Grimm's fairy tales rapunzel pdf

Continue German fairy tale This article is about a traditional fairy tale. For the Disney character, see Rapunzel (Tangled). For other purposes, see Rapunzel (disambigation). Dame Gothel redirects here. For other purposes, see Gothel (disambiguation). Rapunzel Illustration Rapunzel and Witches at the 1978 East German BrandAuthorAuthor Unknown, but collected by the brothers GrimmCountryGermanyLanguageGermanGenreFairy fairy tale1812Media typePrint Rapunzel (/rəˈpʌnzəl/; German : ʁaˈpʊn͡tsəl) is a German fairy tale recorded by the Brothers Grimm and first published in 1812 as part of Children's and Household Tales (KHM 12). The story of the Brothers Grimm is an adaptation of the tale of Rapunzel Friedrich Schulz (1790), which was translated by Persette (1698) by Charlotte-Rose de Causmont de La Force, which itself was influenced by an earlier Italian tale, Petrosinella (1634), jambattista Basile. The ultimate source of this tale is the Persian tale of Hall and Rudab from Shahnameh of the 11th Century (The Book of Kings). The tale is classified as Aarne-Thompson Type 310 (Girl in the Tower). Its plot was used and parodied in various media. His most famous line, Rapunzel, Rapunzel, under the guise of hair, is an idiom in popular culture. The Origin of the Tale was published by the Brothers Grimm in Kinder und Hausmurchen in 1812. Their source was a story published by Friedrich Schultz (1762-1798) in his Kleine Romane (1790). Earlier versions include Giambattista Basile's Petrosinella (1634/36), Mademoiselle de la Force Persnett (1698), or Johann Gustav Busching's Das M'der padde a few months before Grimm's version of The Volks-Sagene, Mehrren and Legendden (1812). Image copyright Johnny Gruelle A lonely couple, who have been looking for a child for a long time, lives next to a garden owned by a sorceress. The wife, experiencing cravings associated with pregnancy, notices rapunzel (meaning, either Campanula rapunculus (edible salad green and root vegetable) or Valerianella locusta (salad green)) grows in the next garden and craves it. She refuses to eat anything else and starts spending. Her husband fears for his life, and one night he breaks into the garden to get some for her. When he returns, she makes a salad out of it and eats it, but she wants more to get her husband back to the garden to get more. When he scales the wall to return home, the sorceress catches him and accuses him of stealing. He asks for mercy, and she agrees to be lenient, allowing him to take all the rapunzel he wants provided that the baby will be given to her when he is born. Desperate, he agrees. When his wife has a baby girl, the sorceress takes her to raise as her own and calls her Rapunzel after the plant her mother craved. She grows up a beautiful child with long golden hair. [8] she turns twelve years old, the sorceress locks her inside the tower in the middle of the forest, not with a ladder and a door, and only one room and one window. In order to visit Rapunzel, the sorceress stands under the tower and shouts: Rapunzel! Rapunzel! Let your hair that I can climb your golden ladder! One day the prince drives through the forest and hears Rapunzel sing from the tower. Fascinated by her ethereal voice, he searches for her and discovers the tower, but can not enter it. He often returns, listening to her beautiful singing, and one day sees the visit of the sorceress and learns to get access. When the sorceress leaves, he invites Rapunzel to let her hair down. When she does that, it goes up and they fall in love. Eventually he asks her to marry him, to which she agrees. Together they plan a means of escape in which he will come every night (thus avoiding the sorceress who visits her during the day) and bring Rapunzel a piece of silk that she will gradually weave into the stairs. Before the plan can come to fruit, however, it foolishly gives it away. In the first edition (1812) Kinder- und Hausm'rchen (German: Children's and Household Tales, best known in English as Grimm's Tales), she innocently says that her dress grows tougher around her waist, hinting at pregnancy. In later editions, she asks Dame Gothel in a moment of forgetfulness why