Rodney Graham Selected Solo Exhibitions
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Rodney Graham Biography
Rodney Graham Rodney Graham pulls at the threads of cultural and intellectual history through photography, film, music, performance and painting. He presents cyclical narratives that pop with puns and references to literature and philosophy, from Lewis Carroll to Sigmund Freud to Kurt Cobain, with a sense of humour that betrays Graham’s footing in the post-punk scene of late 1970s Vancouver. The nine-minute loop Vexation Island (1997) presents the artist as a 17th-century sailor, lying unconscious under a coconut tree with a bruise on his head; after eight and a half minutes he gets up and shakes the tree inducing a coconut to fall and knock him out, and for the sequence to start again. Graham returns as a cowboy in How I Became a Ramblin’ Man (1999) and as both city dandy and country bumpkin in City Self/Country Self (2001) – fictional characters all engaged in an endless loop of activity. Such dream states and the ramblings of the unconscious are rooted in Graham’s earlier upside-down photographs of oak trees. Inversion, Graham explains, has a logic: ‘You don’t have to delve very deeply into modern physics to realise that the scientific view holds that the world is really not as it appears. Before the brain rights it, the eye sees a tree upside down in the same way it appears on the glass back of the large format field camera I use.’ (2005) Rodney Graham was born in Abbotsford, British Columbia, Canada in 1949. He graduated from the University of British Columbia, Burnaby, Canada in 1971 and lives and works in Vancouver, Canada. -
Marian Penner Bancroft Rca Studies 1965
MARIAN PENNER BANCROFT RCA STUDIES 1965-67 UNIVERSITY OF BRITISH COLUMBIA, Arts & Science 1967-69 THE VANCOUVER SCHOOL OF ART (Emily Carr University of Art + Design) 1970-71 RYERSON POLYTECHNICAL UNIVERSITY, Toronto, Advanced Graduate Diploma 1989 SIMON FRASER UNIVERSITY, Visual Arts Summer Intensive with Mary Kelly 1990 VANCOUVER ART GALLERY, short course with Griselda Pollock SOLO EXHIBITIONS 2019 REPUBLIC GALLERY, Vancouver, upcoming in May 2019 WINDWEAVEWAVE, Burnaby, BC, video installation, upcoming in May 2018 HIGASHIKAWA INTERNATIONAL PHOTOGRAPHY FESTIVAL GALLERY, Higashikawa, Hokkaido, Japan, Overseas Photography Award exhibition, Aki Kusumoto, curator 2017 REPUBLIC GALLERY, Vancouver, RADIAL SYSTEMS photos, text and video installation 2014 THE REACH GALLERY & MUSEUM, Abbotsford, BC, By Land & Sea (prospect & refuge) 2013 REPUBLIC GALLERY, Vancouver, HYDROLOGIC: drawing up the clouds, photos, video and soundtape installation 2012 VANCOUVER ART GALLERY, SPIRITLANDS t/Here, Grant Arnold, curator 2009 REPUBLIC GALLERY, Vancouver, CHORUS, photos, video, text, sound 2008 REPUBLIC GALLERY, Vancouver, HUMAN NATURE: Alberta, Friesland, Suffolk, photos, text installation 2001 CATRIONA JEFFRIES GALLERY, Vancouver THE MENDEL GALLERY, Saskatoon SOUTHERN ALBERTA ART GALLERY, Lethbridge, Alberta, By Land and Sea (prospect and refuge) 2000 GALERIE DE L'UQAM, Montreal, By Land and Sea (prospect and refuge) CATRIONA JEFFRIES GALLERY, Vancouver, VISIT 1999 PRESENTATION HOUSE GALLERY, North Vancouver, By Land and Sea (prospect and refuge) UNIVERSITY -
Olafur Eliasson Biography
Olafur Eliasson Biography 1967 Born in Copenhagen 1989 – 1995 Studied at the Royal Danish Academy of Fine Arts in Copenhagen Lives in Copenhagen and Berlin Solo Exhibitions 2019 Olafur Eliasson: In real life, Tate Modern, London, United Kingdom, July 11, 2019 – January 5, 2020. Travel to Guggenheim Bilbao, Spain, February 14, 2020 – June 21, 2021. Tree of Codes, Opéra Bastille, Paris, France, June 26 – July 13. Y/our future is now, The Serralves Museum of Contemporary Art, Porto, Portugal, July 31, 2019 – June 14, 2020. 