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LIVERPOOL of the NORTH”: the STORY of OTTAWA, CANADA’S MUSIC, 1960’S–TODAY
“LIVERPOOL OF THE NORTH”: THE STORY OF OTTAWA, CANADA’s MUSIC, 1960’s–TODAY. EXCERPTS FROM ALAN CHRISMAN’S BOOK: “IT’S A LONG WAY HOME” Ottawa had quite the music scene in the 60’s. Part of this was because Canada and Ottawa had more direct connections to England than the U.S., so they knew about The Beatles before the rest of North America. And their 60’s bands, were very adept at re-creating that British pop sound. In fact, Richie Patterson, a mainstay and drummer in many of its bands, called Ottawa the “Liverpool of The North”. Ritchie went to Fisher Park school with Paul Anka, backing him up in the Bobbysoxers. Anka was one of the first to make it out of Ottawa and become a teen sensation with “Diana” and “Puppy Love” in the 50’s, before moving to Vegas and writing “My Way” for Frank Sinatra. Richie’s “The Esquires” were first influenced by Cliff Richard and the Shadows right before The Beatles took over. Scores of Ottawa bands formed and recorded songs and some albums. There were several places to play like the Auditorium, Pineland and clubs like the Chaudiere across the river in in Hull, Quebec and several church basements. And hundreds of kids would attend. Ottawa even had its own version of American Bandstand, Saturday Date, hosted by Peter Jennings who would go to ABC News in New York. The best of these got recording contracts like The Staccato’s (who later became The Five Man Electrical Band) when they moved to California with their international hits “ Signs” ( ‘Signs Signs ,everywhere, telling me what to do’) and The Cooper Bros. -
March 30, 1974
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1976 Ronny Abramson Arethusa Willie P Bennett Bim Michael
1976 Ronny Abramson Arethusa Willie P Bennett Bim Michael Birthelmer Black Creek David James Bowen John Allan Cameron Paul Campbell Terry Christenson Margaret Christi Susan Cogan Dandy Rat Dixie Flyers Paul Dunn Shirley Eikhard David Essig Friends of Fiddlers Green Bill Garrett Luke Gibson Marianne Girard Beverly Glenn-Copeland The Good Brothers Noel Harrison Bill Hughes Jude Johnson Marc Jordan Christopher Kearney Richard Keelan Rolf Kempf Paul Langille Thomson Lawrie Michael Lewis Little Boy Blues Band Myrna Lorrie Gilles Losier Robbie MacNiell Ray Materick Doug McArthur Bruce Miller Paul Mills Ben Mink & Elliot Feldman Mary Murphy Marty & Eric Nagler Rick Neufeld Ron Nigrini The Original Sloth Band Robert Paquette Colleen Peterson Pied Pumpkin Prairie Oyster Raffi Chris Rawlings David Rea Redrock Hotel Stan Rogers Bill Russell Nigel Russell Saltspring Rainbow Cathy Stewart Streets and Hills Stringband Ian Tamblyn Rick Taylor Brent Titcomb Jack Tobi & Firecloud Sylvia Tyson Christopher Ward Jackie Washington Watson & Reynolds Whimsy Band Nancy White D’arcy Wickham David Wiffen David Wilcox Jesse Winchester Windhover Brian Zaharia 1977 Ronny Abramson Bob Burchill John Allan Cameron Bruce Cockburn Beverley Glenn-Copeland Dave Essig Dixie Flyers Thomas Handy Noel Harrison Bill Hughes Richard Keelan Paul Langille Michael Lewis Mirth Original Sloth Band Garnet Rogers Ian Tamblyn Brent Titcomb Jackie Washington Mose Scarlett Brian Austin Willie P. Bennett Michael J. Birthelmer Terry Christenson Derfy Bill Garrett Gilmour Bros. Joe Hall John -
The Bruce Cockburn Newsletter Edited by Daniel Keebler
Gavin’s Woodpile – The Bruce Cockburn Newsletter Edited by Daniel Keebler Issue Number 37 February 2000 Success Without Compromise The following is from The Canadian, written by Patricia Holtz . It was originally published in 1976. Bruce Cockburn has been thinking. About love and myths and life on the road; about living on his songs. And after all this time – nearly a decade of writing, performing and watching his following grow – you’d expect him either to have reconciled himself to the unceasing adulation of his fans and the machinations of industry men – or to have quit, disillusioned. But he’s done neither, and in the process of ignoring nearly every convention of the music business Cockburn (pronounced Coe-burn) has established a rock-solid reputation for himself. More significantly, at a time when critical applause often echoes down halls of poverty and the prime requisite of musical marketability is not necessarily, ah, exceptional talent, he has earned his reputation while unobtrusively, but regularly, making his way to the bank. Bruce Cockburn, 31, engaging young man from the Ottawa Valley, today enjoys a measure of success and professional recognition previously known only to a handful of his contemporaries and never before to one who has chosen to keep his career solely within this country. His thoughtfully crafted jazz- and folk-oriented lyrics and considerable talent with the guitar, dulcimer and a variety of more esoteric ethnic instruments, have sold more than 300,000 albums in the last six and one half years (roughly 70 per cent to Canadians) and gained him a French- and English-Canadian audience that is amazingly devoted. -