it is easier for her to make a prince than to her. In anger, the sorceress cuts off Rapunzel's hair and kicks her into the desert to stand up for herself. When the prince calls that night, the sorceress lets the severed hair down to drag it up. To his horror, he finds himself meeting her, not Rapunzel, who is nowhere to be found. After she tells him in a rage that he will never see Rapunzel again, he jumps or falls from the tower, landing in a prickly bush. Although the prickly bush breaks his fall and saves his life, he scratches his eyes and blinds him. For many years he wanders the wastelands of the country and eventually comes to the desert, where Rapunzel now lives with the twins she gave birth to, a boy and a girl. One day, as she sings, he hears her voice again, and they reunite. When they get into each other's arms, her tears immediately restore his eyesight. He leads her and their twins to their kingdom, where they live happily ever after. Another version of the story ends with the revelation that her adoptive mother untied Rapunzel's hair after Prince jumped from the tower and she slipped out of her hands and landed much lower, leaving her trapped in the tower. The themes and characteristics of Rapunzel in Dresden, Saxony, Germany Many scholars have interpreted the stories of The Virgin in the Tower, of which Rapunzel is a part, as a metaphor for protecting young women from pre-eminemal relations overly zealous Scientists compared rapunzel's content in her tower to a monastery where women's lives were under great control and they lived in isolation from outsiders. Scientists also noted the strong theme of love, captivating everyone in history, as lovers are united after years of searching in all versions after Persinette and ultimately happily reunited as a family. The seemingly unfair deal that her husband makes with the sorceress at the opening of Rapunzel is a general convention in fairy tales, which is replicated in Jack and the Bean stem, when Jack exchanges the cow for beans or for Beauty and the Beast, when Beauty comes to the Beast in exchange for a rose. In addition, folklore beliefs often considered it dangerous to deny a pregnant woman the food she craved, making the deal with the sorceress more understandable, as the husband would perceive his actions as saving his wife at the expense of his child. Family members often go to great lengths to ensure this craving, and such desires for salad and other vegetables may indicate the need for vitamins. The archetype The Girl in the Tower drew comparisons with the possible lost matriarchal myth associated with the sacred marriage between prince and maiden, and the rivalry between a maiden representing life and spring and a crown representing death and winter. Mythological and religious inspiration Of development Some researchers have suggested that the earliest possible inspiration for the archetype Maiden in the Tower is the pre-Christian European (or proto-Indo-European) sun or the myths of the goddess of dawn, in which the bright deity is trapped and saved. Similar myths include myths about the Baltic sun goddess Saul, who is held captive by the king in the tower. Inspiration can also be taken from the classic myth of the hero Perseus. Perseus's mother, Danash, was chained to a bronze tower by her father, Acrizius King of Argos, to prevent her pregnancy, as Delfa's Oracle predicted that she would have a son who would kill his grandfather. Inspiration can come from the life of Saint Barbara Nicomedia, who was a beautiful woman who was chained to the tower by her father to hide her from her suitors. While in the tower, she converted to Christianity and was eventually tortured for her faith after a series of miracles lingering with her execution. Her story was included in the Book of Urban Ladies by Cirstin de Pisan, which may have been very influential to later writers, as it was popular throughout Europe. Literary development The earliest surviving reference to a female character with long hair, which she invites a male lover to climb like a ladder, appears in an epic poem by Shahnameh Ferdousi. The heroine of the story, Rudaba, offers her hair so that Evil's love interest can