Supporting the Creative Economy

Total Page:16

File Type:pdf, Size:1020Kb

Supporting the Creative Economy House of Commons Culture, Media and Sport Committee Supporting the creative economy Third Report of Session 2013–14 Volume I Volume I: Report, together with formal minutes, oral and written evidence Additional written evidence is contained in Volume II, available on the Committee website at www.parliament.uk/cmscom Ordered by the House of Commons to be printed 11 September 2013 HC 674 [Incorporating HC 743 (Session 2012-13)] Published on 26 September 2013 by authority of the House of Commons London: The Stationery Office Limited £35.00 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon) (Chair) Mr Ben Bradshaw MP (Labour, Exeter) Angie Bray MP (Conservative, Ealing Central and Acton) Conor Burns MP (Conservative, Bournemouth West) Tracey Crouch MP (Conservative, Chatham and Aylesford) Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Mr John Leech MP (Liberal Democrat, Manchester, Withington) Steve Rotheram MP (Labour, Liverpool, Walton) Jim Sheridan MP (Labour, Paisley and Renfrewshire North) Mr Gerry Sutcliffe MP (Labour, Bradford South) The following members were also a member of the committee during the parliament: David Cairns MP (Labour, Inverclyde) Dr Thérèse Coffey MP (Conservative, Suffolk Coastal) Damian Collins MP (Conservative, Folkestone and Hythe) Alan Keen MP (Labour Co-operative, Feltham and Heston) Louise Mensch MP (Conservative, Corby) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Mr Tom Watson MP (Labour, West Bromwich East) Powers The committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. These are available on the internet via www.parliament.uk. Publication The Reports and evidence of the Committee are published by The Stationery Office by Order of the House. All publications of the Committee (including press notices) are on the internet at www.parliament.uk/cmscom. A list of Reports of the Committee in the present Parliament is at the back of this volume. The Reports of the Committee, the formal minutes relating to that report, oral evidence taken and some of the written evidence are available in a printed volume. Additional written evidence is published on the internet only. Committee staff The current staff of the Committee are Elizabeth Flood (Clerk), Grahame Danby (Second Clerk), Kevin Candy (Inquiry Manager), Emily Gregory (Senior Committee Assistant), Keely Bishop (Committee Assistant) and Jessica Bridges-Palmer (Media Officer). Contacts All correspondence should be addressed to the Clerk of the Culture, Media and Sport Committee, House of Commons, 7 Millbank, London SW1P 3JA. The telephone number for general enquiries is 020 7219 6188; the Committee’s email address is [email protected] Supporting the creative economy 1 Contents Report Page Conclusions and recommendations 3 1 Introduction 9 Creative industries 9 The Committee’s inquiry 10 Visits 11 2 Olympic and Paralympic legacy 13 3 Intellectual property 16 Copyright and piracy 16 Digital Economy Act 21 Proposals for change 23 Copyright exceptions 27 4 Funding and finance 33 5 Tax reliefs 37 6 Education, skills and training 41 7 Creative hubs 46 8 Creative Industries Council 47 Formal Minutes 49 Witnesses 50 List of printed written evidence 52 List of additional written evidence 52 List of Reports from the Committee during the current Parliament 55 Supporting the creative economy 3 Conclusions and recommendations Olympic and Paralympic legacy 1. We welcome the efforts of UKTI to promote the UK creative industries overseas and believe international trade missions should contain wide cultural representation. The greatest effort should continue to be directed towards ensuring that UK creative talent and businesses are assiduously promoted not only by UKTI but in all work to promote British business overseas. (Paragraph 14) 2. The excessive constraints imposed by the Olympic No Marketing Rights Protocol and the inadequacy of the Supplier Recognition Scheme mean that the benefits from the participation of UK businesses in the 2012 Olympic and Paralympic Games are not being properly realised. This deeply disappointing state of affairs endangers the economic legacy that British companies in the creative and allied sectors have a legitimate right to benefit from. It reflects badly on the wider Olympic movement that, in other contexts, is all too ready to celebrate individual and collective achievement. (Paragraph 17) 3. We recommend that the Government review, as a matter of urgency, whether the supplier recognition scheme can be improved to meet the objective of allowing British firms to promote their contributions to the 2012 