River Currents, Summer 2017 WELCOME! Ments Over the Last Several Decades
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TOWARDS POSTAL EXCELLENCE the Report of the President's Commission on Postal Organization June 1968
TOWARDS POSTAL EXCELLENCE The Report of The President's Commission on Postal Organization June 1968 \ ... ~ ~ ..;,. - ..~ nu. For sale by the Superintendent of Documents, U.S. Government Printing Office Washington, D.C. 20402 - Price $1.25 2 THE PRESIDENT'S COMMISSION ON POSTAL ORGANIZATION I ~ FREDERICK R. KAPPEL-Chairman Ii Chairman, Board of Directors (retired) ) American Telephone and Telegraph Company GEORGE P. BAKER Dean Harvard University Graduate School of Business Administration DAVIn E. BELL Vice President The Ford Foundation FRED J. BORCH President General Electric Company DAVIn GINSBURG Partner Ginsburg and Feldman RALPH LAZARUS Chairman Board of Directors Federated Department Stores GEORGE MEANY President American Federation of Labor and Congress of Industrial Organizations J. IRWIN MILLER Chairman Board of Directors Cummins Engine Company W. BEVERLY MURPHY President Campbell Soup Company RUDOLPH A. PETERSON President Bank of America MURRAY COMAROW-Executive Director ii THE PRESIDENT'S COMMISSION ON POSTAL ORGANIZATION 1016 SIXTEENTH STREET, N.W., WASHINGTON, D.C. 20036 The President The White House Washington, D.C. 20500 Dear Mr. President: I have the honor of transmitting the Report of the President's Commission on Postal Organization in compliance with Executive Order 11341 dated April 8, 1967. You asked this Commission to "conduct the most searching and exhaustive review ever undertaken . ." of the American postal service. We have complied with your mandate. You asked us to "determine whether the postal system as presently organized is capable of meeting the demands of our growing economy and our expanding population." We have concluded that it is not. Our basic finding is that the procedures for administering the ordinary executive departments of Government are inappropriate for the Post Office. -
The 2021 Ohio Governor's Youth Art Exhibition
SPONSORS • AMACO/ Brent • Art Academy of Cincinnati • Ashland University • Blick Art Materials • Bowling Green State University, School of Art • Buckeye Ceramic Supply • Cleveland Institute of Art • College for Creative Studies - Detroit, MI • Columbus Clay Company • Columbus College of Art and Design • Kansas City Art Institute (KCAI) - Kansas City, MO • Kendall College of Art and Design of Ferris State University - Grand Rapids, MI • Laguna College of Art and Design - Laguna Beach, CA • Mansfield Art Center • Mayco Colors • Maryland Institute, College of Art - Baltimore, MD • McConnell Arts Center of Worthington • Milwaukee Institute of Art and Design (MIAD) • The Modern College of Design - Kettering, OH • Mount St. Joseph University - Cincinnati, OH • Myers School of Art, The University of Akron • Ohio Art Education Association • Ohio Ceramic Supply • Ohio Designer Craftsmen • Ohio Northern University - Ada, OH • Ohio State Fair Youth Arts Exhibition • Ohio University, School of Art + Design - Athens, OH • Savannah College of Art and Design (SCAD) • School of the Art Institute of Chicago (SAIC) • School of Visual Arts (SVA) - New York, NY • Support for Talented Students, Inc. (STS) • University of Dayton Online Exhibition Opens • University of St. Francis, School of Creative Arts - Ft. Wayne, IN Sunday April 25, 2021 • University of Toledo Department of Art at www.govart.org • Wright State University - Dayton, OH • The Governor of the State of Ohio • The Ohio Department of Education 2021 Top 25 Award of Excellence The 2021 Ohio Governor’s Youth Art Exhibition April 25 through May 21, 2021 Virtual Exhibition and Awards are available for viewing at www.govart.org The Exhibition • is a non-profit organization established in 1970 to promote the arts and to reward the youth of Ohio for their achievements in the visual arts. -
Principal Facts of the Earth's Magnetism and Methods Of
