Mechanical Resonance: 300 Years from Discovery to the Full Understanding of Its Importance
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“Mechanical Universe and Beyond” Videos—CE Mungan, Spring 2001
Keywords in “Mechanical Universe and Beyond” Videos—C.E. Mungan, Spring 2001 This entire series can be viewed online at http://www.learner.org/resources/series42.html. Some of the titles below have been modified by me to better reflect their contents. In my opinion, tapes 21–22 are the best in the whole series! 1. Introduction to Classical Mechanics: Kepler, Galileo, Newton 2. Falling Bodies: s = gt2 / 2, ! = gt, a = g 3. Differentiation: introductory math 4. Inertia: Newton’s first law, Copernican solar system 5. Vectors: quaternions, unit vectors, dot and cross products 6. Newton’s Laws: Newton’s second law, momentum, Newton’s third law, monkey-gun demo 7. Integration: Newton vs. Leibniz, anti-derivatives 8. Gravity: planetary orbits, universal law of gravity, the Moon falls toward the Earth 9. UCM: Ptolemaic solar system, centripetal acceleration and force 10. Fundamental Forces: Cavendish experiment, Franklin, unified theory, viscosity, tandem accelerator 11. Gravity and E&M: fundamental constants, speed of light, Oersted experiment, Maxwell 12. Millikan Experiment: CRT, scientific method 13. Energy Conservation: work, gravitational PE, KE, mechanical energy, heat, Joule, microscopic forms of energy, useful available energy 14. PE: stability, conservation, position dependence, escape speed 15. Conservation of Linear Momentum: Descartes, generalized Newton’s second law, Earth- Moon system, linear accelerator 16. SHM: amplitude-independent period of pendulum, timekeeping, restoring force, connection to UCM, elastic PE 17. Resonance: Tacoma Narrows, music, breaking wineglass demo, earthquakes, Aeolian harp, vortex shedding 18. Waves: shock waves, speed of sound, coupled oscillators, wave properties, gravity waves, isothermal vs. adiabatic bulk modulus 19. Conservation of Angular Momentum: Kepler’s second law, vortices, torque, Brahe 20. -
Forced Mechanical Oscillations
169 Carl von Ossietzky Universität Oldenburg – Faculty V - Institute of Physics Module Introductory laboratory course physics – Part I Forced mechanical oscillations Keywords: HOOKE's law, harmonic oscillation, harmonic oscillator, eigenfrequency, damped harmonic oscillator, resonance, amplitude resonance, energy resonance, resonance curves References: /1/ DEMTRÖDER, W.: „Experimentalphysik 1 – Mechanik und Wärme“, Springer-Verlag, Berlin among others. /2/ TIPLER, P.A.: „Physik“, Spektrum Akademischer Verlag, Heidelberg among others. /3/ ALONSO, M., FINN, E. J.: „Fundamental University Physics, Vol. 1: Mechanics“, Addison-Wesley Publishing Company, Reading (Mass.) among others. 1 Introduction It is the object of this experiment to study the properties of a „harmonic oscillator“ in a simple mechanical model. Such harmonic oscillators will be encountered in different fields of physics again and again, for example in electrodynamics (see experiment on electromagnetic resonant circuit) and atomic physics. Therefore it is very important to understand this experiment, especially the importance of the amplitude resonance and phase curves. 2 Theory 2.1 Undamped harmonic oscillator Let us observe a set-up according to Fig. 1, where a sphere of mass mK is vertically suspended (x-direc- tion) on a spring. Let us neglect the effects of friction for the moment. When the sphere is at rest, there is an equilibrium between the force of gravity, which points downwards, and the dragging resilience which points upwards; the centre of the sphere is then in the position x = 0. A deflection of the sphere from its equilibrium position by x causes a proportional dragging force FR opposite to x: (1) FxR ∝− The proportionality constant (elastic or spring constant or directional quantity) is denoted D, and Eq. -
Caltech News
