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Winter 2020 NEWSLETTER : BULLETIN Hiver 2020
Société d' Opéra National Capital de la Capitale Nationale Opera Society Winter 2020 NEWSLETTER : BULLETIN Hiver 2020 Frankenstein - The Opera, 2019 by Shelagh Williams How did you celebrate Hallowe’en? You should have actually done! In his work he is supported by his been enjoying Andrew Ager’s Frankenstein: The Op- fiancée Elizabeth, sung by soprano Bronwyn Thies- era, 2019! Thompson, his friend Clerval, sung by baritone James Composer Ager himself adapted the novel Fran- Coole-Stevenson, and his brother William, sung by kenstein for his original production, sung in English, 12-year old Elliott Mennier, head chorister of Christ and for this Ottawa premier adjusted some of the voice Church Cathedral. parts for this cast, just as Mozart would do! The result The charming mountain interlude was animated was a fully-staged production directed by Suzanne by baritone Gary Dahl, who sang the sympathetic blind Bassett and featuring excellent Canadian and Ottawa old DeLacey, and soprano Carmen Harris and tenor singers. The composer himself was on one of the two Jeffrey Boyd, who portrayed the young couple. pianos playing the score, with Ian Bevell on the thun- But the centre of the opera is the Creature created dering organ for the ex- by Victor Frankenstein: a citing events, and Zac very large figure with a Pulak on percussion. complex nature. For this Set designer Mark role, Ager had carefully Shulist supplied the selected huge bass Con- electrical machine to stantine Meglis, whom “awaken” the Creature, he had introduced at the and it was quite impres- Opera Launch this sum- sive, with umpteen cop- mer. -
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REPORT UP IN SMOKE HOW THE EU’S FALTERING CLIMATE POLICY IS UNDERMINING THE CITY OF LONDON Will Straw and Reg Platt with Jimmy Aldridge and Esther Cowdery November 2013 © IPPR 2013 Institute for Public Policy Research ABOUT THE AUTHORS Will Straw is associate director for climate change, energy and transport at IPPR. Reg Platt is a senior research fellow at IPPR. Jimmy Aldridge is a research intern at IPPR. Esther Cowdrey is an economic consultant and a finance lecturer in Lyon, France. She is the founder of Carbon- Politics, an economic thinktank devoted to researching how financial markets can best serve the environment. ACKNOWLEDGMENTS The authors would like to thank John Ashton, Graeme Cooke, Richard Folland, Liz Gallagher, Michael Jacobs and Neil Morisetti for their insightful comments on an earlier draft. A number of colleagues at the Department for Energy and Climate Change and Foreign and Commonwealth Office have provided expert advice and guidance throughout the project. We are grateful to them all. All the views contained in the report, of course, remain the authors alone. The following people attended a roundtable discussion at the City of London Corporation on 3 September 2013: Andrew Ager, Richard Folland, Fan Gao, Richard Gledhill, Anthony Hobley, Jonathan Grant, Tom Jackson, Neil Johnson, Abyd Karmali, Simon Kennedy, Niall Mackenzie, Neil Morisetti, David Peniket and Ingo Ramming. Thanks to all of them for their contribution which formed the basis of the discussion in Chapter 4. In addition, we owe a debt of gratitude to a number of other people with whom we spoke over the course of the research. -
Minister's Message
Volume 34, Number 2 May 2020 CHURCHPOST RIDEAU PARK UNITED CHURCH Rideau Park’s website: Minister’s Message www.rideaupark.ca E-mail: o much of life is about doing the best we can in whatever circumstances [email protected] S life places in our path. That is certainly true in our present situation. We Telephone #: turn on the news and the reality of Covid-19 hits home. Anxiety and fear rise in (613) 733-3156 us as each day brings a higher count of those infected and those who have died. And yet, despite the discouragement, we’re all doing our best to deal with Fax #: (613) 733-1657 life as we know it during a pandemic. “Stay Positive”, advises a sign in the window of a house I pass on my daily walks. I’m trying. Adopting OUR MINISTRY TEAM a positive attitude during a pandemic isn’t easy; on Ministers the other hand, when do we need it more? A posi- Rev. Elizabeth Bryce tive attitude is good for both our emotional and [email protected] spiritual health. And when you think about it, being Ext. 224 positive – looking to the future with hope – is part Rev. Steve Clifton of a Christian’s DNA. We are, after all, an Easter people. [email protected] Ext. 225 If we look beyond the negative, we see every day, right alongside the bad of coronavirus, the good of the people working to combat it. Aren’t you prouder Rev. Georgina Fitzgerald [email protected] than ever to be Canadian? Our political leaders, of every stripe, are working Ext. -
