The Shadow Lines
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By the Histories of Sea and Fiction in Its Roar: Fathoming the Generic Development of Indian Sea-Fiction in Amitav Ghosh’S Sea of Poppies
ISSN 2249-4529 www.pintersociety.com GENERAL ISSUE VOL: 8, No.: 1, SPRING 2018 UGC APPROVED (Sr. No.41623) BLIND PEER REVIEWED About Us: http://pintersociety.com/about/ Editorial Board: http://pintersociety.com/editorial-board/ Submission Guidelines: http://pintersociety.com/submission-guidelines/ Call for Papers: http://pintersociety.com/call-for-papers/ All Open Access articles published by LLILJ are available online, with free access, under the terms of the Creative Commons Attribution Non Commercial License as listed on http://creativecommons.org/licenses/by-nc/4.0/ Individual users are allowed non-commercial re-use, sharing and reproduction of the content in any medium, with proper citation of the original publication in LLILJ. For commercial re-use or republication permission, please contact [email protected] 144 | By the Histories of Sea and Fiction in its Roar: Fathoming the Generic Development of Indian Sea-Fiction in Amitav Ghosh’s Sea of Poppies By the Histories of Sea and Fiction in its Roar: Fathoming the Generic Development of Indian Sea-Fiction in Amitav Ghosh’s Sea of Poppies Smriti Chowdhuri Abstract: Indian literature has betrayed a strange indifference to sea-experience and sea-culture as a subject of literary interest though it cannot overlook the repercussions of sea voyages on Indian social, political and economic conditions specifically after colonization. Consequently, nautical fiction as a category of writing can hardly be traced in the history of Indian literature. Nautical fiction as a substantial body of writing emerged from Anglo-American history of maritime experience. This paper is an attempt to perceive Amitav Ghosh’s novel, Sea of Poppies as an Indian response to the sub-genre. -
Over the Years
Over the Years Indra Rai Sharma Over the Years -A Photo Autobiography In 2010 before going to US, I had been going through my old papers. As it appeared, I had wished to pen down my autobiography long back. In my diary on February 10, 1963, I had written that if I would ever write my autobiography, I would caption it ‘My Life and Dreams’. In 1997 again, in my acceptance letter to the notice regarding my impending retirement that I sent on June 23, to Mr. A. Sankara Narayanan, Executive Director, M/S Hindustan Motors, I wrote: “I wish I could pen down my years at HM some day and hope that it would provide useful insight for our budding engineers as Lee Iacocca’s biography or the book ’On a clear day you can see General Motors’ provided to millions of it readers.’ I knew that I was not that great a name in HM or industry, though I aspired to be one. Perhaps I didn’t select the right profession or I couldn’t take advantage of the opportunity that I got to convert the same to become big. I remember my teasing of my grandmother and later on my mother in school days by telling them time and again that they should not expect me to do routine household work, as I would be a big man. Later on I joked with some close friends and their wives that one day I would get into number 1 Rajpath. I meant Rastrapati Bhawan. I failed to become as great or big as I wanted but I did work very hard for every assignment that I got. -
Bad Moon Rising
BAD MOON RISING DB NIELSEN LAURIE STARKEY MICHAEL ANDERLE BRIXBAXTER PUBLISHING CONTENTS Description Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Chapter 29 Continue the Saga Author Note About Seven Sons About The Author Copyright DESCRIPTION First rule of Hunting: Never Hunt Alone… Unless you happen to be the trueborn daughter the original vampire and creator of their species. Almost a thousand years have passed since her turning, but her blood rage has only increased, fueling her need to deliver vengeance against the Druids who callously took her beloved mortal sister’s life and cursed hers. Chosen to receive Kayne’s gift of immortality, Aislinn has spent centuries searching for justice, while avoiding the politics and intrigues of the London Coven and its ruthless ruler, Julius. But in a world where blood is power, there are those who will do anything and stop at nothing to possess it. Is Aislinn prepared for what is coming? A Bad Moon is rising… CHAPTER 1 urning into a narrow alley, the darkness grew thicker around Aislinn, and T the cold bit just a touch deeper and sharper with every step. The dull, brown-brick Georgian buildings pressed heavily in, creating only an arrowhead of inky, velvet sky overhead. Most of the factories looked abandoned after the working day was done, windows grimy behind heavy iron bars. -
Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Other tomorrows: postcoloniality, science fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Banerjee, Suparno, "Other tomorrows: postcoloniality, science fiction and India" (2010). LSU Doctoral Dissertations. 3181. https://digitalcommons.lsu.edu/gradschool_dissertations/3181 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OTHER TOMORROWS: POSTCOLONIALITY, SCIENCE FICTION AND INDIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Suparno Banerjee B. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2000 M. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2002 August 2010 ©Copyright 2010 Suparno Banerjee All Rights Reserved ii ACKNOWLEDGEMENTS My dissertation would not have been possible without the constant support of my professors, peers, friends and family. Both my supervisors, Dr. Pallavi Rastogi and Dr. Carl Freedman, guided the committee proficiently and helped me maintain a steady progress towards completion. Dr. Rastogi provided useful insights into the field of postcolonial studies, while Dr. Freedman shared his invaluable knowledge of science fiction. Without Dr. Robin Roberts I would not have become aware of the immensely powerful tradition of feminist science fiction. -
The Novels of Amitav Ghosh – from the Circle of Reason to the Calcutta Chromosome
Jesper Hansen (2004) Page 1 of 67 [email protected] SUMMARY ....................................................................................................................................................................... 2 INTRODUCTION ............................................................................................................................................................ 4 SUBALTERN AGENCY .................................................................................................................................................. 8 RANAJIT GUHA ............................................................................................................................................................... 9 GAYATRI CHAKRAVORTY SPIVAK ................................................................................................................................ 12 AGENCY IN THE CIRCLE OF REASON ............................................................................................................................ 15 RETRIEVAL OF AGENCY IN IN AN ANTIQUE LAND ........................................................................................................ 18 OBJECTIVITY: RESEARCHER/SUBJECT AND RESEARCHED/OBJECT ............................................................................... 21 NATIONALISM ............................................................................................................................................................. 24 BENEDICT ANDERSON: IMAGINED COMMUNITIES -
Pdf Mehta, Vineet
AboutUs: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ ContactUs: http://www.the-criterion.com/contact/ EditorialBoard: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com The Criterion: An International Journal in English Vol. 12, Issue-I, February 2021 ISSN: 0976-8165 Place and Displacement: Search for Eco-Cultural Identity in Amitav Ghosh's The Hungry Tide and Sea of Poppies Sanjay Prakash Dubey Assistant Professor Department of English Sant Tulsi Das PG College Kadipur, Sultanpur (UP) Article History: Submitted-18/01/2021, Revised-19/02/2021, Accepted-21/02/2021, Published-28/02/2021. Abstract: Place and Displacement is a vibrant and much sought-after issue in the realm of postcolonial ecocriticism. Place, Displacement, re-settlement and eco-identity have received much critical attention in postcolonial literature. Displacement occurs in two stages: physical and psychological. The postcolonial ecocriticism foregrounds both the stages in to highlight the struggle of postcolonial subjects. The territorial displacement forces people to move to unknown places which results in psychological alienation or displacement. In the Sea of Poppies and The Hungry Tide, Ghosh raises the issues and problems of displacement and re-settlement. Place and identity are interrelated concepts and disruption in place results in disruption in identity. In both the novels, there is disruption of place and identity of the subaltern subjects. The objective of this paper is to understand how the colonial and neocolonial forces operated in Amitav Ghosh’s the Sea of Poppies and The Hungry Tide to displace the colonized and the marginalized and how in the process of displacement, the displaced lost their ecological and cultural identity. -
Research Journal of English Language and Literature (RJELAL) AMITAV GHOSH AS a NOVELIST and a BIOGRAPHER-AN ANALYTICAL STUDY