Olympics and Paralympics. This is all the more pressing as firms throughout the UK seek to gain contracts for the next games in Rio de Janeiro. (Paragraph 18) Copyright protection 4. The relationship between the strength of Britain’s creative industries and robust copyright laws is acknowledged by the Open Rights Group which aims radically to liberalise the use and sharing of copyrighted content. While we share the Open Rights Group’s attachment to freedom of expression via the internet, we firmly repudiate their laissez-faire attitudes towards copyright infringement. (Paragraph 19) 5. We encourage businesses to use the current law to bring claims wherever it is feasible for them to do so. There nonetheless remains a systemic failure to enforce the existing laws effectively against rife online piracy. (Paragraph 28) 6. We strongly condemn the failure of Google, notable among technology companies, to provide an adequate response to creative industry requests to prevent its search engine directing consumers to copyright-infringing websites. We are unimpressed by their evident reluctance to block infringing websites on the flimsy grounds that some operate under the cover of hosting some legal content. The continuing promotion by search engines of illegal content on the internet is unacceptable. So far, their attempts to remedy this have been derisorily ineffective. (Paragraph 31) 7. We do not believe it to be beyond the wit of the engineers employed by Google and others to demote and, ideally, remove copyright infringing material from search engine results. Google co-operates with law enforcement agencies to block child pornographic content from search results and it has provided no coherent, 4 Supporting the creative economy responsible answer as to why it cannot do the same for sites which blatantly, and illegally, offer pirated content. (Paragraph 32) 8. There should be within Government a powerful champion of IP with a duty to protect and promote the interests of UK IP, to co-ordinate enforcement of IP rights in the UK and overseas and to educate consumers on the value of IP and the importance of respecting IP rights. Logically the IPO should take on this role. Yet too often it is seen as wishing to dilute copyright rather than defend and enforce it. (Paragraph 34) 9. We recommend that the Intellectual Property Office’s annual reports include an assessment of the degree of online copyright infringement and the extent to which identified search engines and other internet services facilitate this. We further recommend that the Government consider how it might incentivise technology companies to hinder access via the internet to copyright infringing material. (Paragraph 35) 10. We recommend that the maximum penalty for serious online copyright theft be extended to ten years’ imprisonment. Criminal offences in the online world should attract the same penalties as those provided for the physical world by the Copyright, etc. and Trade Marks (Offences and Enforcement) Act 2002. (Paragraph 37) Discouraging piracy 11. While the practical implementation of the Digital Economy Act continues to be delayed, millions of pounds are being lost by the creative industries with serious consequences for the wider economy. We urge the Government to resolve the current impasse on implementing the Online Copyright Infringement Code without further delay, and in response to this Report to set out a clear timetable for doing so. (Paragraph 41) 12. We recommend that a copyright infringement notification system envisaged by the Digital Economy Act be implemented with far greater speed than the Government currently plans. By targeting information letters to the worst infringers, early implementation will, we believe, serve an important educative purpose which could percolate more widely. (Paragraph 46) 13. We are encouraged by the progress that has been made towards instituting a voluntary system of warning letters following discussions involving internet service providers and rights owners. If this can be achieved by mutual cooperation rather than legislation, it will be a major step forward. However, should voluntary initiatives such as this prove unsuccessful then the Government should ensure that the equivalent measures in the Digital Economy Act are promptly put into effect. (Paragraph 47) 14. Following all the evidence we have received, we think Hargreaves is wrong in the benefits his report claims for his recommended changes to UK copyright law. We regret that the Hargreaves report adopts a significantly low standard in relation to the need for
Recommended publications
  • Special Issue
    ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018.
