Instruction Manual Instruction Manuals (PDF Files) and Software Can Be Downloaded from the Canon Web Site (P.4, 311)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
The Panasonic Lumix FZ80/82 New User's Guide
The Panasonic Lumix FZ80/82 New User’s Guide Graham Houghton August 2018 The Panasonic Lumix FZ80/82 User’s Guide 1 Table of Contents Preface ............................................................................................................................................................ 3 The iA Intelligent Auto Mode ........................................................................................................................... 5 Auto Focus, Face/Eye Detection and Face Recognition ...................................................................................... 6 Menu Items Adjustable in the iA+ Mode ......................................................................................................... 12 Taking Images Using the Program Auto Exposure Mode (P) ............................................................................. 13 Taking Images Using the Aperture Priority Mode ............................................................................................ 14 Taking Images Using the Shutter Priority Mode............................................................................................... 15 Taking Images Using the Fully Manual Exposure Mode.................................................................................... 16 Using the Constant Preview Mode in Manual Mode ........................................................................................ 17 Assigning One Push AE in the Manual Exposure Mode ................................................................................... -
How Do I Get Started with Aperture?
1 How Do I Get Started with Aperture? COPYRIGHTED MATERIAL 004_9781118274293-ch01.indd4_9781118274293-ch01.indd 2 99/18/12/18/12 112:002:00 PPMM 1 2345678910 Aperture is like iPhoto on steroids in some ways; but in other ways, it’s a com- pletely different beast. Unlike iPhoto, it’s designed to be an incredibly flexi- ble image, video, and audio file asset management tool that you can integrate into your existing workflow. However, this flexibility means that Aperture has more jargon, settings, and buttons than iPhoto. This chapter helps demystify Aperture’s jargon and shows you key fundamentals you need to know when using Aperture. Understanding Why Aperture Is a Key Part of Your Workflow . 4 Working with Aperture’s File Structure . 6 A Brief Tour of Aperture’s Interface . 13 Basic Customization Options . 26 004_9781118274293-ch01.indd4_9781118274293-ch01.indd 3 99/18/12/18/12 112:002:00 PPMM Aperture 3 Portable Genius Understanding Why Aperture Is a Key Part of Your Workflow Most photographers agree that the time you spend behind the lens shooting is the best part of being a photographer, and all the other stuff (processing an image, categorizing it, trying to sell it, or using it to promote business) is really just annoying. While digital photography enables you to be more creative as a photographer, from being able to see right away whether you got the shot to being able to experiment as much as you want with the only cost being hard drive space, the “other stuff” arguably gets more frustrating because now you have to manage digital files instead of physical film and learn to use multiple programs to develop and output your images. -
Cyber-Shot Handbook
VCLICK! Table of contents Basic Operations Using functions for shooting Using functions for Digital Still Camera viewing Cyber-shot Handbook Customizing the settings DSC-H7/H9 Before operating the unit, please read this Handbook thoroughly together with the Viewing images on a TV “Instruction Manual” and the “Cyber-shot Step-up Guide”, and retain them for future reference. Using your computer Printing still images Troubleshooting Others Index © 2007 Sony Corporation 3-196-620-12(1) GB Notes on using your camera Types of “Memory Stick” that can be • For details on the usable battery pack, see used (not supplied) page 131. The IC recording medium used by this Carl Zeiss lens camera is a “Memory Stick Duo”. There are This camera is equipped with a Carl Zeiss two types of “Memory Stick”. lens which is capable of reproducing sharp “Memory Stick Duo”: you can use a images with excellent contrast. “Memory Stick Duo” with your camera. The lens for this camera has been produced under a quality assurance system certified by Carl Zeiss in accordance with the quality standards of Carl Zeiss in Germany. Notes on the LCD screen, the LCD finder “Memory Stick”: you cannot use a and the lens “Memory Stick” with your camera. • The LCD screen and the LCD finder are manufactured using extremely high-precision technology so over 99.99% of the pixels are operational for effective use. However, there may be some tiny black points and/or bright points (white, red, blue or green in color) that constantly appear on the LCD screen or the Other memory cards cannot be used. -
Part 3 EOS HD Video Capture Basics EOS Immersion Seminars 2011: Class Notes Part 3: EOS HD Video Capture Basics
