Supplement to VIDOM Magazine No. 115, June 2018 – Leica Historica E.V

Total Page:16

File Type:pdf, Size:1020Kb

Supplement to VIDOM Magazine No. 115, June 2018 – Leica Historica E.V Supplement to VIDOM magazine No. 115, June 2018 – Leica Historica e.V. Annual Spring Meeting and AGM in Wetzlar (p. 4 f) This year’s spring meeting stood under the Sunday morning auction was executed in a overall theme “Bruno Paul – Haus Friedwart”. confident way by Hans Ploegmakers who took On Saturday evening Oda Paul gave an over from Georg Mann. Leica Historica needs interesting presentation about the architect to thank Georg for being our entertaining and on Sunday it was possible for some chief auctioneer for the last 20 years. During members to have a look at the actual building our AGM the present board was re-elected. guided by Dr Kühn-Leitz. For the first time the Update: Telecron (p. 8 ff) – ref. VIDOM 113, p.12-22 The Telecron 1:6.3/1200 has followed a series had very long focal lengths. In order to reduce of very long lenses which had been developed chromatic aberrations as well, a triplet with as collimator lenses for regular lens testing. special glass elements was necessary. Finally, Those special lenses cover a small image circle the Telyt-S 6.3/800, 5.9/1000 and the Telecron and are calculated for infinity and virtually 6.3/1200 were born. Most lenses of that type without geometrical aberrations. The were calculated by Mr Georg Knetsch. The use extremely long tele construction of collimator of elements with much different expansion lenses are caused by the size of the entrance coefficients within the cemented triplet in pupil and the necessary absence of regularly carried the risk of destruction when aberrations. The longest regular Leica lens of exposed to intense temperature differences. the time was the Telyt 5/400 featuring an Register entries seem to show that there were entrance pupil of 80mm, so the testing lens ten prototypes of the 6.3/800, three of the needed to have one of similar size. Since it 5.9/1000 and three of the 6.3/1200. The was easier to design a virtually error-free 5.9/1000 shown on page 8 is a rather 15/1200 than a 5/400, collimator lenses often sensational find. Update: Leitz Telyt 4.8/280 (p. 12 ff) – ref. VIDOM 114, p.24ff According to several sources (Peter Kosel, peaking at 1,340 DM in 1984. Cheaper Otmar Michaely, Harmut Thiele) the alternatives from the mid-60s to about 1978 production numbers of the Telyt 4.8/280 need was the “Schnellschuss-Objektiv” (rapid fire to be corrected by plus 100. The price of that lens) Noflexar 5.6/280 which came at 621 DM lens was 858 DM (1961 and 1963), 898 DM in 1966/67. (1965 and 1967) and 1018 DM in 1969, Depth-of-Field (Series “Durchblick”, p. 14 f) The German word for Depth-of-Field is analyses the usage of the compound noun and “Schärfentiefe”. Sometimes the word suggests a correct way to employ it. “Tiefenschärfe” is used instead. This article The Telyt 6.3/20cm (p. 16 ff) In 1935 the PLOOT was introduced as the first B229 was sold from 1935 on (230.001). Early version of the Visoflex series which allowed prototypes had a direct mount but without for the use of longer tele lenses on a Leica coupling. The back focus distance was already camera. Focussing was done via the ground suitable for SLR systems with a tube, screen so there was no rangefinder coupling. lengthening the rear part of the lens mount. The Telyt 4.5/20cm with the optical formula The 20cm lens with the speed of f/4.5 was 1 sold until 1959. There still is a specimen of the 4.5/20 cm just with a smaller diameter. The direct mount lens including the matching LEITZ lens delivery book referring to these viewfinder in the Leica museum. Here a lens lenses is interesting but hardly revealing. One with the parameters 6.3/20cm (B230) is entry for a 4.5/20cm lens is existent at No. presented. Lens hood and front cap are similar 156.443. There might be more specimens of to the ones for the Hektor 1.9/73. Weight and Telyt prototype lenses numbered between size were considered to be important, 156.441 and 156.450. comparable to the “Berg-Elmar” 6.3/10.5 cm. We would be grateful for additional The internal elements were the same as in the information. Barnack’s First Leica (p. 21) The book “Barnack’s First Leica: The Second further information see: Life of a Forgotten Historic Camera” now is www.barnacksfirstleica.com also available as an eBook in English. For The Leica M and M1 – cameras without a viewfinder (p. 22ff) The Leica M1 was marketed in 1959 as a mentioned serial numbers. It is, however, cheaper version of the M2 without the