GET 58009 RAMMELZEE VS K-ROB Beat Bop 12

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GET 58009 RAMMELZEE VS K-ROB Beat Bop 12

RAMMELLZEE VS K-ROB - “BEAT BOP” SIDE A - BEAT BOP • SIDE B - BEAT BOP INSTRUMENTAL 12” ON SPLIT BLACK & WHITE VINYL • LIMITED TO 1983 COPIES REISSUE OF ULTRA-RARE 1983 HIP-HOP MASTERPIECE CO-PRODUCED & WITH ARTWORK BY THE LATE JEAN-MICHEL BASQUIAT The original issue of the 1983 song “Beat Bop” by lyricists Rammellzee and K-Rob has been heard by many, but held by few. Only a reputed 500 of the song’s initial run, on Jean-Michel Basquiat’s one-off Tartown Records label, were made with jacket cover art by the infinitely influential graphic artist (and moonlighting musician and producer). They remain one of hip-hop’s “Holy Grail” items, selling north of $1,500 if you can even find one. The audio, which clocked in at over 10 minutes, was issued – with no picture sleeve – on Profile Records soon after the Tartown pressings, and went on to influence countless MCs, with its minimal, languishing funk beat (produced by Basquiat) and Rammellzee’s and K-Rob’s next-level lyricism. The picture sleeve version of the release has never been officially re-issued, and this edition, curated by hip-hop historian Noah Uman, goes the extra mile. It features officially-licensed original artwork from the Basquiat estate and a four-panel folded insert with deep background on the original single’s creation, compiled by Andrew “Noz” Nosnitsky – including interviews with many of the artists involved with its production: Rammellzee, K-Rob, Glenn O’Brien, percussionist Al Diaz, Profile’s Cory Robbins and more. Rammellzee left this Earth in 2010 and Basquiat passed away in 1988 – with this deluxe reissue, their important contributions to the formative years of hip-hop on wax are remembered and celebrated. A must-own for any hip-hop purist. LABEL: Get On Down CATALOG: GET58009-12 UPC: 6 64425 80091 3 STREET DATE 11/28/14 - BLACK FRIDAY.

