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2News Summer 05 Catalog Learn To WRITE and DRAW like the pros! by Danny Fingeroth & Mike Manley From The Editors of & TABLE OF CONTENTS Most of the material in this book originally appeared in Write Now! Magazine #8 and Draw! Magazine #9. This collected version contains 35 PAGES of NEW or ENHANCED MATERIAL, which is indicated below with an asterisk (*) FOREWORD TO THE COLLECTED EDITION * By Danny Fingeroth, Editor-in-chief Write Now! and Mike Manley, Editor-in-chief Draw! . .5 MAKING COMICS What the crossover—and this book—is all about, and how it can help you learn to Create Comics! . .6 THIEF OF TIME: BEGINNINGS Memos between Fingeroth & Manley about Heather Branscome, the Thief of Time . .7 THIEF OF TIME: CHARACTER DESCRIPTION AND DESIGN The evolution of the title character . .10 THIEF OF TIME: STORY OUTLINE The beginnings of Heather’s first adventure . .12 THIEF OF TIME: PLOT* Detailed description of the story’s action . .14 THIEF OF TIME: PENCIL ROUGHS The plot, broken down into pages and panels, with commentary by Danny and Mike . .17 THIEF OF TIME: SCRIPT AND BALLOON PLACEMENT The captions, dialogue and sound effects for the art, along with indications for the letterer of where they’re supposed to go . .21 THIEF OF TIME: FULL-SCRIPT VERSION* “A Glitch in Time,” written in “full-script” style, the most popular comics writing format today . .27 TALKING THIEF OF TIME: Danny and Mike discuss why they made the creative choices they did in “Glitch” . .33 MY PROCESS: THE SCRIPT TO PRINT How Mike breaks the plot down into pages and panels Step 1: The Thumbnail . .44 Step 2: Penciling . .47 Step 3: Inking . .57 Step 4: Lettering . .60 Step 5: Quark (assembling the elements)* . .63 COLOR SECTION Step 6: Coloring* . .65 THIEF OF TIME: The cover . .69 THIEF OF TIME: The story: “A Glitch in Time,” complete . .70 DARKHAWK Mike and Danny’s first collaboration . .77 GETTING PUBLISHED* Pointers on getting your work printed by a publishing company . .83 GETTING IT OUT THERE: PRE-PRESS, PRINTING, AND DISTRIBUTION TwoMorrows publisher John Morrow on how to get your self-published vision into readers’ hands . .85 APPENDIX #1: The WRITE NOW! COMICS SCHOOL by Danny Fingeroth Lessons in writing and other necessary comics creating skills . .89 Ideas and Inspiration* . .90 Pitching 1: Springboards vs. Promo Copy* . .91 Pitching 2: Format and Function* . .92 Character Development . .93 Story Structure (aka Plotting) . .94 Conflict . .95 Scripting Methods . .96 Writing Dialogue . .97 Theme* . .98 Subplots and B-Stories* . .99 The Editor’s Role* . .100 Comics and the Internet* . .101 APPENDIX #2: RESOURCES FOR COMICS CREATORS* Lists of useful organizations, websites, and publications . .102 Thief of Time: Beginnings Memos Between Fingeroth & Manley ere’s a selection of the correspondence between Mike H and Danny that got the ball rolling on Thief of Time. The • We have a short plot outline in WN. e-mails pretty much tell their own story. • Also in WN, we have some of the Plot & Script, and maybe some thumbnails of the story. How It All Started • In Draw!, we’d show some of the plot and script. (Maybe we do the first few pages in “Marvel style,” the last few as 10/1/02 “full-script.”) Mike: • In WN we’d have some of the lettered, uninked pages and Not sure how... but there’s got to be a way to do a some inked pages. “crossover” between Draw! and Write Now!, don’t ya think? • In Draw!, we’d have more of the lettered, uninked pages, Any interest? and the rest of the inked pages. —Danny • And then... the Draw! color section could be the complete 11/22/02 story, with a cover! Mike: And we can then, hopefully, take whatever character(s) we As I mentioned in an e-mail last month: Any interest in come up with—which we’d share copyright on—and pitch doing a Draw!-Write Now! “crossover”? What would that them to publishers, using the 8-page insert as our sample. (So mean? Maybe we could print a script in WN and then have it we should have a bunch more printed than we need for the drawn in Draw!? Or an interview with a writer/artist or writer- insert in Draw!.) artist team that starts in one mag and ends in the other. Or Let me know what you think. Once we get a basic format something actually clever! we’re happy with, we can present it to John and see what he —Danny thinks. The Ground Rules 6/3/03 Mike: Here’s my understanding of our conversation about the Write Now!/Draw! crossover that we had today: We do a 6- or 7-page story, with cover a total of 8 pages. • Premise, character and setting descriptions, character sketches and setting sketches in Write Now! • Then we have a taped conversation about the characters and story, which we transcribe and From an earlier Danny Fingeroth/Mike Manley collaboration: Darkhawk! This confrontation from Darkhawk #5, featuring the character Portal, has words by Fingeroth, pencils by put part in Write Now!, part in Draw!. Manley, and inks by Ricardo Villagran. [©2010 Marvel Characters, Inc.] HOW TO CREATE COMICS: FROM SCRIPT TO PRINT 7 Thief of Time: Story Outline ess than a plot, a story outline (sometimes called a “beat L sheet”), gives the basic skeleton of a story. In this case, based on conversations and e-mails back and forth between Danny and Mike, Danny wrote up a document to make sure he and Mike were in basic agreement on the shape of Thief of Time’s premiere story. A GLITCH IN TIME PAGE ONE: • FULL PAGE SPLASH. Ancient Greece, the Parthenon. Heather Branscome, dressed in her adventure duds, is reaching for a beautiful URN that is on a pedestal. From the décor, it’s unclear if she’s in the past or in a museum. HB is clearly a 2010 woman. Some out-of-costume character sketches of Heather Branscome. She makes some wisecrack about the Internet or TiVo, to make [©2010 Danny Fingeroth & Mike Manley] that point. PAGE FOUR: PAGE TWO: Heather appears (whatever effect) inside her headquarters lab. • As she’s about to grasp it, she is She’s greeted by Henry, her fraternal twin brother. He’s ordered to stop— standing by banks of machinery, much of it digital, many —and whirls to find herself computer screens. He sees that something went awry in surrounded by a dozen Greek the timestream. soldiers. (Yeah, I’ll get ref on all She tells him of the soldier who made her do a this stuff.) She laughs at them panic-jump to a really bad place. But she has the urn. and reaches for a dial on her suit, but a quick-thinking guard He takes it and runs a scanning device over it. has knocked her hand with his “Dad was there, all right,” he says. “He left this shield (or something better) and the message.” time-dial is knocked off its setting. “Let me guess,” she says. “Stop looking for me. She grabs the urn and, clutching it to her bosom, It can only result in the end of the world.” she turns the switch, anyway, is gone in a flash (or PAGE FIVE: into the time tunnel you have on the cover). Maybe he’s right, Henry speculates. PAGE THREE: You don’t believe that—or else you wouldn’t be In another flash, she’s still in the Parthenon, but helping me try to find him, she retorts. suddenly bullets whiz by her. She’s in the middle of If I don’t, you’d just find somebody else—who wouldn’t a WWII battle. care so much. (Or she could end up chased by dinosaurs in a He’s dead, kid. Move on. prehistoric setting.) He’s lost in time, Henry. That’s not the same as As Nazis advance on her, she sets the dial dead. Not when we have the tech he invented. We again, and disappears—still.
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