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Miley Cyrus: Fuori "Edge of Midnight (Midnight Sky Remix)" Feat. Stevie Nicks, Una Nuova Versione Della Hit "Mydn
LUNEDì 9 NOVEMBRE 2020 Miley Cyrus torna con un'incredibile collaborazione insieme alla leggendaria Stevie Nicks dei Fleetwood Mac! Entra oggi, lunedì 9 novembre, in rotazione radiofonica ed è già Miley Cyrus: Fuori "Edge Of disponibile in digitale, "Edge Of Midnight (Midnight Sky Remix)", una Midnight (Midnight Sky Remix)" nuova versione della hit mondiale da oltre 200 milioni di stream feat. Stevie Nicks, una nuova "Midnight Sky". versione della hit "Mydnight Sky", Il brano con sonorità anni 80, che anticipa l'attesissimo nuovo che anticipa l'attesissimo nuovo album "Plastic Hearts" in uscita il 27 novembre, si trova al #1 dell'airplay album "Plastic Hearts" in uscita il radiofonico in Europa da 3 settimane ed è attualmente nella Top 5 27 novembre dell'airplay radiofonico in Italia. Ha raggiunto inoltre la Top 10 della classifica globale di Spotify, la Top 15 della classifica globale di Shazam e la Top 40 della classifica Viral globale e italiana di Spotify e vanta 80 milioni di visualizzazioni su Youtube. "Plastic Hearts", che include 12 inediti, è già disponibile in ANTONIO GALLUZZO pre-order (smi.lnk.to/PlasticHearts). Preordinando il disco saranno [email protected] immediatamente disponibili in digitale il singolo "Midnight Sky", "Edge SPETTACOLINEWS.IT Of Midnight (Mydnight Sky Remix)", e le cover acclamate dalla critica di "Heart of Glass" (Blondie) e "Zombie" (The Cranberries), con cui Miley ha fatto conoscere a tutto il mondo una nuova sfumatura della sua voce, perfetta anche per il genere Rock & Roll. Le intense interpretazioni di questi grandi successi sono un assaggio di ciò che ritroveremo nel suo settimo album in studio, che dà inizio a una nuova sorprendente era discografica per l'artista. -
Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Other tomorrows: postcoloniality, science fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Banerjee, Suparno, "Other tomorrows: postcoloniality, science fiction and India" (2010). LSU Doctoral Dissertations. 3181. https://digitalcommons.lsu.edu/gradschool_dissertations/3181 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OTHER TOMORROWS: POSTCOLONIALITY, SCIENCE FICTION AND INDIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Suparno Banerjee B. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2000 M. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2002 August 2010 ©Copyright 2010 Suparno Banerjee All Rights Reserved ii ACKNOWLEDGEMENTS My dissertation would not have been possible without the constant support of my professors, peers, friends and family. Both my supervisors, Dr. Pallavi Rastogi and Dr. Carl Freedman, guided the committee proficiently and helped me maintain a steady progress towards completion. Dr. Rastogi provided useful insights into the field of postcolonial studies, while Dr. Freedman shared his invaluable knowledge of science fiction. Without Dr. Robin Roberts I would not have become aware of the immensely powerful tradition of feminist science fiction. -
Northern Lights 2012
Northern Lights 2012 University of Wisconsin Marinette Arts Journal summer nights by Jennifer Voelker Fireflies mingle in the midnight sky Northern Lights 2012 Arts Journal soon they start dancing to the frogs and toads University of Wisconsin Marinette later on as the moon comes out. there are trees swaying in the breeze that think of many summer nights like these. they know of mother nature’s many secrets. to them something so simple & enjoyable in life is much to be grateful for. i’ve come to the realization that i don’t need a lot of money to be happy, for the simple things are all that matter. rose by rebecca Knabel the owls have their dinner and tuck in their young all snug and warm. Like an artist putting together a piece of art. As the night goes on, the