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Michelle Bench Avid Editor
Michelle Bench Avid Editor Profile Michelle is a passionate editor and her technical knowledge is first-class - she has a thorough understanding of all aspects of the editing process. She was previously employed by facilities house M2 where she capably worked on some of their highest profile programmes and with the most demanding of clients. She has a natural talent in constructing and helping develop narratives. Michelle is incredibly hardworking and enthusiastic and along with her easy going friendly personality, she is a real asset to a production. Offline Credits – Entertainment “Pioneer Woman” 9 x 30min. Top rating cooking, documentary and reality series shot on a ranch in Pawhuska, Oklahoma with blogger Ree Drummond and her family. Otherwise known as the 'Pioneer Woman', Ree is a mother, wife and cook. The award-winning blogger and best-selling cookbook author comes to Food Network and shares her special brand of home cooking, from throw together suppers to elegant celebrations. Pacific Productions for Food Network “Barefoot Contessa” Ina Garten prepares a simple multi-course meal, usually for her close friends, colleagues or husband. Her recipes often include fresh herbs, which she 'hand- harvests' from her backyard garden. The show's title comes from the Italian word for countess and was originally used by Ina Garten in her best-selling cookbook. Pacific Productions for Food Network “13 Moments that Killed Michael Jackson” 1 x 90min. 3 part documentary series. This takes a look at the extraordinary life, and tragic death, of one of the world’s best loved entertainers. Counting down the fateful episodes that changed his life, this programme will explore the heartache behind the triumph, and the lows behind the highs in the life of a music icon. -
Sunday Morning Grid 4/1/18 Latimes.Com/Tv Times
SUNDAY MORNING GRID 4/1/18 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program JB Show History Astro. Basketball 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) Hockey Boston Bruins at Philadelphia Flyers. (N) PGA Golf 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News News News Paid NBA Basketball 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX In Touch Paid Fox News Sunday News Paid Program I Love Lucy I Love Lucy 13 MyNet Paid Matter Fred Jordan Paid Program 18 KSCI Paid Program Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Oil Painting Kitchen Mexican Martha Jazzy Real Food Chefs Life 28 KCET 1001 Nights 1001 Nights Mixed Nutz Edisons Biz Kid$ Biz Kid$ Things That Aren’t Here Anymore More Things Aren’t Here Anymore 30 ION Jeremiah Youseff In Touch Paid NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 34 KMEX Misa de Pascua: Papa Francisco desde el Vaticano Fútbol Fútbol Mexicano Primera División (N) República Deportiva 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Jeffress K. -
Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself"). -
Cablefax Program Awards 2021 Winners and Nominees
March 31, 2021 SPECIAL ISSUE CFX Program Awards Honoring the 2021 Nominees & Winners PROGRAM AWARDS March 31, 2021 The Cablefax Program Awards has a long tradition of honoring the best programming in a particular content niche, regardless of where the content originated or how consumers watch it. We’ve recognized breakout shows, such as “Schitt’s Creek,” “Mad Men” and “RuPaul’s Drag Race,” long before those other award programs caught up. In this special issue, we reveal our picks for best programming in 2020 and introduce some special categories related to the pandemic. Read all about it! As an interactive bonus, the photos with red borders have embedded links, so click on the winner photos to sample the program. — Amy Maclean, Editorial Director Best Overall Content by Genre Comedy African American Winner: The Conners — ABC Entertainment Winner: Walk Against Fear: James Meredith — Smithsonian Channel This timely documentary is named after James Meredith’s 1966 Walk Against Fear, in which he set out to show a Black man could walk peace- fully in Mississippi. He was shot on the second day. What really sets this The Conners shines at finding ways to make you laugh through life’s film apart is archival footage coupled with a rare one-on-one interview with struggles, whether it’s financial pressures, parenthood, or, most recently, the Meredith, the first Black man to enroll at the University of Mississippi. pandemic. You could forgive a sitcom for skipping COVID-19 in its storyline, but by tackling it, The Conners shows us once again that life is messy and Nominees sometimes hard, but with love and humor, we persevere. -
