Nikon D5500/D5600 Quick Guide Close the Pop-Up Flash And/Or Toggle the Settings to Disable the Flash
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Ground-Based Photographic Monitoring
United States Department of Agriculture Ground-Based Forest Service Pacific Northwest Research Station Photographic General Technical Report PNW-GTR-503 Monitoring May 2001 Frederick C. Hall Author Frederick C. Hall is senior plant ecologist, U.S. Department of Agriculture, Forest Service, Pacific Northwest Region, Natural Resources, P.O. Box 3623, Portland, Oregon 97208-3623. Paper prepared in cooperation with the Pacific Northwest Region. Abstract Hall, Frederick C. 2001 Ground-based photographic monitoring. Gen. Tech. Rep. PNW-GTR-503. Portland, OR: U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station. 340 p. Land management professionals (foresters, wildlife biologists, range managers, and land managers such as ranchers and forest land owners) often have need to evaluate their management activities. Photographic monitoring is a fast, simple, and effective way to determine if changes made to an area have been successful. Ground-based photo monitoring means using photographs taken at a specific site to monitor conditions or change. It may be divided into two systems: (1) comparison photos, whereby a photograph is used to compare a known condition with field conditions to estimate some parameter of the field condition; and (2) repeat photo- graphs, whereby several pictures are taken of the same tract of ground over time to detect change. Comparison systems deal with fuel loading, herbage utilization, and public reaction to scenery. Repeat photography is discussed in relation to land- scape, remote, and site-specific systems. Critical attributes of repeat photography are (1) maps to find the sampling location and of the photo monitoring layout; (2) documentation of the monitoring system to include purpose, camera and film, w e a t h e r, season, sampling technique, and equipment; and (3) precise replication of photographs. -
N5005 AF.Pdf
Nikon INSTRUCTION MANUAL CONTENTS FOREWORD . ...... ... .... ....... ......... 4 EXPOSURE . .. .... ........ ..... ...... 28--36 NOMENCLATURE .......................... .. 5-7 SHUTIER SPEED DIAL AND APERTURE DIAL .... .... 28 PROGRAMMED AUTO EXPOSURE MODE - BASIC OPERATION .. .... ........ 8-20 AUTO MULTI-PROGRAM . ... ... ... .... ...... 29 MOUNTING THE LENS ......... ....... ...... .... 8 SHUTIER-PRIORITY AUTO EXPOSURE MODE ..... 30-31 INSTALLING BATIERIES ...... ......... ........... 9 APERTURE-PRIORITY EXPOSURE MODE ......... 32-33 CHECKING BATIERY POWER . .. 10-11 MANUAL EXPOSURE MODE ......... .. .... 34-36 LOADING FILM .... .... ... ... .... .. ... .. 12-13 T setting . ........ ......... ..... .. ... 36 BASIC SHOOTING ...... ... ............. ...... 14-17 REWINDING FILM ............ .. ... ...... 18-19 EXPOSURE METERING SYSTEM ...... .... 37-43 MATRIX METERING .... ... ...... ... .. .. .... 37 FOCUS ......... .. ... .. ......... .. ... 20-27 CENTER-WEIGHTED METERING ... .. ..... .. ..... .. 37 AUTO FOCUS .. ........ .. ............. .. ..... 20-23 MATRIX METERING VS. With a stationary subject .... .... ... ..... 20 CENTER-WEIGHTED METERING .....•....• . 38-41 With a moving subject . .. 21 CENTER-WEIGHTED METERING FOR Taking pictures with an off-center main subject ... 22 SPECIAL EXPOSURE SITUATIONS .. ... ... ... 42-43 Autofocusing with AF illuminator .... ... 23 AEL (Auto Exposure Lock) button . .. 42 MANUAL FOCUS WITH ELECTRONIC FOCUSING Manual exposure mode . 43 CONFIRMATION . .... ...... .. ... ..... .. 24 MANUAL FOCUS USING -
Nikon Setting Guide
Professional Setting Guide — For Still Photography — En Table of Contents Landscapes 5 Basic Settings for Landscape Photography ................... 6 • Focus Mode: Choose “Single AF” (AF ‑S) and “Single-Point AF”! ........................................................................7 • Vibration Reduction: Choose “Normal” for Hand‑Held Photography! ..............................................................7 • Silent Photography: Choose “On”! ..............................................9 • Low‑Light AF: Choose “On”! .......................................................10 • Exposure Delay Mode: Choose “1 s”! ........................................10 • Monitor Mode: Choose “Monitor Only”!...............................11 Custom Controls for Landscape Photography ............ 12 • q Preview ......................................................................................13 • b Framing Grid Display ..............................................................13 • K Select Center Focus Point ...................................................13 • b Live View Info Display Off ..................................................13 • Shooting Mode > p Zoom On/Off ...........................................14 • Playback Mode > p Zoom On/Off ............................................14 Portraits 15 Basic Settings for Portrait Photography ....................... 16 • Set Picture Control: Choose “Portrait”! ..................................16 • Focus Mode: Choose “Continuous AF” (AF ‑C)! ....................16 • AF‑Area Mode: Choose -