Season of Events
2014.2015 SEASON OF EVENTS Path to Paradise: Miserere Mei Saturday, November 8, 2014 7:30 p.m. Trinity College Chapel The Coronation of King George II Sunday, November 9, 2014 7:30 p.m. Trinity College Chapel The Faculty of Music gratefully acknowledges the generous support of our presenting sponsors Saturday, November 8, 2014 Path to Paradise: Miserere Mei SCHOLA CANTORUM & THE CHOIR OF THE THEATRE OF EARLY MUSIC Daniel Taylor, conductor PROGRAM Jesus Christ the Apple Tree Elizabeth Poston (1905-1987) If Ye Love Me Thomas Tallis (1505-1585) Ubi Caritas Maurice Duruflé (1902-1986) Jesus’ blood never failed me yet Gavin Bryars (b.1943) Danced by Coleman Lemieux & Company Original choreography by James Kudelka Ave Verum William Byrd (1540-1623) Remember Not O Lord Henry Purcell (1659-1695) Hymn to the Virgin Benjamin Britten (1913-1976) Miserere Mei Deus Gregorio Allegri (1582-1652) Soloists: Agnes Zsigovics, Rebecca Genge, Rebecca Claborn, David Roth Danced by Dancetheatre David Earle Original choreography by David Earle This evening’s concert has been made possible through a generous gift from Jean Edwards. This concert is presented with the support of the Canada Council for the Arts and with the significant assistance of the Ontario Arts Council. an Ontario government agency un organisme du gouvernement de l’Ontario Translations Ubi Caritas - Maurice Durufle Ubi caritas et amor, Deus ibi est. Where charity and love are, God is there. Congregavit nos in unum Christi amor. Christ’s love has gathered us into one. Exultemus, et in ipso iucundemur. Let us rejoice and be pleased in Him. -
Festive Cantatas Tafelmusik Baroque Orchestra a Monteverdi Christmas Vespers
J.S. BACH: THE CIRCLE OF CREATION FESTIVE CANTATAS TAFELMUSIK BAROQUE ORCHESTRA A MONTEVERDI CHRISTMAS VESPERS Alison Mackay creator, writer, programmer Elisa Citterio director Kevin Bundy narrator David Fallis music director “In these hands, Bach’s music feels more alive than ever.” The Globe and Mail AT VANCOUVER PLAYHOUSE JAN25 This concert is generously supported by the Nemetz Foundation THE KING’S SINGERS ROYAL BLOOD: MUSIC FOR HENRY VIII AT THE CHAN CENTRE “The superlative vocal sextet.” The Times (London) DEC23 AT THE CHAN CENTRE FEB09 This concert is generously supported by Janette McMillan & Douglas Graves, Birgit Westergaard & Norman Gladstone Tickets from $36 | earl ymusic.bc.ca | 604.822.2697 This concert is generously supported by the Drance Family and Sharon E. Kahn 18.EarlyMusicAd 2018-10-23 11:33 AM Page 1 ODLUMBROWN.COM Odlum Brown Limited is Proud to Support Early Music Vancouver’s Festive Cantatas – A Monteverdi Christmas Vespers For over 95 years, Odlum Brown Limited has been one of BC’s most respected investment firms by helping investors achieve their financial goals for generations. Odlum Brown is a full-service investment firm providing disciplined investment advice and objective research with a singular focus on clients. For all your investment needs including financial, retirement and estate planning,* call 604-669-1600 or toll free at 1-888-886-3586, or visit odlumbrown.com for more information. *Offered through our wholly owned subsidiary, Odlum Brown Financial Services Limited. Wishing everyone a wonderful holiday season, and a joyous new year! Odlum Brown Limited Odlum Brown Community @Odlum_Brown OdlumBrown Member-Canadian Investor Protection Fund 2 | EMV Masterworks Series 2018/19 Festive Cantatas: A Monteverdi Christmas Vespers [email protected] the artists a monteverdi christmas vespers David Fallis Claudio Monteverdi music director (1567-1643) sopranos — I — Arwen Myers Versicle: Deus in adiutorium Danielle Sampson Response: Domine ad adiuvandum me festina (Alessandro Grandi) altos Vicki St. -
Orchestra (Candlelight Christmas Concert)