enter the harem where she lives. Instead, Evil states that she should lower the rope so as not to harm herself. The first written record of history that can be recognized by Rapunzel is Petrosinella by Giambattista Basile, a translation of parsley, which was published in Naples in the local dialect in 1634 in the collection lo cunto de li cunti (History of Stories). This version of the story differs from later versions, since it is the wife, not the husband steals the plant, the girl is taken by the villain as a child, not a child, and the girl and prince are not separated for years to be reunited after all. Most importantly, this version of the story contains a flight scene in which Petrosinella uses magical acorns that turn into animals to distract the ogress while she chases the pair to escape from the tower. This flying scene, with three magical objects used as a distraction, is in oral versions in the Mediterranean region, particularly in Sicily (Angiola), Malta (Little Parsley and Little Fennel) and Greece (Anthousa The Fair with golden hair). In 1697, Charlotte-Rose de Causmont de La Force published a variation of the story, Percinette, while confined to the abbey due to alleged misconduct while serving at the court of Louis XIV. This version of the story includes almost all the elements that were found in later versions by the Grimm Brothers. This is the first version, which includes the pregnancy of a girl out of wedlock, the deception of the villain, leading to the blinding of the prince, the birth of twins and tears of a virgin, restoring the prince's vision. The tale ends with the villain taking pity on the pair and taking them to the realm of the prince. Although de la Force's claim that Persinette was the original story could not be substantiated, her version was the most complex at the time and introduced the original elements. Persinette was translated into German by Friedrich Schulz and appeared in 1790 in Kleine Romane (Little Novels). James and Wilhelm Grimm included this story in their first (1812) and seventh (1857) editions of children's and household tales and removed elements that they believed were added to the original German fairy tale. Despite the fact that Grimms' story about the fairy tale is the most common version of Girls in the Tower in the Western literary canon, the story seems to have no connection with the German oral folklore tradition. Remarkably, the publication of 1812 persists in the out-of-marriage pregnancy, which shows the Prince's visits to the witch, while in the 1857 version, it is the slip of Rapunzel's language to address that the fairy tale is not suitable for children. It can be argued that the version of this story of 1857 was the first written for the audience mainly for children. Literary Media's Cultural Heritage Andrew Lang included the story in his 1890 publication The Red Fairy. Other versions of the tale also appear in Ruth Manning-Sanders's book The Witch (1965) and Paul O. Selecott's Caldecott (1997). Anne Sexton wrote a poem called Rapunzel in her collection Transformation (1971), a book in which she revisits The Sixteen Tales of Grimm. Cress is the third book in Moonlight Chronicles, a sci-fi series written by Marissa Meyer that is an adaptation of Rapunzel. Crescent, nicknamed Cress, is a prisoner on a companion who is rescued and falls in love with his hero Captain Thorne amid the story of Cinderella cyborg version of Cinderella. Lunar Chronicles is a tetralogy with an action-packed view of classic fairy tales, which also includes such characters as Cinderella (Cinderella), Scarlet (Red Riding Hood) and Winter (Snow White). Kate Forsyth has written two books about Rapunzel, one of which is a fictional retelling of the tale and the life of Mademoiselle de la Sila entitled, Bitter Green, and her second book was a non-fiction description of the development of a fairy tale called, Revival of Rapunzel: The Mythical Biography of the Virgin in the Tower. She described it as a story that very much affects any person - a man or a woman, a child or an adult - who is trapped in their own circumstances, whether caused by the will of another or their own inability to change and grow. In Nikita