(RJELAL) Research Journal of English Language and Literature Vol.4.Issue 2.2016 A Peer Reviewed (Refereed) International Journal (Apr-Jun) http://www.rjelal.com; Email:[email protected] RESEARCH ARTICLE AMITAV GHOSH AS A NOVELIST AND A BIOGRAPHER-AN ANALYTICAL STUDY PATHLAVATH ARUNA1, VEERA SWAMY.T2 1,2 Department of English, Osmania University, Hyderabad,Telangana ABSTRACT Most of the Indian English novels of recent times written by migrant writers have chosen materials for their art from contemporary Indian socio-cultural situations. They also undertake the exploration of the relationship between the East and the West. It has become a recurring theme in contemporary Indian English fiction because of the nature of the linguistic medium the novelist uses. Fictional reworking of mythology and history has given new significance and possibilities to PATHLAVATH the Indian English novel writings. Amitav Ghosh often returns to Indian history and ARUNA mythology. Midnight’s Children, Shame and The Moor’s Last Sigh deal with the complex working of the Muslim psyche caught up in the historical and cultural web of the Indian subcontinent. The Circle of Reason, The Calcutta Chromosome and The Shadow Lines (1988) express the blind follow of the English by the Indians, the encounter between the west rationality and Indian myth, and hollowness of national identity and national boundaries. Amitav Ghosh, who won many accolades including the Sahitya Akademi Award and VEERASWAMY.T the Prix Medicis Etrangere of France. Although less prone to controversy, he is responsible for producing some of the most lyrical and insightful works on the effect of colonialism on the native people. -
Fully Formed and Imaginations Yet to Be Fulfilled Off to Tangiers and to Dusseldorf
Quest Journals Journal of Research in Humanities and Social Science Volume 5 ~ Issue 8 (2017) pp.: 13 -20 ISSN(Online) : 2321-9467 www.questjournals.org Research Paper The Teller & The Tales: A Study of The Novels of Amitav Ghosh * Nilanjan Bala State Council of Educational Research & Training, Department of School Education, Government of West Bengal & Ph.D research scholar, Mewar University Corresponding author: *Nilanjan Bala Received 29 July, 2017; Accepted 31 July, 2017 © The author(s) 2017. Published with open access at www.questjournals.org ABSTRACT: The paper re-visit the plot and setting of the novels of Amitav Ghosh. The paper has two parts – (i)The Teller & (ii) The Tales. In the first section the text tries to give a brief sketch of the life of Amitav Ghosh to chornicle the life of the visionary commentator of life and the social anthroplogist , the most prominent among the Indian writers of English. In the second part the theme and storyline of the novels were revisted along with characters and narrative technique. The first section has been introduced to give an overview of the prolificness of the author and the second part is the testimony of his logocentricism. The paper aims to present the plot and theme of all Ghosh’s novels. Keywords: Novels of Amitav Ghosh, Plot, Theme, Setting, Storyline, Characters, Narrative technique I. INTRODUCTION “Novelists inevitably mine their own experiences when they write.” - Amitav Ghosh, The Great Derangement, Page.20 Amitav Ghosh , the social anthropologist, novelist, essayist, travel writer, columnist and activist is the prominent among the Indian Writers of English writing about diaspora and contemporary issues as latest as climate change. -
Utopianism in Postcolonial Women's Science Fiction Impossible Things
Possible Things: Utopianism in Postcolonial Women’s Science Fiction and Impossible Things: A Novel Lisa Dowdall A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of the Arts and Media UNSW Arts and Social Sciences March 2016 1 2 Acknowledgements I would first like to express my sincere thanks to my supervisors, Prof Bill Ashcroft and Dr Stephanie Bishop, for their support of both the creative and theoretical components of this thesis. Their patience, expertise and generosity helped me accomplish things I didn’t think I was capable of. Their guidance was invaluable not only in the writing of this thesis but also in learning to think, read and write in new and exciting ways. I could not imagine two better advisers or mentors for this project. Besides my supervisors, I’d like to thank the many people who provided their feedback on various drafts of the novel and the dissertation. Tanya Thaweeskulchai influenced my work in ways that extend far beyond the parameters of this dissertation, and her friendship is one of the most precious things I take away from this doctoral experience. Prue Gibson and Jayne Chapman offered much-needed comments on the novel and the dissertation respectively. I would also like to thank Anne Brewster for the rigorous feedback she gave on the third chapter on indigenous science fiction, along with Emily Maguire and Margo Lanagan for their formative feedback on early drafts of the novel. Thank you also to Roanna Gonsalves, Jessica Ford, Melanie Robson, Sameera Karam, Shaun Bell and Phoebe Macrossan for all the writing workshops. -
The Significance of the Title, Structure and Technique of the Novel the Shadow Lines by Amitav Ghosh