VOICEBOX: Opera in Concert (PRINCE IGOR), Ottawa Bach Choir (B-MINOR MASS), and 13 Strings Chamber Orchestra (Candlelight Christmas Concert). ORCHESTRA Most recently, Geoffrey was seen in TURANDOT with Edmonton Opera, ELIJAH with Pax Christi Chorale, APOLLO E DAFNE with Toronto Masque Theatre, and MESSIAH with Newfoundland Symphony. Upcoming engagements include Orest in ELEKTRA Flute I Stephen Tam (Edmonton Opera) and Beethoven’s MISSA SOLEMNES (Grand Philharmonic), and Flute II Tristan Durie Weill’s SEVEN DEADLY SINS (TSO). Bass Clarinet Juan Gabriel Olivares Geoffrey is a graduate of the University of Toronto where he completed a Master’s in Alto Saxophone I Kevin Shen Music (Opera). He is the winner of awards and prizes from competitions including the Alto Saxophone II James Conquer Canadian Conservatory Vocal Competition, Ottawa Choral Society Competition, Czech and Slovak International Voice Competition, Metropolitan Opera National Council Bassoon I Bianca Chambul nd Bassoon II Bee Ungar Auditions, and received 2 place and the “Best Performance of a Canadian Work” Award in the Orchestre Symphonique de Montréal Competition. He is a five-time grant recipient Trumpet I Mike Barth of the Jacqueline Desmarais Foundation, and winner of the Vancouver Opera Guild Career Trumpet II Carlene Brown Development Grant. Trombone I Brayden Friesen Trombone II Greg Burns Canadian countertenor Scott Belluz has gained recognition for his Percussion I Jonny Smith ‘warm, rich voice and impeccable coloratura,’ (La Marseillaise). Scott Percussion II Yang Chen brings his committed artistry to repertoire ranging from 17th century to newly composed works. Violin I Yung-Yu Lin Scott has received great acclaim for his performances in the world Violin II Aysel Taghi-Zada premieres of numerous Canadian operatic works, singing the title role Viola Maxime Despax in Omar Daniel’s The Shadow with Tapestry New Opera and L’Oiseau Violoncello Julia Kim in Gilles Tremblay’s Opeŕ a Feé rie with Montreal’s Chants Libres. -
MAXINE THÉVENOT Musically Sensitive…Brilliant...Virtuoso Playing Royal Canadian College of Organists
MAXINE THÉVENOT Musically sensitive…Brilliant...Virtuoso playing Royal Canadian College of Organists Canadian-born organist and choral conductor, Maxine Thévenot enjoys a distinguished international career and has performed throughout Europe, Great Britain, and North America at many prestigious churches, concert halls and festivals, including Magdeburger Dom, Germany; Westminster Abbey, and Westminster Cathedral, UK; Salisbury, St. Paul's and Canterbury Cathedrals, UK; St. George’s Chapel, Windsor, UK; la Cathèdrale de Notre Dame, Paris; Washington National Cathedral, Washington, D.C.; Saint Thomas Fifth Avenue, New York City; Princeton University Chapel, Princeton, New Jersey; Jack Singer Concert Hall, Calgary; la Basilique de Notre Dame du Cap, Montréal, and the music festivals of Bratislava, Budapest, Prague, and Vienna. Ms. Thévenot has received the Bachelor of Music in Music Education with distinction from the University of Saskatchewan, and the degrees Master of Music and Doctor of Musical Arts in organ performance from the Manhattan School of Music, New York, where she was twice- awarded the Bronson Ragan Award for “most outstanding organist.” She also holds the Associate diplomas from the Royal Canadian College of Organists and the Royal Conservatory of Music. In December 2006, Dr. Thévenot was awarded an Honorary Fellowship by the National College of Music, London, UK for her services to music. In 2011-2012 Ms. Thévenot will perform, the Poulenc Organ Concerto in g minor with Santa Fe's Canticum Novum; present a lecture-recital at Evangel University, Missouri; perform in London , Ontario with Canada's brass ensemble Musica Quinta Brass; give the American premiere of UK composer Philip Moore's Concerto for Organ and Strings with the composer as the conductor, and return to perform on the recital series at Emmanuel Episcopal, Chestertown, Maryland. -
Governor-General's Medals Presented at the Perley and Rideau Veterans