Volume 16, No.7, December 1982 CALTECH NEWS pounds, became optional and were Three Caltech offered in the winter and spring. graduate programs But under this plan, there was an overlap in material that diluted the rank number one program's efficiency, blending per in nationwide survey sons in the same classrooms whose backgrounds varied widely. Some Caltech ranked number one - students took 3B and 3C before either alone or with other institutions proceeding on to 46A and 46B, - in a recent report that judged the which focused on organic systems, scholastic quality of graduate pro" while other students went directly grams in mathematics and science at into the organic program. the nation's major research Another matter to be addressed universities. stemmed from the fact that, across Caltech led the field in geoscience, the country, the lines between inor and shared top rankings with Har ganic and organic chemistry had ' vard in physics. The Institute was in become increasingly blurred. Explains a four-way tie for first in chemistry Professor of Chemistry Peter Der with Berkeley, Harvard, and MIT. van, "We use common analytical The report was the result of a equipment. We are both molecule two-year, $500,000 study published builders in our efforts to invent new under the sponsorship of four aca materials. We use common bonds for demic groups - the American Coun The Mead Laboratory is the setting for Chemistry 5, where Carlotta Paulsen uses a rotary probing how chemical bonds are evaporator to remove a solvent from a synthesized product. Paulsen is a junior majoring in made and broken." cil of Learned Societies, the American chemistry. -
Nuclear Magnetic Resonance and Its Application in Condensed Matter Physics
Nuclear Magnetic Resonance and Its Application in Condensed Matter Physics Kangbo Hao 1. Introduction Nuclear Magnetic Resonance (NMR) is a physics phenomenon first observed by Isidor Rabi in 1938. [1] Since then, the NMR spectroscopy has been applied in a wide range of areas such as physics, chemistry, and medical examination. In this paper, I want to briefly discuss about the theory of NMR spectroscopy and its recent application in condensed matter physics. 2. Principles of NMR NMR occurs when some certain nuclei are in a static magnetic field and another oscillation magnetic field. Assuming a nucleus has a spin angular momentum 퐼⃗ = ℏ푚퐼, then its magnetic moment 휇⃗ is 휇⃗ = 훾퐼⃗ (1) The 훾 here is the gyromagnetic ratio, which depends on the property of the nucleus. If we put such a nucleus in a static magnetic field 퐵⃗⃗0, then the magnetic moment of this nuclei will process about this magnetic field. Therefore we have, [2] [3] 푑퐼⃗ 1 푑휇⃗⃗⃗ 휏⃗ = 휇⃗ × 퐵⃗⃗ = = (2) 0 푑푥 훾 푑푥 From this semiclassical picture, we can easily derive that the precession frequency 휔0 (which is called the Larmor angular frequency) is 휔0 = 훾퐵0 (3) Then, if another small oscillating magnetic field is added to the plane perpendicular to 퐵⃗⃗0, then the total magnetic field is (Assuming 퐵⃗⃗0 is in 푧̂ direction) 퐵⃗⃗ = 퐵0푧̂ + 퐵1(cos(휔푡) 푥̂ + sin(휔푡) 푦̂) (4) If we choose a frame (푥̂′, 푦̂′, 푧̂′ = 푧̂) rotating with the oscillating magnetic field, then the effective magnetic field in this frame is 휔 퐵̂ = (퐵 − ) 푧̂ + 퐵 푥̂′ (5) 푒푓푓 0 훾 1 As a result, at 휔 = 훾퐵0, which is the resonant frequency, the 푧̂ component will vanish, and thus the spin angular momentum will precess about 퐵⃗⃗1 instead. -
Dynamic Manipulation of Mechanical Resonators in the High Amplitude Regime Through Optical Backaction
Dynamic manipulation of mechanical resonators in the high amplitude regime through optical backaction Mahmood Bagheri, Menno Poot, Mo Li, Wolfram P. H. Pernice, Hong X. Tang Department of Electrical Engineering, Yale University, New Haven, CT 06511 Cavity optomechanics enables active manipulation of mechanical resonators through backaction cooling and amplification1,2. This ability to control mechanical motion with retarded optical forces has recently spurred a race towards realizing a mechanical resonator in its quantum ground state3,4,5,6,7,8,9. Here, instead of quenching optomechanical motion, we demonstrate high amplitude operation of nanomechanical resonators by utilizing a highly efficient phonon generation process. In this regime, the nanomechanical resonators gain sufficient energy from the optical field to overcome the large energy barrier of a double well potential, leading to nanomechanical slow-down and zero frequency singularity, as predicted by early theories10. Besides fundamental studies and interests in parametric amplification of small forces11, optomechanical backaction is also projected to open new