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Increasing Seat Belt Use Among 8- to 15-Year-Olds Volume II Appendices This Publication Is Distributed by the U.S
Increasing Seat Belt Use Among 8- to 15-Year-Olds Volume II Appendices This publication is distributed by the U.S. Department of Transportation, National Highway Traffic Safety Administration, in the interest of information exchange. The opinions, findings and conclusions expressed in this publication are those of the author(s) and not necessarily those of the Department of Transportation or the National Highway Traffic Safety Administration. The United States Government assumes no liability for its content or use thereof. If trade or manufacturers’ names or products are mentioned, it is because they are considered essential to the object of the publication and should not be construed as an endorsement. The United States Government does not endorse products or manufacturers. 1. Report No. 2. Government Accession No. 3. Recipient's Catalog No. DOT HS 810 966 4. Title and Subtitle 5. Report Date May 2008 Increasing Seat Belt Use Among 8- to 15-Year-Olds: 6. Performing Organization Code Volume II: Appendices 7. Authors 8. Performing Organization Report No. Michelle Kuhn and Jed Lam 9. Performing Organization Name and Address 10. Work Unit No. (TRAIS) Aeffect, Inc. 520 Lake Cook Road, Suite 100 11. Contract or Grant No. Deerfield, IL 60015 DTNH22-03-C-05121 12. Sponsoring Agency Name and Address 13. Type of Report and Period Covered Office of Behavioral Safety Research Summary Research Report National Highway Traffic Safety Administration September, 2003-December, 2006 1200 New Jersey Avenue SE. 14. Sponsoring Agency Code Washington, DC 20590 15. Supplementary Notes 16. Abstract The broad aim of this research project was to determine the nature and causes of non-use of seat belts among 8- to 15- year-olds, and to recommend interventions and strategic approaches to increase usage among this age group. -
Razorback Athletics Annual Report, 2010-2011
University of Arkansas, Fayetteville ScholarWorks@UARK Razorback Athletics Annual Report Athletics 2011 Razorback Athletics Annual Report, 2010-2011 University of Arkansas, Fayetteville. Dept. of Intercollegiate Athletics Follow this and additional works at: https://scholarworks.uark.edu/athlar Citation University of Arkansas, Fayetteville. Dept. of Intercollegiate Athletics. (2011). Razorback Athletics Annual Report, 2010-2011. Razorback Athletics Annual Report. Retrieved from https://scholarworks.uark.edu/ athlar/3 This Periodical is brought to you for free and open access by the Athletics at ScholarWorks@UARK. It has been accepted for inclusion in Razorback Athletics Annual Report by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. ARKANSAS RAZORBACKS 2010/2011 ATHLETICS ANNUAL REPORT CONTENTS Answering the Call................................1 Academic Achievement ............................2 Student-Athlete Development and Leadership ........4 In the Community ................................5 Razorback Champions .............................6 Arkansas Head Coaches ...........................8 Allstate Sugar Bowl...............................10 Vice Chancellor and Director of Athletics Jeff Long, Razorback quarterback Ryan Mallett and Chancellor Dave Gearhart Sports Reviews...................................12 Razorbacks in the Pros........................... 20 Not long ago, intercollegiate athletics at the University of athletic peer institutions, there is no question that -
Katy PEOPLE Frank Bielec and His Wife Judy Live in Old Katy with Their Four Dogs and Two Cats