Live Streaming with Your Nikon Camera
Live Streaming with your Nikon Camera PUBLISHED - 11 JUN 2020 Ultimate Guide to Live Streaming with your Nikon Camera If you want to achieve outstanding image quality when live streaming during a video conference call, follow the steps outlined below to achieve a more professional look to your video image quality and audio. Let’s take a look at the equipment required: Nikon DSLR or Z series camera with Clean HDMI output Nikkor Lens Tripod Capture Card or Device Live Streaming Software Lighting Microphone Computer Optional: EH-5B & EH-5P Power Adaptor and dummy battery Achieving a professional quality broadcast look is not as difficult as you think, and there are many different ways to configure and setup the components to enable you to ‘Go Live’. I will take you through the setup I have in place that meets my requirements, but they are 1 of 11 alternative ways to do this depending on the quality and complexity of the streaming solution you require. Camera Setup Lens Choice The lens you use will be determined by the space you have available and the look you want in your stream. A zoom lens such as a 24-70mm f/2.8 or f/4 will give you flexibility with your composition and framing. You could also consider a 35mm or 50mm f1.8 prime lens, which will both give a really good look to your stream, but are less flexible when it comes to framing your shot. A f/1.8 lens is a good choice if you want to hide a distracting background by setting your aperture to f/1.8. -
D810A Sell-In Presentation V1.2 Final BV.Key
I AM NEW I AM INTERSTELLAR I AM THE . D810A IN A NUTSHELL Engineered exclusively for astrophotography, the D810A captures magnificent 36.3-megapixel images of nebulae that emit on the hydrogen- alpha wavelength. • Specialized functions answer the challenges of astrophotography. And the camera’s ultra-high ISO and exceptional resolving power ensure brilliant detail. ❑ 36.3 Megapixel CMOS ❑ New M* exposure mode ❑ New virtual exposure preview ❑ Special hydrogen-alpha line sensitivity ❑ Electronic front curtain shutter ❑ ISO 200 – 12,800 (up to 51,200 expanded) ❑ New, adapted i-mode for live view shooting ❑ Unlimited buffer with 4s or longer exposure ❑ Extensive remote options D810A: ASTRO IMAGING KEY FEATURES D810 Via reassessment of the infrared (IR) cut filter, it has become possible to reproduce nebulae that emit in red with an H-alpha spectral line. D810A Visible light spectrum D810A: ASTRO IMAGING KEY FEATURES The D810’s proven mirror balancer and shutter unit in combination with the electronic front- curtain shutter ensure maximum reduction of mechanical vibration – thus maximizing richness of image detail Electronic front- curtain shutter: Enabled Electronic front- curtain shutter: Disabled Images are taken with D810. Optical system: 20cm Newtonian Reflector Telescope and Takahashi MT-200 Collector, at 1600mm, f/8. Equatorial telescope: Auto guide with Takahashi NJP PYXIS, Shutter speed: 1/100 s, ISO sensitivity: ISO 125 D810A: ASTRO IMAGING KEY FEATURES New M* - mode: A new and unique manual exposure mode for long time exposures in astro photography has been added, M*. This mode is additional to standard M, Bulb and Standard daytime monitor display Time exposure. -
Table of Contents
Contents 1 Table of Contents Part I DSLR Remote Pro for Windows 3 Part II Installing and Registering DSLR Remote Pro for Windows 4 Part III Main Window 5 1 Release and Preview................................................................................................................................... Buttons 6 2 Reviewing and................................................................................................................................... deleting images 7 3 Changing camera................................................................................................................................... settings 7 4 Full screen mode................................................................................................................................... 7 5 Bulb Mode and................................................................................................................................... Mirror Lockup 8 6 Auto Bracketing................................................................................................................................... 8 7 Grid and focus................................................................................................................................... point overlays 10 8 Flashing highlight................................................................................................................................... display 11 9 Screen blanking.................................................................................................................................. -