Gill's poetry collection Fierce Tales of 2018: Other Stories That Will Move the Soul, she has several poems that refer to the story of Rapunzel or Rapunzel, including Rapunzel's Note Left for Gotel's Mother and Rapunzel's Rapunzel. In 2019, Simon Hood published a modern retelling of Rapunzel. Both language and illustrations modernized history, while the plot itself remained close to traditional versions. The film's live version of the action was filmed for television as part of the Shelley Duval Fairy Fairy Fairy Theatre series, airing on Showtime. It aired on The Fox Network on February 5, 1983. In it, the main character, Rapunzel (Shelley Duvall), is taken from her mother (Shelley Duvall) and father (Jeff Bridges) an evil witch (Gena Rowlands), and brought up in an isolated tower, she can be reached, only climbing on her unnaturally long hair. Jeff Bridges played Prince as well as Rapunzel's father, Shelley Duvall played Rapunzel, and Rapunzel's mother, Gene Rowlands played the witch, and Roddy McDowell recounted. The story is retold in the second season (1987) episode of Grimm's Tale Classics, aka The Grimm Masterpiece Theatre. 1988 German film Rapunzel Oder Der Sauber der Trenin (meaning Rapunzel or the magic of tears) combines the story with the lesser-known grimm maid Malin tale. After escaping from the tower, Rapunzel finds the job of a kitchen maid at the prince's court, where she must fight the evil princess who seeks to marry him. In 1990, a live-on video animated film adaptation of Hannah-Barbera and Hallmark Maps, simply titled Rapunzel, featured Olivia Newton-John telling the story. The main difference between him and Grimm's tale is that instead of making the prince blind, the evil witch turns him into a bird, perhaps a reference to Blue Bird, the French version of history. Into the Woods is a musical combining elements from several classic fairy tales in which Rapunzel is one of the main characters; it was also filmed for television in 1991 by the American Playhouse. The story portrays Rapunzel as the witch's adopted daughter that Baker (Rapunzel's older brother, unbeknownst to him) receives some items from which the prince later rescued. In the second half of the play Rapunzel dies from the wife of a giant. The witch then grieves for her and sings: The Witch is crying. A screen adaptation of The Walt Disney Company was released in late 2014, where Rapunzel plays Mackenzie Mausie. The difference from the play is that Rapunzel is not killed by the wife of a giant. Instead, she goes to the woods with her prince to distance herself from the witch who raised her. In Barbie as Rapunzel (2002), Rapunzel was brought up by the evil witch Gothel (voiced by Angelica Houston), and she acted as a servant to her. She uses a magic brush to get out of captivity, but Gotel locks her in the tower. In Shrek the Third (2007), Rapunzel (voiced by Maya Rudolph) was friends with Princess Fiona. She is shown to be the true love of the evil Prince and helps to deceive Princess Fiona and her group as they try to escape from the Prince's wrath. Walt Disney Animation Studios' Tangled (2010), which is a free retelling and computer-animated musical feature film. Princess Rapunzel (voiced by Mandy Moore) is more assertive in nature and was born a princess. Her long blonde hair has magical healing and restorative power. One woman named Mother Gothel (voiced by Donna Murphy) kidnaps Rapunzel for her magical hair to help keep her young. Flynn Ryder/Eugene Fitzgerald (voiced by zakari Levy) is the elusive thief who replaces Prince. Rapunzel is also featured in Disney's short sequel Tangled Ever After. There is also a series based on events after the film and up short under the title Tangled Series / Tangled Adventures of Rapunzel and the film that leads to a series called Tangled: Before Ever After. Walt Disney Pictures hired Ashley Powell to write a screenplay for live action Film. It is not known whether the film will be a remake of Tangled, a completely new adaptation, or a combination of both. Television Media Live Action Television Media Shirley Temple's Storybook (1958-1961) featured Rapunzel's media in an episode that aired on October 27, 1958. Carol Linley