    [Show full text]
  • Table of Contents
    KITSELAS 2015-2016 ANNUAL REPORT www.kitselas.com TABLE OF CONTENTS TABLE OF CONTENTS ................................................... 1 Message from Chief Bevan............................................ 2 KITSELAS COUNCIL ...................................................... 3 Strategic Framework ......................................................................4 TREATY ........................................................................... 5 HEALTH SERVICES .......................................................11 Health Promotion & Disease Prevention .....................................12 Public Health Protection ..............................................................17 Primary Health Care ....................................................................17 Health System Capacity ..............................................................18 How are we doing? ......................................................................19 LANDS & RESOURCES ................................................ 20 Lands ...........................................................................................21 Resources ....................................................................................22 COMMUNITY SERVICES .............................................. 24 Social Development ....................................................................26 Education .....................................................................................27 Employment & Training ................................................................30
    [Show full text]
  • Haunted Narratives: the Afterlife of Gothic Aesthetics in Contemporary Transatlantic Women’S Fiction
    HAUNTED NARRATIVES: THE AFTERLIFE OF GOTHIC AESTHETICS IN CONTEMPORARY TRANSATLANTIC WOMEN’S FICTION Jameela F. Dallis A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2015 Approved by: Minrose Gwin Shayne A. Legassie James Coleman María DeGuzmán Ruth Salvaggio © 2016 Jameela F. Dallis ALL RIGHTS RESERVED ii ABSTRACT Jameela F. Dallis: Haunted Narratives: The Afterlife of Gothic Aesthetics in Contemporary Transatlantic Women’s Fiction (Under the direction of Minrose Gwin and Shayne A. Legassie) My dissertation examines the afterlife of eighteenth- and nineteenth-century Gothic aesthetics in twentieth and twenty-first century texts by women. Through close readings and attention to aesthetics and conventions that govern the Gothic, I excavate connections across nation, race, and historical period to engage critically with Shirley Jackson’s The Haunting of Hill House, 1959; Angela Carter’s “The Lady of the House of Love,” 1979; Shani Mootoo’s Cereus Blooms at Night, 1996; and Toni Morrison’s Love, 2003. These authors consciously employ such aesthetics to highlight and critique the power of patriarchy and imperialism, the continued exclusion of others and othered ways of knowing, loving, and being, and the consequences of oppressing, ignoring, or rebuking these peoples, realities, and systems of meaning. Such injustices bear evidence to the effects of transatlantic commerce fueled by the slave trade and the appropriation and conquering of lands and peoples that still exert a powerful oppressive force over contemporary era peoples, especially women and social minorities.
    [Show full text]
  • Whole Day Download the Hansard Record of the Entire Day in PDF Format. PDF File, 0.52
    Friday Volume 630 3 November 2017 No. 46 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Friday 3 November 2017 © Parliamentary Copyright House of Commons 2017 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 1087 3 NOVEMBER 2017 1088 Gaffney, Hugh Murray, Mrs Sheryll House of Commons Gardiner, Barry Norris, Alex George, Ruth Onwurah, Chi Friday 3 November 2017 Goodwill, Mr Robert Opperman, Guy Graham, Luke Owen, Albert The House met at half-past Nine o’clock Gwynne, Andrew Peacock, Stephanie Haigh, Louise Pennycook, Matthew PRAYERS Hamilton, Fabian Phillips, Jess Hanson, rh David Pidcock, Laura Harrington, Richard Pincher, Christopher [MR SPEAKER in the Chair] Harris, Carolyn Pollard, Luke Gareth Snell (Stoke-on-Trent Central) (Lab/Co-op): Harris, Rebecca Prentis, Victoria I beg to move, That the House sit in private. Hayman, Sue Pursglove, Tom Question put forthwith (Standing Order No. 163). Heappey, James Quince, Will Heaton-Harris, Chris Reed, Mr Steve The House proceeded to a Division. Hobhouse, Wera Reeves, Ellie Mr Speaker: I ask the Serjeant at Arms to investigate Hollobone, Mr Philip Reynolds, Jonathan the delay in the No lobby. Huq, Dr Rupa Rimmer, Ms Marie Hurd, Mr Nick Rutley, David The House having divided: Ayes 0, Noes 120. Jarvis, Dan Skidmore, Chris Division No. 32] [9.34 am Jenkin, Mr Bernard Smith, Cat Jones, Andrew Smith, Jeff AYES Jones, Darren Stephenson, Andrew Tellers for the Ayes: Jones, Gerald
    [Show full text]
  • Afpe Taskforce: the Future of Physical Education
    afPE Taskforce: The future of Physical Education Background and purpose The Association for Physical Education (afPE) has a significant and highly respected voice within the PE community, schools, government and the sport and recreation sector. Leading a taskforce of experts across a range of disciplines will allow afPE to: - Positively influence future public policy around PE; - Provide government (and ultimately schools) with practical, actionable recommendations for change; - To support afPE’s ambition of putting PE at the heart of school life – understanding and articulating why PE matters and its contribution across the curriculum and to wider social issues; - To celebrate high quality PE and teachers and to encourage the replication and spread of best practice; - Allow leading research and insight to be presented in a consolidated way – bringing more focus to the issues that really matter. Membership The membership of this taskforce is as follows: - Edward Timpson CBE, MP (Chair) - Jason Robinson OBE (Former England Rugby International and Rugby Union World Cup Winner) - Sue Wilkinson MBE FRSA (afPE CEO) - Professor Jo Harris (Loughborough University) - Baroness Amanda Sater - Gerry Sutcliffe (former MP and Government Minister) - Samantha Tross MBBS, FRCS, FRCS Ed [Tr & Orth] (Consultant Orthopaedic Surgeon) - Dr Andy-Daly Smith (University of Bradford) - Dr Alison Murray (University of Roehampton) - Shaun Dowling (Head of Sport at United Learning) - Shannon Hussain (newly qualified PE teacher) We are finalising the final members of our taskforce to ensure that the voices of those participating at the frontline are heard. We will be inviting representatives from Sport England and the Department for Education to join as observers.