2018 Objets définis par l’activité, Espace Muraille, Genève, Switzerland, January 24 — April 28. Una mirada a lo que vendrá (A view of things to come), Galería Elvira González, Madrid, Spain, February 13 – April 28. Reality Projector, Marciano Art Foundation, Los Angeles, USA, March 1 – August 25. The unspeakable openness of things, Red Brick Art Museum, Beijing, People’s Republic of China, March 25 – August 12. Multiple Shadow House, Danish Achitecture Center (DAC), Copenhagen, Denmark, May 17 – Oktober 21. Olafur Eliasson: WASSERfarben (WATERcolours) , Graphische Sammlung – Pinakothek der Moderne, Munich, Germany, June 7 – September 2. The speed of your attention, Tanya Bonakdar Gallery, New York / Los Angeles, September 15 – December 22. 2017 Olafur Eliasson, Fischli/Weiß, Art Project Ibiza & Lune Rouge, Ibiza, Spain, January 21 – April 29. Olafur Eliasson: Pentagonal landscapes, EMMA – Espoo Museum of Modern Art, Espoo, Finnland, February 8 – May 21. Olafur Eliasson: Green light – An artistic workshop, The Moody Center of the Arts, Houston, Texas, USA, February 24 – Mid May. Olafur Eliasson: The listening dimension, Tanya Bonakdar Gallery, New York, March 23 – April 22. -
Asia Arts Awards Hong Kong Auction to Benefit Asia Society Thursday, March 23, 2017 1
ASIA ARTS AWARDS HONG KONG AUCTION TO BENEFIT ASIA SOCIETY THURSDAY, MARCH 23, 2017 1. Xu Bing (b. 1955, Chongqing, China; lives and works in Beijing and New York) Phoenix, 2015 Digital print on paper 15 3/4 x 18 3/4 in. (40.1 x 47.7 cm) Artist Proof 1 of 8 Courtesy of the artist Suggested value: US$1,500.00 Xu Bing is a conceptual artist whose work draws on the creative use of language, words, and text. This is a print of an original drawing of Xu’s large-scale installation of the same name made from construction debris and light-emitting diodes. Phoenixes are traditionally associated with rebirth and Xu’s interpretation may be seen as a reflection on urbanization. The artist received a BFA in printmaking in 1981 and an MFA in 1987 from the Central Academy of Fine Arts (CAFA), Beijing. A recipient of the MacArthur Fellowship in 1999, Xu’s artworks have been exhibited worldwide, including at the 56th and 45th Venice Biennales (2015, 1993); Arthur M. Sackler Gallery, Washington, D.C. (2013, 2001); the Victoria and Albert Museum, London (2013); The Museum of Modern Art, New York (2007); The Metropolitan Museum of Art, New York (2006); the Biennale of Sydney (2002); and Johannesburg Biennale (1997), among others. The artist served as the Vice President of the Central Academy of Fine Arts, Beijing, from 2008 to 2014, and is currently a professor and member of the Academic Committee at CAFA. He was awarded a Doctorate of Humane Letters by Columbia University in 2010. -
Rodney Graham CV
Rodney Graham Lives and works in Vancouver, Canada 1979–80 Simon Fraser University, Burnaby, Canada 1968–71 University of British Columbia, Vancouver, Canada 1949 Born in Vancouver, Canada Selected Solo Exhibitions 2020 ‘Artists and Models', Serlachius Museum Gösta, Mänttä, Finland ‘Painting Problems’, Lisson Gallery 2019 303 Gallery, New York, NY, USA 2018 ‘Central Questions of Philosophy’, Lisson Gallery, London, UK 2017 ‘Lightboxes’, Museum Frieder Burda, Baden-Baden, Germany 303 Gallery, New York, NY, USA ‘That’s Not Me’, BALTIC Centre for Contemporary Art, Gateshead, UK; Museum Voorlinden, Wassenaar, Netherlands; Irish Museum of Modern Art, Dublin, Ireland ‘Canadian Impressionist’, Canada House, London, UK ‘Media Studies’, Hauser & Wirth, Zurich, Switzerland 2016 ‘You should be an Artist’, Le Consortium, Dijon, France ‘Waterloo Billboard Commissions’, Hayward Gallery, London, UK ‘Jack of All Trades’, Prefix Institute of Contemporary Art, Toronto, Canada ‘Più Arte dello Scovolino!’, Lisson Gallery, Milan, Italy Alt Art Space, Istanbul Turkey 2015 Sammlung Goetz, Munich, Germany ‘Kitchen Magic Drawings’, Galerie Rüdinger Schöttle, Munich, Germany 2014 ‘Rodney Graham: Props and Other Paintings’, Charles H. Scott Gallery, Emily Carr University of Art + Design, Vancouver, Canada ‘Collected Works’, Rennie Collection, Vancouver, Canada ‘Torqued Chandelier Release and Other Works’, Belkin Gallery, University of British Columbia, Vancouver, Canada 2013 Lisson Gallery, London, UK 303 Gallery, New York, NY, USA ‘The Four Seasons’, Hauser & Wirth, Zurich, Switzerland 2012 ‘Canadian Humourist’, Vancouver Art Gallery, Vancouver, Canada Johnen Galerie, Berlin, Germany 2011 Donald Young Gallery, Chicago, IL, USA ‘Vignettes of Life’, Hauser & Wirth, Zurich, Switzerland ‘Rollenbilder – Rollenspiele’, Museum der Moderne, Salzburg, Austria ‘The Voyage or Three Years at Sea: Part 1. -
