An Enquiry Into the Causes of the Frequent Executions at Tyburn
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DATES of TRIALS Until October 1775, and Again from December 1816
DATES OF TRIALS Until October 1775, and again from December 1816, the printed Proceedings provide both the start and the end dates of each sessions. Until the 1750s, both the Gentleman’s and (especially) the London Magazine scrupulously noted the end dates of sessions, dates of subsequent Recorder’s Reports, and days of execution. From December 1775 to October 1816, I have derived the end dates of each sessions from newspaper accounts of the trials. Trials at the Old Bailey usually began on a Wednesday. And, of course, no trials were held on Sundays. ***** NAMES & ALIASES I have silently corrected obvious misspellings in the Proceedings (as will be apparent to users who hyper-link through to the trial account at the OBPO), particularly where those misspellings are confirmed in supporting documents. I have also regularized spellings where there may be inconsistencies at different appearances points in the OBPO. In instances where I have made a more radical change in the convict’s name, I have provided a documentary reference to justify the more marked discrepancy between the name used here and that which appears in the Proceedings. ***** AGE The printed Proceedings almost invariably provide the age of each Old Bailey convict from December 1790 onwards. From 1791 onwards, the Home Office’s “Criminal Registers” for London and Middlesex (HO 26) do so as well. However, no volumes in this series exist for 1799 and 1800, and those for 1828-33 inclusive (HO 26/35-39) omit the ages of the convicts. I have not comprehensively compared the ages reported in HO 26 with those given in the Proceedings, and it is not impossible that there are discrepancies between the two. -
The Rockingham Street Anomaly - Southwark a Geoarchaeological Evaluation
THE ROCKINGHAM STREET ANOMALY - SOUTHWARK A GEOARCHAEOLOGICAL EVALUATION Preliminary report April 2019 Michael Hacker, Prof. Rob Scaife, Peter Collins. CONTENTS 1. Introduction 2. Anomalous buried hollows 3. The Rockingham Street Anomaly 4. Archaeological and historical background 5. The 2017 soil sample 6. Pollen analysis 7. Soil analysis 8. Discussion 9. Conclusion 10. Acknowledgments 11. Bibliography 12. Maps ILLUSTRATIONS Fig. 1 Artwork by Gail Dickerson Fig. 2 Rockingham Street Anomaly geology Fig. 3 Section through the Rockingham Street Anomaly Fig. 4 Location of Rockingham Street Anomaly Fig. 5 Rocque’s map of 1746 Fig. 6 Fairburn’s map of 1802 Fig. 7 Prehistoric seed and insect remains Table 1 Pollen count data Page 1 1. INTRODUCTION Hidden beneath the surface of the Central London Thames floodplain lie numerous, deep, crater- like pits known as 'anomalous buried hollows’ (or sometimes drift filled or scour filled hollows). They penetrate deep into the London Clay and sometimes beyond. Most of these hollows are filled with sands and gravels. They are believed to have formed under sub-arctic, peri-glacial conditions. One of these hollows, The Rockingham Street Anomaly, is situated in the London Borough of Southwark, close to Elephant and Castle. It is nearly 300m wide and over 19m deep. The Rockingham Street Anomaly is exceptional in that unlike most of the other hollows, a substantial part of the fill comprises a deep accumulation of peat. The peat was first identified during the construction of a sewer in the early 20th century and the general shape of the hollow and presence of peat have been confirmed by subsequent boreholes in the area. -
Volume 1, Issue 1 2017 ROBIN HOOD and the FOREST LAWS