    [Show full text]
  • OVERSEAS TRAVEL by MINISTERS 1 April 2007 – 31 March 2008
    OVERSEAS TRAVEL BY MINISTERS 1 April 2007 – 31 March 2008 CABINET OFFICE JULY 2008 OVERSEAS TRAVEL BY MINISTERS 2007 – 2008 INDEX Page Attorney General’s Office 1 Department for Business, Enterprise and Regulatory Reform 2 Cabinet Office 7 Minister for the Olympics and London 8 Chief Whip (Commons) 9 Chief Whip (Lords) 10 Department for Children, Schools and Families 11 Department for Communities and Local Government 13 Department for Culture, Media and Sport 14 Ministry of Defence 16 Deputy Prime Minister’s Office 19 Department for Environment, Food and Rural Affairs 20 Foreign and Commonwealth Office 24 Department of Health 33 Home Office 34 Department for Innovation, Universities and Skills 37 Department for International Development 38 Ministry of Justice 42 Lord Privy Seal and Leader of the House of Commons 44 Lord President of the Council and Leader of the House of Lords 45 Northern Ireland Office 46 Prime Minister’s Office 47 Scotland Office 49 Department for Transport 50 HM Treasury 52 Wales Office 54 Department for Work and Pensions 55 OVERSEAS TRAVEL BY MINISTERS 2007 – 2008 ATTORNEY GENERAL’S OFFFICE Dates Minister Destination Purpose of Trip Scheduled, ‘No No. of Officials Total cost 32 (The Royal) Accompanying including travel Squadron’, or Minister, where & ‘Other RAF’ or non scheduled accommodation ‘Charter’ travel used Attorney General 18 - 19 April Rt Hon Lord Luxembourg Justice and Home Affairs Council Scheduled £676 2007 Goldsmith QC 25 May Rt Hon Lord Munich, Meetings with G8 Justice and Interior Ministers Other RAF
    [Show full text]
  • Coversheet for Thesis in Sussex Research Online
    A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 Escaping the Honeytrap Representations and Ramifications of the Female Spy on Television Since 1965 Karen K. Burrows Submitted in fulfillment of the degree of Doctor of Philosophy in Media and Cultural Studies at the University of Sussex, May 2014 3 University of Sussex Karen K. Burrows Escaping the Honeytrap: Representations and Ramifications of the Female Spy on Television Since 1965 Summary My thesis interrogates the changing nature of the espionage genre on Western television since the middle of the Cold War. It uses close textual analysis to read the progressions and regressions in the portrayal of the female spy, analyzing where her representation aligns with the achievements of the feminist movement, where it aligns with popular political culture of the time, and what happens when the two factors diverge. I ask what the female spy represents across the decades and why her image is integral to understanding the portrayal of gender on television. I explore four pairs of television shows from various eras to demonstrate the importance of the female spy to the cultural landscape.