warm summer air hugs me like a warm blanket, and i fall asleep to the stars i love so much to watch. Volume 32 spring 2012 university of Wisconsin marinette 750 W. Bay shore st. marinette, Wisconsin 54143 © 2012 this publication is printed on recycled paper 48 tWo For LunCh Contributors by James Lamalfa Darwin Adams susan mcBride We, Brittany Alloy ryan merritt two birds of prey, John Anderson Julie muenster Circling warily, rachel Badgley Dail murray Looking for lunch Cheri Branham Zak Pasdo spot a plump pigeon, Danielle Deloria richard B. Peterson Far below. Kelsey garden Jaime Polasky You, Debbie haines Lindsey schroeder Always quicker, Jae-hyun Kim Kevin scoggins Dive with speed richard e. King gabriella sheldon that tears the air from rebecca Knabel sabrina tebo one’s lungs shawn Kolaszewski Debbie tomaszewski And dispatch the mark quickly. -
The Novels of Amitav Ghosh – from the Circle of Reason to the Calcutta Chromosome
Jesper Hansen (2004) Page 1 of 67 [email protected] SUMMARY ....................................................................................................................................................................... 2 INTRODUCTION ............................................................................................................................................................ 4 SUBALTERN AGENCY .................................................................................................................................................. 8 RANAJIT GUHA ............................................................................................................................................................... 9 GAYATRI CHAKRAVORTY SPIVAK ................................................................................................................................ 12 AGENCY IN THE CIRCLE OF REASON ............................................................................................................................ 15 RETRIEVAL OF AGENCY IN IN AN ANTIQUE LAND ........................................................................................................ 18 OBJECTIVITY: RESEARCHER/SUBJECT AND RESEARCHED/OBJECT ............................................................................... 21 NATIONALISM ............................................................................................................................................................. 24 BENEDICT ANDERSON: IMAGINED COMMUNITIES -
Good Morning, Midnight
GOOD MORNING, MIDNIGHT Written by Mark L Smith Based on the novel by Lily Brooks-Dalton August 3, 2018 FROM A BLACK SCREEN - WHAT SOUNDS LIKE A ROARING STORM... SURROUNDING US... ALMOST DEAFENING. SUPER: March 24th, 2034. Four Days After The Event. FADE IN: EXT. ARCTIC CIRCLE - DUSK ANGLE ON AUGUSTINE, (70), heavy winter coat, weathered face covered in gray stubble, standing at the center of a violent blizzard, peering upward. The deep lines on his face are from squinting, not smiling. Augustine doesn’t smile. Snow swirls all around him... that storm THUNDERING. Then we see what’s causing this storm... a large, MILITARY- STYLE HELICOPTER is rising into the dim dusk-blue arctic sky. We can make out the SILHOUETTES OF FIGURES in the windows. Augustine watches it ascend. The snowstorm around him settles... the THUNDER OF THE HELICOPTER FADES. The helicopter continues rising... JOINING SEVERAL OTHER COPTERS further above... already bending into formation. This is a LARGE EVACUATION. MOSELY (O.S.) Still time to change your mind! Augustine looks over to MASON MOSELY, (60s), striding across a path in the snow toward him. Beyond Mosely there’s a LAST HELICOPTER still grounded on the FLAGGED LANDING AREA... MEN, WOMEN, and a FEW CHILDREN HURRIEDLY FILING IN. MOSELY (CONT’D) Transferring the last of the outpost families, but still some open seats. Augustine shakes his head... looks back to all those helicopters dotting the sky. AUGUSTINE Like a race to see who can die first. Mosely moves beside Augustine... shares the view. 2. AUGUSTINE (CONT’D) There’s nothing left out there for them. -