Canon Unleashes Its Best Ever Powershot G Series Camera – the Landmark Powershot G1 X Mark III
Canon unleashes its best ever PowerShot G series camera – the landmark PowerShot G1 X Mark III Sydney, Australia, 16 October 2017 – Canon today announces the latest addition to its PowerShot G range, the flagship PowerShot G1 X Mark III. Replacing the G1 X Mark II, it’s a killer combination of Canon’s EOS DSLR image quality with the handling and compact size of a PowerShot. With a new, precision, 3x optical lens, an APS-C sensor and Canon's premium DIGIC 7 processor, this camera is versatile enough to be used for high-quality street photography, all the way up to documentary-style storytelling. Superb image quality, rapid speed Perfect for today's enthusiast photographer seeking DSLR quality in a compact form, this camera’s small size makes it ideal for subtly capturing boundless moments whilst on the move. Leveraging an exceptional sensor, similar to the one seen in the EOS 80D, and with capabilities to shoot in an ISO range of 100 to 25,600, it can flexibly capture quality images in a range of conditions. From high contrast scenes, such as indoor environments where detail, clarity and low image noise are critical, to low contrast scenarios, such as a foggy day, the PowerShot G1 X Mark III can always deliver a superb image. The DIGIC 7 processor provides premium image quality straight from the camera, with a reduced need to edit thanks to Auto Lighting Optimiser and Diffraction Correction, which featured in the EOS-1D X Mark II. Whether you’re shooting portraits or macro close-ups, the built in 3x zoom lens boasts a versatile 24 – 72 mm (35 mm equiv.) focal range and a close-focusing distance of just 10cm, so you can cover an impressive range of photography genres with a single lens. -
Nikon D5100: from Snapshots to Great Shots
Nikon D5100: From Snapshots to Great Shots Rob Sylvan Nikon D5100: From Snapshots to Great Shots Rob Sylvan Peachpit Press 1249 Eighth Street Berkeley, CA 94710 510/524-2178 510/524-2221 (fax) Find us on the Web at www.peachpit.com To report errors, please send a note to [email protected] Peachpit Press is a division of Pearson Education Copyright © 2012 by Peachpit Press Senior Acquisitions Editor: Nikki McDonald Associate Editor: Valerie Witte Production Editor: Lisa Brazieal Copyeditor: Scout Festa Proofreader: Patricia Pane Composition: WolfsonDesign Indexer: Valerie Haynes Perry Cover Image: Rob Sylvan Cover Design: Aren Straiger Back Cover Author Photo: Rob Sylvan Notice of Rights All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, contact permissions@ peachpit.com. Notice of Liability The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. Trademarks All Nikon products are trademarks or registered trademarks of Nikon and/or Nikon Corporation. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. -
Photography Project Area Guide Beginner Level
W 977 Photography Project Area Guide Beginner Level Authored by: James Swart, M.S., Graduate Student, Department of Agricultural Leadership, Education and Communications Summer Treece, Undergraduate Student, Department of Agricultural Leadership, Education and Communications Tonya Bain, University of Tennessee, Extension Agent III Reviewed for pedagogy: Jennifer K. Richards, Ph.D., Department of Agricultural Leadership, Education and Communications Molly A. West, Ph.D., Department of Agricultural Leadership, Education and Communications Activity 1 Technical Skills Development Project Outcomes Addressed • Define the term “point-and-shoot” camera. • Label the parts of a point-and-shoot camera. Before you can learn how to use a camera to take eye- capturing shots, it’s important to know the different types of cameras that are available. In this activity, you will be learning about the “point-and-shoot” camera. In the space below, write two sentences or draw a picture of what you think a “point-and-shoot” camera is. It is okay if you don’t know what this term means, you will learn more about it below! So, what is a point-and-shoot camera? A point-and-shoot camera, also known as a compact camera, is a camera that serves a single purpose—to take photos. Most use a single, built in lens and use automatic systems for focusing and exposure. Point-and-shoot cameras are popular among people who do not call themselves “photographers.” They are easy to use and provide good quality pictures. There are five basic parts of a point-and-shoot camera. Read about each piece. Then, label the diagram on the next page with the correct term. -
