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The History of Women in Jazz in Britain
The history of jazz in Britain has been scrutinised in notable publications including Parsonage (2005) The Evolution of Jazz in Britain, 1880-1935 , McKay (2005) Circular Breathing: The Cultural Politics of Jazz in Britain , Simons (2006) Black British Swing and Moore (forthcoming 2007) Inside British Jazz . This body of literature provides a useful basis for specific consideration of the role of women in British jazz. This area is almost completely unresearched but notable exceptions to this trend include Jen Wilson’s work (in her dissertation entitled Syncopated Ladies: British Jazzwomen 1880-1995 and their Influence on Popular Culture ) and George McKay’s chapter ‘From “Male Music” to Feminist Improvising’ in Circular Breathing . Therefore, this chapter will provide a necessarily selective overview of British women in jazz, and offer some limited exploration of the critical issues raised. It is hoped that this will provide a stimulus for more detailed research in the future. Any consideration of this topic must necessarily foreground Ivy Benson 1, who played a fundamental role in encouraging and inspiring female jazz musicians in Britain through her various ‘all-girl’ bands. Benson was born in Yorkshire in 1913 and learned the piano from the age of five. She was something of a child prodigy, performing on Children’s Hour for the British Broadcasting Corporation (BBC) at the age of nine. She also appeared under the name of ‘Baby Benson’ at Working Men’s Clubs (private social clubs founded in the nineteenth century in industrial areas of Great Britain, particularly in the North, with the aim of providing recreation and education for working class men and their families). -
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'. -
Donne in Musica N:B Women in Jazz
FONDAZIONE ADKINS CHITI: DONNE IN MUSICA N:B WOMEN IN JAZZ These notes are based on the Foundation’s research materials for books and articles about jazzwomen worldwide. For simplicity we have divided these into six sections. The text is in WORD in order to facilitate transition into documents for www. In a separate file there are 1. General Introduction – Researching Women in Jazz 2. Brief History of Jazz – “blues women” – arrival in Europe 3. The Mediterranean: Women and Jazz in Italy and Turkey 4. Jazzwomen in Serbia, Germany and Great Britain 5. Final Reflections and suggestion for further reading 6. Bibliographies Also enclosed is a link to an American Website for Women in Jazz. Although not omni-comprehensive of the subject, this could be included in own website as further study material. Patricia Adkins Chiti1 1 Musician and musicologist, former Italian State Commissioner for Equal Opportunities, musicology and performing arts, consultant to universities and institutions. During UNESCO World Conference on Cultural Development Policies (Stockholm, 1998), she proposed clauses regarding women and children. In 1978, she created “Donne in Musica” and in 1996 the “Fondazione Adkins Chiti: Donne in Musica”, with a network of nearly 27 thousand women composers, musicians and musicologists in 113 countries and which commissions new works, promotes research and musical projects and maintains huge archives of women’s music. She has written books and over 500 articles on women in music. In 2004 the President of the Italian Republic honoured her with the title of “Cavaliere Ufficiale”. 1 General Introduction – Researching Women in Jazz “Only God can create a tree and only men can play jazz well” (George T. -
NJA British Jazz Timeline with Pics(Rev3) 11.06.19
British Jazz Timeline Pre-1900 – In the beginning The music to become known as ‘jazz’ is generally thought to have been conceived in America during the second half of the nineteenth century by African-Americans who combined their work songs, melodies, spirituals and rhythms with European music and instruments – a process that accelerated after the abolition of slavery in 1865. Black entertainment was already a reality, however, before this evolution had taken place and in 1873 the Fisk Jubilee Singers, an Afro- American a cappella ensemble, came to the UK on a fundraising tour during which they were asked to sing for Queen Victoria. The Fisk Singers were followed into Britain by a wide variety of Afro-American presentations such as minstrel shows and full-scale revues, a pattern that continued into the early twentieth century. [The Fisk Jubilee Singers c1890s © Fisk University] 1900s – The ragtime era Ragtime, a new style of syncopated popular music, was published as sheet music from the late 1890s for dance and theatre orchestras in the USA, and the availability of printed music for the piano (as well as player-piano rolls) encouraged American – and later British – enthusiasts to explore the style for themselves. Early rags like Charles Johnson’s ‘Dill Pickles’ and George Botsford’s ‘Black and White Rag’ were widely performed by parlour-pianists. Ragtime became a principal musical force in American and British popular culture (notably after the publication of Irving Berlin’s popular song ‘Alexander’s Ragtime Band’ in 1911 and the show Hullo, Ragtime! staged at the London Hippodrome the following year) and it was a central influence on the development of jazz. -
