Jack Sheppard
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The Development and Improvement Of
A CRITICAL STUDY OF JOHN CAMDEN HOTTEN AND THE SLANG DICTIONARY A Dissertation by DRAGANA DJORDJEVIC Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2010 Major Subject: English A CRITICAL STUDY OF JOHN CAMDEN HOTTEN AND THE SLANG DICTIONARY A Dissertation by DRAGANA DJORDJEVIC Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, J. Lawrence Mitchell Committee Members, C. Jan Swearingen Jennifer Wollock Rodney C. Hill Head of Department, M. Jimmie Killingsworth May 2010 Major Subject: English iii ABSTRACT A Critical Study of John Camden Hotten and The Slang Dictionary. (May 2010) Dragana Djordjevic, B.A., University of Belgrade; M.A., Texas A&M University Chair of Advisory Committee: Dr. J. Lawrence Mitchell Many lexicographers found some words unsuitable for inclusion in their dictionaries, thus the examination of general purpose dictionaries alone will not give us a faithful history of changes of the language. Nevertheless, by taking into account cant and slang dictionaries, the origins and history of such marginalized language can be truly examined. Despite people‘s natural fascination with these works, the early slang dictionaries have received relatively little scholarly attention, the later ones even less. This dissertation is written to honor those lexicographers who succeeded in a truthful documentation of nonstandard language. One of these disreputable lexicographers who found joy in an unending search for new and better ways of treating abstruse vocabulary was John Camden Hotten. -
THE JACK SHEPPARD CRAZE of the 1720S
Theory and Practice in English Studies Volume 10, No. 1, 2021 E-ISSN: 1805-0859 CLAPPING TO A CRIMINAL: THE JACK SHEPPARD CRAZE OF THE 1720s Klára Škrobánková Abstract Jack Sheppard, a real historical figure executed in 1724 London, became the focus of many biographical publications and theatrical pieces immediately after his demise. This article examines the earliest literary works featuring Sheppard and the way the character of a criminal entered London’s stages. By analyzing the digression from the facts of Sheppard’s life, the tendencies of the popular theatrical genres of the 1720s emerge. Based on two works of art, Thurmond’s Harlequin Sheppard (1724) and Walker’s Quaker’s Opera (1728), one can trace the development of the theatre devices as well as the marketing strategies dramatic authors used to lure the audience into theatres. Both examined pieces were not particularly successful but Thurmond’s pantomime significantly inspired John Gay to write Beggar’s Opera, basing the character of Macheath on Sheppard. Walker then combined the two phenomena – taking the strategies of new ballad operas, he re- purposed the story of Jack Sheppard and adapted it into Quaker’s Opera. Keywords Jack Sheppard, pantomime, ballad opera, eighteenth century, The Beggar’s Opera, biography * * * THE figure of Jack (or John) Sheppard, a London-based criminal executed in the fall of 1724, has periodically emerged on the English stage, significantly influencing English popular culture. Beginning during his lifetime, Sheppard’s popularity con- tinued to grow throughout the 1720s, culminating with the publication and staging of John Gay’s The Beggar’s Opera in 1728. -
Jack Sheppard
IBBEaHHHBBBBHHHHianaHBHHHfiBBMaHn EMORY UNIVERSITY LIBRARY JACK SHEPPARD. VOL. III. — ' BY THE SAME AUTHOR. In One Pocket Volume, neatly bound, price 6s. with illustrations, ROOKWOOD. By W. Harrison Ainsworth, Esq. ' " The author of Rookwood ' has shown talents which will, no doubt, produce a strong and fervid strain of romance. We expect much from this writer. He evidently possesses, in no common degree, the materials of success—a fresh and stirring fancy. His story is one that never flags." Quarterty Review. " Besides the general strength of conception, which ' Rookwood evinces, and the deep interest of particular scenes, —such as that of Tur- pin's celebrated Ride to York,— it contains a great many ballads, chiefly of a ghastly and sepulchral character, though interspersed with some ditties in a livelier vein, both indicating abilities of no mean order." — Edinburg Review. Preparing for publication, in Three Volumes, post 8vo. illus- trated in a similar manner to Jack Shefpard and Oliver Twist, by George Chuikshank. GUY FAWKES. A ROMANCE. By W. Harrison Ainsworth, Esq. LONDON: rlUNTFD B\ SAMl'El BENTLEY, Bangor House, Shoe Lane. (Wi-CC Cruita'livrjLi fee .Austin, the Tunitar . Tigg , the TMze fighter Gay, the Poet, Sir James !tbocrihttl, JACK SHE'PPARD Ifofiarth ' 2'/,, , 7^ ^//^c , /; — JACK SHEPPARD. A ROMANCE. BY W. HARRISON AINSWORTH, Esq. AUTHOR OF " ROOKWOOD," AND " CRICHTON." " Upon my word, friend," said I, " you have almost made me long to try what a robber I should make." " There 's great art in it, if you " " did," quoth he. Ah ! but," said I, there 's a great deal in being hanged." Life and Actions of Guzman D'Alfarache. -
THE NEWGATE CALENDAR Edited by Donal Ó Danachair Volume 2
