HERE's LOOKING at YOU' August 1936 Preparations for Radiolympia - the Two Systems First Studio Transmissions -The First Outside Broadcast - Lessons to Be Learned
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Privalomo Skaitmeninės Televizijos Retransliavimo Elektroninių Ryšių Tinklais Teisinis Reguliavimas
MYKOLO ROMERIO UNIVERSITETAS SOCIALINĖS INFORMATIKOS FAKULTETAS ELEKTRONINIO VERSLO KATEDRA DONATAS VITKUS Naujųjų technologijų teisė, NTTmns0-01 PRIVALOMO SKAITMENINĖS TELEVIZIJOS RETRANSLIAVIMO ELEKTRONINIŲ RYŠIŲ TINKLAIS TEISINIS REGULIAVIMAS Magistro baigiamasis darbas Darbo vadovas – Doc. dr. Darius Štitilis Vilnius, 2011 TURINYS ĮVADAS .............................................................................................................................................. 3 1 PRIVALOMO TELEVIZIJOS RETRANSLIAVIMO INSTITUTAS IR JO SVARBA ... 9 1.1 Televizijos techniniai aspektai ir rūšys ........................................................................ 9 1.2 Retransliavimo sąvokos identifikavimas .................................................................... 13 1.3 Privalomas paketas ir jo reikšmė ................................................................................ 15 2 PRIVALOMO SKAITMENINĖS TELEVIZIJOS RETRANSLIAVIMO TEISINIS REGULIAVIMAS ES ŠALYSE ..................................................................................................... 19 2.1 Bendrasis „must carry“ reguliavimas ES ................................................................... 19 2.2 Austrija ....................................................................................................................... 21 2.3 Vokietija ..................................................................................................................... 22 2.4 Jungtinė Karalystė ..................................................................................................... -
Brothers Under Fire Canadian Fire Fighters
The 1940s Society For Everyone Interested in Wartime Britain Issue 72 March / April 2012 £3.00 Blitz Kids Sean Longden on the Childrens war against Hitler Brothers Under Fire Canadian Fire Fighters. 2 part article by John Leete Lew Stone Jeff “Two-Tone Boogie” discovers more about this influential musician Diary Events and much more.... The 1940’s Society, 90 Lennard Road, Dunton Green, Sevenoaks, Kent TN13 2UX Tel: 01732 452505 Web: www.1940.co.uk Email: [email protected] 1 Enjoy Life The 1940s Society I don’t really follow football but I’m writing this after hearing that For Everyone Interested in Wartime Britain Fabrice Muamba remains in a critical condition in intensive care after suffering a cardiac arrest during the FA Cup tie at Tottenham. Regular meetings at Otford Memorial Hall near Sevenoaks A shock to all as he is a young fit 23 year old with no previous signs of health issues. Like many people I remember him in my prayers Friday 30th March 2012 - 8pm and wish him a speedy recovery. You may think it’s a rather sombre start to the magazine but I like to Blitz Kids think of it as a reminder of how fragile our lives are. A reminder that Britain’s children in the Second World War both we should make the most of what we have, smile, and take the time at home and on the front line to enjoy our lives. I’ve been reading the proofs of a book being published in June (Parachute Doctor) and you suddenly realise how Sean Longden death was such an everyday occurrence during the Second World War. -
George Chisholm
1 The TROMBONE of GEORGE CHISHOLM Solographer: Jan Evensmo Last update: March 9, 2020 2 Born: Glasgow, Scotland, March 29, 1915 Died: Milton Keynes, England, Dec. 8, 1997 Introduction: We played again and again the marvellous Benny Carter session from Holland in 1937 with Coleman Hawkins. Then we realized that there was a great trombone player in there of British origin! Glad now to realize we had identified perhaps the best vintage trombone player on this side of the Atlantic! History: He took up trombone as a teenager after hearing Jack Teagarden. In 1936 he went to London with Teddy Joyce and played in clubs, notably the Nest Club, where the following year he took part in a jam session with Fats Waller, Coleman Hawkins and Benny Carter. Carter took him to Holland with a band that recorded eight titles for Decca (1937), and he played and recorded with Bert Ambrose’s orchestra in 1937-39. Chisholm was much in demand for session work; among his recordings was one with Waller for HMV in 1938. After joining the RAF he played in the all-star dance orchestra best known as the Squadronaires (1939-50). He was a member of the BBC Radio Show Band (1950-55) and played in Wally Stott’s orchestra in the “Goon Show” radio series, then performed with Jack Parnell and in musical shows until 1965. He continued to play jazz into the 1980s, both as a soloist – notably with Keith Smith’s Hefty Jazz – and with his own band, the Gentlemen of Jazz, in pubs, clubs and festivals. -
