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Augustine on Knowledge
Augustine on Knowledge Divine Illumination as an Argument Against Scepticism ANITA VAN DER BOS RMA: RELIGION & CULTURE Rijksuniversiteit Groningen Research Master Thesis s2217473, April 2017 FIRST SUPERVISOR: dr. M. Van Dijk SECOND SUPERVISOR: dr. dr. F.L. Roig Lanzillotta 1 2 Content Augustine on Knowledge ........................................................................................................................ 1 Acknowledgements ................................................................................................................................ 4 Preface .................................................................................................................................................... 5 Abstract ................................................................................................................................................... 6 Introduction ............................................................................................................................................ 7 The life of Saint Augustine ................................................................................................................... 9 The influence of the Contra Academicos .......................................................................................... 13 Note on the quotations ........................................................................................................................ 14 1. Scepticism ........................................................................................................................................ -
Diogenes Laertius, Vitae Philosophorum, Book Five
Binghamton University The Open Repository @ Binghamton (The ORB) The Society for Ancient Greek Philosophy Newsletter 12-1986 The Lives of the Peripatetics: Diogenes Laertius, Vitae Philosophorum, Book Five Michael Sollenberger Mount St. Mary's University, [email protected] Follow this and additional works at: https://orb.binghamton.edu/sagp Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, and the History of Philosophy Commons Recommended Citation Sollenberger, Michael, "The Lives of the Peripatetics: Diogenes Laertius, Vitae Philosophorum, Book Five" (1986). The Society for Ancient Greek Philosophy Newsletter. 129. https://orb.binghamton.edu/sagp/129 This Article is brought to you for free and open access by The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in The Society for Ancient Greek Philosophy Newsletter by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. f\îc|*zx,e| lîâ& The Lives of the Peripatetics: Diogenes Laertius, Vitae Philosoohorum Book Five The biographies of six early Peripatetic philosophers are con tained in the fifth book of Diogenes Laertius* Vitae philosoohorum: the lives of the first four heads of the sect - Aristotle, Theophras tus, Strato, and Lyco - and those of two outstanding members of the school - Demetrius of Phalerum and Heraclides of Pontus, For the history of two rival schools, the Academy and the Stoa, we are for tunate in having not only Diogenes' versions in 3ooks Four and Seven, but also the Index Academicorum and the Index Stoicorum preserved among the papyri from Herculaneum, But for the Peripatos there-is no such second source. -
Rhetoric and Resistance in Black Women's Autobiography
Rhetoric and Resistance in Black Women’s Autobiography Copyright 2003 by Johnnie M. Stover. This work is licensed under a modified Creative Commons Attribution-Noncommercial-No De- rivative Works 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/. You are free to electronically copy, distribute, and transmit this work if you attribute authorship. However, all printing rights are reserved by the University Press of Florida (http://www.upf.com). Please con- tact UPF for information about how to obtain copies of the work for print distribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). For any reuse or distribution, you must make clear to others the license terms of this work. Any of the above conditions can be waived if you get permis- sion from the University Press of Florida. Nothing in this license impairs or restricts the author’s moral rights. Florida A&M University, Tallahassee Florida Atlantic University, Boca Raton Florida Gulf Coast University, Ft. Myers Florida International University, Miami Florida State University, Tallahassee New College of Florida University of Central Florida, Orlando University of Florida, Gainesville University of North Florida, Jacksonville University of South Florida, Tampa University of West Florida, Pensacola Rhetoric and Resistance in Black Women’s Autobiography ° Johnnie M. Stover University Press of Florida Gainesville/Tallahassee/Tampa/Boca Raton Pensacola/Orlando/Miami/Jacksonville/Ft. Myers Copyright 2003 by Johnnie M. -
Introduction