possible that those numbers were used for M1 rangefinder and just with the 35 and 50mm and “M cameras without viewfinder” – a term frames. The last ones were produced in 1964. which should be used instead of calling them In 1964 the MD followed even without a “MD-prototypes”. viewfinder to use with Visoflex and Reprovit. Editorial note: There are some technological Already in 1959 there were some serial differences between those cameras and the numbers reserved for cameras without later MD (no film gate cut-out for registration viewfinder that were very similar to the later strip, no flash contacts). And other similar MD. Recently such a camera surfaced without cameras are known with higher serial any model labelling but an engraving similar to numbers that show a model label at different the M1 and the frame counter similar to the places. We would be grateful for additional M1 and M2. This specimen fits to the above information. The Leitz Hektor 1.9/5cm (p. 26ff) In the 1930s some manufacturers already returned back to Wetzlar where it stayed in used Leitz lenses for their own cameras. Some the design department. It was then converted of those lenses were not available for Leica to a Leica RF-coupled version. Although the cameras, such as the Elmar 4.5/75 for the brochure defines it as usable for 18x24 mm, “Korelle”. Another very rare model is the LEITZ tests on the M10 confirm that it completely Hektor 1.9/5cm which was listed in different covers 24x36 mm. According to the factory versions in 1933. Its price was stated at 130 records we can presume that there were only Reichsmark or 47 grams of gold. The specimen built 4 specimens. shown here was shipped to Paris and later Leica’s digital “prosumer” cameras (p. 30ff) Leica has not only sold small digital compact 2001, followed by the Digilux 2 in 2004 and cameras (cf. cooperation with Fujifilm, VIDOM the Digilux 3 in 2006, the latter model being a 114), it has also marketed high-end digital camera with 4/3 sensor and interchangeable compact cameras, this time in cooperation lenses. This way, Leica R-lenses could (and still with Panasonic. Starting with the Digilux 1 in can) be used on this digital camera. 2 Collecting – an intense passion (p. 34ff) 2018 – a record year for Leica history: a 0- historical importance of Leica cameras was Series camera (122) was sold for 2.4 Mio €. If appreciated and fuelled by German LEICA we ask why someone spends so much money HISTORCA, initiated by Georg Mann und Klaus on a camera, we directly come to the topic Grohte and founded on September 20, 1975. “collecting” – a hobby which not only has a The VIDOM magazine became a medium of psychological but also a historical element. By information for the members similar to following the path of the “122” through newsletters in English-speaking associations. history, we try to analyse this phenomenon. In consequence, books for collectors were When this camera didn’t even have a name, published and “Historica” sections were George Sauppe became the first owner. Born included in magazines. “Photographica” in Germany and working for LEITZ New York, became a serious field of collecting and more he travelled to Wetzlar in 1923 and bought and more books about the history of the Leica this new camera he was so fascinated of. became available. Because of that, also Sauppe is the prototype of the ambitious and auctions became more important. Christie’s passionate Leica user of today and was and Sotheby’s as well as Petzold supported perhaps the first Leica collector ever. At the the booming development which became a same time the number of publications about world-wide phenomenon. photography increased, but merely focused on The “122” was still property of the Sauppe how to use the cameras and not collecting. family and was borrowed by the California This had changed in the 1960s when Robert Museum of Photography until 1994. Then is Bingham assembled a huge camera collection. was bought by Jim Jannard who called the He also had the chance to shoot with the 122. camera “one of the most important inventions Georg Mann was one of the first ones to sense ever”. Since then the collector’s market has the importance of the Leica cameras in changed considerably especially by the Germany. Rolf Fricke and Theo Kisselbach internet. But still committed collector’s were two other important early collectors. associations have a huge significance for When Leica wanted to promote the sales of conserving cultural traditions. the new Leicaflex cameras, customers were The record sale of the “122” shows that there able to trade in old screwmount models.