Te Bulletin of the International Association for Robin Hood Studies Volume 1, Issue 1 2017 ROBIN HOOD AND THE FOREST LAWS Stephen Knight The University of Melbourne The routine opening for a Robin Hood film or novel shows a peasant being harassed for breaking the forest laws by the brutal, and usually Norman, authorities. Robin, noble in both social and behavioral senses, protects the peasant, and offends the authorities. So the hero takes to the forest with the faithful peasant for a life of manly companionship and liberal resistance, at least until King Richard returns and reinstates Robin for his loyalty to true values, social and royal, which are somehow congruent with his forest freedom. The story makes us moderns feel those values are age-old. But this is not the case. The modern default opening is not part of the early tradition. Its source appears to be the very well-known and influential Robin Hood and his Merry Men by Henry Gilbert (1912). The apparent lack of interest in the forest laws theme in the early ballads might simply be taken as reality: Barbara A. Hanawalt sees a strong fit between the early Robin Hood poems and contemporary outlaw actuality. Her detailed analysis of what outlaws actually did against the law indicates that robbery and assault were normal and that breach of the forest laws was never an issue.1 The forest laws themselves are certainly medieval.2 They were famously imposed by the Norman kings, they harassed ordinary people, stopping them using the forests for their animals and as a source for food and timber, and Sherwood was one of the most aggressively policed forests—but this did not cross into the early Robin Hood materials. -
Prisons and Punishments in Late Medieval London
Prisons and Punishments in Late Medieval London Christine Winter Thesis submitted for the Degree of Doctor of Philosophy in the University of London Royal Holloway, University of London, 2012 2 Declaration I, Christine Winter, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 3 Abstract In the history of crime and punishment the prisons of medieval London have generally been overlooked. This may have been because none of the prison records have survived for this period, yet there is enough information in civic and royal documents, and through archaeological evidence, to allow a reassessment of London’s prisons in the later middle ages. This thesis begins with an analysis of the purpose of imprisonment, which was not merely custodial and was undoubtedly punitive in the medieval period. Having established that incarceration was employed for a variety of purposes the physicality of prison buildings and the conditions in which prisoners were kept are considered. This research suggests that the periodic complaints that London’s medieval prisons, particularly Newgate, were ‘foul’ with ‘noxious air’ were the result of external, rather than internal, factors. Using both civic and royal sources the management of prisons and the abuses inflicted by some keepers have been analysed. This has revealed that there were very few differences in the way civic and royal prisons were administered; however, there were distinct advantages to being either the keeper or a prisoner of the Fleet prison. Because incarceration was not the only penalty available in the enforcement of law and order, this thesis also considers the offences that constituted a misdemeanour and the various punishments employed by the authorities. -
Uncovering London's 'Lost' Rivers
(https://premium.telegraph.co.uk/? Subscribe My ICID=generic_premiumsub_generic_generic_topnav&redirectTo=https%3A%2F%2Fwww.telegraph.co.uk%2Fproperty%2Fuk%2Fhidden- (https://secure.telegraph.co.uk/secure/acc now Account history-uncovering-londons-lost-rivers%2F) ALL SECTIONS (https://www.telegraph.co.uk/) Money Property More FTSE 100 FTSE 250 GBP/USD 7203.10 -0.00% 19252.64 -0.59% $1.3004 +0.01% (HTTPS://WWW.TELEGRAPH.CO.UK/MARKETS-HUB/INDEX/X1) (HTTPS://WWW.TELEGRAPH.CO.UK/MARKETS-HUB/INDEX/X12) (HTTPS://WWW.TELEGRAPH.CO.UK/MARKETS-HUB/CURRENCY/Y15) GBP/EUR BRENT OIL BITCOIN €1.1586 +0.08% $71.26 +0.71% $7044.00 +0.93% (HTTPS://WWW.TELEGRAPH.CO.UK/MARKETS-HUB/CURRENCY/Y9) (HTTPS://WWW.TELEGRAPH.CO.UK/MARKETS-HUB/COMMODITY/C7) (HTTPS://WWW.TELEGRAPH.CO.UK/MARKETS-HUB/CURRENCY/Y31) More share information on (https://www.telegraph.co.uk/markets-hub/) PREMIUM › Money › Property › UK Hidden history: uncovering London's 'lost' rivers CREDIT: OLIVIA WHITWORTH FOR THE TELEGRAPH By Liz Rowlinson Follow 12 MAY 2019 • 7:00AM Home My Feed Saved s you meander past the eye-catching boutiques of fashionable Marylebone Lane – a serpentine little thoroughfare that wends its Away through the grid-like grandeur of neighbouring streets – you may be blindly unaware that one of the capital’s “lost” rivers is flowing beneath your feet. The Tyburn is one of the 20-odd “hidden” rivers that have become buried under streets and houses, shaping the landscape and the lives of Londoners. They flowed through the city before they were covered over (“culverted”) or incorporated into engineer Joseph Bazalgette’s integrated sewer system in 1859. -
