HF Resume Jan 2020

Total Page:16

File Type:pdf, Size:1020Kb

HF Resume Jan 2020 HARRY FRITH imdb Director of Photography mb USA (310) 387-380O. MB Australia (04) 35 865 673. [email protected] HARRYFRITHDP.COM VIMEO Hyperlinks in blue Features Title Director production co/ Studio EIEWTTMDAM Gia Carides Terra Nova UK ADDicted Dan Jenski Lightning in a bottle prods Killer Party Alex Drummond Broken Water Productions My Brother The Serial Killer David Monaghan Essential Media/ Discovery ID TALES FROM THE WB LOT Gary Khammer LSI/ Warner Brothers The Narrative Method Nick Mead Documentary Divorce Corp Docu James Scurlock Candor Entertainment Dreams on Spec Docu Daniel Snyder Mercury Productions Play On David Story First Five Films Television Title Producer PROD CO/ CHANNEL Naked & Afraid XL David Story Renegade/ Discovery Monster Encounters. ep 1 David Story Ping Pong/ Travel Channel Half Price Paradise Jim Macpherson Scott Brothers / HGTV Island Hunters Season 1-2-3-4 Bryan Hoffman WOW/ HGTV Betsey & Lulu (LA) Archie Gips Magical Elves/Style Married to the army (Alaska) Stephanie 44 Blue Prods/OWN Drachkovitch Holly Scoop Stephanie 44 Blue PRODS/Style Drachkovitch Lock Up Raw Jim Cirigliano 44 Blue/ MSNBC Blood Relatives Gabe Torres MIKE MATHIS/DISCOVERY ID Lives on Fire Melody Shafir BBC Worldwide/OWN Show Stoppers The Talk Nick Beard CBS The Look For Less Michael Shea BROWNSTONE/ Style Model Students Craig Browner Candor Ent HIRED GUNS (pilot) Woody Thomson Candor Entertainment Lucie Jourdan On The Market(Pilot) George moll Freemantle MEDIA RMOTM (Pilot) Henrik Nielson FREMANTLE MEDIA Per Zachariassen Dr Drew CNN Real House Husbands of Hollywood BET The Insider CBS Chef Jeff Brian Puterman Mike Mathis RUBY SEASONS 1,2,3 GRP/ Style River Rats Eric Streit GRP Little People Big World Eric Streit GRP/TLC LPBW AUSTRALIA Sven Neilson GRP/TLC TV’s Myths and legends GRP/TVLAND The 100 Greatest Myths and Catch Phrases GRP/ TVLAND Behind The Clues George Moll Nick JnR Face The Family Sudi Khosropur GRP/ Lifetime TV’s 100 most Unexpected Moments GRP/ TV GUIDE CHANNEL I Do Diaries. Beg Borrow & Steal Chris McKim WOW/ LIFETIME Camp Michael Jackson Alan Brocka WOW/ SKY CHANNEL UK Hot Rod Underground Joseph Arnao PRECISION PRODUCTIONS Will and Grace Backstage Pass Joseph Freed GRP/ LIFETIME Jackpot Diaries American Dream Barbara GRP/ LIFETIME Carratala Bonds The 100 Most Memorable TV Moments GRP/ TVLAND . James Woods. Naked Paul Barrosse GRP/ Bravo Profile House of Clues Daniel Snyder WOW/ COURT TV House Busters Brian Puterman WOW/ BRAVO Wired for Sex Brian Puterman WOW/ TECH TV Daniel Snyder Inside Deep Throat Randy Barbato Imagine Entertainment Fenton Bailey The Perfect Pitch Daniel Snyder WOW/ TRIO Blockbuster Imperative David Story WOW/ TRIO TV’s Most Censored Moments David Story WOW/ TRIO Brilliant But Cancelled Daniel Snyder WOW/ TRIO Award Show Award Show David Story WOW/ TRIO Rick Nelson Story Paul Barrosse GRP/VH1 Janet Jackson (Super 16mm) david mallet MTV icons Twenty Years Must-See TV Victoria Zielinski GRP/NBC TV’s Most Memorable Weddings GRP/NBC Child Stars Now and Then GRP/NBC Britney Spears Las Vegas marty Callner HBO Fame for 15 David Story GRP/TNN Dan Snyder African Americans in TV Shirley Neal GRP/TVLAND TCM archival shoots (SUPER 16MM) TCM World War II Month TCM Elvis 16X9 Priscilla Presley Rent Sidon TCM (host) AFI’s 100 PASSIONS. Gary Smith CBS Shorts and promos Title Director Production co Renzo Piano (scale model) Jen Sims OOOii Giorgio Armani 5k slo-mo Jen Sims OOOII Experience Proximity 4K James Maby Sportsbran Little Horribles EP 3-5,6,11,12. Amy Ruben Barnacle Studios Cher & Cathy Griffin PSA Amy Ruben Barnacle Studios Prop A Amy Ruben Barnacle Studios Mazda CX-5 BTS Flip Engstrom Smuggler Ruby Dreams Promo (16mm) Sarah Hamilton Style/ Moving Parts. Transporter promo Joseph Arnao PRECISION PRODUCTIONS Flight of the Phoenix Promo Joseph Arnao PRECISION PRODUCTIONS Wilson The Life and Death of a Hollywood Extra CBS/Fox Sag awards wraps (Alison Janney Jane Krakowski) TNT Shorts DIRECTOR PRODUCTION Double Barrel Jayne C Lee Riotous Films Addicted Dan Jenski Lightning in a bottle prods Beginnings Harry Frith Riotous films 100/45’s James Roddy Killer Bonus Reza Riazi Riotous films Wreck James Roddy Riotous Films The Pedestrian Chard HAyward Foreign Objects Australia BTS Projects STUDIO Title Director Studio THE THIN RED LINE TERRENCE MALICK FOX 2000ISLAND OF DR MOREAU THE PHANTOM SIMON WINCER PARAMOUNT PICTURES 20K UNDER THE SEA ROD HARDY VILLAGE ROADSHOw THE RIPPER JANET MYERS STARZ ISLAND OF DR MOREAU JOHN FRANKENHEIMER NEW LINE CINEMA .
Recommended publications
  • Big Pig, Breakaway\\
    AS OF APRIL 20, 1988 A SAMPLING OF PLAYLISTS AT TH E NATIONAL VIDEO MUSIC OUTLETS. ® cL p Lists do not include videos in Billboard recurrent or oldies rotation. TM G. Estefan /MSM, Anything For You Debbie Gibson, Out Of The Blue George Michael, One More Try INXS, Devil Inside Billy Ocean, Get Outta My Dreams ... Icehouse, Electric Blue Bruce Springsteen, One Step Up Debbie Gibson, Only In My Dreams Jermaine Stewart, Say It Again Jermaine Stewart, Jody MUSIC TELBv lOir HEAVY us Jermaine Stewart, We Don't Have To ... Rick Astley, Together Forever Pepsi & Shirlie, Heartache Continuous programming Cher, We All Sleep Alone Pepsi & Shirtie, All Right Now 1775 Broadway, New York, NY 10019 Whitney Houston, Where Do Broken Hearts Go Rick Springfield, Rock Of Life Michael Jackson, Man In The Mirror Rick Springfield, Dance The World Away ADDS Johnny Hates Jazz, Shattered Dreams Rick Springfield, Living In Paradise Brenda Russell, Piano In The Dark The Alarm, Rescue Me Jermaine Stewart, Say It Again Jon Anderson, Hold On To Love James Taylor, Never Die Young Tracy Chapman, Fast Car Toto, Pamela Joanna Dean, Kiss This Dokken, Heaven Sent Debbie Gibson, Foolish Beat MEDIUM Heart Desires Hall & Oates, Everything Your 10,000 Maniacs, Like The Weather And The Range, Valley Road Bruce Hornsby Merry Clayton, Yes Middle Of Nowhere House Of Shock, The Deele, Two Occasions Ranch, Reach 511 Martini Donald Fagen, Century's End Toot Toot John Cougar Mellencamp, Booty Bryan Ferry, Kiss And Tell BLACK ENTERTAINMENT TELEVISION The Robert Tepper, Unforgiven Art Garfunkel, So Much In Love Nanci Griffith, I Knew Love 14 hours daily SNEAK PREVIEW O.M.D., Dreaming 4217 Wheeler Ave., Alexandria, VA 22304 The Crazy River Belinda Carlisle, Circle In The Sand Robbie Robertson, Somewhere Down Del Leppard, Pour Some Sugar On Me Scarlett & Black, You Don't Know ADDS Pink Floyd, Dogs Of War Al B.
