Identity Theory and the Lunar Chronicles: Expanding the Study Of
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Fractured Fairy Tales for All Ages
Cleburne Public Library JAN 2017 The Whistler John Grisham We expect our judges to be honest and wise. Their integrity and im- partiality are the bedrock of the entire judicial system. We trust them to ensure fair trials, to protect the rights of all litigants, to punish those who do wrong, and to oversee the orderly and efficient flow of justice. But what happens when a judge bends the law or takes a bribe? It’s rare, but it happens. Hours Lacy Stoltz is an investigator for the Florida Board on Judicial Con- Mon 10a-8:30p duct. She is a lawyer, not a cop, and it is her job to respond to com- Tues 10a-6:00p plaints dealing with judicial misconduct. After nine years with the Board, she knows that most problems are caused by incompetence, not corruption. Wed 10a-6:00p But a corruption case eventually crosses her desk. A previously disbarred lawyer is Thur 10a-8:30p back in business with a new identity. He now goes by the name Greg Myers, and he Fri 10a-5:00p claims to know of a Florida judge who has stolen more money than all other crooked judges combined. And not just crooked judges in Florida. All judges, from all states, and Sat 10a-2:00p throughout U.S. history. Cross the Line Below the Belt James Patterson Stuart Woods Star Wars Island of Glass Catalyst Nora Roberts James Luceno The Mistress The Mothers Danielle Steel Brit Bennett Fractured Fairy Tales for All Ages “Fractured fairy tales are traditional fairy tales, Traditional fairy tales while seem- rearranged to create new plots with fundamentally ingly old-fashioned are actually vital to different meanings or messages.” the life of today’s children and even older (Christine Provencher, https://prezi.com/syje7bgr8-5z/fractured-fairy-tales/) readers. -
PDF Download Cinder Edna Pdf Free Download
CINDER EDNA PDF, EPUB, EBOOK Ellen Jackson | 32 pages | 04 Nov 1999 | HarperCollins Publishers Inc | 9780688162955 | English | New York, NY, United States Cinder Edna PDF Book He goes on the search for Edna, but without using the loafer. In this lesson the students compare and contrast the two characters in the original Cinderella and Cinder Edna. Marrying someone after knowing her for only one evening is advisable if based on mutual unattractive This was given to me as a gift. One of two new takes on a tale that feminists justly find problematic see also Minters, below. The text is frequently only on one page, while illustrations take up the rest of the page and the page next to it. When you know how long it takes, and your parents know you can do the job well, negotiate a price. Cinder Edna and Rupert have decided to write a book together. It is definitely a funny story to read with children who are familiar with the classic Cinderella story because it takes those magical elements and discusses how they would play out in real life. What color is your hair? When I do that I ask a learner to say, "I agree that they are similar because they both were over worked, and I want to add that Cinderella was beautiful, but Edna was not. An alternative version to Cinderella with a 'Great Gatsby' type setting. Forget practicality. Answer: Randolph keeps turning his head so Cinder Edna can see his profile thinking that will impress her. Mostly I review the troops and sit around on the throne looking brave and wise. -
The Liberation of the Heroine in Red Riding Hood : a Study on Feminist and Postfeminist Discourses
Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of English 2-11-2015 The liberation of the heroine in Red Riding Hood : a study on feminist and postfeminist discourses Hiu Yan CHENG Follow this and additional works at: https://commons.ln.edu.hk/eng_etd Part of the English Language and Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Cheng, H. Y. (2015). The liberation of the heroine in Red Riding Hood: A study on feminist and postfeminist discourses (Master's thesis, Lingnan University, Hong Kong). Retrieved from http://commons.ln.edu.hk/eng_etd/10 This Thesis is brought to you for free and open access by the Department of English at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. THE LIBERATION OF THE HEROINE IN RED RIDING HOOD: A STUDY ON FEMINIST AND POSTFEMINIST DISCOURSES CHENG Hiu Yan MPHIL Lingnan University 2015 THE LIBERATION OF THE HEROINE IN RED RIDING HOOD: A STUDY ON FEMINIST AND POSTFEMINIST DISCOURSES by CHENG Hiu Yan A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in English Lingnan University 2015 ABSTRACT The Liberation of the Heroine in Red Riding Hood: a Study on Feminist and Postfeminist Discourses by CHENG Hiu Yan Master of Philosophy Fairy tales’ magic is powerful because it has the potential to enter different cultures at different times. -