www.vistas-news.ca Alta Vista-Canterbury Community Newspaper (FREE) Vol. 36 No. 6 June 2017 Governor-General’s Medals Presented at the Perley and Rideau Veterans’ Health Centre By Courtney Tower ver Ottawa Rideau and, every week, Oand over all to take some of them to of Canada, count- Roman Catholic church less Canadians won services. medals and recogni- Mr. Savard is known tion during Nation- to readers of VISTAS al Volunteer Week (April 2017, Page 21 – (April 23-29) for vistas-news.ca) for an their volunteering item of Our People about services to other his regular visits with Mr. Canadians. Proudly Frank Savard and His Excellency Governor General William Cosway, both David Johnston. Photo courtesy of Gerri Doherty. among them, two very young navigators of Alta Vista residents Allied aircraft bombing of Germany (Savard) and the Japanese in Burma were honoured by (Cosway) in WWII. He also was for 10 years the business manager of David Hamel and His Excellency Governor General David Governor Gener- Johnston. Photo courtesy of Gerri Doherty. this volunteer community newspaper. al David Johnston himself at the Perley and Rideau Veterans’ Health Centre: Francois Sa- Mr. Cosway sat at the table of Mr. Savard, along with a Savard son vard and David Hamel. and other relatives, for the presentation. Mr. Savard and Mr. Cosway have become, as volunteers and residents do become, “great buddies,” There was pomp and circumstance, and a piper of course, not to to quote Frank (as he’s more popularly known) Savard. mention cakes (no ale) and brownies, as Governor General Johnston and Sharon Johnston came to the large long-term care home for veterans and David Hamel, just short of 80, an aeronautical engineer in his 36 years other seniors on Wednesday, April 26. -
Arnold 4/2/10 21:15 Page 12
660241 bk Arnold 4/2/10 21:15 Page 12 Aradia Ensemble One of the most exciting new groups to emerge in the early music world, the Toronto-based Aradia Ensemble specializes in presenting an eclectic blend of orchestral, operatic and chamber music played on original instruments. The ensemble presents a regular concert Samuel series in the spectacular Glenn Gould Studio in Toronto and has made more than thirty recordings for Naxos. While focusing heavily on baroque repertoire, Aradia ARNOLD Ensemble also presents contemporary pieces commissioned by the group and concert presentations often include non-musical and theatrical elements. Aradia has made international tours to New Zealand, the United States and Italy. According to Robert Graves, Aradia was the daughter of Apollo’s twin sister. She was sent by the gods to teach mankind to order the Photo: Emily Lockhart music of the natural world into song. www.aradia.ca Polly Kevin Mallon The Irish musician Kevin Mallon, now resident in Canada, studied conducting Albino • McLeod with John Eliot Gardiner and composition with Peter Maxwell Davies. He was a pupil at Chetham’s School of Music and the Royal Northern College of Music in Manchester, and at Dartington College of Arts, learning his craft as a violinist Grossman • Newman with such orchestras as the Hallé and the BBC Philharmonic, and later as concert-master with Le Concert Spirituel and Les Arts Florissants in Paris, recording and touring internationally. After an earlier career in Ireland and Kirkpatrick • Roach throughout Europe, he moved to Canada to take up positions with the University of Toronto and the Tafelmusik Baroque Orchestra, and in 1996 formed and became the Music Director of the Aradia Ensemble, a vocal and instrumental Wiliford • Mahon group that has won extraordinary successes, not least with its many recordings for Naxos. -
Organ Alternatives
#24 – September, October & November, 1998 RGAN alternatives O The quarterly publication of Organ Alternatives Telling Tayles presents The Proud Angel Sat 5 December, 2pm St. James' Cathedral, Toronto In this issue: • Pipings... on the record (p.4): An archival recording of organist Claude Lavoie performing from the Church of the Saints-Martyrs- Canadiens in Québec City; the organ music of H.H. Parry played by Robert Benjamin Dobey from Girard College in Philadelphia; and a new Naxos release of Ludger Lohmann playing the music of Johann Christian Rinck. • Courting the King (p.6): James Chubb of Classic Organ Works writes about electronic organ control systems and their present and future applications for the King of Instruments. (p.7) • The King in Concert (p.8): OA’s regular listing of organ concerts from all over, including Toronto, Montréal, Buffalo, Ottawa, Burlington, Owen Sound, Caledonia, Hamilton, Cambridge, London, Waterloo and Glen Williams. • PIPEVision (p.11): A compilation of Chris Dawes' recent reports to the New York-based The American Organist magazine on how the Canadian organ scene is making its mark on the Internet's "World Wide Web". Organ Alternatives’ Telling Tayles presents... The Proud Angel ORGAN Sat 5 December, 2:00 pm 65 Church Street, Toronto, St. James' Cathedral, Toronto Ontario, Canada M5C 2E9 Telephone: (416) 360-8480 On December 5th, the 2nd annual Organ Fax: (416) 360-5206 Alternatives’ Telling Tayles presentation stages www.orgalt.com “The Proud Angel”, a new children’s Christmas story by British / Canadian Founder & Artistic Director: author Mary Sylvia Winter. Winter’s story Christopher Dawes «[email protected]» chronicles the plight of an angel who can’t Publications Assistant: quite fit in with the heavenly host, until Andrew Forrest «[email protected]» he learns a valuable lesson about love and humility while assisting the coming of the Christ-child to earth. -