REFORMATIVE SYMPATHY in NINETEENTH-CENTURY CRIME FICTION Erica Mccrystal
Erica McCrystal 35 REFORMATIVE SYMPATHY IN NINETEENTH-CENTURY CRIME FICTION Erica McCrystal (St. John’s University, New York) Abstract Nineteenth-century British crime novels whose heroes were criminals redefined criminality, alerting readers to the moral failures of the criminal justice system and arguing for institutional reform. My research on this topic begins with William Godwin’s novel Caleb Williams (1794) as a social reform project that exposes hypocrisy and inconsistency of governing institutions. I then assess how contemporary social criticism of crime novels contrasts with the authors’ reformative intentions. Critics argued the ‘Newgate novels’, like those of Edward Bulwer-Lytton and William Harrison Ainsworth, glorified criminality and were therefore a danger to readers. However, Bulwer-Lytton’s Paul Clifford (1830) and William Harrison Ainsworth’s Jack Sheppard (1839) serve, like Caleb Williams, as social reform efforts to alert readers to the moral failings of the criminal justice and penal institutions. They do so, I argue, through the use of sympathy. By making the criminal the victim of a contradictory society, Godwin, Bulwer-Lytton, and Ainsworth draw upon the sympathies of imagined readers. I apply contemporary and modern notions of sympathy to the texts to demonstrate how the authors use sympathy to humanise the title characters in societies that have subjected them to baseless mechanisation. The emergence of crime fiction in nineteenth-century Britain provided readers with imaginative access to a criminal’s perspective and history as they conflicted with the criminal justice system and its punitive power. Novelists working within the genre re- examined criminality, morality, and justice, often delivering powerful social critiques of extant institutions. -
Marylebone Lane Area
DRAFT CHAPTER 5 Marylebone Lane Area At the time of its development in the second half of the eighteenth century the area south of the High Street was mostly divided between three relatively small landholdings separating the Portman and Portland estates. Largest was Conduit Field, twenty acres immediately east of the Portman estate and extending east and south to the Tyburn or Ay Brook and Oxford Street. This belonged to Sir Thomas Edward(e)s and later his son-in-law John Thomas Hope. North of that, along the west side of Marylebone Lane, were the four acres of Little Conduit Close, belonging to Jacob Hinde. Smaller still was the Lord Mayor’s Banqueting House Ground, a detached piece of the City of London Corporation’s Conduit Mead estate, bounded by the Tyburn, Oxford Street and Marylebone Lane. The Portland estate took in all the ground on the east side of Marylebone Lane, including the two island sites: one at the south end, where the parish court-house and watch-house stood, the other backing on to what is now Jason Court (John’s Court until 1895). This chapter is mainly concerned with Marylebone Lane, the streets on its east side north of Wigmore Street, and the southern extension of the High Street through the Hinde and part of the Hope–Edwardes estates, in the form of Thayer Street and Mandeville Place – excluding James Street, which is to be described together with the Hope–Edwardes estate generally in a later volume. The other streets east of Marylebone Lane – Henrietta Place and Wigmore Street – are described in Chapters 8 and 9. -
Three Mollies