• * Class Book « % 9 DEPARTMENT OF COMMERCE U. S. COAST AND GEODETIC SURVEY E. LESTER JONES, Superintendent PRINCIPAL FACTS OF THE EARTH’S MAGNETISM AND METHODS OF DETERMIN¬ ING THE TRUE MERIDIAN AND THE MAGNETIC DECLINATION [Reprinted from United States Magnetic Declination Tables and Isogonic Charts for 1902] [Reprinted from edition of 1914] WASHINGTON GOVERNMENT PRINTING OFFICE 1919 ( COAST AND GEODETIC SURVEY OFFICE. DEPARTMENT OF COMMERCE U. S. COAST AND GEODETIC SURVEY »» E. LESTER JONES, Superintendent PRINCIPAL FACTS OF THE EARTH’S MAGNETISM AND METHODS OF DETERMIN¬ ING THE TRUE MERIDIAN AND THE MAGNETIC DECLINATION [Reprinted from United States Magnetic Declination Tables and Isogonic Charts for 1902 ] i [ Reprinted from edition of 1914] WASHINGTON GOVERNMENT PRINTING OFFICE 4 n; «f B. AUG 29 1913 ft • • * C c J 4 CONTENTS. Page. Preface. 7 Definitions. 9 Principal Facts Relating to the Earth’s Magnetism. Early History of the Compass. Discovery of the Lodestone. n Discovery of Polarity of Lodestone. iz Introduction of the Compass..... 15 Improvement of the Compass by Petrius Peregrinus. 16 Improvement of the Compass by Flavio Gioja. 20 Derivation of the word Compass. 21 Voyages of Discovery. 21 Compass Charts. 21 Birth of the Science of Terrestrial Magnetism. Discovery of the Magnetic Declination at Sea. 22 Discovery of the Magnetic Declination on Land. 25 Early Methods for Determining the Magnetic Declination and the Earliest Values on Land. 26 Discovery of the Magnetic Inclination. 30 The Earth, a Great Magnet. Gilbert’s “ De Magnete ”.'. 34 The Variations of the Earth’s Magnetism. Discovery of Secular Change of Magnetic Declination. 38 Characteristics of the Secular Change. -
Small Group Trip 16 Days
INDIA TREASURES OF INDIA: FEATURING THE PUSHKAR CAMEL FAIR Small Group Trip 16 Days ATJ.com | [email protected] | 800.642.2742 Page 1 Treasures of India: Featuring the Pushkar Camel Fair TREASURES OF INDIA: INDIA FEATURING THE PUSHKAR CAMEL FAIR Small Group Trip 16 Days Delhi Jaipur Pushkar Sarnath Agra Rohet Ganges River Varanasi Udaipur INDIA Arabian Sea Bay Of Bengal Take time to truly connect with local villagers. Indian Ocean DIVERSE RELIGIOUS TRADITIONS, MAHARAJAS’ INDULGE YOUR PALACES, TEMPLES, FORTRESSES, GANGES CRUISE, TAJ WANDERLUST MAHAL, PUSHKAR CAMEL FAIR, UNESCO SITES, DELUXE ACCOMMODATIONS Ø Watch the sun rise above the mesmerizing Taj Mahal India is one of the world’s great civilizations and perhaps its greatest travel destination. Cultures and religions have coexisted together for ages, each expressing its traditions in magnificent artistic, Ø Take a camel-cart ride through the fairground philosophic and architectural accomplishments. On this journey, your finger will be firmly on around dunes India’s spiritual pulse as we survey its most important cultural centers and UNESCO World Ø Explore palaces and fortresses Heritage sites. Ø Visit the Bishnois people, India’s fi rst Become familiar with the urban centers of Rajasthan and Uttar Pradesh, rich in history and conservationists buzzing with life. Then visit the region’s timeless, somnolent villages, little changed by the centuries. Gain deep insight into India’s history, from the Mughal empires through colonialism and Ø Get a behind-the-scenes interpretation of the into the contemporary age. Rub shoulders with mystics, musicians, camel-wallahs, priests, dancers Pushkar Camel Fair and vendors of all description at the colorful Pushkar Camel Fair. -
Reports of the Great California Earthquake of 1857
REPORTS OF THE GREAT CALIFORNIA EARTHQUAKE OF 1857 REPRINTED AND EDITED WITH EXPLANATORY NOTES VERSION 1.01 DUNCAN CARR AGNEW INSTITUTE OF GEOPHYSICS AND PLANETARY PHYSICS SCRIPPS INSTITUTION OF OCEANOGRAPHY UNIVERSITY OF CALIFORNIA LA JOLLA CALIFORNIA 2006 Abstract This publication reprints 77 primary accounts that describe the effects of the “Fort Tejon” earthquake of January 9, 1857, which was caused by the rupture of the San Andreas Fault from Parkfield to San Bernardino. These accounts include 70 contemporary documents (52 newspaper reports, 17 letters and journals, and one scientific paper) and seven reminiscences, which describe foreshocks, felt effects, faulting, and some of the aftershocks associated with this earthquake. Most of the reports come from the major populated areas: Los Angeles, Santa Barbara, Santa Cruz, San Jose, Sacramento, and Stockton, but other areas are also covered. Notes on toponomy and other historical issues are included. These documents were originally published as a microfiche supplement to Agnew and Sieh (1978); this reprinting is intended to make them more widely accessible on the occasion of the 150th anniversary of this earthquake. 