THE NEWGATE CALENDAR Edited by Donal Ó Danachair Volume 2 Published by the Ex-classics Project, 2009 http://www.exclassics.com Public Domain -1- THE NEWGATE CALENDAR Old Newgate Prison -2- VOLUME 2 CONTENTS RICHARD THORNHILL, ESQ Convicted of Manslaughter on 18th of May, 1711, for killing Sir Cholmondeley Deering in a Duel................................................................10 TOM GERRARD Taught a Dog to pick Pockets, and was executed for Housebreaking at Tyburn in August, 1711 ..................................................................12 WILL MAW Having committed a Robbery, Maw ordered his Wife to organise a Mock Funeral, so that People should think he was dead. He was executed at Tyburn in October 1711 ...........................................................................................................14 DAVY MORGAN Executed at Presteigne in April, 1712, for murdering Edward Williams .......................................................................................................................15 ELIZABETH MASON Executed for the murder of her godmother, 18th June, 1712 16 ELIZABETH CHIVERS Executed for the murder of her bastard child, 1st August, 1712..............................................................................................................................17 COLONEL JOHN HAMILTON Convicted of Manslaughter, 11th of September, 1712, as Second in a Duel between the Duke of Hamilton and Lord Mahon..............19 RICHARD TOWN Executed at Tyburn, December 23, 1712, for Fraudulent Bankruptcy -
An Enquiry Into the Causes of the Frequent Executions at Tyburn
An Enquiry into The Causes of the Frequent Executions At Tyburn By Bernard Mandeville An Enquiry into the Causes of the Frequent Executions at Tyburn INTRODUCTION The Enquiry into the Causes of the Frequent Executions at Tyburn was originally published as a series of letters to the British Journal. The first letter appeared on February , ; just twelve days before, Jonathan Wild, self-proclaimed "Thief-Catcher General of Great Britain and Ireland," had been arrested and imprisoned in Newgate. Thus the Enquiry had a special timeliness and forms a part of the contemporary interest in the increasingly notorious activities of Wild. Wild's systematic exploitation of the London underworld and his callous betrayal of his colleagues in criminality (he received £ from the government for each capital conviction he could claim) had created public protest since at least when an act (which Mandeville cites in his Preface) directed against receivers of stolen goods was passed, most probably with the primary intenti<[,,,,,,,,,]on of curtailing Wild's operations. Wild's notoriety was at its peak in - after his successful apprehension of Joseph Blake ("Blueskin") and Jack Sheppard, the latter figure becoming a kind of national hero after his five escapes from prison (he was recaptured by Wild each time). The timeliness of Mandeville's pamphlet extends, of course, beyond its interest in Jonathan Wild, who after all receives comparatively little of Mandeville's attention. The spectacle of Tyburn itself and the civil and moral failures it represented was one which Londoners could scarcely ignore and which for some provided a morbid fascination. Mandeville's vivid description of the condemned criminal in Newgate, his journey to Tyburn, and his "turning off," must have been strikingly forceful to his contemporaries, who knew all too well the accuracy of his description. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Outlaws, Outcasts, and Criminals of the British Novel, 1800-1850 Permalink https://escholarship.org/uc/item/7zd212gr Author Baldwin, Ruth Elizabeth Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Outlaws, Outcasts, and Criminals of the British Novel, 1800-1850 By Ruth Elizabeth Baldwin A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Ian Duncan, Chair Professor Janet Sorensen Professor David Lieberman Spring 2013 Abstract Outlaws, Outcasts, and Criminals of the British Novel, 1800-1850 By Ruth Elizabeth Baldwin Doctor of Philosophy in English University of California, Berkeley Professor Ian Duncan, Chair “Outlaws, Outcasts, and Criminals” provides a new account of the nineteenth-century historical novel by using the category of outlawry to illuminate the transitional period between Romantic and Victorian literary regimes. I argue that any account of the late eighteenth- and nineteenth- century novel must theorize the crucial link between outlawry and the novel form. Far from being a product of history, crime in these novels activates the category of history on which they depend. As the novel develops, the link between crime and history becomes an essential structural part of the genre. This recognition enables me to forge new and surprising connections between the Romantic outlaw as instituted by Schiller’s The Robbers, the outlaw anti-heroes of Walter Scott’s historical novels, the historical criminals of W.H. -
Jack Sheppard, by William Harrison Ainsworth 2 CHAPTER VI
