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By the Histories of Sea and Fiction in Its Roar: Fathoming the Generic Development of Indian Sea-Fiction in Amitav Ghosh’S Sea of Poppies
ISSN 2249-4529 www.pintersociety.com GENERAL ISSUE VOL: 8, No.: 1, SPRING 2018 UGC APPROVED (Sr. No.41623) BLIND PEER REVIEWED About Us: http://pintersociety.com/about/ Editorial Board: http://pintersociety.com/editorial-board/ Submission Guidelines: http://pintersociety.com/submission-guidelines/ Call for Papers: http://pintersociety.com/call-for-papers/ All Open Access articles published by LLILJ are available online, with free access, under the terms of the Creative Commons Attribution Non Commercial License as listed on http://creativecommons.org/licenses/by-nc/4.0/ Individual users are allowed non-commercial re-use, sharing and reproduction of the content in any medium, with proper citation of the original publication in LLILJ. For commercial re-use or republication permission, please contact [email protected] 144 | By the Histories of Sea and Fiction in its Roar: Fathoming the Generic Development of Indian Sea-Fiction in Amitav Ghosh’s Sea of Poppies By the Histories of Sea and Fiction in its Roar: Fathoming the Generic Development of Indian Sea-Fiction in Amitav Ghosh’s Sea of Poppies Smriti Chowdhuri Abstract: Indian literature has betrayed a strange indifference to sea-experience and sea-culture as a subject of literary interest though it cannot overlook the repercussions of sea voyages on Indian social, political and economic conditions specifically after colonization. Consequently, nautical fiction as a category of writing can hardly be traced in the history of Indian literature. Nautical fiction as a substantial body of writing emerged from Anglo-American history of maritime experience. This paper is an attempt to perceive Amitav Ghosh’s novel, Sea of Poppies as an Indian response to the sub-genre. -
Fact and Fiction in Sea Trilogy: a Study
© 2020 JETIR October 2020, Volume 7, Issue 10 www.jetir.org (ISSN-2349-5162) Fact and Fiction in Sea Trilogy: A Study -Rabindra Kumar Sahu Research Scholar P.G Dept. Of English L.N Mithila University, Darbhanga (Bihar) Abstract Amitav Ghosh has utilized for his Ibis trilogy originates from the British Library and the National Archives at Kew in England. A few different publications from the nineteenth century identified with India-China interactions, the Circumstance in Guangzhou and Opium trade and war are likewise accessible on the Internet. Ghosh likewise went by India and China to experience a large number of the spots specified in the trilogy. He has splendidly and seamlessly coordinated these records and discoveriess into his narrative. The Ibis trilogy has shockingly exact portrayals of events. On the off chance that nearly examined, it may turn out that a portion of the characters and their experience are likewise in light of historical personalities. Flood of Fire specifically is a work that could be utilized as a part of colleges and universities to make an interest in concentrate the historical connection amongst India and China. It can likewise fill in as motivational for the individuals who need to investigate a Standout amongst the most considerable period in the history of India-China relations. Key Words:- Archives, trilogy, Canton, Subaltern, Individuals, Ecological, Panorama, Colonial Introduction Amitav Ghosh has Shared obscure facts about the roots of trade amongst India, China and the Paris Community. The Parsi community was at the bleeding edge of all significant trade activities in India amid the eighteenth and nineteenth centuries However, what many people do not know is that Parsis alongside a few Indian, European and American traders were like arns present in the Chinese region of Canton in its trading colonies amid that period, presently rechristened as Guangzhou, the previous River Town of Canton was huge hub of the Opium trades in China amid the 19th century. -
Over the Years
Over the Years Indra Rai Sharma Over the Years -A Photo Autobiography In 2010 before going to US, I had been going through my old papers. As it appeared, I had wished to pen down my autobiography long back. In my diary on February 10, 1963, I had written that if I would ever write my autobiography, I would caption it ‘My Life and Dreams’. In 1997 again, in my acceptance letter to the notice regarding my impending retirement that I sent on June 23, to Mr. A. Sankara Narayanan, Executive Director, M/S Hindustan Motors, I wrote: “I wish I could pen down my years at HM some day and hope that it would provide useful insight for our budding engineers as Lee Iacocca’s biography or the book ’On a clear day you can see General Motors’ provided to millions of it readers.’ I knew that I was not that great a name in HM or industry, though I aspired to be one. Perhaps I didn’t select the right profession or I couldn’t take advantage of the opportunity that I got to convert the same to become big. I remember my teasing of my grandmother and later on my mother in school days by telling them time and again that they should not expect me to do routine household work, as I would be a big man. Later on I joked with some close friends and their wives that one day I would get into number 1 Rajpath. I meant Rastrapati Bhawan. I failed to become as great or big as I wanted but I did work very hard for every assignment that I got. -
Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Other tomorrows: postcoloniality, science fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Banerjee, Suparno, "Other tomorrows: postcoloniality, science fiction and India" (2010). LSU Doctoral Dissertations. 3181. https://digitalcommons.lsu.edu/gradschool_dissertations/3181 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OTHER TOMORROWS: POSTCOLONIALITY, SCIENCE FICTION AND INDIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Suparno Banerjee B. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2000 M. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2002 August 2010 ©Copyright 2010 Suparno Banerjee All Rights Reserved ii ACKNOWLEDGEMENTS My dissertation would not have been possible without the constant support of my professors, peers, friends and family. Both my supervisors, Dr. Pallavi Rastogi and Dr. Carl Freedman, guided the committee proficiently and helped me maintain a steady progress towards completion. Dr. Rastogi provided useful insights into the field of postcolonial studies, while Dr. Freedman shared his invaluable knowledge of science fiction. Without Dr. Robin Roberts I would not have become aware of the immensely powerful tradition of feminist science fiction. -
The Novels of Amitav Ghosh – from the Circle of Reason to the Calcutta Chromosome
Jesper Hansen (2004) Page 1 of 67 [email protected] SUMMARY ....................................................................................................................................................................... 2 INTRODUCTION ............................................................................................................................................................ 4 SUBALTERN AGENCY .................................................................................................................................................. 8 RANAJIT GUHA ............................................................................................................................................................... 9 GAYATRI CHAKRAVORTY SPIVAK ................................................................................................................................ 12 AGENCY IN THE CIRCLE OF REASON ............................................................................................................................ 15 RETRIEVAL OF AGENCY IN IN AN ANTIQUE LAND ........................................................................................................ 18 OBJECTIVITY: RESEARCHER/SUBJECT AND RESEARCHED/OBJECT ............................................................................... 21 NATIONALISM ............................................................................................................................................................. 24 BENEDICT ANDERSON: IMAGINED COMMUNITIES -
Opium Cities, Carbon Routes: World-Ecological Prehistory in Amitav Ghosh’S Hong Kong
Journal of Postcolonial Writing ISSN: 1744-9855 (Print) 1744-9863 (Online) Journal homepage: http://www.tandfonline.com/loi/rjpw20 Opium cities, carbon routes: World-ecological prehistory in Amitav Ghosh’s Hong Kong Caitlin Vandertop To cite this article: Caitlin Vandertop (2019): Opium cities, carbon routes: World- ecological prehistory in Amitav Ghosh’s Hong Kong, Journal of Postcolonial Writing, DOI: 10.1080/17449855.2018.1562491 To link to this article: https://doi.org/10.1080/17449855.2018.1562491 Published online: 08 Jan 2019. Submit your article to this journal View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjpw20 JOURNAL OF POSTCOLONIAL WRITING https://doi.org/10.1080/17449855.2018.1562491 Opium cities, carbon routes: World-ecological prehistory in Amitav Ghosh’s Hong Kong Caitlin Vandertop School of Language, Arts and Media, University of the South Pacific, Suva, Fiji ABSTRACT KEYWORDS This article situates Amitav Ghosh’s thesis of anthropocenic modernity Amitav Ghosh; opium; as a “great derangement” within the context of the British colonial city world-ecology; narrative; and its environmental vulnerabilities. Showing how Ghosh’sIbisTrilogy colonial urbanism; (Sea of Poppies [2008], River of Smoke [2011] and Flood of Fire [2015]) Hong Kong highlights the appropriation of natural resources by financial markets, the article reads Ghosh’s narratives of magically altered landscapes – and the strange coincidences and chance encounters that they pro- duce – as part of a “world-ecological” literary engagement with the transformations of the British Empire’sopiumregimeanditscarbon- intensive infrastructures. If the colonial founding of Hong Kong speaks to the scale of these transformations, the floods, rising tides and typhoons that threaten the city can be read as narrative premonitions of capital’s ecological limits, revealing the prehistories of the climate crisis from the coastal cities in which it originated. -