Autograph Auction Saturday 14 December 2013 11:00
Autograph Auction Saturday 14 December 2013 11:00 International Autograph Auctions (IAA) Radisson Edwardian Heathrow Hotel 140 Bath Road Heathrow UB3 5AW International Autograph Auctions (IAA) (Autograph Auction) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 4 GULLY JOHN: (1783-1863) CARNERA PRIMO: (1906-1967) English Boxer, Sportsman and Italian Boxer, World Heavyweight Politician. Signed Free Front Champion 1933-34. Bold blue envelope panel, addressed in his fountain pen ink signature ('Primo hand to Thomas Clift at the Carnera') on a page removed Magpie & Stumps, Fetter Lane, from an autograph album. One London and dated Pontefract, very slight smudge at the very 27th September 1835 in his conclusion of the signature and hand. Signed ('J Gully') in the some slight show through from lower left corner. Very slightly the signature to the verso. VG irregularly neatly trimmed and Estimate: £60.00 - £80.00 with light age wear, G. The Magpie & Stumps public house is situated opposite the Old Bailey Lot: 5 and was famous for serving BOXING: Small selection of execution breakfasts up until vintage signed postcard 1868 when mass public hangings photographs by the boxers Gene were stopped. Tunney (World Heavyweight Estimate: £80.00 - £100.00 Champion 1926-28), Max Baer (World Heavyweight Champion 1934-35) and Ken Overlin (World Lot: 2 Middleweight Champion 1940-41; WILLARD JESS: (1881-1968) signed to verso). Each of the American World Heavyweight images depict the subjects in full Boxing Champion 1915-19. Blue length boxing poses and all are fountain pen ink signature ('Yours signed in fountain pen inks. truly, Jess Willard') on a slim Some slight corner creasing, G to oblong 8vo piece. -
Ivy Benson - One of Britains Greatest Femail Musicians by Jeff “Two-Tone Boogie”
The 1940s Society For Everyone Interested in Wartime Britain Issue 78 March / April 2013 £3.00 Building the Railways The suffering of Japanese POWs Ivy Benson - One of Britains Greatest Femail Musicians by Jeff “Two-Tone Boogie” Photo Album Original photographs with a story Diary Events And much more... The 1940’s Society, 90 Lennard Road, Dunton Green, Sevenoaks, Kent TN13 2UX Tel: 01732 452505 Web: www.1940.co.uk Email: [email protected] 1 Topical Content This issue of the magazine is bursting with content which is also rather topical. The anniversary of the terrible tragedy at Bethnal Green Tube station, an article on the Burma Railway, which will be of special interest to those who will be coming to hear Fergus speak, and details of the shock move of the annual War & Peace Show. We even bring up the subject of horse meat which has been in the news so much recently. Whatever your interests I hope you enjoy this issue. All members who have an email address should now have received their log-in details to the Society website members area. If you haven’t had this then you need to email me at [email protected] with your details and I will make sure your log-in details are sent to you. It may be that your email address is out of date or incorrect so please drop me a line to let me know. The members area is new and small but I hope to add to it significantly. You can already find members offers, videos, and recent issues of this magazine (I hope to add all the issues eventually). -
Princes Theatre Town Hall, Clacton-On-Sea
PRINCES THEATRE TOWN HALL, CLACTON-ON-SEA WHAT’S ON GUIDE Autumn 2013 This Autumn at the Princes Theatre Buddy Holly - page 4 Russell Kane- page 6 Snow White - page 7 Barbara Dickson - page 17 Lee Nelson - page 18 Cannon & Ball - page 19 Stars of the Opera - page 20 Jeff Brazier - page 22 & 23 Welcome... …to another busy and exciting Autumn/ Winter here at the Dickson, which I’m sure will be a very memorable evening. Princes. For the little ones we have two afternoon shows of Aliens love The season starts off in early September with some fantastic underpants in November! performances of ‘Little Shop of Horrors’ performed by some of Lastly, we are very pleased to announce the star of our the most talented youngsters