    [Show full text]
  • Walk This Way- Estratégias De Remodelagem Da Banda Aerosmith Direcionadas Ao Mainstream
    Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação ______________________________________________________________________ Walk this way- Estratégias de remodelagem da banda Aerosmith direcionadas ao mainstream. Um estudo de caso1 Camilla LAPA2 Lorena AROUCHE3 Universidade Federal de Pernambuco, Recife, PE RESUMO Aerosmith, banda de hard rock surgida no início da década de 70, precisou ser reconfigurada estrategicamente, incorporando uma linguagem audiovisual na forma de videoclipes e a roupagem pop sonora para consolidar-se no mainstream nas décadas seguintes. A pesquisa, aqui apresentada, configura-se em estudo de caso, que tem como fundamentação teórica os estudos sobre Música pop e Mainstream desenvolvidos por Frederic Martel. PALAVRAS-CHAVE: Videoclipe; mainstream; rock. Este artigo pretende investigar de que forma o audiovisual videoclipe aliado a estratégias outras introduziu, definitivamente, a banda, originalmente, hard rock Aerosmith ao universo pop/ mainstream, agregando ao grupo uma nova geração de fãs, telespectadores da MTV. Qual a estratégia de aproximação engajada a seduzir os jovens, utilizada nos videoclipes e nos canções? O Aerosmith ganhou inúmeros prêmios na época, que se configurou em fase pop do grupo. Como a gravadora Geffen moldou uma estratégia para re-estruturar uma banda de rock, que havia saído do foco da mídia há anos, em rock pop? Como surgiu a ideia dos videoclipes, porque eles funcionaram? Tais questões acima supracitadas balizaram e nortearam a pesquisa para o desenvolvimento do trabalho. Figuram como o mote que despertou a curiosidade a respeito das estratégias específicas que tangenciam para o mainstream, utilizadas por empresários, produtores e especialmente a gravadora. Nos anos 80 o videoclipe foi amplamente utilizado como uma forma de divulgação para o artista.
    [Show full text]
  • New Videoclips
    ideo music MIV Awards Semi -Finalists Are Announced NEW YORK Semi -finalists in the "Cry"; Robert Palmer, "Addicted "Slave To The Rhythm "; Madonna, "Take On Me "; AUAA, "Sun BEST NEW ARTIST: A -Ha, third annual MTV video music To Love "; Prince & the Revolution, "Live To Tell "; Madonna, "Dress City "; Dire Straits, "Money For Jimmy Barnes, Dream Academy, awards have been announced by "Kiss "; Rolling Stones, "The Har- You Up "; Sade, "The Sweetest Ta- Nothing "; INXS, "What You the Hooters, Whitney Houston, the 24 -hour music channel. The lem Shuffle "; Talking Heads, boo"; Tina Turner, "We Don't Need "; Prince & the Revolution, Pet Shop Boys, Scritti Politti, Sim- nominations are the result of the "Road To Nowhere "; ZZ Top, Need Another Hero." "Raspberry Beret "; Rolling ply Red, Charlie Sexton. first phase of a three -part voting "Rough Boy." Stones, "The Harlem Shuffle "; BEST OVERALL PERFOR- process. BEST MALE VIDEO: Bryan Talking Heads, "Road To No- MANCE: AUAA, "Sun City "; Da- Award winners will be an- Adams, "Summer Of '69 "; Phil Nominees for where"; Talking Heads "And She vid Bowie & Mick Jagger, "Danc- nounced during the awards cere- Collins, "Take Me Home "; Bryan Was "; Tears For Fears, "Shout "; ing In The Streets "; Dire Straits, mony on September 5. This year's Ferry, "Slave To Love "; John Cou- Best Video ZZ Top, "Rough Boy." "Money For Nothing "; Whitney show will be telecast live from two gar Mellencamp, "ROCK In The BEST STAGE PERFOR- Houston, "How Will I Know ? "; locations -the Paladium, here, and USA "; John Cougar Mellencamp, include ZZTop, MANCE: Bryan Adams & Tina Robert Palmer, "Addicted To the Universal Amphitheater in Los "Rain On The Scarecrow "; Robert Stones, Prince Turner, "It's Only Love "; Dire Love "; Prince & the Revolution, Angeles -with satellite pickups Palmer, "Addicted To Love "; Straits, "Money For Nothing "; "Kiss "; Prince & the Revolution, from additional locations world- Prince & the Revolution, "Kiss "; Dire Straits, "Walk Of Life "; "Raspberry Beret "; Bruce Spring- wide.