Introduction The Ladies, I should tell you, have been dealing largely and profitably at the shop of the Muses. And the Hon. Mrs. Norton ... has been proving that she has some of the true ink in her veins, and has taken down several big boys in Mr. Colburn's Great Burlington School. Mrs. Hemans, too, has been kindly noticed by Mr. Murray, and has accomplished the difficult feat of a second edition. Apollo is beginning to discharge his retinue of sprawling men-servants, and to have handmaids about his immortal person, to dust his rays and polish his bow and fire-irons. If the great He- Creatures intend to get into place again, they must take Mrs. Bramble's advice, and "have an eye to the maids." -John Hamilton Reynolds (1832) Although their influence and even their existence has been largely unac knowledged by literary scholars and critics throughout most of the twentieth century, women poets were, as their contemporary John Hamilton Reynolds nervously acknowledged, a force to be reckoned with in early-nineteenth century Britain.1 Not only Felicia Hemans and Caroline Norton but Letitia Elizabeth Landon and Mary Howitt were major players and serious competi tors in the literary marketplace of Reynolds's time. Their poetry was reviewed in the most prestigious journals, respected by discerning readers, reprinted, imitated, anthologized, sung, memorized for recitation, copied into com monplace books, and bought by the public. Before their time, prominent writers such as Joanna Baillie, Anna Letitia Barbauld, Hannah More, Mary Robinson, Anna Seward, Charlotte Smith, Mary Tighe, and others helped to change the landscape of British poetry both in style and in subject matter. -
Regency Actors and the Inspiration Behind Romantic Drama
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2017 Fit for the Stage: Regency Actors and the Inspiration Behind Romantic Drama James Armstrong The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2317 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] FIT FOR THE STAGE: REGENCY ACTORS AND THE INSPIRATION BEHIND ROMANTIC DRAMA by JAMES ARMSTRONG A dissertation submitted to the Graduate Faculty in Theatre in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2017 ii © 2017 JAMES ARMSTRONG All Rights Reserved iii Fit for the Stage: Regency Actors and the Inspiration Behind Romantic Drama by James Armstrong This manuscript has been read and accepted for the Graduate Faculty in Theatre in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. May 12, 2017 ______________________________ Date Chair of Examining Committee Marvin Carlson Distinguished Professor May 12, 2017 ______________________________ Date Executive Officer Peter Eckersall Professor ______________________________ Jean Graham-Jones Professor ______________________________ Annette J. Saddik Professor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract Fit for the Stage: Regency Actors and the Inspiration Behind Romantic Drama by James Armstrong Adviser: Distinguished Professor Marvin Carlson In this dissertation, I argue that British verse tragedies of the Romantic era must be looked at not as "closet dramas" divorced from the stage, but as performance texts written with specific actors in mind. -
DIOGENES of SINOPE Diogenes of Sinope (C
DIOGENES OF SINOPE Diogenes of Sinope (c. 412‐323 BC), a contemporary of Plato and Aristotle, is considered the founder of the philosophical school of Cynicism. Concerned more with action than with words, he left no writings. What we know of his thought is what has been related to us by contempo‐ raries and later scholars. The most extensive account is from Diogenes Laertes, writing almost 500 years after Diogenes lived. LIFE OF DIOGENES OF SINOPE, THE CYNIC (404‐323 BC) RD BY DIOGENES LAERTIUS (3 CENTURY AD) Diogenes was a native of Sinope, son of Hicesius, a banker. Diocles relates that he went into exile because his father was entrusted with the money of the state and adulterated the coin‐ age. But Eubulides in his book on Diogenes says that Diogenes himself did this and was forced to leave home along with his father. Moreover Diogenes himself actually confesses in his Porde‐ lus that he adulterated the coinage. Some say that having been appointed to superintend the workmen he was persuaded by them, and that he went to Delphi or to the Delian oracle in his own city and inquired of Apollo whether he should do what he was urged to do. When the god gave him permission to alter the political currency, not understanding what this meant, he adulterated the state coinage, and when he was detected, according to some he was banished, while according to others he voluntarily quitted the city for fear of consequences. One version is that his father entrusted him with the money and that he debased it, in consequence of which the father was imprisoned and died, while the son fled, came to Delphi, and inquired, not whether he should falsify the coinage, but what he should do to gain the greatest reputation; and that then it was that he received the oracle. -
Download a Pdf File of This Issue for Free