Recommended publications
  • LEICA SUPER ELMAR-M 21Mm F/3.4 ASPH. LEICA APO-SUMMICRON
    LEICA APO-SUMMICRON-MSUPER ELMAR-M 21mm 50 mm f/3.4 f/2 ASPH. ASPH. 1 More than 30 years after the launch of Summicron-M 1:2/50 mm, which is still available, the Leica APO Summicron-M 1:2/50 mm ASPH. represents a totally new development. With its compact body - only marginally longer and slightly heavier than the Summicron-M 1:2/50 mm, and with an almost identical diameter, it provides visibly higher image quality. On the Leica APO Summicron-M 1:2/50 mm ASPH. the exceptional correction enables all aberrations to be reduced to a minimum level that is negli- gible in digital photography. Its key features include excellent contrast rendition, all the way to the corners of the image, even with a fully open aperture. The use of a „floating element“ ensures that this is retained, even for close-up shots. Vignetting is limited to a maximum - i.e. in the corners of the image - of just 2 stops at full aperture in 35 mm format, or around 1 on the Leica M8 mo- dels. Stopping down to 2.8 visibly reduces this light deterioration towards the edge of the image, with practically only the natural vignetting remaining. Distortion is very low at a maximum of just 0.4 % (pin cushoin), which is practically imperceptible. A total of eight lens elements are used to achieve this exceptional performance. To realize the apochromatic correction (resulting in a com- mon focusing plane for three light wavelengths), three are made of glass types with high anomalous partial color dispersion, while two of the others have a high refractive index.
    [Show full text]
  • Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) Also: 29/II Dorotheen Strasse 29, Berlin, Germany
    Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) also: 29/II Dorotheen strasse 29, Berlin, Germany. (1901) and 29, Margaret St, Regent St, London W (1901) The founder, Carl Zeiss (1816-1888) was born in Weimar, the son of a cabinet maker and ivory carver. He graduated from school in 1834, qualified to be apprenticed to the Grand Dukes Instrument maker, Dr Koerner, and attended academic courses as well as working as apprentice. Next he travelled from Jan. 1838 to Oct. 1845 to study in Stuttgart, Darmstadt, Vienna, and Berlin to broaden his experience. Back at home, he studied chemistry and higher mathematics. By May 1845, he felt well enough qualified to apply to the County Administration at Weimar for permission to found "An establishment for the production of advanced mechanical devices", hoping for a relationship with the University to advance designs. Money was tight with capital of 100 Thalers (possibly £100) only, but in Nov. 1846, he opened at 7, Neugasse. It remained a small business for years, as it took some 20 years for the University relationship to be productive, and he often grew weary of the trial and error methods traditionally used in the trade. Much of the production was of microscopes- often relatively simple ones by modern standards, such as dissection viewers. Then in 1863, a young lecturer Ernst Abbe (1840-1905) joined the University to teach physics and astronomy. Zeiss approached him in 1866 for cooperation in the design of improved systems and this lead to new ideas, eg in the Abbe refractometer (1869), a comparator and a spectrometer.