Research Journal of English Language and Literature (RJELAL) AMITAV GHOSH AS a NOVELIST and a BIOGRAPHER-AN ANALYTICAL STUDY
(RJELAL) Research Journal of English Language and Literature Vol.4.Issue 2.2016 A Peer Reviewed (Refereed) International Journal (Apr-Jun) http://www.rjelal.com; Email:[email protected] RESEARCH ARTICLE AMITAV GHOSH AS A NOVELIST AND A BIOGRAPHER-AN ANALYTICAL STUDY PATHLAVATH ARUNA1, VEERA SWAMY.T2 1,2 Department of English, Osmania University, Hyderabad,Telangana ABSTRACT Most of the Indian English novels of recent times written by migrant writers have chosen materials for their art from contemporary Indian socio-cultural situations. They also undertake the exploration of the relationship between the East and the West. It has become a recurring theme in contemporary Indian English fiction because of the nature of the linguistic medium the novelist uses. Fictional reworking of mythology and history has given new significance and possibilities to PATHLAVATH the Indian English novel writings. Amitav Ghosh often returns to Indian history and ARUNA mythology. Midnight’s Children, Shame and The Moor’s Last Sigh deal with the complex working of the Muslim psyche caught up in the historical and cultural web of the Indian subcontinent. The Circle of Reason, The Calcutta Chromosome and The Shadow Lines (1988) express the blind follow of the English by the Indians, the encounter between the west rationality and Indian myth, and hollowness of national identity and national boundaries. Amitav Ghosh, who won many accolades including the Sahitya Akademi Award and VEERASWAMY.T the Prix Medicis Etrangere of France. Although less prone to controversy, he is responsible for producing some of the most lyrical and insightful works on the effect of colonialism on the native people. -
Rogan's List 2020
Rogan’s List 2020 Annals of mostly-good things from a mostly-bad year. How it started… Sunrise, North Pole/Arctic Circle, 11:11 AM, Jan. 1, 2020 How it ended… Sunset, Winston-Salem, NC, 5:11 PM, Dec. 21, 2020 (“Christmas Star” planetary convergence, last seen ~800 years ago). And much in between. This List mostly silent on subjects on which we’ve heard enough. Sent with love and ardent wishes for a much-improved year ahead. 2020 Books: Fiction 22. Ernest Cline, Ready Player Two. Fans of original (me, yep) will thrill to the story continued. 21. Curtis Sittenfield, Rodham. Brilliant conceit—Hillary spurns Bill, her/America’s future unspools much differently—runs out of steam over latter third, but ‘A’ for imagination. 20. Carl Hiaasen, Squeeze Me. Signature madcap Hiaasen/S-Florida joint, topically timely. 19. Jeanine Cummins, American Dirt. Riveting & violent borderland tale. 18. Lily King, Writers & Lovers. “I have a pact with myself not to think about money in the morning.” Heroine(ish) Casey wonderfully drawn; reminder that Gen Xers had ¼-life crises too. 17. Cara Black, Three Hours in Paris. 2nd-best thriller of a year when escapism mattered most. 16. Chip Schorr, The After. Best thriller—and by a newcomer to the genre, no less! 15. Jill McCorkle, Hieroglyphics. Dean of NC storytellers centers her latest on—a storied house. 14. Silvia Moreno-Garcia, Mexican Gothic. After Untamed Shore, her best work. 13. Richard Ford, Sorry For Your Trouble. Bard of New Jersey’s stories; not a clinker in the lot. 12. Tola Rotimi Abraham, Black Sunday. -
Fully Formed and Imaginations Yet to Be Fulfilled Off to Tangiers and to Dusseldorf