in the district. Pantomime, Peter Pan will be Jeff Brazier, star of dancing on ice Early October we have a lovely afternoon with some 1940’s sing- and ITV’s This Morning! With Peter Pan being the most popular a-long songs, from Hitz from the Blitz. Shortly followed by Buddy pantomime title and also starring Jeff, it is advised to book early holly – a legend reborn, starring the UK’s No.1 Buddy Holly! to avoid disappointment! October also sees The Happy Medium, Colin Fry celebrating 35 Remember to like the PRINCES THEATRE facebook page to keep years! Snow White is the title for our ballet this season, which up to date with new shows going on sale, special offers, regular is shortly followed a few days later by a special concert with competitions and to be the first to hear about exciting news! Jim Davidson & Richard Digance. -
Newsletters 101 To
ESSEX SOCIETY FOR ARCHAEOLOGY AND HISTORY (Founded as the Essex Archaeological Society in 1852) Digitisation Project ESSEX ARCHAEOLOGY AND HISTORY NEWS WINTER 1987 TO SEPTEMBER 1992 (Nos. 101 to 115) 2014 ESAH REF: N1101115 Essex Archaeology and His_tory News Winter 1987 THE ESSEX SOCIETY for ARCHAEOLOGY & HISTORY Ni!:\1/:::.:LETTEF~. NUI1BE}~ ... .. ............. l C 1 From the Pl-esident . ... ....... l News from the Society' s Council. Don ' t b2 late for the Fair. .4 ( : i.JU r ses . .. ... .. .4 Current Ex hi b i tions. Librari a n' s Report. 6 Book Revi ew . ... .. 6 New Essex Publicati ons. 7 Q From past Transactions. '-' Excavat i ons at Audley End. t;) A possibl e Roman road a t Gr eat Braxted .. 1 1 Excavat i ons at Uphall Camp . .. .. .. 12 Editor ; Rose ~ a r y Jef feries, 40 Glenbervie Drive, Leigh-on-Sea, Essex SS9 3JT Telephone Southend l0702l 710807 COPY FOR SPRING ISSUE NOT LATER THAN JAN 31st Cover ;- As ignet ring from Glebe Farm, Barling , Courtes y of Southend Museum , The opinions expressed in this publicat1on are those of the contributors and not neccessarily those of The Essex Society for Archaeology & History and its Officers. j_ FROJtf THE PRESIDENT. But c:an' t we 1wpe for more than that? Edmond Jfalone once found Dr Johnson sitting in his room The parish historian has a roasting apples and reading difficult task, with restri a Mstory of Birmingham. ctions on every side. She Tllia staggered even Jfalone, (or he) will often find ~tbo was himself a :far-gone that no great events have reader. -
Summer Entertainment on the Isle of Man the Joe Loss Years Part 1: 1946-50 ‘Let the Good Times Roll Again’ by Maurice Powell ‘It Was a Golden Period
Summer Entertainment on the Isle of Man The Joe Loss Years Part 1: 1946-50 ‘Let the good times roll again’ by Maurice Powell ‘It was a golden period. The mix of reliable old, brilliant new, up and comers, down and outers, has beens, never was-ers and some of the most eccentric acts ever seen . .’* The world of entertainment slowly began to regain some of its pre-war vitality during the immediate austere post-war years. In 1947 the Crazy Gang returned to the London stage with Together Again, and in 1949 Billy Cotton and Tessie O’Shea appeared together in their touring show Tess and Bill. Radio reached the height of its popularity and influence* and two years later Billy Cotton launched the Billy Cotton Band Show, which cemented his enormous reputation, and with his signature tune Somebody Stole My Gal and raucous call of ‘Wakey, Wakey!’ the show became the backdrop to Sunday lunchtimes throughout Britain. In 1948 Frank Muir and Dennis Norden’s Take It From Here was soon attracting enormous radio audiences, mainly due to the weekly saga of the Glum family, starring ‘Professor’ Jimmy Edwards, Dick Bentley and June Whitfield. Ray’s a Laugh with Ted Ray replaced ITMA after the death of Tommy Handley in 1949, and Educating Archie, Peter Brough’s bizarre radio ventriloquist show, began a decade-long run the following year and helped launch the careers of some notable stars who appeared as Archie Andrew’s tutors, including Tony Hancock, Max Bygraves, Beryl Reid and Hattie Jacques. Worker’s Playtime, the popular lunchtime entertainment for factory workers begun in 1941 and broadcast directly from factories ‘somewhere in England’, introduced a myriad of stars including Jack Warner, Elsie and Doris Waters, and later Cyril Fletcher and Val Doonican. -
North American British Music Studies Association University of Nevada, Las Vegas July 31 – August 3, 2014