Extract from Chapter Four: When You Grow Up, Little Lady
Extract From Chapter Four: When You Grow Up, Little Lady In the summer of 1934, Lew took the band on the road again, and they played to sell-out audiences in Manchester, Edinburgh, Glasgow, Portsmouth and Nottingham, where Tiny Winters recalled that „people were scrambling for autographs in the interval, it was a near-riot. It really did bring home to us how people felt about the band.‟ When Al Bowlly sang, the dancers stopped dancing, and clustered ten-deep in front of the band-stand. In Bradford, he left the stage during an instrumental number, and was besieged by girls. He couldn‟t fight his way back to the microphone in time for his next vocal, and the band had to fill in for 32 bars. In that same year, Bowlly went to the USA, with Bill Harty, to sing with a new Ray Noble band. Alan Kane became the band‟s regular vocalist, while Jock Jacobson took over the drummer‟s stool. Albert Harris joined as guitarist, and Stanley Black was now on piano. In February 1935 the new band opened at the Hollywood Restaurant in Piccadilly. In March, trumpeter Nat Gonella left, to launch his career as a band-leader, with a smaller jazzier ensemble - The Georgians. Tommy McQuater took his place. At the Holborn Empire, Lew Stone made his debut as a comedian, with a languidly elegant rendering of the comedy song „Algernon Whifflesnoop John‟, complete with monocle, and supported by trumpeter Alfie Noakes as his obsequious butler. His deadpan vocal delivery also enhanced „The Gentleman Obviously Doesn‟t Believe‟, „Knock Knock‟, and most memorably „I‟ll be-BBCing You‟. -
100 Years: a Century of Song 1930S
100 Years: A Century of Song 1930s Page 42 | 100 Years: A Century of song 1930 A Little of What You Fancy Don’t Be Cruel Here Comes Emily Brown / (Does You Good) to a Vegetabuel Cheer Up and Smile Marie Lloyd Lesley Sarony Jack Payne A Mother’s Lament Don’t Dilly Dally on Here we are again!? Various the Way (My Old Man) Fred Wheeler Marie Lloyd After Your Kiss / I’d Like Hey Diddle Diddle to Find the Guy That Don’t Have Any More, Harry Champion Wrote the Stein Song Missus Moore I am Yours Jack Payne Lily Morris Bert Lown Orchestra Alexander’s Ragtime Band Down at the Old I Lift Up My Finger Irving Berlin Bull and Bush Lesley Sarony Florrie Ford Amy / Oh! What a Silly I’m In The Market For You Place to Kiss a Girl Everybody knows me Van Phillips Jack Hylton in my old brown hat Harry Champion I’m Learning a Lot From Another Little Drink You / Singing a Song George Robey Exactly Like You / to the Stars Blue Is the Night Any Old Iron Roy Fox Jack Payne Harry Champion I’m Twenty-one today Fancy You Falling for Me / Jack Pleasants Beside the Seaside, Body and Soul Beside the Sea Jack Hylton I’m William the Conqueror Mark Sheridan Harry Champion Forty-Seven Ginger- Beware of Love / Headed Sailors If You were the Only Give Me Back My Heart Lesley Sarony Girl in the World Jack Payne George Robey Georgia On My Mind Body & Soul Hoagy Carmichael It’s a Long Way Paul Whiteman to Tipperary Get Happy Florrie Ford Boiled Beef and Carrots Nat Shilkret Harry Champion Jack o’ Lanterns / Great Day / Without a Song Wind in the Willows Broadway Baby Dolls -
War: How Britain, Germany and the USA Used Jazz As Propaganda in World War II
Kent Academic Repository Full text document (pdf) Citation for published version Studdert, Will (2014) Music Goes to War: How Britain, Germany and the USA used Jazz as Propaganda in World War II. Doctor of Philosophy (PhD) thesis, University of Kent. DOI Link to record in KAR http://kar.kent.ac.uk/44008/ Document Version Publisher pdf Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Music Goes to War How Britain, Germany and the USA used Jazz as Propaganda in World War II Will Studdert Thesis submitted for the degree of Doctor of Philosophy in History University of Kent 2014 Word count (including footnotes): 96,707 255 pages Abstract The thesis will demonstrate that the various uses of jazz music as propaganda in World War II were determined by an evolving relationship between Axis and Allied policies and projects. -
Television and the Cold War in the German Democratic Republic