    [Show full text]
  • Hugostudio List of Available Camera Covers
    Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII
    [Show full text]
  • Lens/Port Combinations SUBAL LEICA M 2017/07 Lens FOCUS Rings PORT Combinations Effective: July 2017
    Lens/Port Combinations SUBAL LEICA M 2017/07 FOCUS PORT LENS RINGS COMBINatioNS Leica lenses BJAD2>3/LM30* + FE3 dome port (optional SWB) + +4 close up lens 77mm Leica Super-Elmar-M 18mm 1:3,8 ASPH FGLM18 BJAD2>3/LM30 + FE3 dome port + +4 close up lens 77mm BJAD2>3/LM30 + FP45-3 Flatport Leica Super-Elmar-M 21mm 1: 3,4 ASPH FGLM21 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm BJAD2>3/LM30 + EXR20/3 + FE3 dome port (optional SWB) + +4 close up lens Leica Summilux-M 21mm 1: 1,4 ASPH FGLM21X (we do not recomend this lens because this is close up lens which we can not find on the market) Leica Elmar-M 24mm 1: 3,8 ASPH FGLM24 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm BJAD2>3/LM30 + EXR20/3 + FE3 dome port (optional SWB) + +4 close up lens Leica Summilux-M 24mm 1: 1,4 ASPH FGLM24X (we do not recomend this lens because this is close up lens which we can not find on the market) Leica Elmarit-M 28mm 1: 2,5 ASPH FGLM28 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 39mm Leica Summicron-M 28mm 1:2 ASPH FGLM28N BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm Leica Summilux-M 28mm 1:1,4 ASPH FGLM28X BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 49mm Leica Summicron-M 35mm 1:2 ASPH FGLM35N BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 39mm Leica Summarit-M 35mm 1:2,4 ASPH FGLM35T BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm Leica Summilux-M 35mm 1:1,4 ASPH FGLM35X BJAD2>3/LM30 + FE3 dome port (optional SWB) +
    [Show full text]
  • Super Elmar-M21 F3.4 Technische Daten EN Neu
    LEICA SUPER ELMARM 1:3,4/21mm ASPH. 1 With the LEICA SUPER-ELMAR 21 mm f/3.4 ASPH., Leica is extending the range of M lenses in the super wide angle range with a model that combines outstanding reproduction with a compact design. It delivers uniformly excellent reproduction quality over the entire fi eld of view, with only a very slight deterioration at the edges in the close-up range. This performance can only be improved slightly by stopping down, which means that you can take photo- graphs with full stop with no concerns, unless your compositional ideas call for a greater extension of the depth of fi eld that can only be achieved with smaller apertures. The vignetting characteristic of every optical system is more pronounced on a super wide-angle lens than on normal lenses and those with long focal lengths. At full stop in 35mm format it is a maximum, i.e. in the corners of the image, of around 2,1 stops, around 1,2 stops on Leica M8 models with their slightly smaller format. Stopping down to f/5.6 reduces this light falloff at the edge of the image – to 1.6 and 1.0 stops respectively. Stopping down further does not result in any further reduction as essenti- ally only the natural vignetting remains. The maximum distortion of the lens of around 1.5 % is hardly perceptible. The retrofocus-like construction is made up of a total of eight lens elements, and the use of a lens element with two aspherical surfaces and four lens elements made of glass types with anomalous color dispersion (partial dispersion) make a crucial contri- bution towards restricting aberrations to an absolute minimum.