Wolf Season a Novel by Helen Benedict
BELLEVUE LITERARY PRESS Reading Group Guide Wolf Season A novel by Helen Benedict $16.99 | 320 pgs Trade Paperback Original ISBN: 978-1-942658-30-6 eBook ISBN: 978-1-942658-31-3 “No one writes with more authority or cool-eyed compassion about the experience of women in war both on and off the battlefield than Helen Benedict. Wolf Season is more than a novel for our times; it should be required reading.” —Elissa Schappell, author of Use Me and Blueprints for Building Better Girls “Fierce and vivid and full of hope. This is not a novel that allows you to walk away unchanged.” —Cara Hoffman, author of Be Safe I Love You and Running INTRODUCTION After a hurricane devastates a small town in upstate New York, the lives of three women and their young children are irrevocably changed. Rin, an Iraq War veteran, tries to protect her blind daughter and the three wolves under her care. Naema, a widowed doctor who fled Iraq with her wounded son, faces life-threatening injuries and confusion about her feelings for Louis, a veteran and widower harboring his own secrets and guilt. Beth, who is raising a troubled son, waits out her marine husband’s deployment in Afghanistan, equally afraid of him coming home and of him never returning at all. As they struggle to maintain their humanity and find hope, their war-torn lives collide in a way that will affect their entire community. A NOTE FROM THE AUTHOR When the United States invaded Iraq in 2003, I became determined to explore the effects of war on the human heart. -
Red Riding Hood • South Coast Repertory •1 Welcome to the (DIGITAL) Theatre
STUDY GUIDE Prepared by Associate Artistic Director John Glore and Educational Programs Associate Nick Slimmer by Allison Gregory directed by Shannon Flynn Red Riding Hood • SOUTH COAST REPERTORY •1 Welcome to the (DIGITAL) Theatre heatre is an art form that depends on both the artists and the audience. A performance is influenced by an audience, just as an audience is influenced by a performance. Unfortunately, the COVID-19 pandemic prevents us from gathering in large groups for the time being—and therefore, we’re not able to assemble as a live audience at the performance of a play. TBut, it hasn’t stopped the creation of theatre. In this unprecedented time, we’re pleased to continue engaging with audiences digitally—like with this filmed production ofRed Riding Hood by Allison Gregory! What you’re going to see is a fully staged production (the same as all of our Theatre for Young Audiences Family Series productions) that’s brought to life with sets, lights, costumes, sound and a cast of actors. The only difference is that we’ve made a film recording of the performance in advance and are sharing it with audiences as a way to keep everyone safe. We hope you enjoy, and we can’t wait to welcome you back to South Coast Repertory soon! THEATRE VOCABULARY • Backstage The space behind the acting area, unseen by the audience. • Blocking The movement onstage designed by the director and performed by the actors. • Box Office A windowed space at the front of the theatre building where tickets are sold. • Choreography The art of creating and arranging dances onstage. -
Creating Little Red Riding Hood : Morality, Sexuality, and The