1 Introduction The collection of earthquake reports reprinted here began in 1972, as a project for a class on seismology taught by Clarence Allen, in which I learned that the southern extent of faulting in the 1857 “Fort Tejon” earthquake was uncertain. From reading Arrington (1958) in a previous course in Western US history, I knew that there had been a Mormon colony in San Bernardino in 1857, and that most colonies kept a daily journal. A trip to the Church Historical Office in Salt Lake City found such a journal, and a search through available newspapers showed many more accounts than had been used by Wood (1955). -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
The Scottish Highland Regiments in the French and Indian
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1968 The cottS ish Highland Regiments in the French and Indian War Nelson Orion Westphal Eastern Illinois University This research is a product of the graduate program in History at Eastern Illinois University. Find out more about the program. Recommended Citation Westphal, Nelson Orion, "The cS ottish Highland Regiments in the French and Indian War" (1968). Masters Theses. 4157. https://thekeep.eiu.edu/theses/4157 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #3 To: Graduate Degree Candidates who have written formal theses. Subject: Permission to reproduce theses. The University Library is rece1v1ng a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements. Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
Terms Applying Only to Narrowboats and the Canals
TERMS APPLYING ONLY TO NARROWBOATS AND THE CANALS By Jeffrey Casciani-Wood A narrowboat or narrowboat is a boat of a distinctive design, built to fit the narrow canals of Great Britain. Wikipedia This glossary covers terms that apply only to narrowboats and their environs and is included because the author firmly believes that the marine surveyor, in order to do his job properly, needs to understand extensively the background and history of the vessel he is surveying. Abutment The supporting or retaining wall of a brick, concrete or masonry structure, particularly where it joins the item (e.g. bridge girder or arch) which it supports. Advanced Electronic means of managing the charge to the batteries from the Alternator engine's alternator(s). Ensures that the batteries are more fully charged Controller and can increase useful battery life. Aegre Tidal bore or wave which is set up by the first of a flood tide as it runs up the river Trent and the word is sometimes spelt Aegir. Air Draught The overall height of a vessel measured from the water line to the highest fixed part of the superstructure. Ait A small island in the upper reaches of the river Thames and the word is sometimes spelt eyot. Anærobes Micro organisms, many exceedingly dangerous to human health, that live in the absence of free oxygen and often to be found in the condensate water settled at the bottom of diesel fuel tanks. Care is required when bleeding a fuel/water separator or when cleaning out fuel tank as their presence can lead to fuel oil problems. -
Creative Flow
Using marine debris, painted silk, Creative Flow and paper, artist Pam Longobardi, Linda Gass, and Lauren Rosenthal Three Activist Artists advocate for greater consciousness by Sally Hansell of our fragile water systems. owerful new work by three activist artists addresses one of the nation’s most critical issues—the steady degradation of our precious water supply. Pam Lon- gobardi uses plastic trash collected on beaches to Pmake provocative art that points to the devastating dangers of plastic in our environment. Linda Gass creates vibrant paint- ed-silk quilt works depicting specific ecological hazards in San Francisco Bay. Lauren Rosenthal turns watershed data into