played Rapunzel and Agnes Moorhead played the evil witch. Sesame Street (1969-present) has a parody of News Flash with Kermit the Frog, where he interviews a prince trying to charm Rapunzel with the famous line. However, she has difficulty hearing it, and when she finally understands it, she lets all her hair fall (completely off her head), leaving the prince confused about what to do now. The American television anthology animated series, Fortunately Ever After: Tales for Every Child (1995-2000), a classic story retelled with a full African-American cast and set in New Orleans. The episode stars Tisha Campbell-Martin as Rapunzel, Whoopi Goldberg as zenobia Hudu Diva, Meshah Taylor as Woodman, Hazel Goodman as Woodcutter's wife, Donald Fieldilov as #1's friend and Tico Wells as #2's friend. In the American fairy-tale miniseries The Tenth Kingdom (2000) the main character, Virginia Lewis is cursed by a gypsy witch. As a result, she grows her hair resembling Rapunzel and is locked by the Hunter in the tower. Her only means of salvation is that she descends through the window of the tower to the Wolf to rise up and save her. Not before he asks the iconic phrase, in his own way: The love of my life, let your shiny locks!. The character, Rapunzel is also mentioned as one of the great women who changed history, and she was queen of the Sixth Kingdom before eventually succumbing to old age. Rapunzel appears in the 2014 episode Once Upon a Time, played by Alexandra Metz. In this show, Rapunzel is a young woman who for years was trapped in a large tower after looking for a plant called night root that will relieve the fear of becoming queen after the death of her brother. Because of this, she has very long hair. It turned out that the use of the substance created a spirit of fear of doppelgengers, which represents all the worst fears of man. After the Prince charming begins to fear that he will not become a good father for his and Snow White child, Robin Hood tells him where to find the night root. He then climbs the tower and eventually helps Rapunzel face her fears, confronting what really scares her, which is herself. Presented by her lookalike, she is inspired by the Prince Charming and cuts off her hair, killing the figure and giving her freedom. She explains to Prince Charming that her brother died trying to save her, and she doubts that her parents will forgive her. Once again Prince Charming, she returns her to her palace where she reunites her adopting parents. The second iteration of Rapunzel appears as one of the main antagonists in the seventh season of Once Upon a Time (Season 7, 2018), portrayed by Gabriel Anwar and Meegan Warner in memoirs. This season Rapunzel is Lady Tremayne, Cinderella's evil stepmother. In the past, Rapunzel had two daughters, Anastasia and Drizella, and she made a deal with Mother Gotel to be locked in the tower in exchange for the safety of her family. Six years later Rapunzel is released, and when she returns to her family, she discovers that she has received a stepdaughter named Ella. At one point, Anastasia dies, and Rapunzel blames her husband for what happened, while Ella blames herself. Gotel plans to put Anastasia in the tower, but Rapunzel managed to turn the tables and lock Vetel instead. Rapunzel plots to revive Anastasia using Drizella's heart, which she evangelizes the smallest of her two daughters. Drizella discovers this and decides to take revenge on his mother by throwing a dark curse. She allies with Gotel's mother and sends the residents of the New Enchanted Forest to Hyperion Heights in Seattle. Rapunzel awakens from the curse, but lives like Victoria Belfrey and gives new memories, making her believe that she has given up the curse to save Anastasia, while Drizella lives as Ivy Belfrey, her assistant and daughter. Cinderella and her daughter are also called curses. Rapunzel/Victoria manages to lock Up Gothel in The Belfast Towers. Animated TV smes In the cartoon Mattel Ever After High (2013-2017), features Rapunzel has two daughters: Holly O'Hail and Poppy O'Hard. Tangled: The Series (2017-2020) is a 2D animated TV show based on Disney Animation's computer animated feature film Tangled. Mandy