Quest Journals Journal of Research in Humanities and Social Science Volume 5 ~ Issue 8 (2017) pp.: 13 -20 ISSN(Online) : 2321-9467 www.questjournals.org Research Paper The Teller & The Tales: A Study of The Novels of Amitav Ghosh * Nilanjan Bala State Council of Educational Research & Training, Department of School Education, Government of West Bengal & Ph.D research scholar, Mewar University Corresponding author: *Nilanjan Bala Received 29 July, 2017; Accepted 31 July, 2017 © The author(s) 2017. Published with open access at www.questjournals.org ABSTRACT: The paper re-visit the plot and setting of the novels of Amitav Ghosh. The paper has two parts – (i)The Teller & (ii) The Tales. In the first section the text tries to give a brief sketch of the life of Amitav Ghosh to chornicle the life of the visionary commentator of life and the social anthroplogist , the most prominent among the Indian writers of English. In the second part the theme and storyline of the novels were revisted along with characters and narrative technique. The first section has been introduced to give an overview of the prolificness of the author and the second part is the testimony of his logocentricism. The paper aims to present the plot and theme of all Ghosh’s novels. Keywords: Novels of Amitav Ghosh, Plot, Theme, Setting, Storyline, Characters, Narrative technique I. INTRODUCTION “Novelists inevitably mine their own experiences when they write.” - Amitav Ghosh, The Great Derangement, Page.20 Amitav Ghosh , the social anthropologist, novelist, essayist, travel writer, columnist and activist is the prominent among the Indian Writers of English writing about diaspora and contemporary issues as latest as climate change. -
Utopianism in Postcolonial Women's Science Fiction Impossible Things
Possible Things: Utopianism in Postcolonial Women’s Science Fiction and Impossible Things: A Novel Lisa Dowdall A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of the Arts and Media UNSW Arts and Social Sciences March 2016 1 2 Acknowledgements I would first like to express my sincere thanks to my supervisors, Prof Bill Ashcroft and Dr Stephanie Bishop, for their support of both the creative and theoretical components of this thesis. Their patience, expertise and generosity helped me accomplish things I didn’t think I was capable of. Their guidance was invaluable not only in the writing of this thesis but also in learning to think, read and write in new and exciting ways. I could not imagine two better advisers or mentors for this project. Besides my supervisors, I’d like to thank the many people who provided their feedback on various drafts of the novel and the dissertation. Tanya Thaweeskulchai influenced my work in ways that extend far beyond the parameters of this dissertation, and her friendship is one of the most precious things I take away from this doctoral experience. Prue Gibson and Jayne Chapman offered much-needed comments on the novel and the dissertation respectively. I would also like to thank Anne Brewster for the rigorous feedback she gave on the third chapter on indigenous science fiction, along with Emily Maguire and Margo Lanagan for their formative feedback on early drafts of the novel. Thank you also to Roanna Gonsalves, Jessica Ford, Melanie Robson, Sameera Karam, Shaun Bell and Phoebe Macrossan for all the writing workshops. -
Midnight Sky Lyrics – Miley Cyrus
Midnight Sky Lyrics – Miley Cyrus : Plastic Hearts | No.1 Lyrics Bros Midnight Sky Lyrics – Miley Cyrus : Plastic Hearts : “Midnight Sky” is a disco-pop single by Miley Cyrus. It is her first single released in 2020, and follows her 2019 hit “Slide Away.” The song talks about her free spirit while addressing some of her past relationships. Song : Midnight Sky Artist : Miley Cyrus Produced by : Louis Bell & watt Album : Plastic Hearts Midnight Sky Lyrics Miley Cyrus [Intro] La, la, la-la, la Midnight Sky Lyrics [Verse 1] Yeah, it’s been a long night and the mirror’s telling me to go home But it’s been a long time since I felt this good on my own (Uh) Lotta years went by with my hands tied up in your ropes (Your ropes) Forever and ever, no more (No more) [Pre-Chorus] The midnight sky is the road I’m takin’ Head high up in the clouds (Oh, oh) Midnight Sky Lyrics [Chorus] I was born to run, I don’t belong to anyone, oh no I don’t need to be loved by you (By you) Fire in my lungs, can’t bite the devil on my tongue, oh no I don’t need to be loved by you See my lips on her mouth, everybody’s talkin’ now, baby Ooh, you know it’s true (Yeah, yeah) Midnight Sky Lyrics That I was born to run, I don’t belong to anyone, oh no I don’t need to be loved by you (Loved by you) [Post-Chorus] La, la, la-la, la Midnight Sky Lyrics [Verse 2] She got her hair pulled back ’cause the sweat’s drippin’ off of her face (Her face) Said, “It ain’t so bad if I wanna make a couple mistakes” You should know right now that I never stay put in one place Forever and ever, -
Dur 07/11/2020
SÁBADO 7 DE NOVIEMBRE DE 2020 3 TÍMPANO Recomendaciones PLATAFORMA La lista perfecta para Navidad Como último deseo, una abuela recientemente hospi- talizada, Evie, le da a su hija y a su nieta, Sara, una lis- ta de logros festivos para hacer juntas antes de Navi- dad, con la esperanza de que la aventura de la expe- riencia repare su relación. DISPONIBLE EN NETFLIX EFE Labor. Actualmente ejerce de padrino de otros alcohólicos en Los Angeles, donde reside. TOCA FONDO y sale adelante El cantante, Tiziano abrazar una cicatriz, de ex- pequeña como la mía, cons- de sus mejores amigas. ponerla y convertirla en un truida por la acción de La adicción a la bebida de Ferro, revela en superpoder, porque es ver- Mussolini y en la que nunca Ferro fue a más y,“con el hí- documental cómo se dad y real, por aplaudir las había oído hablar de igual- gado a punto de la cirrosis”, repuso de los excesos ganas de solucionar y no de dad o de respeto. Crecí sin se dio cuenta de que no podía ocultar el pecado”, insiste. saber quién era, porque no parar, pero pocos se atrevie- TV ABIERTA La historia no arranca había personas como yo, ron a dar la voz de alarma. EFE el primer día que tomó una que me dijeran que eso esta- “En países como España Mujer Bonita copa (lo cual sucedió en su ba bien y que lo importante e Italia el beber es parte de la Alcohólico, bulímico y gay... primera gira, cuenta), sino era ser honesto”, señala. -
Centaur Records Will Be Releasing the Romances and Poems of Sergey Ivanovich Taneyev (1856-1915) Later This Year
Centaur Records will be releasing The Romances and Poems of Sergey Ivanovich Taneyev (1856-1915) later this year. The translations for all 36 songs can be found below. Unless otherwise indicated, all translations are by Aleksey Berg, to whom I give my deepest thanks and appreciation. Poems which were originally written in English appear below in their original form. Opus 17, No. 1 The Isle Percy Bysshe Shelley (Russian translation by Konstantin Balmont) There was a little lawny islet By anemone and violet, Like mosaic, paven: And its roof was flowers and leaves Which the summer’s breath enweaves, Where not sun nor showers nor breeze Pierce the pines and tallest trees, Each a gem engraven;-- Girt by many an azure wave With which the clouds and mountains pave A lake’s blue chasm. 17/2 My thoughts arise and fade in solitude Percy Bysshe Shelley (Konstantin Balmont) My thoughts arise and fade in solitude, The verse that would invest them melts away Like moonlight in the heaven of spreading day; How beautiful they were, how firm they stood, Flecking the starry sky like woven pearl! 17/3 Music when soft voices die Percy Bysshe Shelley (Konstantin Balmont) Music, when soft voices die, Vibrates in the memory; Odours, when sweet violets sicken, Live within the sense they quicken. Rose leaves, when the rose is dead, Are heaped for the beloved’s bed; And so thy thoughts, when thou are gone, Love itself shall slumber on. 1 17/4 That time is dead forever, child! Percy Bysshe Shelley (Konstantin Balmont) That time is dead forever, child! Drowned, frozen, dead forever! We look on the past And stare aghast At the spectres wailing, pale and ghast, Of hopes that thou and I beguiled To death on life’s dark river.