A History of the CKCU Ottawa Folk Festival
A History of the Ottawa Folk Festival by Joyce MacPhee and Ottawa Folk Festival Volunteers INTRODUCTION ............................................................................................................................................... 2 OTTAWA FOLK FESTIVAL TIMELINE ............................................................................................................. 3 YEAR 1 – 1994 ................................................................................................................................................... 6 YEAR 2 – 1995 ................................................................................................................................................... 8 YEAR 3 – 1996 ................................................................................................................................................. 10 YEAR 4 – 1997 ................................................................................................................................................. 13 YEAR 5 – 1998 ................................................................................................................................................. 16 YEAR 6 – 1999 ................................................................................................................................................. 20 YEAR 7 – 2000 ................................................................................................................................................. 25 YEAR 8 – 2001 ................................................................................................................................................ -
OBS Newsletter-Winter2010-FINAL
Ottawa BLUES Society Winter 2010 n sme ood he W & t ood Al W In this issue: OBS News 3 DAWG FM 5 CD Reviews 6 Blues Foundation & IBC 8 OBS Road to Memphis 8-9 Brandon Agnew CD Snapshots 11 w/Benny Gutman Upcoming ... 14 Corporate Directory 16 In this issue … … an introduction to our Road to Memphis local blues challenge winners - Al Wood & the Woodsmen and Brandon Agnew & Benny Gutman, who head off to Memphis in February to represent the OBS at the 27th International Blues Challenge; CD reviews (full length and our new ‘snapshot’ version) of some Maple Blues Award nominees; an update on Ottawa’s best friend and Canada’s only 24/7 commercial blues radio station, 101.9 DAWG-FM, now featuring the OBS DAWG’ON BLUES show and a new show, ’Inside the Blues’ hosted by James Doran; and a brief list of Blues events & shows in January. 2 OBS CONTACTS OBScene Deadlines Website: www.OttawaBluesSociety.com Issue Copy Deadline Distribution Date E-mail: [email protected] Spring March 15, 2011 Online mid-April 2011 CORRESPONDENCE AND ADDRESS CHANGES OBS Mission Ottawa Blues Society Summer June 15, 2011 Early July 2011 P.O. Box 8124, Station “T” To foster appreciation, Ottawa, ON K1G 3H6 promotion, preservation From the Editor … OBS EXECUTIVE COMMITTEE AND DIRECTORS and enjoyment of the Another new year (the real start of the President: Liz Sykes blues in all of its forms Vice President: Mike Graham next decade, some insist) is underway Secretary: Gary Paradis and the calendar is already filling up with Directors: Brent Diab, Ken Fraser, Mike Graham, bluesy events to take our minds off the Denis Paquin, Gary Paradis, Roxanne Pilon, Debra winter weather. -
SONGWRITER Simple Plan