Moore and zakari Levy reprise their roles as Rapunzel and Eugene Fitzherbert. There is a new main character named Cassandra, who is a cheeky lady Rapunzel in waiting. The series has a feature film called Tangled: Before Ever After, released in 2017. In an episode of Happy Tree Friends (1999-present) titled Dunce Upon a Time, Petunia has very long hair, which Giggles uses to slide down as a brief reference to Rapunzel. The Japanese anime series Grimm Tale Classics (1987-1989) features a tale in its second season. This gives more attention to Rapunzel's parents, who are a local blacksmith and his wife, and this makes the witch more overtly villainous. See also the children's literary portal Ethniu, daughter of Balor Rapunzel Danai, daughter of King Acrycia and queen Eurydice, who was draped in a bronze tower or cave. Puddocky Maid Maleen Links - b c d e Warner, Marina (2010). After Rapunzel. Marvels and fairy tales. 24 (2): 329–335. JSTOR 41388959. Loo, Oliver (2015). Rapunzel 1790 A new translation of Friedrich Schultz's tale. Create CreateSpace publishing platform. CreateSpace. ISBN 978-1507639566. Syps, Jack (1991). Spells of charm: Wonderful tales of Western culture. Viking. page 794. ISBN 0670830534. b Aschliman, D.L. (2019). Rapunzel. University of Pittsburgh. In the version of the story given by J. Achim Christoph Friedrich Schultz in his Kleine Romane (1790), which was the direct source of Grimms, the owner of the garden is a fairy (Fee), and also appears as such in the first edition of Grimms Kinder- und Hausm'rchen (1812); By the final edition of 1857, Grimms deliberately Germanized history by changing it to a more Teutonic sorceress (Sauberine), just as they changed the original prince (Prince) to the German son of the king (Koenigson). At no point, however, do they refer to her as a witch (German: Hexe), despite the overall modern impression. Kathleen J. Rinkes (April 17, 2001). Translation by Rapunzel; It's a very long process. Department of German: University of California, Berkeley. Archive from the original on January 22, 2012. Received on March 30, 2020. In some story variants, the request takes a more riddling form, for example, a foster mother requires something that is under your belt. In other ways, the mother, worn out by the flurry of the child, wants someone to take it away, after which the figure of the adoptive mother seems to assert it. Cf. Grimms annotations to Rapunzel (Kinder- und Hausm'rchen (1856), Vol. III, p. 22.) - In Schulz it is caused by the fairy itself, which sprinkles the child with precious liquid/perfume/ointment (German: kostbaren Wasser). Her hair is according to Schultz thirty-els length (112 1/2 feet or 34.29 meters), but generally not uncomfortable for her to wear (Kleine Romane, p. 277); In Grimms, it hangs twenty ells (75 feet /22.86 meters) from a window hook to the ground. (Kinder-e-Hausmurchen (1857) Vol. I., page 66.). In Schultz's 1790 version of the story, the fairy's goal is to protect Rapunzel from the failed star that threatens her (Kleine Romane, p. 275); Grimms (deliberately seeking to return to a more archaic form of history and perhaps influenced by the Italian version of Basile) make the fairy/magician a much more threatening figure. Schultz, Rapunzel, la Dane Haare rancher, da e-ych 'rauf cann. (German: Rapunzel, pull your hair so I can go upstairs.) (Klein Romane, page 278); Grimms, Rapunzel, Rapunzel, la dein haar geruter! (German: Rapunzel, Rapunzel, let your hair down!) (Kinder und Hausmurchen (1857) Vol. I., p. 66.) Jakob Grimm believed that the strong alliteration of the rhyme indicated that it was the survival of an ancient form of German poetry known as Staffrem. German: Frau Gothel. Rapunzel refers to a previously unnamed sorceress under this name only for now Grimms's story. Frau's use at the beginning of modern German was more limited, and applies only to a woman of noble birth, not to any woman, as in modern German. Gotel (or Goetel, Goetle, Goethe, etc.) was originally not a personal name, but a professional, meaning midwife, wet nurse, foster mother, godmother (German: Amme, Ammefrau; Taufpate). Cf. Ernst Ludwig Rochholz in Deutsche Arbeits-Entw'rfe, Volume II, page 150. Grimms' use of this archaic term was another example of their attempt to return history to a primitive Teutonic form. Maria Tatar (1987) Difficult Facts tales of Grimms, Princeton University Press, page 18, ISBN 0-691-06722-8 Klein Romane, page 287-288. - James and Wilhelm Grimm (1884) Home Tales (English translation by Margaret Hunt), Rapunzel - b c d e f Getty, Laura J (1997). Girls and their guardians: Rethinking the tale of Rapunzel. Mosaic: a journal for interdisciplinary literature. 