    [Show full text]
  • Price List and Camera Models
    I’m Back® GmbH Digital Back for 35mm Analog Cameras Carlo Maderno 24 6900 Lugano Switzerland Cell.: +41 789 429 998 www.imback.eu [email protected] I’m Back® 35mm Digital Back Details: Sensor: 16Mega CMOS Sensor Panasonic 34120 Display: 2.0"capacitive touch screens Picture System: Focusing screen Auto White: yes Video Resolution: UHD24(2880*2160) QHD30(2560*1440) Balance: yes 108OP60/30 720P120/60/30 VGA240 Auto Eve: yes Video nal aspect: Focusing screen/Vintage Picture ip: yes Picture Size: 20M 16M 12M 10M 8M 5M 3M VGA WIFI: yes Video Format: MP4 H.264 Remote: yes Picture Format: JPG & RAW Language EN FR ES PT DE IT CN RU JP Storage Capacity: Max 64Gb Battery: 3.7V 2.700mAh USB Interface: USB TYPE-C Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture IBP I'm Back PRO All main Brands 299 IBU Universal Cover All main Brands 49 CA1 Dedicated Cover Canon F-1 69 Canon A Canon A1 CA2 Dedicated Cover 49 Canon AE1 Canon AE1 program Canon FT CA3 Dedicated Cover 49 Canon FTB CA4 Dedicated Cover Canon eos300 69 CN1 Dedicated Cover Contax II 49 Contax G1 CN2 Dedicated Cover 79 CN3 Dedicated Cover Contax RTS 49 CN4 Dedicated Cover Contax G2 79 I’m Back GmbH | Via Carlo Maderno 24 | CH – 6900 Lugano |IDI: CHE-216.910.630 | [email protected] | www.imback.eu Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture DN1 Dedicated Cover
    [Show full text]
  • Press Information
    Press information Special editions in olive green: Leica Camera AG presents the Leica M10-P and the Leica Summicron-M 50 mm f/2 as limited ‘Safari’ editions. Wetzlar, 31 January 2019. Leica Camera AG is writing the next chapter in the success story of special editions finished in olive green enamel and now presents the latest model in this series – the Leica M10-P Edition ‘Safari’. Otherwise identical to the serial production model in terms of performance and technical specifications, the special features of this camera are its eye-catching olive green enamel finish and the accessories supplied with the camera. A carrying strap and a case for SD memory cards and credit cards, both crafted from Brandy- coloured, genuine full grain cowhide, underline the aesthetics and the unusual looks of the limited special edition of 1,500 examples of the camera. The matching Leica Summicron-M 50 mm f/2 Edition ‘Safari’ premium lens will be offered separately. It is the first ever M-Lens in the history of Leica products to be produced in olive green enamel finish and, together with the camera, creates a perfect symbiosis of functionality and design. Current planning foresees a limited edition of 500 examples of the Leica Summicron-M 50 mm f/2 Edition ‘Safari’ lens. The Leica M10-P Edition ‘Safari’ is on sale from today. The Leica Summicron-M 50 mm f/2 Edition ‘Safari’ premium lens will be available from 15 February 2019. In addition to the special enamel finish, the Leica Summicron-M 50 mm f/2 Edition ‘Safari’ is also distinguished by other design features.
    [Show full text]
  • Leica D Series Cameras Description Serial Number Digilux 3 + 14-50Mm F2.8-3.5 3184940/4015515 Digilux 2 2991330
    Leica D Series Cameras Description Serial Number Digilux 3 + 14-50mm F2.8-3.5 3184940/4015515 Digilux 2 2991330 Leica X Series Description Serial Number X2 - Silver + Case + Finder 4317553 Leica S/S2 Cameras Description Serial Number S Body Only (Typ 006) 4417070 S Body Only (Typ 006) 4686760 S Body Only (Typ 006) 4417295 S-E Body Only (Typ 006) 4810278 Leica S/S2 Lenses Description Serial Number 30mm F2.8 Asph Elmarit S 4151485 120mm F2.5 Apo Macro Summarit S 4156132 120mm F2.5 Apo Macro Summarit S 4111860 120mm F2.5 Apo Macro Summarit S 4111659 Leica R Cameras Description Serial Number R8 Chrome Body Only 2285482 R8 Chrome Body Only 2291710 R8 Black Body Only 2775654 R7 Chrome Body Only 19999116 R6 Chrome Body Only 1776195 R4 Black Body Only 1608706 Leica R Lenses Description Serial Number 75-200mm F4.5 R 3cam 2896362 2x Extender R 3326677 2x Extender R 3143272 Leica Q Series Description Serial Number Q (Typ 116) - Black 4932761 Leica SL Series Description Serial Number SL Typ 601 Body Only 4967157 SL Typ 601 Body Only 4993497 Leica V-Lux Series Description Serial Number Vlux 1 3138988 Vlux - (Typ 114) 4860734 Leica T Series Description Serial Number TL2 Silver Body 5226072 TL Silver Body Only 5161802 / PA013849 T Black Body Only + PXC T to M Adapter 4815918 / 4266109 T Black Body Only 4821452 T Silver Body Only 4818007 T Black Body Only 4817778 T Silver Body Only 4812671 T Silver + 18-56mm Asph + Visoflex 4817415 / 4350298 / PA013854 / 18811 T Silver Body Only (Typ701) 4821089 55-135mm F3.5-5.6 APO-VArio-Elmar-T 4469344 60mm F2.8 Asph(Silver)