PHILIPPE PARRENO Lives and Works in Paris, France Education
PHILIPPE PARRENO Lives and works in Paris, France Education 1983 – 1988 École des Beaux-Arts, Grenoble, France 1988 – 1989 Institut des Hautes Etudes en arts plastiques, Palais de Tokyo, Paris Selected Solo Exhibitions 2019 “Philippe Parreno: A Manifestation of Objects,” Watari Museum of Contemporary Art, Tokyo “Echo,” Museum of Modern Art, New York “Displacing Realities,” LVMH Venice, Venice, Italy “Philippe Parreno,” Gladstone Gallery, New York 2018 “My Room is Another Fish Bowl,” Tensta Konsthall, Stockholm, Sweden “Philippe Parreno,” Pilar Corrias Gallery, London “Philippe Parreno,” Martin-Gropius-Bau, Berlin “Philippe Parreno: Two Automatons for One Duet (My Room Is Another Fish Bowl, 1996–2016, and With a Rhythmic Instinction to Be Able to Travel beyond Existing Forces of Life, 2014),” Art Institute of Chicago, Chicago 2017 “La Levadura y el Anfitrión,” Museo Jumex, Mexico City “Philippe Parreno: Synchronicity,” Rockbund Art Museum, Shanghai, China “Philippe Parreno,” Museu de Arte Contemporânea de Serralves, Porto, Portugal 2016 “Philippe Parreno: Thenabouts,” Australian Center for the Moving Image, Melbourne, Australia “Anywhen,” Hyundai Commission 2016, Turbine Hall, Tate Modern, London “My Room is Another Fish Bowl, The Brooklyn Museum, New York “IF THIS THEN ELSE,” Gladstone Gallery, New York 2015 “H{N)YPN(Y}OSIS,” Park Avenue Armory, New York “Hypothesis,” HangarBicocca, Milan, Italy 2014 “Quasi Objects,” Esther Schipper, Berlin “With a Rhythmic Instinction to be Able to Travel Beyond Existing Forces of Life,” Pilar Corrias, -
An Apology for Modernity
NSK STaTE PavIlION — 57Th vENIcE BIENNalE 2017 11 May – 15 July 2017 Exhibition: Palazzo Ca’ Tron, IUAV University of Venice Commissioned by IRWIN Inaugural lecture by Slavoj Žižek Curated by Zdenka Badovinac and Charles Esche 11 May 2017, Aula Magna Tolentini Installation by Ahmet Öğüt AN APOLOGY List of contents FOR MODERNITY It is cruel to refuse shelter to refugees. For the state in time, transgression of But it is much more cruel to make people the bounds of the ethical idea is as serious Introduction by IRWIN 2 refugees. The refugees fleeing to Europe as violation of the boundaries for the state are put in an impossible situation of seek - in space. It is imperative for NSK as the Zdenka Badovinac and Charles Esche, NSK State ing help from the perpetrators of their suf - state in time that we take a categorical Pavilion in the context of the 57th Venice Biennale 3 fering and misery. We, the liberal Western stance toward these developments. Since world, have destroyed their life world. we cannot expect our Western leaders to Editor’s note by Mara Ambrozič 4 The governments of our states in space act ethically, we take the burden of moral have done it. We as their citizens are all responsibility and guilt on ourselves and Slavoj Žižek, The Courage of Hopelessness 4 complicit in the crimes our elected and sincerely apologize to the refugees, as well unelected leaders have committed or as - as to those who were unable to or chose Eda Čufer, It is Time to Rethink the State: sisted in the regions from which the not to flee, for all the crimes and suffering On NSK State 5 refugees flee. -
LUCY + JORGE ORTA Lucy Orta, B
LUCY + JORGE ORTA Lucy Orta, b. United Kingdom, 1966 Jorge Orta, b. Argentina, 1953 SOLO EXHIBITIONS & COMMISSIONS 2020 Orta Drawing Lab, Drawing Lab, Paris, France Antarctica World Passport: UK-Tour, National Maritime Museum, Harewood House, London, UK Lucy + Jorge Orta, Les Tenneries – Centre d’art contemporain, Amilly, France OrtaWater, LMCC Arts Center, Governors Island, New York, US 2019 70 x 7 The Meal Act XLII Matera, European Cultural Capital, Matera, Italy Life Guards, Palazzo Vecchio, Museo Novecento, Museo Ferragamo, Florence, Italy Potential Architecture, Jane Lombard Gallery, New York, NY Gazing Ball, Yorkshire Sculpture Park, West Bretton, UK 2018 Antarctica World Passport – Displacement, Migration Week, Marrakesh, Morocco Procession Banners, Medicine Bakery and Gallery, Birmingham, UK The Gazing Ball – Potential Architecture, Folly! 