SPECIAL 25th ANNIVERSARY ISSUE ... NEW LOOK, NEW FEATURES, MORE OF WHAT SONGWRITERS NEED TO KNOW!! $4.95 CDN MAGAZINE FALL 2008, Volume 11 Number 3 SIMPLE PLAN FLEXING THEIR CREATIVE MUSCLE THE TREWS ALSO IN THIS ISSUE … REFINE THE MESSAGE POST-ELECTION BLUES: WILL THE TORIES KEEP CUTTING INVESTMENT IN THE ARTS? ALI SLAIGHT 20 THINGS CHRISTOPHER WARD WANTS INTO THE SPOTLIGHT YOU TO KNOW ABOUT WRITING SONGS WILLIAM Hawkins S.A.C. AT THE ATLANTIC FILM FESTIVAL, CANADA’S great BLUEBIRD NORTH,SONGWRITERS IN THE NEWS “LOST” SONGWRITER … AND LOTS MORE! PUBLISHED BY Songwriters Association of Canada Association des auteurs-compositeurs Canadiens SONGWRITERS MAGAZINE FALL 2008 1 EXECUTIVE Director’S MESSAGE he summer and fall have been busy workshops in November in Toronto and Executive Director with many S.A.C. supported events. Saskatoon and in Edmonton and Victoria in EDITOR Greg Quill MANAGING EDITOR Don Quarles Back in May, we teamed up with the New Year; S.A.C. In The Schools events T DESIGN Ambrose Pottie through the fall and winter right across the the folks at NSAI (Nashville Songwriters CONTRIBUTORS Don Quarles,Nick Krewen, MAGAZINE Association International) and hosted a country and more events bringing songwrit- Christopher Ward,Dale Leung, Greg Quill All photos courtesy of S.A.C., unless otherwise stated. file sharing discussion panel for Music ers and industry professionals together. Row North, a Toronto conference, Now that the federal elections are done, Canadian Publications Mail Agreement No. 40014605 showcase and celebration of songwriters. we’ll be trying to figure out who the new Canada Post Account No. -
THE POLITICAL MEMOIRS of the Rt. Hon. JOHN G. DIEFENBAKER to OVER the LINE FENCE
ONE CANADIAN: THE POLITICAL MEMOIRS OF THE Rt. Hon. JOHN G. DIEFENBAKER to OVER THE LINE FENCE One Canadian: The Political Memoirs Of The Rt. Hon. John G. Diefenbaker Wed 8:30-9:00 p.m., 6 Oct 1976-6 Jan 1977 Executive producer Cameron Graham followed The Tenth Decade, his 197l filmed history of the years of political conflict between Liberal leader Lester Pearson and Progressive Conservative leader John Diefenbaker, and his 1974 filmed memoirs of Pearson (First Person Singular: Pearson - The Memoirs Of A Prime Minister) with a similar series devoted to the life and political career of Diefenbaker. Director and writer Munroe Scott and historical advisor and interviewer John Munro shot some twenty thousand feet (over nine hours) of interview footage with Diefenbaker during the autumn of 1974. The filmmakers combined original interview footage with archival film and photographs to produce a series that spoke for Diefenbaker himself. (Diefenbaker's three volumes of written memoirs, One Canada, were published by Macmillan of Canada starting 1975.) The first two programs in the series of thirteen, half-hour films introduced viewers to Diefenbaker and his progress to the leadership of the Progressive Conservative party, and traced his boyhood on the prairies and the initial impact he made as a defence lawyer. Parts three and four documented his political career from 19l9, marked by twenty years of defeat until his election to the House of Commons in 1940, and moved forward to 1956. Parts five through eleven were devoted to his career as leader of the party, as Prime Minister, and again as Leader of the Opposition through the middle of the 1960s. -
Glebe Report-2 the Grant
glebe Augustreport 11, 1995 Vol. 23 No. 7 Memorial for Howard Smith August 14th, 1 pm INEZ BERG BY Howard Smith served as Capital the community. Glebe residents were shocked and Ward Alderman and Regional John McLeod described it as a saddened August 3rd, to learn of Councillor for two terms, until never ending bone of contention. the untimely death of Howard November 1985, when he was de- "Howard was unappreciated by Smith, aged 51, a former Capital feated GCA Council in those days, because he Ward Alderman and Regional by then President Rob Quinn. represented the Glebe. He was as- Councillor. His body was found During his years in office Howard sertive, forceful, and hard working. the morning of August 2nd by Ot- He was not a quitter." tawa-Carleton police, who entered worked tirelessly for his commu- of issues. The Unfortunately, he suffered the his Powell Avenue home several nity on a wide range and problematic fate of many politicians. "He was days after a missing persons report most contentious was Lansdowne Park and eaten up. That's what happens to had been filed by his brother of these of its development on politicians. We eat them up." Richard. It was reported that Smith the impact had taken his own life, perhaps Morris Street residents enjoy street party three to four weeks earlier. A memmial service for Howard Smith was held in Winnipeg Tues- day, August 8th, after which he was laid to rest in the family plot there. A memorial service in the form of a Eucharist will also be held in Ottawa at Christ Church Cathedral Howard Smith in 1985 at Bronson Avenue and Sparks Street on Monday, August 14, at President in 1979. -
Canadian Musical Odyssey: Canadian Musical