1 THREE MOLLIES THE ACCOUNTS of GABRIEL LAURENCE, WILLIAM GRIFFIN, & THOMAS WRIGHT who were HANGED in TYBURN on MONDAY the MAY 9TH of 1726 for SODOMY Taylor Mansmann Literatures of 18C Crime & Criminality Professor Ashley Cohen November 13, 2014 2 INTRODUCTION Originally coined as a term for lowerclass female prostitutes, the slang 1 appellation of “Molly” was adopted in the early 18th Century by homosexual subgroups of London’s working class. Preferable to the condemning labels of “sodomite” or 2 “bugger,” and perhaps most closely approximated to modernday “gay” or “queen,” the term allowed for greater resonance in “issues of social rather than specifically sexual 3 behavior.” The 1720’s brought about the peak of molly culture, which manifested in secret sociosexual havens called molly houses, wherein men of homosexual or 4 crossdressing persuasions might meet to socialize and pursue or solicit sexual partners. 5 Headed by the Society for the Reformation of Manners, upwards of twenty such houses 6 were raided in 1726, including the infamous Mother (or Margaret) Clap’s molly house. From the February raid of Margaret Clap’s house alone—which had been under surveillance for almost two years—around forty men were rounded up and sent to Newgate Prison to await trial for sodomy or assault with sodomitical intent. Of those forty men, three—Gabriel Laurence, William Griffin, and Thomas Wright—were 7 convicted and hanged in Tyburn on May 9, 1776 under indictment of sodomy. From 1676 to 1772 the Ordinary of Newgate possessed the right to print and sell criminal biographies of the men and women under his care: a publication aptly titled “The Ordinary of Newgate's Account of the Behaviour, Confession and Dying Words of the Condemned Criminals.. -
The Development and Improvement Of
A CRITICAL STUDY OF JOHN CAMDEN HOTTEN AND THE SLANG DICTIONARY A Dissertation by DRAGANA DJORDJEVIC Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2010 Major Subject: English A CRITICAL STUDY OF JOHN CAMDEN HOTTEN AND THE SLANG DICTIONARY A Dissertation by DRAGANA DJORDJEVIC Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, J. Lawrence Mitchell Committee Members, C. Jan Swearingen Jennifer Wollock Rodney C. Hill Head of Department, M. Jimmie Killingsworth May 2010 Major Subject: English iii ABSTRACT A Critical Study of John Camden Hotten and The Slang Dictionary. (May 2010) Dragana Djordjevic, B.A., University of Belgrade; M.A., Texas A&M University Chair of Advisory Committee: Dr. J. Lawrence Mitchell Many lexicographers found some words unsuitable for inclusion in their dictionaries, thus the examination of general purpose dictionaries alone will not give us a faithful history of changes of the language. Nevertheless, by taking into account cant and slang dictionaries, the origins and history of such marginalized language can be truly examined. Despite people‘s natural fascination with these works, the early slang dictionaries have received relatively little scholarly attention, the later ones even less. This dissertation is written to honor those lexicographers who succeeded in a truthful documentation of nonstandard language. One of these disreputable lexicographers who found joy in an unending search for new and better ways of treating abstruse vocabulary was John Camden Hotten. -
Godwin's Use of the Newgate Calendar As a Scource for Caleb
Godwin's use of The Newgate Calendar as a source for Caleb Williams by Karen Catherine Elder A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of The Requirements for the Degree of MASTER OF ARTS Major: English Signatures have been redacted for privacy iowa i>tate University Ames, Iowa 1976 11 TABLE OF CONTENTS Page INTRODUCTION 1 SUMMARY OF CALEB WILLIAMS 4 Review of Criticism Regarding Caleb Williams 6 Thesis Proposal 10 HISTORY AND ATTITUDE OF THE NEWGATE CALENDAR 12 GODWIN'S REACTION TO THE ATTITUDE OF THE NEWGATE CALENDAR 18 ALLUSIONS IN CALEB.WILLIAMS TO THREE NEWGATE CALENDAR CRIMINALS 30 Eugene Aram 30 Jonathan Wild 36 John (Jack) Sheppard 40 Conclusion 49 FOOTNOTES 51 LIST OF WORKS CONSULTED 55 INTRODUCTION The following study of Caleb Williams^ began as a project paper for a graduate class in "Romantic Writers: Shelley and His Circle." Although Godwin is not usually considered a figure in the romantic movement, there are at least two reasons for his inclusion in Shelley's "circle": first, his influence on his more famous son-in- law was profound; and, second, CW itself contains a romantic element, e.g., the isolated, alienated individual struggling against a threatening, menacing society. For the course work, CT was reviewed in conjunction with The Newgate 2 Calendar, a source which contains the biographies of some of England's most notorious criminals incarcerated at Newgate prison in London. Godwin, noting that he was "extremely conversant" with the had himself cited this work as bearing on the subject of the novel (CW, pp. -