Volume II, Issue III, July 2014 - ISSN 2321-7065 The Significance of The Title, Structure And Technique of The Novel The Shadow Lines By Amitav Ghosh Dr.V.Sreenathachary Assistant Professor Department of English Palamuru University Bandameedipally Mahabubnagar-509001 Telangana, India ABSTRACT Amitav Ghosh is significant among those talents who, in the 1980s, generated a wave of creative effervescence in Indian fiction in English, after the initial impetus given to it earlier by Mulk Raj Anand, Raja Rao, and R.K.Narayan. His body of work includes several other novels like In An Antique Land,(1993), The Calcutta Chromosome (1996), The Glass Palace (2000), The Hungry Tide (2004) and Prose Works like Dancing in Cambodia and At Large in Burma (1998), and The Imam and the Indian (2002). He has made several contributions to The New Yorker and given several interviews. His second novel, The Shadow Lines, published in 1988, which won the prestigious Sahitya Akademi Award, reveals an entirely different artist at work. Written in a more sophisticated style, it spotlights a personal predicament against the backdrop of the history of partition. Ghosh has been changing the genre with every new work. The critical response to The Shadow Lines has been quite profuse and extensive in terms of reviews, articles and full-length studies. Most of the critics, the Western critics, in particular, have interpreted the novel placing it in the contexts of postcolonial and post- http://www.ijellh.com 347 Volume II, Issue III, July 2014 - ISSN 2321-7065 modern discourses. The present research paper focuses on the significance of the title, structure and technique of the novel The Shadow Lines by Amitav Ghosh. -
Distinctly Different
Royal Crescent Distinctly different Outstanding contemporary living Stanmore Place Contents A new phase is revealed 4 London, the world city 6 Location is everything Royal Crescent, a new collection of 1, 2 and 3 bedroom apartments and 8 Your local lifestyle penthouses, continues the success story of Stanmore Place. This multiple 10 An open invitation award-winning community is already one of the most desirable addresses in 12 Join the community the area. Its unique attributes include the feature lake, stunning architecture and landscaped squares and avenues, created by St Edward to exemplary 14 Exclusively for residents standards. Royal Crescent offers an exciting opportunity to experience the 16 Royal Crescent exclusive way of life at Stanmore Place. 18 Desirable details 21 Kitchen perfection 22 The luxury of sleep 25 Awash with style 27 Stanmore Place Awards 28 Our Vision for your future 30 Sustainability at Stanmore Place 32 Designed for life 2 3 Photography of Stanmore Place. London, the world city The backdrop to 2,000 years of history and home to world class business, entertainment and shopping, London is one of the world’s most enthralling cities. At Stanmore Place, the Capital’s temptations and attractions are just 25 minutes away by London Underground*. There is shopping on world famous Bond Street, Sloane Street, Knightsbridge and Oxford Street, where one can browse in boutiques and department stores for luxuries and everyday purchases. For fine dining, London delivers: with over sixty Michelin-starred restaurants and countless cuisines. The arts, entertainment and cultural world also makes its presence felt in London. -
Women As Revolutionaries in Amitav Ghosh's the Shadow Lines And
==================================================================== Language in India www.languageinindia.com ISSN 1930-2940 Vol. 15:11 November 2015 ==================================================================== Women as Revolutionaries in Amitav Ghosh’s The Shadow Lines and The Hungry Tide M. Vijayalakshmi, M.A. M.Phil. =========================================================== Amitav Ghosh Courtesy: www.britannica.com Abstract The article proposes to study Ghosh’s revolutionary women characters with special reference to The Shadow Lines and The Hungry Tide. Ghosh through his women characters has attempted to explore the emotional world of women that helps the readers to understand the feminine sensibility as well as psychology. His women characters are unique as they do not come under the term ‘stereotypes’. In The Shadow Lines and The Hungry Tide, women are presented as courageous as men since they fight the challenges of widowhood, poverty and injustice. In the novel The Shadow Lines, Tha’mma is a revolutionary character. She has strong nationalist feelings. During the time of Indo-Pakistan war she becomes very patriotic. She condemns all those who choose to live beyond the border. Ila, a woman of modern civilization, has a different concept of freedom. She is stubborn and lives in her own world. She chooses to live in London, for she wants to be free of the rigidities of Indian tradition and culture. May is another Language in India www.languageinindia.com ISSN 1930-2940 15:11 November 2015 M. Vijayalakshmi, M.A. M.Phil. Women as Revolutionaries in Amitav Ghosh’s The Shadow Lines and The Hungry Tide 227 revolutionary character in the novel The Shadow Lines. In The Hungry Tide, Kusum is a revolutionary woman fighting for the rights of Dalit refugees.