cut- paper sculptures to demonstrate the interconnectedness of riv- ers and earthly organisms. Through their chosen media, these diverse artists advocate for a heightened global ecological con- sciousness. In 2006, Pam Longobardi launched an ongoing project called Drifters after encountering mounds of consumer waste on the beach at South Point, the southernmost tip of the Hawaiian Islands. The project includes photography, sculp- ture, public art, and installations made from the debris that washes up on shores around the world. The Atlanta artist creates “driftwebs” from abandoned drift nets, the miles-long fishing nets that wreak havoc on sea life, killing fish, mammals, turtles, and birds. She cuts and ties pieces of the nets to make installations resembling spider webs. Her intent is not only to draw attention to the dan- gerous plastic nets, but more importantly, to use their woven colorful forms as a dual metaphor for the predatory, destruc- tive behavior of humankind and the interconnectedness of the web of life. -
Lloyd (Wimpy) Serigne Interview Interviewed by Don Davis and Carl
Lloyd (Wimpy) Serigne Interview Interviewed by Don Davis and Carl Brasseaux Carl: And we're putting it there and making it available to researchers now and in the future who are going into the study of coastal areas of Louisiana. So, that's where we'd like to begin. Lloyd: Yeah, well you have my permission and my name is Lloyd Serigne. Don: Alright. L: And my middle name is Lloyd Paul Serigne, but I'm better known as Wimpy, and so I'll always sign Lloyd (Wimpy) Serigne. Wimpy in parenthesis. D: And when were you born? L: 1940. March 3rd 1940. C: You lived your whole life here in St. Bernard? L: Yes. D: And what generation would you be? L: I don't know, I was born in 1940, grew up at Delecraw. D: Where did you... how long have your parents been here and your grandaprents and your great grandparents? L: Well I go back as far as my grandparents. D: Alright. L: They were here. D: And were they oyster men or were they trappers or both? L: Well if they begin my grandfather more or less was a farmer, he grew up on a plantation right down this way. It's called ughhh. Only thing I know that he worked on the Olivier Plantation which is right down the road from here. And ughh then they had 13 kids and they ughh, my dad moved to Delecraw Island and that's where I was born. C: Well can you describe what Delecraw Island was like during your childhood? L: It was, it was great (laughter). -
Today's Downtown Gallery
Today's Downtown Gallery: Public artwork created by the 1% for Public Art program codified in the Planning Code San Francisco's 1% For Art Program The groundbreaking "Downtown Plan” adopted in 1985, was developed under the fundamental assumption that significant employment and office development growth would occur. New commercial development would provide new revenue sources to cover a portion of the costs of necessary urban service improvements. Specific programs were created to satisfy needs for additional housing, transit, childcare, open space, and art. The public art requirement created by this plan is commonly known as the “1% for Art” program. This requirement, governed by Section 429 of the Planning Code, provides that construction of a new building or addition of 25,000 square feet or more within the downtown C‐3 district, triggers a requirement that provide public art that equals at least 1% of the total construction cost be provided. 1 TODAY’S DOWNTOWN GALLERY Today's Downtown Gallery: More than 25 years since the adoption of the Downtown Plan, has seen the growth of an extensive outdoor gallery downtown that enriches the environment for workers and tourists alike. The spirit of the 1% for Art requirement is to ensure that the public has access to high‐quality and variety in art. To help catalog the Downtown public art gallery and to increase public access to this art, the Planning Department has created a map displaying the locations and images of public art in the downtown district. This maps shows that 31 private development projects have resulted in 39 pieces of art in public open spaces or publically accessible locations.