EOS Immersion Seminars 2011: Class Notes Part 3 EOS HD Video Capture Basics EOS Immersion Seminars 2011: Class Notes Part 3: EOS HD Video Capture Basics Table of Contents Table of Contents 2 I. Introduction 5 1. EOS HD Video Capture Basics ........................................................... 5 2. Image Quality .................................................................................... 5 3. Lens Selection .................................................................................... 5 4. Size .................................................................................................... 6 5. Cost ................................................................................................... 7 II. HD-Compatible EOS Digital SLRs 8 1. Feature Comparison ........................................................................... 8 2. Sensor Size Comparison ..................................................................... 9 3. Depth of Field Comparison ............................................................... 10 Large Aperture Lenses .................................................................................................. 11 Tilt-Shift Lenses ............................................................................................................. 12 Macro Lenses ................................................................................................................ 13 Ultra-Wide Angle & Fisheye Lenses ............................................................................. -
Leica V-Lux 4
LEICA V-LUX 4 Instructions About downloading Adobe® Photoshop® Lightroom® see page . Table of Contents Before Use Care of the camera ...................................................................................................... 6 Scope of Delivery / Accessories ................................................................................ 7 Names and Functions of the Components ............................................................... 8 Preparation Attaching the Lens Cap/the Shoulder Strap ........................................................... 13 Attaching the Lens Hood.......................................................................................... 14 Charging the Battery................................................................................................. 15 • Charging ............................................................................................................. 15 • Operating time and number of recordable pictures ............................................ 17 Inserting and Removing Card and Battery ............................................................. 19 About the Internal Memory/the Card ....................................................................... 20 • Number of recordable pictures and available recording time ............................. 22 Setting Date/Time ...................................................................................................... 24 • Changing the clock setting................................................................................. -
Ground-Based Photographic Monitoring
United States Department of Agriculture Ground-Based Forest Service Pacific Northwest Research Station Photographic General Technical Report PNW-GTR-503 Monitoring May 2001 Frederick C. Hall Author Frederick C. Hall is senior plant ecologist, U.S. Department of Agriculture, Forest Service, Pacific Northwest Region, Natural Resources, P.O. Box 3623, Portland, Oregon 97208-3623. Paper prepared in cooperation with the Pacific Northwest Region. Abstract Hall, Frederick C. 2001 Ground-based photographic monitoring. Gen. Tech. Rep. PNW-GTR-503. Portland, OR: U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station. 340 p. Land management professionals (foresters, wildlife biologists, range managers, and land managers such as ranchers and forest land owners) often have need to evaluate their management activities. Photographic monitoring is a fast, simple, and effective way to determine if changes made to an area have been successful. Ground-based photo monitoring means using photographs taken at a specific site to monitor conditions or change. It may be divided into two systems: (1) comparison photos, whereby a photograph is used to compare a known condition with field conditions to estimate some parameter of the field condition; and (2) repeat photo- graphs, whereby several pictures are taken of the same tract of ground over time to detect change. Comparison systems deal with fuel loading, herbage utilization, and public reaction to scenery. Repeat photography is discussed in relation to land- scape, remote, and site-specific systems. Critical attributes of repeat photography are (1) maps to find the sampling location and of the photo monitoring layout; (2) documentation of the monitoring system to include purpose, camera and film, w e a t h e r, season, sampling technique, and equipment; and (3) precise replication of photographs. -
Cyber-Shot Handbook DSC-HX1
contents Table of Operation Search MENU/Settings MENU/Settings Search Index Cyber-shot Handbook DSC-HX1 GB © 2009 Sony Corporation 4-132-054-11(1) How to use this handbook contents Table of Click on a button at upper right to jump to the corresponding page. This is convenient when searching for a function you want to view. contents Table of Search for information by function. Operation Search Operation Search Search for information by operation. MENU/Settings Search Search for information in a listing of MENU/Settings items. MENU/Settings MENU/Settings Index Search for information by keyword. Search Marks and notations used in this handbook In this handbook, the sequence of operations is shown by arrows (t). Operate the camera in the order indicated. Index Marks are shown as they appear in the camera’s default setting. The default setting is indicated by . Indicates cautions and limitations relevant to the correct operation of the camera. Indicates information that is useful to know. 2GB Notes on using the camera contents Table of Notes on the types of “Memory Stick” Notes on the LCD screen, the LCD media that you can use (sold finder and lens separately) • The LCD screen and the LCD finder are “Memory Stick Duo” media: manufactured using extremely high-precision You can use a “Memory Stick technology so over 99.99% of the pixels are Duo” media with the camera. operational for effective use. However, some tiny black and/or bright dots (white, red, blue or Operation Search “Memory Stick” green) may appear on the LCD screen. -