Canadian Musical Odyssey: The Invisible Voice Teacher’s Manual Canadian Musical Odyssey: The Invisible Voice - Teacher’s Manual Proud to sponsor Canadian Musical Odyssey. We’re working together with Canadian Musical Odyssey to make a difference in our communities. M04198 (0610) i www.cmod.ca Canadian Musical Odyssey: The Invisible Voice - Teacher’s Manual CANADIAN MUSICAL Odyssey: The Invisible Voice Teacher’s Manual Copyright © Canadian Musical Odyssey, 2003 and 2010 www.cmod.ca ii Canadian Musical Odyssey: The Invisible Voice - Teacher’s Manual Researched and written by Deborah Davis (B.A., McGill) and Naomi Ventura (B.A., B.Ed., University of Ottawa), with revisions by Dr. Elaine Keillor (Ph.D., University of Toronto, Chair, Canadian Musical Heritage Society, Carleton University), and editorial revisions by Raissa Marks (B.Sc., McGill), Louis Davis (D.C.S., B.C.L., LL.B., McGill) and Robert Fontaine. Copyright © Canadian Musical Odyssey 2003 and 2010 24-21 Midland Crescent Ottawa, ON, K2H 8P6 Tel: 613-596-6843 Web: www.cmod.ca All Rights Reserved. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. Printed in Canada. The publisher has made every attempt to ensure copyright compliance in the use of all materials in this manual. If there is any oversight in this regard, please contact the publisher at CMOD. iii www.cmod.ca Canadian Musical Odyssey: The Invisible Voice - Teacher’s Manual ACKNOWLEDGEMENTS Canadian Musical Odyssey would like to acknowledge the following for their help: Archie Alleyne - Executive Producer, E.O.J. -
Issue Number 19 February 1997
Gavin’s Woodpile – The Bruce Cockburn Newsletter Edited by Daniel Keebler Issue Number 19 February 1997 The following interview was conducted in London with Bruce Cockburn on December 10, 1996, by Richard Hoare for the release of The Charity of Night album. Richard Hoare (RH) : In order to set the scene for the new album, please can you briefly describe your move to a new record label. Bruce Cockburn (BC) : Outside of Canada, when we parted with Columbia/Sony, there were several candidates under consideration. Ryko seduced me the best. It’s off to a really good start and the whole experience so far is very positive. It feels a lot more comfortable to be with a label that understands what to do with artists that don’t get radio play. The big liability with Columbia was that although they had all the muscle which in the States worked well for us, they still didn’t know what to do if you were not on the radio. Anyway, there’s been a change and we’re moving forward. RH : Has there been a positive decision to reintegrate jazz into your work with this album because I recall a quote of yours at about the time of Nothing But a Burning Light to the effect that there was a conscious decision at that point to omit jazz from the material. BC : It was more a case that in that period, and to a lesser degree with Dart to The Heart, that I made a conscious decision to keep it (jazz) out but as soon as I took down that little iron curtain, it came back in. -
Traffic in Ottawa South Study Update
THE OTTAWA SOUTH COMMUNITY ASSOCIATION REVIEW Vol. 22 No. 3 OUR 20TH YEAR! NOVEMBER 1994 TRAFFIC IN OTTAWA SOUTH STUDY UPDATE BY GREG WRIGHT Last month, we mentioned the principally in the Bank Street area. first Public Participation SECOND PUBLIC FORUM meeting, which was held on Building on the success of the September 29th. Minutes are available September public meeting, a at the Firehall. In addition to the second Public Participation numerous comments made at that forum will be held at the Firehall on meeting, we have received another 15 Thursday, November 24th. This will written suggestions from various take the form of an Open House and residents aimed at identifying you are invited to drop in between 6:30 opportunities for improvements. and 9:30 pm. This will be an excellent The major development in October opportunity for you to meet the focused on the selection of the consultants first hand, to provide engineering/consulting firm to conduct comments and ask questions, to learn The first public meeting on traffic in Ottawa South, September 29, hosted by the this traffic and parking study. Four more about “traffic calming” and the Steering Committee at the Firehall with Jim Watson, Councillor and Paul Nyirongo, local firms submitted detailed orientation of the project and project from the City. Photo P. Hecht proposals and each was thoroughly team. assessed against pre-determined At 7:30 pm, there will be a short criteria by the community as presentation by McCormick Rankin to represented by the Old Ottawa South outline their initial understanding of Steering Committee and by the City of the Old Ottawa South traffic and NEXT DEADLINE FOR OSCAR is j Ottawa.