Pdf Mehta, Vineet
AboutUs: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ ContactUs: http://www.the-criterion.com/contact/ EditorialBoard: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com The Criterion: An International Journal in English Vol. 12, Issue-I, February 2021 ISSN: 0976-8165 Place and Displacement: Search for Eco-Cultural Identity in Amitav Ghosh's The Hungry Tide and Sea of Poppies Sanjay Prakash Dubey Assistant Professor Department of English Sant Tulsi Das PG College Kadipur, Sultanpur (UP) Article History: Submitted-18/01/2021, Revised-19/02/2021, Accepted-21/02/2021, Published-28/02/2021. Abstract: Place and Displacement is a vibrant and much sought-after issue in the realm of postcolonial ecocriticism. Place, Displacement, re-settlement and eco-identity have received much critical attention in postcolonial literature. Displacement occurs in two stages: physical and psychological. The postcolonial ecocriticism foregrounds both the stages in to highlight the struggle of postcolonial subjects. The territorial displacement forces people to move to unknown places which results in psychological alienation or displacement. In the Sea of Poppies and The Hungry Tide, Ghosh raises the issues and problems of displacement and re-settlement. Place and identity are interrelated concepts and disruption in place results in disruption in identity. In both the novels, there is disruption of place and identity of the subaltern subjects. The objective of this paper is to understand how the colonial and neocolonial forces operated in Amitav Ghosh’s the Sea of Poppies and The Hungry Tide to displace the colonized and the marginalized and how in the process of displacement, the displaced lost their ecological and cultural identity. -
Research Journal of English Language and Literature (RJELAL) AMITAV GHOSH AS a NOVELIST and a BIOGRAPHER-AN ANALYTICAL STUDY
(RJELAL) Research Journal of English Language and Literature Vol.4.Issue 2.2016 A Peer Reviewed (Refereed) International Journal (Apr-Jun) http://www.rjelal.com; Email:[email protected] RESEARCH ARTICLE AMITAV GHOSH AS A NOVELIST AND A BIOGRAPHER-AN ANALYTICAL STUDY PATHLAVATH ARUNA1, VEERA SWAMY.T2 1,2 Department of English, Osmania University, Hyderabad,Telangana ABSTRACT Most of the Indian English novels of recent times written by migrant writers have chosen materials for their art from contemporary Indian socio-cultural situations. They also undertake the exploration of the relationship between the East and the West. It has become a recurring theme in contemporary Indian English fiction because of the nature of the linguistic medium the novelist uses. Fictional reworking of mythology and history has given new significance and possibilities to PATHLAVATH the Indian English novel writings. Amitav Ghosh often returns to Indian history and ARUNA mythology. Midnight’s Children, Shame and The Moor’s Last Sigh deal with the complex working of the Muslim psyche caught up in the historical and cultural web of the Indian subcontinent. The Circle of Reason, The Calcutta Chromosome and The Shadow Lines (1988) express the blind follow of the English by the Indians, the encounter between the west rationality and Indian myth, and hollowness of national identity and national boundaries. Amitav Ghosh, who won many accolades including the Sahitya Akademi Award and VEERASWAMY.T the Prix Medicis Etrangere of France. Although less prone to controversy, he is responsible for producing some of the most lyrical and insightful works on the effect of colonialism on the native people. -
Amitav Ghosh
Author of the Week: Amitav Ghosh Biography Amitav Ghosh was born in Calcutta and grew up in India, Bangladesh and Sri Lanka. He studied in Delhi, Oxford and Alexandria and is the author of The Circle of Reason, The Shadow Lines, In An Antique Land, Dancing in Cambodia, The Calcutta Chromosome, The Glass Palace, The Hungry Tide, and the first two volumes of The Ibis Trilogy; Sea of Poppies, and River of Smoke. Awards and Achievement The Circle of Reason was awarded France’s Prix Médicis in 1990, and The Shadow Lines won two prestigious Indian prizes the same year, the Sahitya Akademi Award and the Ananda Puraskar. The Calcutta Chromosome won the Arthur C. Clarke award for 1997 and The Glass Palace won the International e-Book Award at the Frankfurt book fair in 2001. In January 2005 The Hungry Tide was awarded the Crossword Book Prize, a major Indian award. His novel, Sea of Poppies (2008) was shortlisted for the Man Booker Prize, 2008 and was awarded the Crossword Book Prize and the India Plaza Golden Quill Award. Amitav Ghosh’s work has been translated into more than twenty languages and he has served on the Jury of the Locarno Film Festival (Switzerland) and the Venice Film Festival (2001). Amitav Ghosh’s essays have been published in The New Yorker, The New Republic and The New York Times. His essays have been published by Penguin India (The Imam and the Indian) and Houghton Mifflin USA (Incendiary Circumstances). He has taught in many universities in India and the USA, including Delhi University, Columbia, Queens College and Harvard. -