windows for studying discrete mechanical states12,13 and to foster applications14,15,16,17. Here we realize a non-volatile mechanical memory element, in which bits are written and reset via optomechanical backaction by controlling the mechanical damping across the barrier. Our study casts a new perspective on the energy dynamics in coupled mechanical resonator – cavity systems and enables novel functional devices that utilize the principles of cavity optomechanics. Classical and quantum dynamics of nanomechanical systems promise new applications in nanotechnology18,19 and fundamental tests of quantum mechanics in mesoscopic objects2,9. Recent development of nanoscale electromechanical (NEMS) and optomechanical systems has enabled cooling of mechanical systems to their quantum ground state7,8, which brings the possibility of quantum information processing with mechanical devices20,21. -
On an Experimentum Crucis for Optics
Research Report: On an Experimentum Crucis for Optics Ionel DINU, M.Sc. Teacher of Physics E-mail: [email protected] (Dated: November 17, 2010) Abstract Formulated almost 150 years ago, Thomas Young’s hypothesis that light might be a transverse wave has never been seriously questioned, much less subjected to experiment. In this article I report on an attempt to prove experimentally that Young’s hypothesis is untenable. Although it has certain limitations, the experiment seems to show that sound in air, a longitudinal wave, can be “polarized” by reflection just like light, and this can be used as evidence against Young’s hypothesis. Further refinements of the experimental setup may yield clearer results, making this report useful to those interested in the important issue of whether light is a transverse or a longitudinal wave. Introduction In the course of development of science, there has always been a close connection between sound and light [1]. Acoustics stimulated research and discovery in optics and vice-versa. Reflection and refraction being the first common points observed between the two, the analogy between optical and acoustical phenomena has been proven also in the case of interference, diffraction, Doppler effect, and even in their mode of production: sounds are produced by the vibration of macroscopic objects, while light is produced by vibrating molecules and atoms. The wave nature of sound implies that light is also a wave and, if matter must be present for sound to be propagated, then aether must exist in order to account for the propagation of light through spaces void of all the matter known to chemistry. -
Notes on Resonance Simple Harmonic Oscillator • a Mass on An
Notes on Resonance Simple Harmonic Oscillator · A mass on an ideal spring with no friction and no external driving force · Equation of motion: max = - kx · Late time motion: x(t) = Asin(w0 t) OR x(t) = Acos(w0 t) OR k x(t) = A(a sin(w t) + b cos(w t)), where w = is the so-called natural frequency of the 0 0 0 m oscillator · Late time motion is the same as beginning motion; the amplitude A is determined completely by the initial state of motion; the more energy put in to start, the larger the amplitude of the motion; the figure below shows two simple harmonic oscillations, both with k = 8 N/m and m = 0.5 kg, but one with an initial energy of 16 J, the other with 4 J. 2.5 2 1.5 1 0.5 0 -0.5 0 5 10 15 20 -1 -1.5 -2 -2.5 Time (s) Damped Harmonic Motion · A mass on an ideal spring with friction, but no external driving force · Equation of motion: max = - kx + friction; friction is often represented by a velocity dependent force, such as one might encounter for slow motion in a fluid: friction = - bv x · Late time motion: friction converts coherent mechanical energy into incoherent mechanical energy (dissipation); as a result a mass on a spring moving with friction always “runs down” and ultimately stops; this “dead” end state x = 0, vx = 0 is called an attractor of the dynamics because all initial states ultimately end up there; the late time amplitude of the motion is always zero for a damped harmonic oscillator; the following figure shows two different damped oscillations, both with k = 8 N/m and m = 0.5 kg, but one with b = 0.5 Ns/m (the oscillation that lasts longer), the other with b = 2 Ns/m. -