2018, Fountains Abbey and Studley Royal North Yorkshire, UK PEEWIT, European Capital of Culture Leeuwarden-Fryslån, Sloten, The Netherlands 70 x 7 The Meal Act XLI, NTU Centre for Contemporary Art, Singapore 2017 Raft if the Medusa, Hull, UK Lucy + Jorge Orta, UNTITLED Art Fair, Jane Lombard Gallery Miami Beach, Florida, USA Antarctica World Passport Bureau, Frieze Projects, curated by Raphael Gygax, Frieze London, UK Lucy + Jorge Orta, Galerie Valerie Bach, Brussels, Belgium 70 x 7 The Meal, Ideas Fest, Cities for the People, NTU Centre for Contemporary Art, Singapore 2016 Lucy + Jorge Orta : Food, City Gallery, Peterborough Museum, Priestgate, Peterborough, UK Lucy + Jorge Orta : Antarctica, Jane Lombard Gallery, New York, NY Lucy + Jorge Orta, Attenborough Arts Centre, University of Leicester, Leicester, UK 2015 Antarctica World Passport Bureau, COP21, Le Grand Palais, Paris, France 70 x 7 The Meal, Harvest in Peterborough, Peterborough, UK Displacement. -
Ian Wallace: at the Intersection of Painting and Photography
Ian Wallace: At the Intersection of Painting and Photography Lookout , 1979 (detail) hand-coloured silver gelatin print Collection of the Vancouver Art Gallery, Acquisition Fund TEACHER’S STUDY GUIDE Winter 2013 1 Contents Page Program Information and Goals ................................................................................................................. 3 Background to the Exhibition...................................................................................................................... 4 Artist Information......................................................................................................................................... 5 Ian Wallace: Essential Terms 101.............................................................................................................. 6 Pre- and Post-Visit Activities 1. Ian Wallace and His Art ................................................................................................................... 7 Artist Information Sheet 1 (intermediate/secondary students) ................................................... 8 Artist Information Sheet 2 (primary students)............................................................................... 9 Student Worksheet........................................................................................................................10 2. History Paintings Now....................................................................................................................11 3. Heroes in the Street.......................................................................................................................13 -
A Poet of Images, Ian Wallace Explores the Interplay Between Form
A poet of images, Ian Wallace explores the interplay between form and content, using photography as a vehicle for developing an avant-garde art that weds the strategies of conceptualism with the pictorial tropes of painting. In doing so since the late '60s, he became the pioneer of a photoconceptualism that fundamentally influenced and reconfigured contemporary art practice in Vancouver, not least through his teaching such artists as Jeff Wall, Rodney Graham, Ken Lum and Stan Douglas. Wallace's art encourages a sophisticated involvement from the viewer. His works awaken the allegorical, symbolic potential of everyday subject matter, investing ostensibly non-eventful scenes with meaning. For his first exhibition at Hauser & Wirth - which coincides with a presentation of his work in three concurrent chapters at the Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Witte de With, Rotterdam, and Kunsthalle Zürich - Wallace is showing four new, interrelated works. Each comprises of a quartet of canvases that relate collectively to the context in which they are shown. Their photographed subjects are, respectively, the Elgin Marbles, the section of the Piccadilly street facing the gallery, people gathered on the