    [Show full text]
  • Lens Mount and Flange Focal Distance
    This is a page of data on the lens flange distance and image coverage of various stills and movie lens systems. It aims to provide information on the viability of adapting lenses from one system to another. Video/Movie format-lens coverage: [caveat: While you might suppose lenses made for a particular camera or gate/sensor size might be optimised for that system (ie so the circle of cover fits the gate, maximising the effective aperture and sharpness, and minimising light spill and lack of contrast... however it seems to be seldom the case, as lots of other factors contribute to lens design (to the point when sometimes a lens for one system is simply sold as suitable for another (eg large format lenses with M42 mounts for SLR's! and SLR lenses for half frame). Specialist lenses (most movie and specifically professional movie lenses) however do seem to adhere to good design practice, but what is optimal at any point in time has varied with film stocks and aspect ratios! ] 1932: 8mm picture area is 4.8×3.5mm (approx 4.5x3.3mm useable), aspect ratio close to 1.33 and image circle of ø5.94mm. 1965: super8 picture area is 5.79×4.01mm, aspect ratio close to 1.44 and image circle of ø7.043mm. 2011: Ultra Pan8 picture area is 10.52×3.75mm, aspect ratio 2.8 and image circle of ø11.2mm (minimum). 1923: standard 16mm picture area is 10.26×7.49mm, aspect ratio close to 1.37 and image circle of ø12.7mm.
    [Show full text]
  • Here Are Detailed Descriptions of the Items for Sale and Links to Pictures
    Here are detailed descriptions of the items for sale and links to pictures: 1. NORITA 66 + Rittron 80/2 (same lens as standard Noritar 80/2, just silver) As a great fan of Norita 66 camera with great sadness I'm selling one of my reserve bodies, but since I have spare Rittron 80/2 I thought I will make it a great set :-) Rittron 80/2 is exactly the same lens as standard and legendary Noritar 80/2, Norita and Rittron were making the same camera and lens together with two different names :-) The only difference is that it's silver and mechanism to close aperture is in the front of the lens, not the back :-) Other than that it's exactly the same, so it will make exactly the same wonderful pictures as Noritar 80/2 :-) Camera is in GOOD condition and CLA was done in professional service, so it works as it should :-) Norita 66 is a great camera, very robust and with amazing viewfinder, very easy to focus :-) The LENS is in GREAT condition cosmetically and mechanically, optics are great, everything works 100% as it should :-) Pictures of the set and some images taken with it: https://photos.app.goo.gl/fNHceCbjcJhYxHiZ7 PRICE: $ 1650 2. MINT Zeiss Biotar 50/1.4 in Leica M mount (can be used on any mirrorless camera via simple adapter, or with Techart AF adapter on Sony E or Nikon Z camera) Another great Biotar 50/1.4 that I was keeping for some special occasion, as this is the nicest one I've ever seen, but I guess there is no point in it, someone should just start using it :-) So here it is, MINT condition, beautiful outside, beautiful optics, mechanics as well - everything works as it should :-) It's converted to Leica M mount, so via additional inexpensive adapter (or Techart with Autofocus for Sony E and Nikon Z) can be mounted and used on all mirrorles cameras (except Leica M as there is no cut out for rangefinder actuator) :-) As for the Biotar 50/1.4 in general – it's simply most interesting 50mm lens in existence :-) Pictures of the lens and some images taken with it: https://photos.app.goo.gl/qVZVYz3gRNvDNJ9Z7 PRICE: $ 1700 3.