Tuning the Resonant Frequency and Damping of an Electromagnetic Energy Harvester Using Power Electronics Paul D
Tuning the Resonant Frequency and Damping of an Electromagnetic Energy Harvester Using Power Electronics Paul D. Mitcheson Member, IEEE, Tzern T. Toh, Kwok H. Wong, Steve G. Burrow Member, IEEE and Andrew S. Holmes Member, IEEE Abstract—In order to maximize power density, the resonant magnetic transduction mechanism (represented by a parasitic frequency of an energy harvester should be equal to the source inductance and resistance, Larm and Rarm, respectively, and excitation frequency and the electrical damping set equal to a transformer). The resistor, inductor and capacitor on the the parasitic damping. These parameters should be adjustable during device operation because the excitation characteristics can primary-side of the transformer represent parasitic damping change. This brief presents, for the first time, a power electronic Dp, spring constant k, and proof mass, m, respectively. A interface that is capable of continual adjustment of the damping resistor, RL, is connected to the secondary windings to form and the resonant frequency of an energy harvester by controlling a typical electrical load, and its value determines the electrical real and reactive power exchange between the electrical and damping of the transducer and therefore the generated power mechanical domains while storing the harvested energy in a bat- tery. The advantages of this technique over previously proposed for a given source excitation of frequency ω and amplitude Y0. methods are the precise control over the tuning parameters of the Clearly, the addition of the reactive components, LL and CL electrical system and integrated rectification within the tuning in Fig. 1 is also possible, and the reason for this is explained interface. -
Oscillator Circuit Evaluation Method (2) Steps for Evaluating Oscillator Circuits (Oscillation Allowance and Drive Level)
Technical Notes Oscillator Circuit Evaluation Method (2) Steps for evaluating oscillator circuits (oscillation allowance and drive level) Preface In general, a crystal unit needs to be matched with an oscillator circuit in order to obtain a stable oscillation. A poor match between crystal unit and oscillator circuit can produce a number of problems, including, insufficient device frequency stability, devices stop oscillating, and oscillation instability. When using a crystal unit in combination with a microcontroller, you have to evaluate the oscillator circuit. In order to check the match between the crystal unit and the oscillator circuit, you must, at least, evaluate (1) oscillation frequency (frequency matching), (2) oscillation allowance (negative resistance), and (3) drive level. The previous Technical Notes explained frequency matching. These Technical Notes describe the evaluation methods for oscillation allowance (negative resistance) and drive level. 1. Oscillation allowance (negative resistance) evaluations One process used as a means to easily evaluate the negative resistance characteristics and oscillation allowance of an oscillator circuits is the method of adding a resistor to the hot terminal of the crystal unit and observing whether it can oscillate (examining the negative resistance RN). The oscillator circuit capacity can be examined by changing the value of the added resistance (size of loss). The circuit diagram for measuring the negative resistance is shown in Fig. 1. The absolute value of the negative resistance is the value determined by summing up the added resistance r and the equivalent resistance (Re) when the crystal unit is under load. Formula (1) Rf Rd r | RN | Connect _ r+R e .. -
A Comparison of Viola Strings with Harmonic Frequency Analysis