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages Envisioning Socialism Revised Pages Revised Pages Envisioning Socialism Television and the Cold War in the German Democratic Republic Heather L. Gumbert The University of Michigan Press Ann Arbor Revised Pages Copyright © by Heather L. Gumbert 2014 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (be- yond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2017 2016 2015 2014 5 4 3 2 A CIP catalog record for this book is available from the British Library. ISBN 978– 0- 472– 11919– 6 (cloth : alk. paper) ISBN 978– 0- 472– 12002– 4 (e- book) Revised Pages For my parents Revised Pages Revised Pages Contents Acknowledgments ix Abbreviations xi Introduction 1 1 Cold War Signals: Television Technology in the GDR 14 2 Inventing Television Programming in the GDR 36 3 The Revolution Wasn’t Televised: Political Discipline Confronts Live Television in 1956 60 4 Mediating the Berlin Wall: Television in August 1961 81 5 Coercion and Consent in Television Broadcasting: The Consequences of August 1961 105 6 Reaching Consensus on Television 135 Conclusion 158 Notes 165 Bibliography 217 Index 231 Revised Pages Revised Pages Acknowledgments This work is the product of more years than I would like to admit. -
The Technology of Television
TheThe TechnologyTechnology ofof TelevisionTelevision Highlights, Timeline, and Where to Find More Information Summer 2003 THE FCC: SEVENTY-SIX TV TIMELINE YEARS OF WATCHING TV Paul Nipkow shows 1884 how to send From the Federal Radio images over wires. Commission’s issuance of the first television Campbell Swinton and 1907 license in 1928 to Boris Rosing suggest today’s transition using cathode ray tubes to digital tv, the to transmit images. Federal Vladimir Zworkin 1923 patents his iconscope - the camera tube many call the cornerstone of Communications modern tv—based on Swinton’s idea. Commission has been an integral player in the Charles Jenkins in the 1925 technology of television. U.S. and John Baird in England demonstrate the mechanical trans- One of the fundamental mission of pictures over wire circuits. technology standards that the FCC issued in Bell Telephone and the 1927 May 1941, which still Commerce Department stands today, is the conduct the 1st long NTSC standard for distance demonstration programming to be 525 of tv between New York and Washington, DC. lines per frame, 30 frames per second. Philo Farnsworth files 1927 a patent for the 1st complete electronic When this standard was and hue of red, green, and television system. first affirmed it was called Today the FCC continues to blue on the color chart. The Federal Radio 1928 “high-definition television” play a key role in defining the technology standards that must Commission issues the because it replaced 1st tv license (W3XK) be met as the United States programming being broadcast to Charles Jenkins. at 343 lines or less. -
Inventing Television: Transnational Networks of Co-Operation and Rivalry, 1870-1936
Inventing Television: Transnational Networks of Co-operation and Rivalry, 1870-1936 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy In the faculty of Life Sciences 2011 Paul Marshall Table of contents List of figures .............................................................................................................. 7 Chapter 2 .............................................................................................................. 7 Chapter 3 .............................................................................................................. 7 Chapter 4 .............................................................................................................. 8 Chapter 5 .............................................................................................................. 8 Chapter 6 .............................................................................................................. 9 List of tables ................................................................................................................ 9 Chapter 1 .............................................................................................................. 9 Chapter 2 .............................................................................................................. 9 Chapter 6 .............................................................................................................. 9 Abstract .................................................................................................................... -
PRESERVING DIGITAL PUBLIC TELEVISION Final Report June 2010