Curriculum Vitae Dr
Curriculum Vitae Dr. Maxine Thevenot January 17, 2020 Lecturer III, Organ, Las Cantantes Women’s Choir University of New Mexico College of Fine Arts The Center for the Arts MSC04 2570 1 University of New Mexico Albuquerque, NM 87131-0001 Mobile: 505-250-8614 Email: [email protected] Website: www.maxinethevenot.com General Information Professional Preparation 2006 Doctor of Musical Arts MANHATTAN SCHOOL OF MUSIC. Major: organ. Supervisor: McNeil Robinson III. Dissertation: A Retrospective look at Works for Organ Solo commissioned by the American Guild of Organists for the Biennial National Conventions 1996-2004. Dr. Arthur Lawrence, Thesis Advisor. 2001 Master of Music MANHATTAN SCHOOL OF MUSIC. Major: organ. Supervisor: McNeil Robinson III. 1991 Bachelor of Music in Music Education*. UNIVERSITY OF SASKATCHEWAN. Major: Piano. Supervisors: Cecile Désrosiers, Robin Harrison. * With Distinction. Nondegree Education and Training 2019 Summer Organ Academy, Santa Fe, NM. Supervisor: Dr. Kimberly Marshall 2001 Private Music Theory Study. Supervisor: Dr. Donna Doyle 2001 Alexander Technique certification. THE JUILLIARD SCHOOL 1997 International Summer Academy for Organists, SCHULICH SCHOOL OF MUSIC, MCGILL UNIVERSITY, Montreal, Canada 1991 UNIVERSITY OF MONCTON, Summer French language immersion. Moncton, Canada. Full Scholarship awarded by the Government of Saskatchewan. 1990 UNIVERSITY OF TROIS RIVIÈRES, Summer French language immersion. Trois Rivières, Canada. Full Scholarship awarded by the Government of Saskatchewan. Professional Credentials 2006 Honorary Fellow. National College of Music & Art, London, UK for ‘Services to Music’. 1996 Associate of the Royal Canadian College of Organists 1995 Associate of the Royal Conservatory of Toronto (piano) Professional Experience Summer 2020 Music Director, Royal School of Church Music, Pacific Northwest course, Portland, Oregon Summer 2020 Organ continuo, Santa Fe Desert Chorale Summer concerts, Santa Fe, New Mexico 2006-Present Adjunct Faculty, Lecturer III, University of New Mexico, Albuquerque, New Mexico. -
Fall 2016 NEWSLETTER : BULLETIN Automne 2016
Société d' Opéra National Capital de la Capitale Nationale Opera Society Fall 2016 NEWSLETTER : BULLETIN Automne 2016 World Premiere of a Canadian Opera! by Shelagh Williams Summer Opera Lyric Theatre (SOLT) in Toronto cele- fashioned yet timeless, and the English men sported brated its 30th anniversary season of summer opera stylishly tied neck scarves to distinguish French and festivals with its first world premiere: Victor Davies English characters, especially when one singer, bari- and Eugene Benson’s Tale of Two Cities. This is tone Austin Larusson, played three roles. Michael Benson’s 6th opera libretto, his second for Davies, Rose as musical director elicited good performances while Davies has written four other operas, 8 musicals, from his singers, but his piano playing was, I felt, and many film and TV scores and hundreds of songs. uniformly loud and somewhat lacking in subtlety. Their experience showed in a well crafted, very mov- In the leading role of Carton, James McLean ing exposition of the well-known Dickens classic story successfully and sympathetically developed his role of English lawyer Sydney Carton and exiled French from that of the SOLT photo aristocrat Charles Darnay. Both are in love with Lucie hard-drinking, Manette, in London, at the time of the French Revolu- nonchalantly tion and Reign of Terror, in Paris. brilliant lawyer SOLT’s production was also of the high stan- to the self-sacri- dard necessary to successfully create this work as a ficing hero. In grand opera. SOLT’s General Director and here direc- our cast, bari- tor, Guillermo Silva-Marin, chose an experienced and tone Stuart Gra- proven cast.