    [Show full text]
  • UNCORRECTED TRANSCRIPT of ORAL EVIDENCE to Be Published As HC 743-Iii
    UNCORRECTED TRANSCRIPT OF ORAL EVIDENCE To be published as HC 743-iii HOUSE OF COMMONS ORAL EVIDENCE TAKEN BEFORE THE CULTURE, MEDIA AND SPORT COMMITTEE SUPPORT FOR THE CREATIVE ECONOMY TUESDAY 4 DECEMBER 2012 GEOFF TAYLOR, JO DIPPLE, ANDY HEATH and ALISON WENHAM FRAN HEALY, STEVE LEVINE and STEPHEN BUDD Evidence heard in Public Questions 218 - 287 USE OF THE TRANSCRIPT 1. This is an uncorrected transcript of evidence taken in public and reported to the House. The transcript has been placed on the internet on the authority of the Committee, and copies have been made available by the Vote Office for the use of Members and others. 2. Any public use of, or reference to, the contents should make clear that neither witnesses nor Members have had the opportunity to correct the record. The transcript is not yet an approved formal record of these proceedings. 3. Members who receive this for the purpose of correcting questions addressed by them to witnesses are asked to send corrections to the Committee Assistant. 4. Prospective witnesses may receive this in preparation for any written or oral evidence they may in due course give to the Committee. 1 Oral Evidence Taken before the Culture, Media and Sport Committee on Tuesday 4 December 2012 Members present: Mr John Whittingdale (Chair) Mr Ben Bradshaw Angie Bray Conor Burns Tracey Crouch Philip Davies Paul Farrelly Steve Rotheram Mr Adrian Sanders Jim Sheridan Mr Gerry Sutcliffe ________________ Examination of Witnesses Witnesses: Geoff Taylor, Chief Executive, BPI, Jo Dipple, Chief Executive Officer, UK Music, Andy Heath, Chairman, UK Music, and Alison Wenham, Chief Executive Officer, The Association of Independent Music, gave evidence.
    [Show full text]
  • MS 254 A980 Women's Campaign for Soviet Jewry 1
    1 MS 254 A980 Women’s Campaign for Soviet Jewry 1 Administrative papers Parliamentary Correspondence Correspondence with Members of Parliament 1/1/1 Members of Parliament correspondence regarding support for the 1978-95 efforts of the Women’s Campaign for Soviet Jewry and brief profiles and contact details for individual Members of Parliament; Diane Abbot, Robert Adley, Jonathan Aitken, Richard Alexander, Michael Alison, Graham Allen, David Alton, David Amess, Donald Anderson, Hilary Armstrong, Jacques Arnold, Tom Arnold, David Ashby, Paddy Ashdown, Joe Ashton, Jack Aspinwall, Robert Atkins, and David Atkinson 1/1/2 Members of Parliament correspondence regarding support for the 1974-93 efforts of the Women’s Campaign for Soviet Jewry and brief profiles and contact details for individual Members of Parliament; Kenneth Baker, Nicholas Baker, Tony Baldry, Robert Banks, Tony Banks, Kevin Barron, Spencer Batiste and J. D. Battle 1/1/3 Members of Parliament correspondence regarding support for the 1974-93 efforts of the Women’s Campaign for Soviet Jewry and brief profiles and contact details for individual Members of Parliament; Margaret Beckett, Roy Beggs, Alan James Beith, Stuart Bell, Henry Bellingham, Vivian Bendall, Tony Benn, Andrew F. Bennett, Gerald Bermingham, John Biffen, John Blackburn, Anthony Blair, David Blunkett, Paul Boateng, Richard Body, Hartley Booth, Nichol Bonsor, Betty Boothroyd, Tim Boswell and Peter Bottomley 1/1/4 Members of Parliament correspondence regarding support for the 1975-94 efforts of the Women’s Campaign
    [Show full text]
  • Formal Minutes
    House of Commons Culture, Media and Sport Committee Formal Minutes Session 2010–12 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration, and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon) (Chair) Dr Thérèse Coffey MP (Conservative, Suffolk Coastal) Damian Collins MP (Conservative, Folkestone and Hythe) Mr Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Mrs Louise Mensch MP (Conservative, Corby) Steve Rotheram MP (Labour, Liverpool, Walton) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Jim Sheridan MP (Labour, Paisley and Renfrewshire North) Mr Gerry Sutcliffe MP (Labour, Bradford South) Mr Tom Watson MP (Labour, West Bromwich East) The following were also members of the committee during the Parliament: David Cairns MP (Labour, Inverclyde) Cathy Jamieson MP (Labour, Kilmarnock and Loudoun) Alan Keen MP (Labour, Feltham and Heston) Powers The committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. These are available on the Internet via www.parliament.uk. Publications The Reports and evidence of the Committee are published by The Stationery Office by Order of the House. All publications of the Committee (including press notices) are on the Internet at www.parliament.uk/cmscom. Committee staff The current staff of the Committee are Elizabeth Flood (Clerk), Sarah Heath (Second Clerk), Victoria Butt (Senior Committee Assistant), Keely Bishop (Committee Assistant), Alison Pratt (Committee Assistant) and Jessica Bridges-Palmer (Media Officer).