    [Show full text]
  • Christopher Blaine Rhodes P.O
    CHRISTOPHER BLAINE RHODES P.O. Box 691901 ! Los Angeles ! CA, 90069 Ph: (310) 358-0710 ! Pager: (888) 200-2383 Affiliations: IATSE 600, IBEW, NABET; 2002 Emmy Winner - Britney Spears Live From Las Vegas; 2000 Emmy Nominee – Who Wants To Be A Millionaire Twenty years experience in all phases of film, television and video production, with particular expertise in camera operation and lighting design. Background includes directing, writing, editing and producing. Experience includes feature film, television, commercial, music video, sports, entertainment and corporate production. FILM & TELEVISION EXPERIENCE ABC ENTERTAINMENT, New York BUENA VISTA TELEVISION, Hollywood TECHNO CAMERA CRANE OPERATOR VALLEY CREST PRODUCTIONS, New York 2001 Academy Awards Pre-Show TECHNO CAMERA CRANE OPERATOR “Countdown To The Emmys” – ’01, ‘02/Dir: Roger Goodman “Who Wants To Be A Millionaire”/Dir: Mark Gentile JIB OPERATOR: Ronald Reagan Funeral 2004 CREAM CHEESE FILMS, Los Angeles VH1 PRODUCTIONS, New York TECHNO CAMERA CRANE OPERATOR TECHNO CAMERA CRANE OPERATOR “Britney Spears Live From Las Vegas” – HBO/Dir: Marty Callner “2001 Grammy Awards Pre-Show”/Dir: Patrick Mendes MTV PRODUCTIONS, New York KEN ERLICH PRODUCTIONS, Encino TECHNO CAMERA CRANE OPERATOR TECHNO CAMERA CRANE OPERATOR “Green Day Drive-In Concert”/Dir: Milton Lage Christina Aguilera ABC Christmas Special Director: Lawrence Jordon ANGOTTI PRODUCTIONS, Los Angeles TECHNO CAMERA CRANE OPERATOR BUENA VISTA TELEVISION, Hollywood 2000 Source Hip Hop Awards/Dir: Lawrence Jordan ANCIENT MODERN PRODUCTIONS
    [Show full text]
  • The Music Video: from Popular Music to Film and Digital Media
    MUSC 499: The Music Video: From Popular Music to Film and Digital Media University of Southern California, Spring 2014 Wednesdays, 6:00pm-9pm THH 202 Instructor: Dr. Richard Brown [email protected] www.richardhbrownjr.com Course Description: Since its emergence in the late 1970s, the music video has become the dominant means of advertising popular music and musicians, as well as one of the most influential multimedia genres in history. Music videos have affected aesthetic style in a wide range of film and television genres, introducing experimental and avant-garde techniques to a mass audience. Because most music videos last only a few minutes, it is difficult to make sense of their often-conflicting images, sounds, and messages. This course challenges participants to read music videos as texts by engaging with their visual and auditory materials. We will explore how the gender, race, and class of video participants shapes meaning, as well as how pacing and editing contribute to (or detract from) a narrative flow. We will also consider the music video in relation to notions of stardom and celebrity, and will speculate on the future of the music video amid drastic changes in the production and marketing of media. The second portion of the course applies these analytical skills to a wide variety of media, including video games, live concert films, film and television music placements, television title sequences and end credits, user generated content, YouTube, remixes and more. Course Materials: There is one required textbook available for free via USC’s electronic Ebook access: Carol Vernallis’ Experiencing Music Video: Aesthetics and Cultural Context (New York: Columbia University Press, 2004).