30 (2): 37–52. JSTOR 44029886. a b Velenga, Carolyn (1992). Rapunzel desire. Reading Mlle de la Force. Merweis and Contes. 6 (1): 59–73. JSTOR 41390334. Tatarka, Maria (2004). Annotated Brothers Grimm. WW Norton. page 58. ISBN 0393088863. Sips, Jack (2000). Great fairytale tradition: from Straparola and Basile to brothers. W. W. Norton and company. page 474. ISBN 039397636X. Annotated Rapunzel. Tales of SurLalun. Received on March 30, 2020. a b c d e f g h i Forsyth, Kate (2016). Revival of Rapunzel: The Mythical Biography of the Virgin in the Tower. FableCroft Publishing. ISBN 978-0-9925534-9-4. - Storl, Wolf D. (2016). Curious history of vegetables: aphrodisiac and healing properties, folk tales, garden tips and recipes. Berkeley, California: North Atlantic Books. page 360. ISBN 9781623170394. Bereznevich, Gintaras (2004). Lietuvių religija ir mitologija: sistemin' studija. Vilnius: Tito Alba. page 19. ISBN 9986163897. Dexter, Miriam Robbins (1984). Proto-Indo-European Solar Virgins and Gods of the Moon. Humanity is quarterly. 25 (1 & 2): 137–144. Bereznevich, Gintaras (2004). Lietuvių religija ir mitologija: sistemine studija (in Lithuanian). Vilnius: Tito Alba. page 19. ISBN 9986- 16-389-7. a b Young, Jonathan (November 30, 1997). Day in honor of St. Barbara. The center of history and symbol. Received on April 6, 2013. a b c d Tatar, Maria (1987). Solid facts of Grimms' fairy tale. Princeton, N.J.: Princeton University Press. 18, 19, 45. ISBN 0-691-06722-8. Andrew Lang (1890). The Red Fairy. London, England: Longmans, Green and Co. 282-285. ISBN 978-9389232394. Sexton, Anne (2001). Conversion. Boston, Massachusetts: Houghton Mifflin. ISBN 978-0395127216. ^ Nikita (2018). Fierce Tales: Other stories to stir your soul. Boston, Massachusetts: Hachette. ISBN 9780316420730. Simon Hood (2019). The story of Rapunzel. Super Books. Cloud riots (January 15, 2008). Grimm Masterpiece Theatre (series 1987-). Imdb. Eternal Tales by Hallmark Rapunzel (TV Episode 1990). Imdb. March 13, 1990. Weimo (March 15, 1991). American Theatre in the Woods (TV Episode 1991). Imdb. - isaacglover_05 (December 25, 2014). In the Woods (2014). Imdb. Confused (2010). IMDb.com Coffey, Kelly (February 14, 2020). It's only in: Disney is reportedly making a live-action Rapunzel movie. Inside the magic. Received on March 4, 2020. a b Story by Shirley Temple (1958-1961) Rapunzel. Imdb. Received on April 1, 2020. B Happily ever after: Tales for every child rapunzel. IDMb. Received on April 1, 2020. 10th Kingdom. IDMb. Received on April 1, 2020. Once a tower. Imdb. Received on April 1, 2020. One Day Season 7. Imdb. Received on April 1, 2020. Ever After High (2013-2017) Full cast and crew. Imdb. Received on April 1, 2020. Tangled: Series. Imdb. Received on April 1, 2020. Tangled: Before ever after. Imdb. Received on April 1, 2020. Grimm Masterpiece Theatre Rapunzelu. Imdb. Received on April 1, 2020. External Commons links have media related to Rapunzel. Wikisource has the original text associated with this article: Rapunzel D.L. Ashliman's Grimm Brothers website. The classification is based on Antti Aarna and Stit Thompson, Fairy Types: Classification and Bibliography, (Helsinki, 1961). Translation of the comparison of the 1812 and 1857 versions of the Annotated Rapunzel with the variants, illustrations and annotations of the original 1812 Grimm website for the original 1812 Kinder und Hausm'rchen with links and other useful information related to the 1812 book in English. #44 Rapunzel ( retrieved from grimm's fairy tales rapunzel pdf. grimm fairy tales rapunzel summary. grimm fairy tales rapunzel original. brother grimm fairy tales rapunzel

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