    [Show full text]
  • Leica Digilux 2
    LEICA DIGILUX 2 La fotocamera “analogica” digitale e: David Alan Harvey / Codice brochure: tedesco 91171, inglese 91172, francese 91173, italiano 91180 /12/03/FZ/B italiano 91180 francese 91173, inglese 91172, Alan Harvey 91171, e: David / Codice brochure: tedesco ® i diritti di modifica a costruzione, design e gamma riservati / Tutti Marchi registrati / © 2003 Leica Camera AG = Leica Camera AG / Oskar-Barnack-Straße 11 / D-35606 Solms www.leica-camera.com / [email protected] Concetto e design: Heine/Lenz/Zizka, Frankfurt am Main / Indicazione immagini: Fotografie prodotti: Tom Vack / Autore fotografi / Autore Vack Tom Frankfurt prodotti: am Main / Indicazione immagini: Fotografie e design: Heine/Lenz/Zizka, Concetto Telefono +49(0)6442-208-0 / Telefax +49(0)6442-208-333 Leica Camera Group / “Leica” e nomi dei prodotti Marchio registrato Fotografia digitale sotto una nuova luce Leica Camera AG avanza a tutta forza e in forma indipendente nell’era del digitale, fornendo il meglio dei due sistemi: la nuova LEICA DIGILUX 2 offre le più moderne tecnologie digitali unitamente ai concetti base della fotografia analogica in una splendida fusione. Questa è la prima foto- camera digitale che consente manovrabilità pari ad una classica foto- camera professionale. Grazie alla ghiera dei tempi posizionata sulla calotta e le ghiere di messa a fuoco, apertura e lunghezza focale, il funzionamento è familiare, veloce e preciso. Questo rende la LEICA DIGILUX 2 lo strumento ideale per realizzare immagini espressive con uno stile personale. Inoltre, visto lo scopo di ottenere ottimi risul- tati anche in condizioni di luce difficile, i’elemento principale è un obiettivo ad alto rendimento qualitativo composto di 13 elementi suddivisi in 10 gruppi, costruito con i più qualificati tipi di vetro attual- “La LEICA DIGILUX 2 è l’espressione della nostra lealtà verso l’arte mente disponibili uniti alla leggendaria competenza ottica Leica.
    [Show full text]
  • Leica Lens Saga
    Erwin Puts LEICA LENS SAGA evolution - optical design - evaluation - future Berek’s Legacy: the 50 mm lens for Leica rangefinder cameras imx edition 9/2016 Colophon Leica Lens Saga by Erwin Puts Limited edition: September 2016 ISBN: 978-94-91089-12-1 NUR: 473 Published by: imX/Photosite Moerasmeer 51, 3994JJ Houten, Netherlands © 2016 by Erwin Puts and imX Made on Apple MacBook Pro 15inch Book content produced with Scrivener Book design with InDesign CC Font: Adobe Garamond Printed and bound by PNB, Lithuania All rights reserved. No part of this book may be reproduced, translated, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission in writing from the publisher. This publication has not been sponsored in any way by Leica Camera AG or any of the other manufactur- ers whose products are mentioned in the book. Information and data in this book is correct to the best of the author’s and publisher’s knowledge. Be- cause use of this information is beyond the author’s and publisher’s control, all liability is disclaimed. 2 Contents 1. Introduction 7 2. The opto-mechanical properties of Leica CRF lenses 15 2.1. Introduction 16 2.2. Opto-mechanical limits 17 2.3. The search for perfection 24 2.4. Spot diagrams of early Leica standard lenses 29 3. Process of Image formation 43 3.1. The nature of physical laws 44 3.2. Role of light in the photographic process 46 3.3. Principles of geometrical optics: points and lines 49 3.4.
    [Show full text]