Library of Congress Cooperative Agreement NDIIPP RFEI-2006-TA01 PRESERVING DIGITAL PUBLIC TELEVISION Final Report June 2010 Prepared by Nan Rubin, Project Director WNET.org 450 W. 33 rd St New York, NY 10001 www.thirteen.org/ptvdigitalarchive/ PRESERVING DIGITAL PUBLIC TELEVISION Final Report TABLE OF CONTENTS NEW PRESERVATION PRACTICES FOR TELEVISION ARCHIVES ........................................... 3 PROJECT GOALS .................................................................................................................... 4 Project Structure and Organization.......................................................................... 6 DELIVERABLES AND ACTIVITIES .......................................................................................... 8 Selection and Appraisal.............................................................................................. 9 Inventory of At-Risk Materials................................................................................ 10 Metadata and Related Topics.................................................................................. 12 File Formats and Packages ...................................................................................... 13 Repository Design ..................................................................................................... 15 Sustainability............................................................................................................. 17 Intellectual Property and Copyright Issues........................................................... -
The Ministry for Development of Information Technologies and Communications of the Republic of Uzbekistan
THE MINISTRY FOR DEVELOPMENT OF INFORMATION TECHNOLOGIES AND COMMUNICATIONS OF THE REPUBLIC OF UZBEKISTAN TASHKENT UNIVERSITY OF INFORMATION TECHNOLOGIES NAMED AFTER MUHAMMAD AL-KHWARIZMI F.I. SAFAROVA (Manual for students of Television technologies direction) TASHKENT – 2019 1 Author(s): Safarova Fotima Isamiddinovna. “Guide to the world of television”. Manual for students of Television technologies direction (5350200). – Tashkent: 2019.-166 p. PREFACE The aim of learning and teaching foreign languages in Uzbekistan has become the most crucial issue while stepping in the world economy. Decree of the President of the Republic of Uzbekistan PP-1875 of 10 December 2012 «On measures on further improvement of teaching of foreign languages» provokes enhancement of foreign language learning in the whole education system of the country. Since the adoption of the system-generating decree all the work in this area has been intensified and major reforms in modernization of teaching foreign languages at all levels of continuing education have started. This “Guide to the World of Television” manual is for students of ESP classes in higher technical educational establishments that train future specialists in the sphere of Television technologies. It aims to extend students’ vocabulary concerning their specialty. Moreover, it develops their reading, writing and speaking skills by diverse and colourful tasks and activities. Reach selection of motivating and informative, authentic and semi-authentic texts to improve both reading and speaking skills with various topics are presented in each lesson. Interactive activities focus on learners’ “can do” statements and follow the principles of the Common European Framework of Reference requirements. The material in “Guide to the world of television” is based on skills development and communicative tasks. -
11 NEW MEMBERS a Total of Nine New Members Have Joined the Group Since the Issue of the Last Journal. No. 247 Ron Ellis Selby, N
Roots and Branches, series 1, issue 32 (Aug 2006) The official journal of the Plant Family History Group NEW MEMBERS A total of nine new members have joined the Group since the issue of the last Journal. No. 247 Ron Ellis Selby, North Yorkshire Ron learnt of the Plant Family History Group through the Guild of One Name Studies (GOONS) website, his connection with the Plant family being through his wife’s 5th G.Grandfather, Thomas Plant bn., c1714, living in Eyke, Suffolk in 1739 when John King was born to Martha King and Thomas Plant and christened in Eyke 23 September 1739. The next step is to find the birth/baptism of Thomas Plant c1714. There is no record in the IGI and it will probably be necessary to check the P.R., starting initially with Eyke followed by adjoining parishes. No. 248 Mrs KS Cosgrove Lach Dennis, Cheshire Mrs Cosgrove’s forebears on her father’s side originally came from Walsall, Wood, Staffordshire with a possible Wolverhampton connection. Her grandfather, Thomas Plant, moved to New Brighton, Cheshire, where some of his children remained, although some were also living in Staffordshire. Thomas Plant born c1888, was the son of Thomas/James Plant and Ann Wells. He married Ann Addis, 23 December 1908 and their eldest son, also named Thomas was born 14 November 1910 in Wallasey, Cheshire. There was a total of eight children, Thomas, Emily, Benjamin, Irene, Francis, Rhoda, Edith and Eric. The only other known information is that Thomas Plant (born c1888) had at least three siblings, James, George and Annie.