    [Show full text]
  • 24. Jmenný Rejstřík 18 and Life...36, 41
    24. Jmenný rejstřík 18 and life...............................................36, 41 Jesus Christ pose....................................36, 39 99 problems............................................36, 43 Jonas Akerlund.......................................40, 42 A tout le monde......................................36, 39 Joseph Kahn.................................................43 ABC........................................................18, 19 Juicebox..................................................36, 41 ABC Rocks...................................................18 Juke Box Jury...............................................17 Adam Bernstein............................................39 Justify my love.......................................36, 38 Adam Jones..................................................39 Justin Timberlake.........................................20 Aerosmith...............................................36, 41 Kritika...........................................................19 Agenda suicide.......................................36, 40 KROQ Listeners...........................................40 Album Tracks...............................................18 Lacquer head..........................................36, 39 American life..........................................36, 40 Les Claypool................................................39 Amsterdam.............................................36, 39 Little X.........................................................42 audiovizuální..................12, 14,
    [Show full text]
  • Hip Hop As a Continuation of the African American Protest Tradition, from David Walker’S Appeal (1829) to Kendrick Lamar’S “The Blacker the Berry”(2015)
    Gothelf, Jasmine (2015) Check The Rhime!: Hip Hop as a continuation of the African American protest tradition, from David Walker’s Appeal (1829) to Kendrick Lamar’s “The Blacker the Berry”(2015). MRes thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/31890/1/For%20Submission%20-%20Check%20Tha %20Rhime%20Hip%20Hop%20as%20a%20Continuation%20of%20the%20African %20American%20Protest%20Tradition%20-%20Jasmine%20Gothelf.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. This article is made available under the University of Nottingham End User licence and may be reused according to the conditions of the licence. For more details see: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] Check The Rhime! Hip Hop as a continuation of the African American protest tradition, from David Walker’s Appeal (1829) to Kendrick Lamar’s “The Blacker the Berry” (2015) Jasmine Yvonne Gothelf Student ID: 4228837 The University of Nottingham American Studies MRes Abstract My thesis presents Hip Hop as a continuation of the African American protest tradition. Drawing upon literature from recognized African American protest movements, including abolitionism, antilynching campaigns, the Civil Rights movement and Black Power, I present Hip Hop as the current embodiment of the protest aesthetic.
    [Show full text]
  • Media Approved
    Film and Video Labelling Body Media Approved Video Titles Title Rating Source Ti me Date F o r m a t Applicant Point of Sales Approved Director Cuts 100% Natural Wonders #5 R18 Contains explicit sex scenes FVLB 140.14 20/11/2007 DVD Metro Interactive Australasia Harry Palm No cut noted Slick Yes 20/11/2007 1408 M Contains supernatural themes and violence FVLB 104.00 30/11/2007 VHS Movielink NZ Mikael Hafstrom No cut noted 18 Years and Fucking 3 R18 Contains explicit sex scenes OFLC 109.24 14/11/2007 DVD Calvista NZ Ltd Pierre Woodman, et al No cut noted Slick Yes 14/11/2007 2 Fantastic Kids Episodes - Dennis Vol 1 G FVLB 46.00 16/11/2007 DVD The Warehouse Bob Shellhorn No cut noted Slick Yes 16/11/2007 2 Fantastic Kids Episodes - Dennis Vol 2 G FVLB 45.00 16/11/2007 DVD The Warehouse Bob Shellhorn No cut noted Slick Yes 16/11/2007 2 Fantastic Kids Episodes - Inspector Gadget's Field Trip Vol 1 G FVLB 45.00 16/11/2007 DVD The Warehouse Renee Toparzyek No cut noted Slick Yes 16/11/2007 2 Fantastic Kids Episodes - Inspector Gadget's Field Trip Vol 2 G FVLB 45.00 16/11/2007 DVD The Warehouse Not Stated No cut noted Slick Yes 16/11/2007 3 x's U2:Rattle and Hum/Metallica:Some Kind of Monster Vol1/Neil Young: Heart of Gold M Contains drug use and offensive language FVLB 334.00 09/11/2007 DVD Roadshow Entertainment Various No cut noted Slick Yes 09/11/2007 4 Bi 4 R18 Contains explicit sex scenes FVLB 117.45 20/11/2007 DVD Metro Interactive Australasia Ed Hunter No cut noted Slick Yes 20/11/2007 4 Classic Episodes of Sherlock Holmes - Vol 1 PG