How to Use and Take Care of Your New
HOW TO USE AND TAKE CARE OF YOUR NEW • •• • ••• TOWER CAMERAS ARE SOLD ONLY BY SEARS, ROEBUCK AND CO . INTRODUCTION Your TOWER 35 mm Type III Camera is a precision instrument. Sears laboratory technicians and buyers have worked with the manufacturers on this camera for more than a year and a half before offering it to you. It is a camera that 'will last a lifetime, if treated properly This booklet gives detailed, but simple instructions on its use and proper care. READ BOOKLET CAREFULLY, and keep it handy for reference. 2 We have written this manual in more detail and more technically than is necessary for the ordinary amateur photographe;-. However, after th e amateur has progressed a little in photography, his curiosity will lead him into more advanced stages and the following detailed information is an attempt on our part to anticipate a few of his questions. On the page to the right, we have canden ed th e steps to be taken when ad justing camera for picture taking. This is all the beginner needs to know Even the advanced amateur may fi nd it well to memorize these steps ,1l1d review them occasionally NOTE . The keyed illustration (A) above is frequently referred to throughout the following pages. For that reason, the manual is bound so that you may leave this page open for handy reference. 3 1 Remove lens cap from lens a 2. If lens is collapsible type, pull out simple step which is often overlooked. and lock it in position. Make sure it is firmly locked. -
35Mm Twin-Lens Reflex Camera Sports Viewfinder Viewfinder Hood Film Advance Shaft Assembly Time: Approx
How to assemble and use the supplement Assembled Product and Part Names 35mm Twin-Lens Reflex Camera Sports viewfinder Viewfinder hood Film advance shaft Assembly time: Approx. one hour Tripod socket Parts in the Kit Film advance knob Sprocket Bottom Black box Top plate Film rewind shaft Film rewind knob Aperture plate Front plate plate Viewfinder screen Viewfinder lens Film rewind knob Shutter release lever Screwdriver Film advance knob Back cover Viewfinder lens fixing shaft Imaging lens locking hook holder Back cover Focusing dial Counter Rear plate Side plate (right) Shutter plate Counter gear Shaft holder feeder Back cover locking hook Lens Side plate (left) Mirror fixing plate Counter Shutter release Sprocket lever shaft Assembling the Body Shutter release lever Imaging lens frame Shutter plate Film advance shaft Viewfinder side plate (right) 1 Assemble the body side plate (right) 2 Assemble the body side plate (left) Screws (18) Nut Viewfinder side plate (left) Viewfinder Tripod mount front plate / rear 1.Install the tripod mount 1.Install the film advance knob Shutter front plate plate Insert the nut into the tripod mount, attach the tripod mount to the side plate Insert the film advance knob fixing shaft into the large hole on the shaft holder, (right), and secure with two screws. and align the shape of the film advance knob with the shape of the tip of the film Viewfinder lens frame Imaging lens holder advance knob fixing shaft so that the movement of the knob matches the movement of the shaft. Tighten the screw while making sure that the knob does Screws not move. -
Infinity Stylus
INSTRUCTIONS Description of controls Light sensor LCD panel Self-timer button Shutter release button Flash mode button Flash reflector Self-timer signal Autofocus windows Lens barrier Rewind button Viewfinder Close-up Viewfinder indicators Autofocus indicator correction marks Flash indicator Autofocus frame Strap Eyelet LCD panel Fill-in flash Battery remaining indicator Film window Tripod socket AUTO/AUTO-S flash Back cover release Flash OFF Battery compartment cover Exposure counter 2 Table of contents Description of controls.................................... 1 Camera functions and controls........................ 21 Before you begin ........................................... 5 Close-up (Macro) photography........................ 21 Loading the battery........................................ 5 Focus lock.................................................. 22 Simple point & shoot photography .................... 7 Self-timer photography.................................. 24 Loading the film............................................ 7 Flash AUTO-S mode.................................... 25 Unloading the film........................................ 11 Flash OFF mode.......................................... 27 How to take pictures..................................... 13 FILL-IN flash mode .................................... 28 Auto flash photography Attaching the strap /How to use the soft case..... 29 (1) Taking pictures in low light......................... 18 Troubleshooting ........................................... 31 Auto flash