floor of Tate Modern's Turbine Hall watching a performance of Ben Vautier's Audience Piece No. 10, and the construction of new walls in the gallery Hauser & Wirth. The installation sets up a number of tacit relationships. Bodies are represented as seen and seeing subjects in the form of the Tate spectators (The Audience) and the sculpted torsos at the British Museum (The Marbles) that face each other across the gallery. The remaining two groups of works likewise offset and reflect each other: while the images in The Street refer directly to the space behind the wall on which they are hung, the canvases in The Wall dwell on the plastering and painting of this same wall some months before. -
DAN GRAHAM BIBLIOGRAPHY Selected Catalogues And
DAN GRAHAM BIBLIOGRAPHY Selected Catalogues and Publications: 2021 Graham, Dan, Theatre, published by Primary Information, Brooklyn, NY, 2021 2019 Graham, Dan, Dan Graham, published by Proa Publicaciones, Buenos Aires, Argentina, 2019 There will never be a door. You are inside. Works from the Coleção Teixeira de Freitas, published by Santander Fundación, Madrid, Spain, 2019 2018 Salvesen, Britt, 3D: Double Vision, published by Los Angeles County Museum of Art, Los Angeles, CA, 2018 2017 Barson, Tanya, Hubert Damisch, Vilém Flusser, and Laura González-Flores, Life World, published by Colección CIAC, A.C., Mexico City, Mexico, 2017, pp. 194 – 195 [ill.] Baum, Kelly, ed., Delirious: Art at the Limits of Reason, published by The Metropolitan Museum of Art, New York, NY, pp. 35, 44 – 45, 62, 113, 201 Fédier, Barbara and Pierre Leguillon, eds., Oracles – Artists’ Calling Cards, published by HEAD – Genève, Geneva University of Art and Design, Geneva, Switzerland, and Edition Patrick Frey, Zurich, Switzerland, 2017, pp. 14 – 19 Janković, Ramdila Iva, Dan Graham / Works That Are Fun for the Family, published by Museum of Contemporary Art, Zagreb, Zagreb, Croatia, 2017 McGrath, Jack, Visual Notes for an Upside-Down World, published by PPOW Gallery, New York, NY, 2017 Mühling, Matthias and Stephanie Weber, eds., After the Fact. Propaganda in the 21st Century, published by Städtische Galerie im Lenbachhaus und Kunstbau München, Munich, Germany, 2017 Pfau, Anna-Alexandra, ed., Generation Loss: 10 Years of the Julia Stoschek Collection, published by Kerber Verlag, Berlin, Germany, 2017 Raza, Asad, Home Show, published by Asad Raza, New York, NY, 2017 2016 Graham, Dan, Rock/Music Writings, 2nd Edition, published by Primary Information, New York, NY, 2016 Bear, Jordan, Tyler Cann, Kris Paulsen, Nannette V. -
Rodney Graham B.1949 Vancouver, Canada
Rodney Graham b.1949 Vancouver, Canada Education 1968-71 University of British Columbia Solo Exhibitions 2012 ‘Rodney Graham - Canadian Humourist’, Vancouver Art Gallery, Vancouver, Canada ‘Rodney Graham’, Johnen Galerie, Berlin, Germany 2011 ‘Rodney Graham,’ Donald Young Gallery, Chicago, IL, USA ‘Vignettes of Life’, Hauser & Wirth, Zurich ‘Rollenbilder – Rollenspiele’, Museum der Moderne, Salzburg, Austria 2010 ‘Painter, Poet, Lighthouse Keeper’ Lisson Gallery, London ‘Rodney Graham’, 303 Gallery, New York, NY, USA ‘Rodney Graham – Through the Forest’, Hamburger Kunsthalle, Hamburg, Germany ‘Rodney Graham – Through the Forest’, Museum für Gegenwartskunst, Basel, Switzerland ‘Rodney Graham – Through the Forest’, MACBA – Museum of Contemporary Art, Barcelona, Spain ‘Possible Abstractions’, Museu Picasso, Barcelona, Spain 2009 ‘Harun Farocki / Rodney Graham’, Jeu de Paume, Paris, France 2008 “Rodney Graham”, 303 Gallery, New York, NY, USA ‘A Glass of Beer’, CAC Malaga, Malaga, Spain ‘It’s All Black and White, Galerie Rüdiger Schöttle, Munich, Germany ‘Rodney Graham', Donald Young Gallery, Chicago IL, USA 2007 ‘Rodney Graham, Lobbing Potatoes at a Gong’, Bawag Foundation, Vienna, Austria ‘Wet on Wet: My Late Early Styles’, Lisson Gallery, London, UK Kurt-Schwitters-Preis 2006, Sprengel Museum, Hanover, Germany 2006 ‘Rodney Graham: Awakenings’, Bergen Kunstahll, Bergen, Norway ‘Awakening’, Donald Young Gallery, Chicago, IL, USA ‘Rodney Graham, Renaissance Man, Works 1400–1977”, Hauser & Wirth Zürich ‘Rodney Graham’, Musée d’art contemporain