Issue 70: Dante's Guide to Heaven and Hell Dante and the Divine Comedy: Did You Know? What a famous painting suggests about Dante's life, legend, and legacy. Big Man in the Cosmos A giant in the world of which he wrote, laurel-crowned Dante stands holding his Divine Comedy open to the first lines: "Midway this way of life we're bound upon, / I woke to find myself in a dark wood, / Where the right road was wholly lost and gone." Of course, his copy reads in Italian. Dante was the first major writer in Christendom to pen lofty literature in everyday language rather than in formal Latin. Coming 'Round the Mountain Behind Dante sits multi-tiered Mount Purgatory. An angel guards the gate, which stands atop three steps: white marble for confession, cracked black stone for contrition, and red porphyry for Christ's blood sacrifice. With his sword, the angel marks each penitent's forehead with seven p's (from Latin peccatum, "sin") for the Seven Deadly Sins. When these wounds are washed away by penance, the soul may enter earthly paradise at the mountain's summit. Starry Heights In Paradiso, the third section of the Comedy, Dante visits the planets and constellations where blessed souls dwell. The celestial spheres look vague in this painting, but Dante had great interest in astronomy. One of his astronomical references still puzzles scholars. He notes "four stars, the same / The first men saw, and since, no living eye" (Purgatorio, I.23-24), apparently in reference to the Southern Cross. But that constellation was last visible at Dante's latitude (thanks to the earth's wobbly axis) in 3000 B.C., and no one else wrote about it in Europe until after Amerigo Vespucci's voyage in 1501. -
Epic and Autobiography in Dante's Inferno
Sacred Heart University Review Volume 24 Issue 1 Sacred Heart University Review, Volume XXIV, Article 5 Numbers 1 & 2, Fall 2006/ Spring 2007 March 2010 The oP et in the Mirror: Epic and Autobiography in Dante’s Inferno Simone Marchesi Follow this and additional works at: http://digitalcommons.sacredheart.edu/shureview Recommended Citation Marchesi, Simone (2010) "The oeP t in the Mirror: Epic and Autobiography in Dante’s Inferno," Sacred Heart University Review: Vol. 24 : Iss. 1 , Article 5. Available at: http://digitalcommons.sacredheart.edu/shureview/vol24/iss1/5 This Article is brought to you for free and open access by the SHU Press Publications at DigitalCommons@SHU. It has been accepted for inclusion in Sacred Heart University Review by an authorized editor of DigitalCommons@SHU. For more information, please contact [email protected]. The oP et in the Mirror: Epic and Autobiography in Dante’s Inferno Cover Page Footnote Simone Marchesi is Assistant Professor of French and Italian at Princeton University. This talk was delivered at Sacred Heart University on April 7, 2006, as part of the College of Arts & Sciences Lecture Series on “The Real and Fabled Worlds of Dante Alighieri.” All English translations in the text from Dante’s Divine Comedy are by Robert Hollander and Jean Hollander, in their edition published by Doubleday/Anchor in 2000. This article is available in Sacred Heart University Review: http://digitalcommons.sacredheart.edu/shureview/vol24/iss1/5 Marchesi: The Poet in the Mirror: Epic and Autobiography in Dante’s Inferno S IMONE M ARCHESI ____________________ The Poet in the Mirror: Epic and Autobiography in Dante’s Inferno Perché cotanto in noi ti specchi? [Why do you reflect yourself so long in us?] Inferno 32.54 Let me begin with an easy question: What is the Divine Comedy? Dante’s poem has been and is many things. -
The Happiness Philosophers
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. Introduction A philosophy is the expression of a man’s intimate character. — William James But even as we as a nation have embraced education as critical to economic growth and opportunity, we should remember that colleges and universities are about a great deal more than measurable utility. Unlike perhaps any other institutions in the world, they embrace the long view and nurture the kind of critical perspectives that look far beyond the present. — dreW Gilpin faUsT, presidenT of harvard UniversiTy The Word “UTiliTarian” is not apt to strike the right chord in the world’s moral consciousness. Today, as in the nineteenth century, it can all too easily conjure up visions of soulless manager drones addicted to “efficient” adminis- tration in the least imaginative and most dehumanizing sense, or of those who would destroy a many-sided liberal education in the name of the immediately practical, useful, and vocational. The defenders of the humanities, including the presidents of Harvard and Columbia and their peers, have tended to define themselves by their opposition to instrumental or “utilitarian” approaches to education, which, it is implied, will prioritize “economic growth and opportu- nity” and miss the big issue: how over the long haul to cultivate individuals who can think critically, empathize with others, imagine better worlds, and actively engage in meaningful democratic citizenship. These, in their view, are the invaluable intangibles that cost-bene fit-minded, bean-counting, Dicken- sian utilitarian functionaries cannot even conceptualize much less defend. -
Introduction