Katy PEOPLE Frank Bielec and his wife Judy live in Old Katy with their four dogs and two cats 42 • katy magazine Visit KatyMagazine.com for Katy jobs, events, news and more. Frank Bielec starred on TLC’s Trading Spaces from 2000-2008 Familiar Faces of Trading Frank Bielec is Back Home and Enjoying the Simple Life in Katy Spaces Written by Katrina Katsarelis Photography by Marisa Hugonnett To advertise, call 281-579-9840 or email [email protected] katy magazine • 43 Frank and Judy at Mosey’n Me Artworks Studio The Bielecs on location at the Trading Spaces episode filmed in Katy For eight years, Katy resident Frank Bielec starred as the lovable, it was hot,” whines Frank. “I figured if the carpenters could dress that quirky interior designer on TLC’s Trading Spaces, alongside other way, I could too, but boy did we get phone calls.” The show decided newcomers Ty Pennington, Hildi Santo-Tomas, Vern Yip, Laurie to keep the three principal characters after seeing their high likability Smith, Genevieve Gorder, Amy Wynn Pastor, and Doug Wilson. scores when the ratings came out. “I was the oldest one on the set Trading Spaces, a show that was not expected to make it past the so they treated me like gold. They looked to me like a father figure,” first season, became a surprise hit, and transformed a handful of says Frank. For this former teacher, artist, and floral designer, life as Funknowns into instant TV celebrities. Frank landed the gig after he a TV star was good and the salary was definitely better than previous was discovered at a decorative paint convention in Nashville. -
Integrating Video Clips Into the “Legacy Content” of the K–12 Curriculum: TV, Movies, and Youtube in the Classroom
Integrating Video Clips into the “Legacy Content” of the K–12 Curriculum: TV, Movies, and YouTube in the Classroom Ronald A. Berk Disclaimer: This chapter is based on a presentation given at the annual Evaluation Systems Conference in Chicago. Since the content of the October 2008 presentation focused on using videos in the classrooms of the future, this chapter will not be able to capture the flavor and spirit of the actual videos shown. The audience exhibited a range of emotions, from laughter to weeping to laughter to weeping. Unfortunately, this print version will probably only bring about the weeping. Keep a box of tissues nearby. Enjoy. Using videos in teaching is not new. They date back to prehistoric times, when cave instructors used 16 mm projectors to show cave students examples of insurance company marketing commercials in business courses. Now even DVD players are history. So what’s new? There are changes in four areas: (1) the variety of video formats, (2) the ease with which the technology can facilitate their application in the classroom, (3) the number of video techniques a teacher can use, and (4) the research on multimedia learning that provides the theoretical and empirical support for their use as an effective teaching tool. A PC or Mac and a LCD projector with speakers can easily embed video clips for a PowerPoint presentation on virtually any topic. This chapter examines what we know and don’t know about videos and learning. It begins with detailed reviews of the theory and research on videos and the brain and multimedia learning. -
Keeping Our Bearings with Difficult People
BEST PRACTICES Betsy Raskin Gullickson, Editor Keeping Our Bearings with The fishermen in Discovery Channel’s The Deadliest Catch Difficult People routinely deal with dangerous conditions caused by the ele- equipment—cages weighing hun- freeze when they come in contact ments. Those of us working in dreds of pounds apiece—during with metal, adding tons of weight offices don’t operate in life- intense work shifts, as much as to the boats and making them top threatening situations, but we 40 hours out of 50. The work heavy and at greater risk of tip- may see some parallels between would be physically demanding ping or sinking, much like the col- the deadly weather and some under the best of conditions, but league who throws cold water on of our difficult colleagues. crab fishing takes place between initiatives. October and January, when arctic A European executive is all-too- weather is extreme. The elements familiar with this kind of difficult hile surfers and swimmers have uncomfortable parallels in person: “We were colleagues at the Ware told to stay home when the work climate. Let’s take a look same hierarchical level; then I got Great White sharks appear close to at some. promoted, and he sort of needed shore, nobody closes the beach Howling Wind. Even when to provoke me to see how I would because of a crab sighting. Yet it’s storms blow winds up to 40 to 50 react. For example, I used to plan Alaskan crabs at the center of the knots, crew members must make the timetables for the week for all Discovery Channel program, The their way across the deck or stand the staff; he would come to me Deadliest Catch. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.