North American British Music Studies Association University of Nevada, Las Vegas July 31 – August 3, 2014 Abstracts _____________________________________________ Themed Panel Death, Monsters, and the Succession ... Fears and Anxieties in Elizabethan Song (individual papers appear in the abstracts alphabetically under each author’s last name) Elizabethan England was ripe with fears and anxieties, some imagined and some real. Superstitions, home remedies, and dedicated prayers were rampant. This session consists of three presentations, each focusing on a common early English fear or anxiety, as expressed within specific musical settings. K. Dawn Grapes (Colorado State University): Above the Firmament: Elizabethan Musical Elegies as Commentaries on the Afterlife” William Ross Hagen (Utah Valley University): ‘The great abuse and vice that here in England doth reign’: Succession Anxiety and Monstrous Birth Ballads in Elizabethan England Jeremy L. Smith (University of Colorado at Boulder): Musical Depictions of Mary Queen of Scots as Susanna by William Byrd Collectively, these studies illustrate the important role of composers and their music in capturing, portraying, recording, and advancing cultural beliefs of the late English Renaissance. _____________________________________________ Individual Papers Abstracts appear in alphabetical order by last name of presenter. +++++ Jenna Bailey (University of Lethbridge / University of Sussex) “The Melodic Minors”: An Exploration into the Lives of the Musicians in the Ivy Benson Band Between 1940 and the early 1980s, a formidable woman named Ivy Benson ran the first nationally known, and longest running, all-girl dance band in British history. Throughout her career as a bandleader, Benson organized her eighteen- to twenty-four-piece band like a music school for young women by recruiting, training, mentoring, and managing more than 300 musicians over a period of four decades. -
First-Wave Women Clarinetists Retrospective: a Guide to Women
FIRST-WAVE WOMEN CLARINETISTS RETROSPECTIVE: A GUIDE TO WOMEN CLARINETISTS BORN BEFORE 1930 D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Manchusa Loungsangroong, B.M.E., M.M. Graduate Program in Music The Ohio State University 2017 Document Committee: Dr. Caroline Hartig, Advisor Dr. Daryl Kinney Dr. Russel Mikkelson Professor Karen Pierson Copyright by Manchusa Loungsangroong 2017 ABSTRACT Much research has been done on the history and development of the clarinet, including the lives and works of early clarinetists in Europe and America. For mostly sociocultural reasons, the majority of early clarinetists were men. While the possibility exists that there may have been more women clarinetists during early time period, current research has identified only a handful. The underrepresentation of women in the standard clarinet history stems both from restrictions on their participation as well as poor documentation of their activities. Given the lack of diversity in clarinet history, the purpose of this research is to promote awareness of the roles, experiences, and achievements of the women involved in the clarinet history during the nineteenth and the early twentieth centuries, many of whom may have unfortunately gone unrecognized, been discounted, or forgotten. This research first provides a historical overview of the clarinet and its players, as well as history of women in music and their relationships with orchestral instruments. There are four chapters, which present biographies of women clarinetists who were active as soloists, orchestral players, teachers, and composers. This document also includes research regarding the all-women orchestras in Europe and America, and provides information focusing on the clarinetists of the American all-women orchestras. -
About the Author
About the Author After a 12-year career in the Royal Navy, 18 months in the Foreign Office and six months selling semi-conductors, Norman Dabell finally achieved his dream of becoming a journalist and, eventually, an author. Following spells on weekly, then daily, newspapers he launched a freelance golf journalism and broadcasting career in 1989, during which he worked notably for BBC ‘Five Live’ and BBC Radio Ulster, the Observer, Daily Telegraph, all of Ireland’s major newspapers and Reuters news agency. Norman has also written six successful books on golf, including an entertaining memoir of a calamitous life on tour called Natural Hazard. Having hung up his laptop, he now lives with wife Sharon, also an author, peacefully (but always wary of fate) in the Highlands of Scotland. Dedication For my mother, Sheila Elizabeth. Norman Dabell P L U M J A M A N D P O T M E S S C OPING WITH CHAOS AS A SCHOOLBOY AND SAILOR BOY Copyright © Norman Dabell (2014) The right of Norman Dabell to be identified as author of this work has been asserted by him in accordance with section 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publishers. Any person who commits any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.