Situational Crime Prevention Or Problem-Oriented Situational Interventions POPPOP Andand SCPSCP -- SIMILARITIESSIMILARITIES
Situational Crime Prevention Or Problem-Oriented Situational Interventions POPPOP andand SCPSCP -- SIMILARITIESSIMILARITIES Both are preventive approaches One is defined within policing while the other is not Both originated in the 1970s, SCP in the UK and POP in the USA Both focus on highly specific problems Both use action research models CrimeCrime PreventionPrevention Intervening in the causal chain of opportunity to prevent crime from occurring TheThe EnglishEnglish HeritageHeritage 1748, Judge Henry Fielding and the Bow Street runners Jonathan Wild story and Fieldings’ failures Modern Police created in London (1829) under Sir Robert Peel (1788-1850) (father of modern policing) SirSir RobertRobert Peel'sPeel's NineNine PrinciplesPrinciples forfor ModernModern PolicingPolicing 1) The basic mission for which the police exist is to prevent crime and disorder. 2) The ability of the police to perform their duties is dependent upon public approval of police actions. 3) Police must secure the willing cooperation of the public in voluntary observance of the law to be able to secure and maintain the respect of the law. SirSir RobertRobert Peel'sPeel's NineNine PrinciplesPrinciples forfor ModernModern PolicingPolicing 4) The degree of cooperation of the public that can be secured diminishes proportionally to the necessity of the use of force. 5) Police seek and preserve public favor not by catering public opinion, but by constantly demonstrating absolute impartial service to the law. SirSir RobertRobert Peel'sPeel's NineNine PrinciplesPrinciples forfor ModernModern PolicingPolicing 6) Police use physical force only to the extent necessary to secure observance of the law or to restore order only when exercise of persuasion, advice and warning is found to be insufficient. -
THE JACK SHEPPARD CRAZE of the 1720S
Theory and Practice in English Studies Volume 10, No. 1, 2021 E-ISSN: 1805-0859 CLAPPING TO A CRIMINAL: THE JACK SHEPPARD CRAZE OF THE 1720s Klára Škrobánková Abstract Jack Sheppard, a real historical figure executed in 1724 London, became the focus of many biographical publications and theatrical pieces immediately after his demise. This article examines the earliest literary works featuring Sheppard and the way the character of a criminal entered London’s stages. By analyzing the digression from the facts of Sheppard’s life, the tendencies of the popular theatrical genres of the 1720s emerge. Based on two works of art, Thurmond’s Harlequin Sheppard (1724) and Walker’s Quaker’s Opera (1728), one can trace the development of the theatre devices as well as the marketing strategies dramatic authors used to lure the audience into theatres. Both examined pieces were not particularly successful but Thurmond’s pantomime significantly inspired John Gay to write Beggar’s Opera, basing the character of Macheath on Sheppard. Walker then combined the two phenomena – taking the strategies of new ballad operas, he re- purposed the story of Jack Sheppard and adapted it into Quaker’s Opera. Keywords Jack Sheppard, pantomime, ballad opera, eighteenth century, The Beggar’s Opera, biography * * * THE figure of Jack (or John) Sheppard, a London-based criminal executed in the fall of 1724, has periodically emerged on the English stage, significantly influencing English popular culture. Beginning during his lifetime, Sheppard’s popularity con- tinued to grow throughout the 1720s, culminating with the publication and staging of John Gay’s The Beggar’s Opera in 1728.