    [Show full text]
  • India Music Market Study
    INDIA MUSIC MARKET STUDY Written by Sound Diplomacy CONTENTS 1. Introduction 4 1.1 India at a Glance 4 General Info 4 Transport Network 5 1.2 India Geography 7 2. The Indian Recorded Music Market 9 2.1 History and Current State 9 2.2 Recorded Music Market 9 Chart Analysis 10 Piracy 11 2.3 Labels and Production Companies 11 2.4 Streaming in India 13 2.5 Record Labels, Retail and Distribution 15 Record Labels 15 Record Stores 18 Distribution 19 Booking Agencies 20 Management Companies 22 3. Live Performance Industry in India 23 3.1 Music Festivals 24 Festivals 25 3.2 Touring India 28 Venues 29 Costs of Touring 32 Tips About Touring 33 Visas 35 4. Music Publishing in India 35 4.1 Trends and Development 35 4.2 Sync and its Impact 35 4.3 Performing Rights Organisations (PRO) 36 4.4 Select Music Publishers 36 5. Music Promotion and Media 37 5.1 Radio 37 5.2 Television 38 5.3 PR (Print & Digital) 38 Select Newspapers 38 Select Music/Art Magazines 39 Select Publicists and Agencies 40 6. Business and Showcase Events 41 6.1 Select Showcases and Conferences 41 Trade shows / conferences 41 The convention was hosted and attended by some of the most influential entrepreneurs that belong to the nightlife industry. 42 7. Additional Tools and Resources 42 8. References 43 1. Introduction 1.1 India at a Glance General Info India is a federation made up of 29 states and 7 union territories. It is the second most populous country in the world, with a population of nearly 1.3 billion, and is also the seventh largest in terms of landmass.
    [Show full text]
  • A Masterpiece M +++++ Mojomagazine U S I C W E E K
    Cover11.01.13_cover template 07/01/13 15:49 Page 1 1 0 6 3 1 6 7 7 9 6 6 6 7 7 9 THE BUSINESS OF MUSIC www.musicweek.com 11.01.13 £5.15 A masterpiece +++++ Mojo Magazine Project1_Layout 1 07/01/2013 15:48 Page 1 the multi award winning album Re-released on January 28th On multiple formats DELUXE 3 CD DIGI PACK ;:9876548382:18350/.:/-:4,8:/30+0.6*:6*)(7 ;:'.38*86582:*018:&83-/376.%85:-3/7:4,8:$#"":4/(3 ;:'.38*86582:46!85:-3/7:4,8:9(7/(35:58550/.5 e '9:':: $$0.* ;:9876548382:18350/.:/-:4,8:/30+0.6*:6*)(7 ;:'.38*86582:*018:&83-/376.%85:-3/7:4,8:$#"":4/(3 ;:'.38*86582:46!85:-3/7:9(7/(35:58550/.5 ;:9/(+,5:6.2:(446!85:-3/7:4,8::38055(8 ;::/-:,8:9/58)(2:0*7 :): 0%,68*:/**0.5 ;:0.*: e 9 9: ' :/.: e : e ':': : e 9 9:6.2 DELUXE 18350/.5:6*5/:6160*6)*8: e **:18350/.5:6160*6)*8:-/3:5438670.+ ,8:6*)(7:0**:)8:*6(.%,82:04, 6:-(**:763!840.+::&3/7/40/.6*:%67&60+. 6%8)//!%/7*884//2 6% 0.%*(20.+::0.4831085:6.2:.640/.6* 884//276%%/7 :621834050.+:&3855:625/.*0.8 FM MW Inside Cover 2 indd 1 07/01/2013 15:32 Cover_v3_cover template 08/01/13 19:22 Page 1 01 9 776669 776136 THE BUSINESS OF MUSIC www.musicweek.com 11.01.13 £5.15 NEWS BIG INTERVIEW ANALYSIS 02 10 12 Newly-promoted Universal Petula Clark discusses seven Music Week’s six page Music International boss Max decades in showbiz - and what it’s investigation into last Hole on his ambitions for EMI like to meet Elvis and John Lennon year’s record sales BMG: we’re still majorly hungry MUTE AND VIRGIN BOUGHT OVER CHRISTMAS - BUT THE RIGHTS GROUP’S NOT DONE YET ACQUISITIONS A bigger shock was BMG’s acquisition of Mute Records, the David Bowie announced a TALKING MUTE I BY TIM INGHAM shock new album this label sold by founder Daniel week - but his catalogue is Mute founder Daniel Miller up for grabs in the licensed back the label’s name he battle to acquire Miller to EMI in 2002 for £23m.
    [Show full text]