Elements of Science Fiction and Thriller in Amitav Ghosh‟S „The Calcutta Chromosome‟
Volume-04 ISSN: 2455-3085 (Online) Issue-05 RESEARCH REVIEW International Journal of Multidisciplinary May-2019 www.rrjournals.com[UGC Listed Journal] Elements of Science Fiction and Thriller in Amitav Ghosh‟s „The Calcutta Chromosome‟ Dipika J. Patel __________________________________________________________________________ 1. Introduction Egyptian or Arabic. This man can go to any place so easily and Amitav Ghosh is a diasporic Indian novelist and travel- he goes to Calcutta, his native, often. In his New York writer. He was born in Calcutta and lived in Bangladesh, Sri apartment there lives a Guyanese woman Maria. In fact, she is Lanka, England, Egypt and more recently in America. He stays of an Indian birth. Lately comes another Indian, Tara as a in India too. He got educated first in New Delhi and then in stranded woman. She is in search of a dwelling house and Oxford where he got his PhD in anthropology in 1981. His Antar helps her the same. His communications with the two history-narrative In an Antique Land (1992) draws on his goes for long. Be it as it may Antar does not have any family, Egyptian experiences. His first novel The Circle of Reason representing the so called modern people -- familyless, (1986) is a magic realistic work concerned with a young sometime lifeless too. weaver who travels from his home in Bengal to the Gulf and then to Algeria. His next novel The Shadow Lines (1988) is, Antar remembers a man called L. Murugan, also known as like Khushwant Singh‟s Mano Majra, a partition novel. The Morgon for his western people. -
Literary Herald ISSN: 2454-3365 an International Refereed/Peer-Reviewed English E-Journal Impact Factor: 4.727 (SJIF)
www.TLHjournal.com Literary Herald ISSN: 2454-3365 An International Refereed/Peer-reviewed English e-Journal Impact Factor: 4.727 (SJIF) Amitav Ghosh’s Ibis Trilogy: A Study of History and Culture Sanjeev Khanna Associate Professor Madhav institute of Technology & Science Gwalior Abstract: Amitav Ghosh as a fictionist presents a truthful (history) account (fiction) of the people [largely destitute] who for some or the other reason have been uprooted from their own roots/culture. The most noteworthy factor about Sea of Poppies is the setting of the novel in the British Indian background. Sea of poppies is the first of the trilogy on the opium farming and its aftermath. John C. Hawley in his book on Amitav Ghosh remarks: Amitav Ghosh‘s novels brim with interesting themes set against fascinating historical backdrops. His roots are in ... the Dickensian proliferation of characters whose lives engage us and who take us to some richly imagined places and times. (Hawley, 1) Ghosh evokes a picture of India of 1830s with its rituals, customs, society, hardships, British misrule, and a horde of men and women indecisive of what is going to be their future and where they are heading for. Amitav Ghosh‘s novels have a historical setting where the writer in a magical realistic mode portrays the continuing cultural confluence in India under the British rule. Being a trained anthropologist Ghosh studies the tides society and culture undergoes in its paths of progress. John Thieme is on a firmer ground to assert that Ghosh blurs ―the boundaries between anthropology and fiction.‖ (Thieme, 178-79) Keywords: Culture, History, Realism, Magic Realism, Anthropology. -
Utopianism in Postcolonial Women's Science Fiction Impossible Things
Possible Things: Utopianism in Postcolonial Women’s Science Fiction and Impossible Things: A Novel Lisa Dowdall A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of the Arts and Media UNSW Arts and Social Sciences March 2016 1 2 Acknowledgements I would first like to express my sincere thanks to my supervisors, Prof Bill Ashcroft and Dr Stephanie Bishop, for their support of both the creative and theoretical components of this thesis. Their patience, expertise and generosity helped me accomplish things I didn’t think I was capable of. Their guidance was invaluable not only in the writing of this thesis but also in learning to think, read and write in new and exciting ways. I could not imagine two better advisers or mentors for this project. Besides my supervisors, I’d like to thank the many people who provided their feedback on various drafts of the novel and the dissertation. Tanya Thaweeskulchai influenced my work in ways that extend far beyond the parameters of this dissertation, and her friendship is one of the most precious things I take away from this doctoral experience. Prue Gibson and Jayne Chapman offered much-needed comments on the novel and the dissertation respectively. I would also like to thank Anne Brewster for the rigorous feedback she gave on the third chapter on indigenous science fiction, along with Emily Maguire and Margo Lanagan for their formative feedback on early drafts of the novel. Thank you also to Roanna Gonsalves, Jessica Ford, Melanie Robson, Sameera Karam, Shaun Bell and Phoebe Macrossan for all the writing workshops.