1 CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. Jack Sheppard, by William Harrison Ainsworth 2 CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER XI. CHAPTER XII. CHAPTER XIII. CHAPTER XIV. CHAPTER XV. CHAPTER XVI. CHAPTER XVII. CHAPTER XVIII. CHAPTER XIX. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER XI. CHAPTER XII. CHAPTER XIII. CHAPTER XIV. CHAPTER XV. CHAPTER XVI. CHAPTER XVII. CHAPTER XVIII. CHAPTER XIX. CHAPTER XX. CHAPTER XXI. CHAPTER XXII. CHAPTER XXIII. CHAPTER XXIV. CHAPTER XXV. CHAPTER XXVI. CHAPTER XXVII. CHAPTER XXVIII. CHAPTER XXIX. CHAPTER XXX. CHAPTER XXXI. CHAPTER XXXII. Jack Sheppard, by William Harrison Ainsworth The Project Gutenberg EBook of Jack Sheppard, by William Harrison Ainsworth This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or Jack Sheppard, by William Harrison Ainsworth 3 re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Jack Sheppard A Romance Author: William Harrison Ainsworth Release Date: July 6, 2005 [EBook #16215] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK JACK SHEPPARD *** Produced by Jason Isbell, Ben Beasley and the Online Distributed Proofreading Team at http://www.pgdp.net Transcribers Note: Obvious typesetter errors from the original corrected in this etext. If they are not obvious errors, they are left as in the original. -
Execution and Embodiment in the Early English Atlantic World
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2016 Remains to Be Seen: Execution and Embodiment in the Early English Atlantic World Erin M. Feichtinger Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the European History Commons Recommended Citation Feichtinger, Erin M., "Remains to Be Seen: Execution and Embodiment in the Early English Atlantic World" (2016). Dissertations. 2130. https://ecommons.luc.edu/luc_diss/2130 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2016 Erin M. Feichtinger LOYOLA UNIVERSITY CHICAGO REMAINS TO BE SEEN: EXECUTION AND EMBODIMENT IN THE EARLY ENGLISH ATLANTIC WORLD A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY ERIN M FEICHTINGER CHICAGO, ILLINOIS AUGUST 2016 Copyright by Erin Feichtinger, 2016 All rights reserved. ACKNOWLEDGMENTS As much as writing a dissertation feels like a solitary exercise, I know that I could not have succeeded without the love and support of a diverse group of mentors, friends, and colleagues. All of these people deserve more than an Acknowledgments section. First I suppose I must thank Loyola University Chicago for allocating enough funding for me to complete my coursework and research. I extend my best wishes to the administration in their struggle to balance their increasingly capitalist principles with the need to develop academic curiosity in undergraduates, and sincerely hope they seek to strengthen their commitment to the mission of social justice. -
Jack Sheppard, by William Harrison Ainsworth 2 CHAPTER VI
1 CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. Jack Sheppard, by William Harrison Ainsworth 2 CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER XI. CHAPTER XII. CHAPTER XIII. CHAPTER XIV. CHAPTER XV. CHAPTER XVI. CHAPTER XVII. CHAPTER XVIII. CHAPTER XIX. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER XI. CHAPTER XII. CHAPTER XIII. CHAPTER XIV. CHAPTER XV. CHAPTER XVI. CHAPTER XVII. CHAPTER XVIII. CHAPTER XIX. CHAPTER XX. CHAPTER XXI. CHAPTER XXII. CHAPTER XXIII. CHAPTER XXIV. CHAPTER XXV. CHAPTER XXVI. CHAPTER XXVII. CHAPTER XXVIII. CHAPTER XXIX. CHAPTER XXX. CHAPTER XXXI. CHAPTER XXXII. Jack Sheppard, by William Harrison Ainsworth The Project Gutenberg EBook of Jack Sheppard, by William Harrison Ainsworth This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or Jack Sheppard, by William Harrison Ainsworth 3 re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Jack Sheppard A Romance Author: William Harrison Ainsworth Release Date: July 6, 2005 [EBook #16215] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK JACK SHEPPARD *** Produced by Jason Isbell, Ben Beasley and the Online Distributed Proofreading Team at http://www.pgdp.net Transcribers Note: Obvious typesetter errors from the original corrected in this etext. -
Policing Print: the Novel Before the Police
Policing Print: The novel before the police * Three Card Trick A Novel Jack Reynolds September 2016 A thesis submitted to the School of Literature, Drama and Creative Writing, University of East Anglia, in fulfilment of the requirements for the degree of Doctor of Philosophy. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 1 Abstract: This thesis is presented in two sections; the first, ‘Policing Print: The novel and the practice of law enforcement 1720-1750,’ is a critical essay examining the interrelated development of the novel and the culture of policing in eighteenth-century London. ‘Policing Print’ investigates what D.A. Miller refers to as ‘the possibility of a radical entanglement between the nature of the novel and the practice of the police.’ While Miller’s book, The Novel and the Police, engages with post-1860 novels and policing practices, this thesis takes his subject back further and argues that the eighteenth-century novel was already engaged with the culture and practice of policing. The second, though primary, section is the historical novel, Three Card Trick, which is a fictionalised telling of the confrontation between the notorious housebreaker, Jack Sheppard, and the thief-taker, Jonathan Wild. Three Card Trick is an attempt to write a crime novel differently; to bend and stretch the genre in order to make it speak to the specificities of my historical characters and the milieu in which they are embedded.