERTAINMENT Feature Film Rita Wilson, Shohreh Aghdashloo Norman Aladjem, Ray Moheet STRONGER David Gordon Green MANDEVILLE / BOLD FILMS Feature Film ROADSIDE ATTRACTIONS Additional Editor Jake Gyllenhaal, Riva Marker David Hoberman, Todd Lieberman THE BOSS Ben Falcone GARY SANCHEZ PRODUCTIONS Feature Film UNIVERSAL Visual Effects Editor Adam McKay, Melissa McCarthy Ben Falcone PITCH PERFECT 2 Elizabeth Banks BROWNSTONE PRODUCTIONS Feature Film UNIVERSAL Visual Effects Editor Elizabeth Banks, Max Handelman Paul Brooks FREAKS OF NATURE Robbie Pickering COLUMBIA PICTURES Feature Film Jonah Hill, Ron Schmidt, Matt Tolmach Visual Effects Editor THIS IS IT Kenny Ortega COLUMBIA PICTURES Feature Film Michael Bearden, John Branca Digital Content Specialist Todd Cogan FIRED! Chris Bradley SHOUT! FACTORY INTERNATIONAL Feature Film Kyle LaBrache FILM CIRCUIT Richard Foos, Annabelle Additional Editing Gurwitch INNOVATIVE-PRODUCTION.COM | 310.656.5151 . -
Thor :: Rogerebert.Com :: Reviews
movie reviews Reviews Great Movies Answer Man People Commentary Festivals Oscars Glossary One-Minute Reviews Letters Roger Ebert's Journal Scanners Store News Sports Business Entertainment Classifieds Columnists search THOR (PG-13) Ebert: Users: You: Rate this movie right now GO Search powered by YAHOO! register You are not logged in. Log in » Subscribe to weekly newsletter » related articles in theaters Chris Hemsworth as Thor. Comparing "Thor" in Pirates of the Caribbean: On Stranger Tides three screen formats Thor more current releases » (mail) » one-minute movie reviews BY ROGER EBERT / May 10, 2011 times & tickets I didn't attend the critics' still playing screening for "Thor" cast & credits Fandango because it was at the same The Adjustment Bureau Search movie time Ebertfest was showing Arthur showtimes and buy "A Small Act," about an 88- Thor Chris Hemsworth Atlas Shrugged tickets. year-old woman named Jane Foster Natalie Portman The Bang Bang Club Hilde Back. She'd flown Loki Tom Hiddleston Battle: Los Angeles from Sweden, and I wanted Odin Anthony Hopkins The Beaver about us be onstage to present her Erik Selvig Stellan Skarsgård Bridesmaids Cave of Forgotten Dreams with the Golden Thumb. Darcy Lewis Kat Dennings Missing "Thor 3D" was not Certified Copy About the site » Agent Coulson Clark Gregg Cold Weather an inconsolable loss, Heimdall Idris Elba because I was able to see it The Conspirator Site FAQs » King Laufey Colm Feore Desert Flower in Chicago in nice, bright Volstagg Ray Stevenson Drive Angry 3D Contact us » 2D. The house was Hogun Tadanobu Asano Even the Rain surprisingly well-populated Everything Must Go Email the Movie for a 8:50 p.m. -
MADE in HOLLYWOOD, CENSORED by BEIJING the U.S
MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence 1 MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence TABLE OF CONTENTS EXECUTIVE SUMMARY I. INTRODUCTION 1 REPORT METHODOLOGY 5 PART I: HOW (AND WHY) BEIJING IS 6 ABLE TO INFLUENCE HOLLYWOOD PART II: THE WAY THIS INFLUENCE PLAYS OUT 20 PART III: ENTERING THE CHINESE MARKET 33 PART IV: LOOKING TOWARD SOLUTIONS 43 RECOMMENDATIONS 47 ACKNOWLEDGEMENTS 53 ENDNOTES 54 Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence MADE IN HOLLYWOOD, CENSORED BY BEIJING EXECUTIVE SUMMARY ade in Hollywood, Censored by Beijing system is inconsistent with international norms of Mdescribes the ways in which the Chinese artistic freedom. government and its ruling Chinese Communist There are countless stories to be told about China, Party successfully influence Hollywood films, and those that are non-controversial from Beijing’s warns how this type of influence has increasingly perspective are no less valid. But there are also become normalized in Hollywood, and explains stories to be told about the ongoing crimes against the implications of this influence on freedom of humanity in Xinjiang, the ongoing struggle of Tibetans expression and on the types of stories that global to maintain their language and culture in the face of audiences are exposed to on the big screen. both societal changes and government policy, the Hollywood is one of the world’s most significant prodemocracy movement in Hong Kong, and honest, storytelling centers, a cinematic powerhouse whose everyday stories about how government policies movies are watched by millions across the globe.