    [Show full text]
  • A Film by Yorgos Lanthimos Colin Farrell Nicole Kidman Barry
    a film by Yorgos Lanthimos Colin Farrell Nicole Kidman Barry Keoghan Raffey Cassidy Sunny Suljic Alicia Silverstone Bill Camp Film4 and New Sparta Films present, in association with HanWay Films with the participation of Scannán na hÉireann / the Irish Film Board an Element Pictures production in association with Limp the Killing of a SACRED DEER director of photography Thimios Bakatakis GSC edited by Yorgos Mavropsaridis ACE casting director Francine Maisler CSA sound designer Johnnie Burn production designer Jade Healy costume designer Nancy Steiner co-producers Will Greenfield, Paula Heffernan, Atilla Salih Yücer executive producers Andrew Lowe, Daniel Battsek, Sam Lavender David Kosse, Nicki Hattingh, Amit Pandya, Anne Sheehan Peter Watson, Marie-Gabrielle Stewart produced by Ed Guiney, Yorgos Lanthimos written by Yorgos Lanthimos and Efthimis Filippou directed by Yorgos Lanthimos ©2017 EP Sacred Deer Limited Channel Four Television Corporation New Sparta Films Limited Running time: 121 mins Ireland / UK ©2017 EP Sacred Deer Limited Channel Four Television Corporation New Sparta Films Limited International Marketing & Distribution HanWay Films Tom Grievson [email protected] Simone Talford [email protected] International Publicity in Cannes Premier Jonathan Rutter [email protected] +44 (0) 7802 252 591 Emma Robinson [email protected] +44 (0) 7802 466 887 Susan Bruce [email protected] +44 (0) 7720 094 414 Full notes and film stills can be downloaded from http://ftp.premiercomms.com Login ID: cannes2017 no password needed ABOUT THE PRODUCTION The Killing of a Sacred Deer filmed in Cincinnati, Ohio in summer 2016. The film reunites Colin Farrell with writer/director/producer Yorgos Lanthimos, following the critical and commercial success of The Lobster.
    [Show full text]
  • THE LODGE Production Notes
    THE LODGE Production Notes Run Time: 100 min USA / United Kingdom, English, Color International Publicity Contact: Selena Saldana [email protected] SYNOPSIS From the visionary directors of GOODNIGHT MOMMY, THE LODGE tells the psychologically chilling tale of a woman (Riley Keough) and her new stepchildren isolated in the family’s remote winter cabin, locked away to dredge up the mysteries of her dark past and the losses that seem to haunt them all. ABOUT THE CAST RILEY KEOUGH (Grace), is one of Hollywood’s rising stars. From a young age, Riley wanted to explore her talents within the film industry, and by the age of 19 she dedicated herself to developing her acting craft for the camera. In 2010, Riley made her big-screen debut as Marie Currie in The Runaways starring opposite Kristen Stewart and Dakota Fanning. People took notice; shortly thereafter, she starred alongside Orlando Bloom in The Good Doctor, directed by Lance Daly. Riley’s memorable work in the film, which premiered at the Tribeca film festival in 2010, earned her a nomination for Best Supporting Actress at the Milan International Film Festival in 2012. Riley’s talents landed her a title-lead as Jack in Bradley Rust Gray’s werewolf flick Jack and Diane. She also appeared alongside Channing Tatum and Matthew McConaughey in Magic Mike, directed by Steven Soderbergh, which grossed nearly $167 million worldwide. Further in 2011, she completed work on director Nick Cassavetes’ film Yellow, starring alongside Sienna Miller, Melanie Griffith and Ray Liotta, as well as the Xan Cassavetes film Kiss of the Damned.