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 5-2011 A Comparison of Viola Strings with Harmonic Frequency Analysis Jonathan Paul Crosmer University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons Crosmer, Jonathan Paul, "A Comparison of Viola Strings with Harmonic Frequency Analysis" (2011). Student Research, Creative Activity, and Performance - School of Music. 33. https://digitalcommons.unl.edu/musicstudent/33 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. A COMPARISON OF VIOLA STRINGS WITH HARMONIC FREQUENCY ANALYSIS by Jonathan P. Crosmer A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Clark E. Potter Lincoln, Nebraska May, 2011 A COMPARISON OF VIOLA STRINGS WITH HARMONIC FREQUENCY ANALYSIS Jonathan P. Crosmer, D.M.A. University of Nebraska, 2011 Adviser: Clark E. Potter Many brands of viola strings are available today. Different materials used result in varying timbres. This study compares 12 popular brands of strings. Each set of strings was tested and recorded on four violas. We allowed two weeks after installation for each string set to settle, and we were careful to control as many factors as possible in the recording process. -
Hydraulics Manual Glossary G - 3
Glossary G - 1 GLOSSARY OF HIGHWAY-RELATED DRAINAGE TERMS (Reprinted from the 1999 edition of the American Association of State Highway and Transportation Officials Model Drainage Manual) G.1 Introduction This Glossary is divided into three parts: · Introduction, · Glossary, and · References. It is not intended that all the terms in this Glossary be rigorously accurate or complete. Realistically, this is impossible. Depending on the circumstance, a particular term may have several meanings; this can never change. The primary purpose of this Glossary is to define the terms found in the Highway Drainage Guidelines and Model Drainage Manual in a manner that makes them easier to interpret and understand. A lesser purpose is to provide a compendium of terms that will be useful for both the novice as well as the more experienced hydraulics engineer. This Glossary may also help those who are unfamiliar with highway drainage design to become more understanding and appreciative of this complex science as well as facilitate communication between the highway hydraulics engineer and others. Where readily available, the source of a definition has been referenced. For clarity or format purposes, cited definitions may have some additional verbiage contained in double brackets [ ]. Conversely, three “dots” (...) are used to indicate where some parts of a cited definition were eliminated. Also, as might be expected, different sources were found to use different hyphenation and terminology practices for the same words. Insignificant changes in this regard were made to some cited references and elsewhere to gain uniformity for the terms contained in this Glossary: as an example, “groundwater” vice “ground-water” or “ground water,” and “cross section area” vice “cross-sectional area.” Cited definitions were taken primarily from two sources: W.B. -
Musical Acoustics - Wikipedia, the Free Encyclopedia 11/07/13 17:28 Musical Acoustics from Wikipedia, the Free Encyclopedia
Musical acoustics - Wikipedia, the free encyclopedia 11/07/13 17:28 Musical acoustics From Wikipedia, the free encyclopedia Musical acoustics or music acoustics is the branch of acoustics concerned with researching and describing the physics of music – how sounds employed as music work. Examples of areas of study are the function of musical instruments, the human voice (the physics of speech and singing), computer analysis of melody, and in the clinical use of music in music therapy. Contents 1 Methods and fields of study 2 Physical aspects 3 Subjective aspects 4 Pitch ranges of musical instruments 5 Harmonics, partials, and overtones 6 Harmonics and non-linearities 7 Harmony 8 Scales 9 See also 10 External links Methods and fields of study Frequency range of music Frequency analysis Computer analysis of musical structure Synthesis of musical sounds Music cognition, based on physics (also known as psychoacoustics) Physical aspects Whenever two different pitches are played at the same time, their sound waves interact with each other – the highs and lows in the air pressure reinforce each other to produce a different sound wave. As a result, any given sound wave which is more complicated than a sine wave can be modelled by many different sine waves of the appropriate frequencies and amplitudes (a frequency spectrum). In humans the hearing apparatus (composed of the ears and brain) can usually isolate these tones and hear them distinctly. When two or more tones are played at once, a variation of air pressure at the ear "contains" the pitches of each, and the ear and/or brain isolate and decode them into distinct tones.