INTRODUCTION Carlyle and the Literary Review Although the works included in this volume were collected as “essays,” they began their lives under the more modest guise of the literary review. The differ- ence might be defined in terms of the role of the writer. Essayists present their own ideas, whereas reviewers recapitulate and critique the ideas of others. This distinction was familiar to Carlyle and his contemporaries. According to Joanne Shattock, “The difference between an essay and a review was never articulated by reviewers and editors, but it is clear from correspondence that most reviewers considered themselves to be writing either one or the other” (110). Nonetheless, as Carlyle’s essays reveal, while many reviewers aimed primarily to convey the basic qualities and ideas of the work under review, they could, and often did, use the occasion of commenting on someone else’s writing as an opportunity for developing their own ideas. The review often metamorphosed into the essay. Literary reviews first appeared in England in the early eighteenth century, with the number of periodicals publishing reviews increasing rapidly after mid- century. The standard for the latter half of the century was set by the Monthly Review, which began publication in 1748. Other reviews (the most widely cir- culated of which was the Critical Review) soon appeared, but they all followed more or less the same model. They aimed to be comprehensive, reviewing all publications of substance, which meant that they included many short reviews and a smaller number of more in-depth reviews. The Monthly is also credited with introducing evaluation along with the abstracts and summaries typical of the earliest reviews. -
Tracing Confucianism in Contemporary China
TRACING CONFUCIANISM IN CONTEMPORARY CHINA Ruichang Wang and Ruiping Fan Abstract: With the reform and opening policy implemented by the Chinese government since the late 1970s, mainland China has witnessed a sustained resurgence of Confucianism first in academic studies and then in social practices. This essay traces the development of this resurgence and demonstrates how the essential elements and authentic moral and intellectual resources of long-standing Confucian culture have been recovered in scholarly concerns, ordinary ideas, and everyday life activities. We first introduce how the Modern New Confucianism reappeared in mainland China in the three groups of the Chinese scholars in the Confucian studies in the 1980s and early 1990s. Then we describe how a group of innovative mainland Confucian thinkers has since the mid-1990s come of age launching new versions of Confucian thought differing from that of the overseas New Confucians and their forefathers, followed by our summary of public Confucian pursuits and activities in the mainland society in the recent decade. Finally, we provide a few concluding remarks about the difficulties encountered in the Confucian development and our general expectations for future. 1 Introduction Confucianism is not just a philosophical doctrine constructed by Confucius (551- 479BCE) and developed by his followers. It is more like a religion in the general sense. In fact, Confucius took himself as a cultural transmitter rather than a creator (cf. Analects 7.1, 7.20), inheriting the Sinic culture that had long existed before him.2 Dr. RUICHANG WANG, Professor, School of Culture & Communications, Capital university of Economics and Business. Emai: [email protected]. -
The Blackwell Guide to Mill's Utilitarianism
The Blackwell Guide to Mill’s Utilitarianism Blackwell Guides to Great Works A proper understanding of philosophy requires engagement with the foundational texts that have shaped the development of the discipline and which have an abiding relevance to contemporary discussions. Each volume in this series provides guid- ance to those coming to the great works of the philosophical canon, whether for the first time or to gain new insight. Comprising specially commissioned contri- butions from the finest scholars, each book offers a clear and authoritative account of the context, arguments, and impact of the work at hand. Where possible the original text is reproduced alongside the essays. Published 1. The Blackwell Guide to Plato’s Republic, edited by Gerasimos Santas 2. The Blackwell Guide to Descartes’ Meditations, edited by Stephen Gaukroger 3. The Blackwell Guide to Mill’s Utilitarianism, edited by Henry R. West 4. The Blackwell Guide to Aristotle’s Nicomachean Ethics, edited by Richard Kraut 5. The Blackwell Guide to Hume’s Treatise, edited by Saul Traiger Forthcoming The Blackwell Guide to Kant’s Ethics, edited by Thomas E. Hill, Jr. The Blackwell Guide to Hegel’s Phenomenology of Spirit, edited by Kenneth Westphal The Blackwell Guide to Heidegger’s Being and Time, edited by Robert Scharff THE BLACKWELL GUIDE TO MILL’S Utilitarianism EDITED BY HENRY R. WEST © 2006 by Blackwell Publishing Ltd except for editorial material and organization © 2006 by Henry R. West; Part II: The complete text of Utilitarianism by J. S. Mill (1861) BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Henry R.