    [Show full text]
  • "I Had the Strangest Week Ever!" Metalepsis in Music Videos1
    Originalveröffentlichung in: Kukkonen, Karin ; Klimek, Sonja (Hrsgg.): Metalepsis in popular culture (Narratologia ; 28), Berlin u.a. 2011, S. 104-126 Hl-NRY KEAZOR (Saarland University) "I had the strangest week ever!" Metalepsis in Music Videos1 Film and Music Video: Big Brother vs. Little Sister? "Music videos are probably the most creative filmmaking being done right now. [...] That's what movies should look like." "Because of music vid­ eos, there are more cinematographers, production designers, and more thoughtful craft people now. Movies never looked better" (Swallow 2003: 21, 13f.; Reiss and Feineman 2000: 0:01:02). Statements like these by for­ mer music video and current film director David Fincher are symptomatic of an attitude towards film and music video in which the two genres are treated as close relatives, distinguished almost hierarchically, opposing film as the dignified and thus portly big brother against the quick and dirty little sister, the music video, which, despite its size and brevity, inspires its sibling time and again with bold aesthetic innovations.2 Since their inception, and already in the context of their early prede­ cessors, music videos (here referred to as "video clips" or "music clips") have served as a platform for aesthetic experiments and inventions which, once developed, tested and confirmed in the cheap and short medium of the clip, could then be applied in the context of more expensive and lar­ ger­scale films:3 Claude Lelouch, today a distinguished French film direc­ 1 I am gratefully indebted to Irina Rajewesky (Berlin) for helpful suggestions and to Anthony Merivier (Saarbrucken) for not only having polished the language of my article, but also having enriched it with valuable thoughts.
    [Show full text]
  • The Inventory of the Robin Williams Collection #1787
    The Inventory of the Robin Williams Collection #1787 Howard Gotlieb Archival Research Center BOSTON UNIVERSITY Williams, Robin #1787 8/29/11, 8/31/11, 9/01/11, 9/13/11, 11/14/11, 11/23/11, 11/28/11, 1/10/12 Preliminary Listing I. Manuscripts. A. Files; includes TS and TS scripts, some with holograph corrections, files may include production schedules, storyboards, sheet music, color prints, correspondence. Box 1 1. “Aladdin Production 0514 Recording Script- Genie, 9/18/91.” [F. 1] 2. “August Rush,” 2006, includes photographs: [F. 2] a. Color print of Jonathan Rhys Meyers and Keri Russell, 2006. b. Color print of Freddie Highmore (in profile), 2006. c. Color print of Jonathan Rhys Meyers, Freddie Highmore, Keri Russell, and RW, 2006. d. Color print of RW, 2006. e. Color print of Jonathan Rhys Meyers and Keri Russell, 2006. f. Color print of Freddie Highmore, 2006. g. Color print of Jonathan Rhys Meyers and Freddie Highmore, 2006. h. Color print of Jonathan Rhys Meyers and others, 2006. i. Color print of Freddie Highmore, 2006. j. Color print of RW and Freddie Highmore from ‘August Rush’, 2006. 3. “Awakenings,” 10/02/89-12/15/89. [F. 3-4] 4. “Father’s Day,” 1996. [F. 5-6] 4. “Good Morning Vietnam,” 1987. [F. 7] 5. “Hamlet,” 1996. [F. 8] 6. “Night at the Museum,” 2006. [F. 9] 7. “Old Dogs,” 2007. [F. 10-11] 8. “Seize the Day,” 1985. [F. 12] B. Screenplays. 1. “The Adventures of Baron Munchausen” by Charles McKeown and Terry Gilliam, "draft 8 ½ a," TS, 116 p., 11/6/87.
    [Show full text]