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Schirn Presse Basquiat Boom for Real En
BOOM FOR REAL: THE SCHIRN KUNSTHALLE FRANKFURT PRESENTS THE ART OF JEAN-MICHEL BASQUIAT IN GERMANY BASQUIAT BOOM FOR REAL FEBRUARY 16 – MAY 27, 2018 Jean-Michel Basquiat (1960–1988) is acknowledged today as one of the most significant artists of the 20th century. More than 30 years after his last solo exhibition in a public collection in Germany, the Schirn Kunsthalle Frankfurt is presenting a major survey devoted to this American artist. Featuring more than 100 works, the exhibition is the first to focus on Basquiat’s relationship to music, text, film and television, placing his work within a broader cultural context. In the 1970s and 1980s, Basquiat teamed up with Al Diaz in New York to write graffiti statements across the city under the pseudonym SAMO©. Soon he was collaging baseball cards and postcards and painting on clothing, doors, furniture and on improvised canvases. Basquiat collaborated with many artists of his time, most famously Andy Warhol and Keith Haring. He starred in the film New York Beat with Blondie’s singer Debbie Harry and performed with his experimental band Gray. Basquiat created murals and installations for New York nightclubs like Area and Palladium and in 1983 he produced the hip-hop record Beat Bop with K-Rob and Rammellzee. Having come of age in the Post-Punk underground scene in Lower Manhattan, Basquiat conquered the art world and gained widespread international recognition, becoming the youngest participant in the history of the documenta in 1982. His paintings were hung beside works by Joseph Beuys, Anselm Kiefer, Gerhard Richter and Cy Twombly.
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Hip Hop Music to Enhance Critical Discussions
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Basquiat Boom for Real February 16 – May 27 2018
FILMING AND PHOTOGRAPHY – IMPORTANT GUIDELINES BASQUIAT BOOM FOR REAL FEBRUARY 16 – MAY 27 2018 Please ensure that you read and adhere to the following conditions: PHOTOGRAPHY IN THE EXHIBITION: IMPORTANT: Photography is not permitted in: o Sections “The Scene“, “Warhol“ and “Beat Bop“: no photography of any objects OR photography on loan from The Andy Warhol Foundation (see attached list) o Section “The Screen“: no photography of excerpt on TV „State of the Art“ o Section “Downtown 81“: Film “Downtown 81“ may only appear in background shots All images may only be used for current coverage of the exhibition. Their use for commercial purposes and the disclosure to third parties without further permission is prohibited. All works must be photographed in the context of the exhibition. No close up shots of individual works allowed. The images may not be changed in any significant way. All caption information must appear whenever an image is reproduced: Basquiat. Boom for Real Schirn Kunsthalle Frankfurt February 16 – May 27, 2018 Artworks: © VG Bild-Kunst Bonn, 2018 & The Estate of Jean-Michel Basquiat, Licensed by Artestar, New York. Press installation images are available from the Newsroom: http://www.schirn.de/en/m/press/newsroom/basquiat_boom_for_real/#images FILMING IN THE EXHIBITION IMPORTANT: Filming is not permitted in: o Sections “The Scene“, “Warhol“ and “Beat Bop“: no filming of any objects OR photography on loan from The Andy Warhol Foundation (see attached list) o Section “The Screen“: no filming of excerpt on TV „State of the Art“ o Section “Downtown 81“: Film “Downtown 81“ may only appear in background shots All recordings may only be used for current coverage of the exhibition.
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BASQUIAT BOOM FOR REAL 191115_Basquiat_Book_Spreads.indd 1 20.11.19 14:31 EDITED BY DIETER BUCHHART AND ELEANOR NAIRNE WITH LOTTE JOHNSON 191115_Basquiat_Book_Spreads.indd 2 20.11.19 14:31 BASQUIAT BOOM FOR REAL PRESTEL MUNICH · LONDON · NEW YORK 191115_Basquiat_Book_Spreads.indd 3 20.11.19 14:31 191115_Basquiat_Book_Spreads.indd 4 20.11.19 14:31 191115_Basquiat_Book_Spreads.indd 5 20.11.19 14:31 191115_Basquiat_Book_Spreads.indd 6 20.11.19 14:31 8 FOREWORD JANE ALISON 4. JAZZ 12 BOOM, BOOM, BOOM FOR REAL 156 INTRODUCTION DIETER BUCHHART 158 BASQUIAT, BIRD, BEAT AND BOP 20 THE PERFORMANCE OF FRANCESCO MARTINELLI JEAN-MICHEL BASQUIAT ELEANOR NAIRNE 162 WORKS 178 ARCHIVE 1. SAMO© 5. ENCYCLOPAEDIA 28 INTRODUCTION 188 INTRODUCTION 30 THE SHADOWS 190 BASQUIAT’S BOOKS CHRISTIAN CAMPBELL ELEANOR NAIRNE 33 WORKS 194 WORKS 58 ARCHIVE 224 ARCHIVE 2. NEW YORK/ 6. THE SCREEN NEW WAVE 232 INTRODUCTION 66 INTRODUCTION 234 SCREENS, STEREOTYPES, SUBJECTS JORDANA MOORE SAGGESE 68 EXHIBITIONISM CARLO MCCORMICK 242 WORKS 72 WORKS 252 ARCHIVE 90 ARCHIVE 262 INTERVIEW BETWEEN 3. THE SCENE JEAN-MICHEL BASQUIAT, GEOFF DUNLOP AND SANDY NAIRNE 98 INTRODUCTION 268 CHRONOLOGY 100 SAMO©’S NEW YORK LOTTE JOHNSON GLENN O’BRIEN 280 ENDNOTES 104 WORKS 288 INDEX 146 ARCHIVE 294 AUTHOR BIOGRAPHIES 295 IMAGE CREDITS 191115_Basquiat_Book_Spreads.indd 7 20.11.19 14:31 Edo Bertoglio. Jean-Michel Basquiat wearing an American football helmet, 1981. 8 191115_Basquiat_Book_Spreads.indd 8 20.11.19 14:31 FOREWORD JANE ALISON Jean-Michel Basquiat is one of the most significant painters This is therefore a timely presentation of a formidable talent of the 20th century; his name has become synonymous with and builds on an important history of Basquiat exhibitions notions of cool.
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