N5005 AF.Pdf
Nikon INSTRUCTION MANUAL CONTENTS FOREWORD . ...... ... .... ....... ......... 4 EXPOSURE . .. .... ........ ..... ...... 28--36 NOMENCLATURE .......................... .. 5-7 SHUTIER SPEED DIAL AND APERTURE DIAL .... .... 28 PROGRAMMED AUTO EXPOSURE MODE - BASIC OPERATION .. .... ........ 8-20 AUTO MULTI-PROGRAM . ... ... ... .... ...... 29 MOUNTING THE LENS ......... ....... ...... .... 8 SHUTIER-PRIORITY AUTO EXPOSURE MODE ..... 30-31 INSTALLING BATIERIES ...... ......... ........... 9 APERTURE-PRIORITY EXPOSURE MODE ......... 32-33 CHECKING BATIERY POWER . .. 10-11 MANUAL EXPOSURE MODE ......... .. .... 34-36 LOADING FILM .... .... ... ... .... .. ... .. 12-13 T setting . ........ ......... ..... .. ... 36 BASIC SHOOTING ...... ... ............. ...... 14-17 REWINDING FILM ............ .. ... ...... 18-19 EXPOSURE METERING SYSTEM ...... .... 37-43 MATRIX METERING .... ... ...... ... .. .. .... 37 FOCUS ......... .. ... .. ......... .. ... 20-27 CENTER-WEIGHTED METERING ... .. ..... .. ..... .. 37 AUTO FOCUS .. ........ .. ............. .. ..... 20-23 MATRIX METERING VS. With a stationary subject .... .... ... ..... 20 CENTER-WEIGHTED METERING .....•....• . 38-41 With a moving subject . .. 21 CENTER-WEIGHTED METERING FOR Taking pictures with an off-center main subject ... 22 SPECIAL EXPOSURE SITUATIONS .. ... ... ... 42-43 Autofocusing with AF illuminator .... ... 23 AEL (Auto Exposure Lock) button . .. 42 MANUAL FOCUS WITH ELECTRONIC FOCUSING Manual exposure mode . 43 CONFIRMATION . .... ...... .. ... ..... .. 24 MANUAL FOCUS USING -
Nikon D5500: from Snapshots to Great Shots
Nikon D5500: From Snapshots to Great Shots Rob Sylvan Nikon D5500: From Snapshots to Great Shots Rob Sylvan Peachpit Press www.peachpit.com To report errors, please send a note to [email protected] Peachpit Press is a division of Pearson Education Copyright © 2015 Peachpit Press All photographs © Rob Sylvan except where indicated Acquisitions Editor: Susan Rimerman Project Editor: Valerie Witte Senior Production Editor: Lisa Brazieal Copyeditor: Suki Gear Composition: WolfsonDesign Indexer: Karin Arrigoni Cover Image: Rob Sylvan Cover Design: Aren Straiger Interior Design: Mimi Heft Notice of Rights All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, contact [email protected]. Notice of Liability The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. Trademarks From Snapshots to Great Shots” is a trademark, in the U.S. and/or other countries, of Pearson Education, Inc. or its affiliates. All Nikon products are trademarks or registered trademarks of Nikon and/or Nikon Corporation. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. -
Nikon Setting Guide
Professional Setting Guide — For Still Photography — En Table of Contents Landscapes 5 Basic Settings for Landscape Photography ................... 6 • Focus Mode: Choose “Single AF” (AF ‑S) and “Single-Point AF”! ........................................................................7 • Vibration Reduction: Choose “Normal” for Hand‑Held Photography! ..............................................................7 • Silent Photography: Choose “On”! ..............................................9 • Low‑Light AF: Choose “On”! .......................................................10 • Exposure Delay Mode: Choose “1 s”! ........................................10 • Monitor Mode: Choose “Monitor Only”!...............................11 Custom Controls for Landscape Photography ............ 12 • q Preview ......................................................................................13 • b Framing Grid Display ..............................................................13 • K Select Center Focus Point ...................................................13 • b Live View Info Display Off ..................................................13 • Shooting Mode > p Zoom On/Off ...........................................14 • Playback Mode > p Zoom On/Off ............................................14 Portraits 15 Basic Settings for Portrait Photography ....................... 16 • Set Picture Control: Choose “Portrait”! ..................................16 • Focus Mode: Choose “Continuous AF” (AF ‑C)! ....................16 • AF‑Area Mode: Choose -
Nikon D5500/D5600 Quick Guide Close the Pop-Up Flash And/Or Toggle the Settings to Disable the Flash
Nikon D5500/D5600 Quick Guide close the pop-up flash and/or toggle the settings to disable the flash. Tips for everyone To instantaneously exit all menus, press the shutter button To turn the camera on and off, turn the power switch that halfway down. You can either take a photo by pressing it surrounds the shutter button. further, or not take a photo by letting the button go. The screen is on a double hinge. Pull it out using the To shoot movies, switch to Live View and press the “red groove next to the “i” button. Protect the screen by dot” record button (near the shutter button). flipping it closed when you’re not using it. The zoom buttons next to the delete button are only to The camera’s screen is a touchscreen. You can use the zoom into the preview, or pictures you already took. They physical buttons on the camera if you prefer; most will not zoom the lens for when you are taking pictures. functions work either way. For help, tap the Question mark To change screen brightness, press Menu, tap the Wrench, icon on the bottom left corner of the screen. and tap the Monitor brightness option. ‘0’ is the default Are the screen and viewfinder black? You probably left the (which should be good enough for almost everything) but it lens cap on. Pinch the two parts of the cap together to can go from -5 to +5. release the cap. To put the cap back on, pinch the parts To save space on the memory card without losing too and put it back on the lens, then let go.