Creating Little Red Riding Hood : Morality, Sexuality, and the Evolution of a Classic Tale Julia Gralczyk HON 395 Spring Quarter 2017 Thesis submitted in completion of Honors Senior Capstone requirements for the DePaul University Honors Program Thesis Director James Choi, Digital Cinema Faculty Reader Nancy Grossman, Honors 1 THESIS ABSTRACT Little Red Riding Hood is a classic tale commonly known about a young girl in a red cape and a big, bad wolf. The story’s simple plot however, has given it way to considerable changes and adaptations depending on cultural beliefs, regional dialects, and personal interpretations. For my final Honors Program assignment, I would like to create a creative thesis in the form of a short film that incorporates my personal interpretations surrounding the tale. I will be researching themes and motifs that explore Little Red as an older character struggling with the thresholds of innocence and womanhood, lust and seduction, and the relationship between the sexes. 2 TABLE OF CONTENTS 1. INTRODUCTION………………………………………………………………….3 2. PERRAULT & THE GRIMM BROTHERS……………………………………..4 3. FREEWAY & RED RIDING HOOD (2011)...........................................................5 4. MEANINGS AND SYMBOLS ……………………………………………………7 5. PERSONAL INTERPRETATIONS & CREATING MY STORY……………....8 6. CONCLUSION ……………………………………………………………………..9 7. REFERENCES……………………………………………………………………..11 3 1. Introduction In 1697 French writer, Charles Perrault, published the earliest known printed version of Red Riding Hood. The invention of the tale cannot be credited to Perrault however, for many scholars have insisted Little Red Riding Hood has ancient origins as a spoken folklore shared by local peasants in Europe as early as the 10th century. Nonetheless, Perrault set the president for a story that will later be told, retold, and remade for centuries to come, with her perennial popularity accredited to her ability to adapt to the times. -
Fairytale Read-A-Like
The False Prince (Ascendants series) Jennifer Nielsen The story revolves around a plot to put forth an imposter to the throne to save the But where is the kingdom of Carthya. JF NIE, Overdrive Ebook book I want? IF YOU Half Upon a Time, James Riley (series) Use the call number after each title in this Jack wants to be a warrior and save a booklet to find where it is located at the princess, but he doesn't do well. Jack lives in a magical world where there is a fairy, Middleboro Public Library. giant, witch, flying broomstick and much . LIKE... more. SAILS Catalog, Overdrive Ebook What if you don't Story Thieves, James Riley When Owen discovers that his classmate Bethany can jump into fictional worlds, he have the book I wants to jump into his favorite series. Bethany doesn't want to take him, as she is want? busy trying to find her father, a fictional character, who disappeared when she was young. JF RIL, JBCD RIL, Overdrive Ebook Using your library card, place a hold online from the SAILS Catalog. Grimm Legacy, Polly Shulman Elizabeth, obsessed with the Brothers Grimm lands a part-time job at the New Some titles are available to download from York State Circulating Repository (a library/museum) that maintains a Overdrive as either an Ebook or collection of historical objects, Elizabeth Audiobook. discovers magical items from the Grimm fairytales in the basement archives. YA FAN SHU, Overdrive Ebook & Audiobook If you need help, call or email the Library and staff can help place the hold. -
Education Resource Stephen Sondheim & James Lapine
Stephen Sondheim & James Lapine INTO THE WOODS Education Resource Music INTO THE WOODS - MUSIC RESOURCE INTRODUCTION From the creators of Sunday in the Park with George comes Into the Woods, a darkly enchanting story about life after the ‘happily ever after’. Stephen Sondheim and James Lapine reimagine the magical world of fairy tales as the classic stories of Jack and the Beanstalk, Cinderella, Little Red Ridinghood and Rapunzel collide with the lives of a childless baker and his wife. A brand new production of an unforgettable Tony award-winning musical. Into the Woods | Stephen Sondheim & James Lapine. 19 – 26 July 2014 | Arts Centre Melbourne, Playhouse Music and lyrics by Stephen Sondheim Book by James Lapine Originally Directed on Broadway by James Lapine By arrangement with Hal Leonard Australia Pty Ltd Exclusive agent for Music Theatre International (NY) 2 hours and 50 minutes including one interval. Victorian Opera 2014 – Into the Woods Music Resource 1 BACKGROUND Broadway Musical Music and Lyrics by Stephen Sondheim Book and Direction by James Lapine Orchestration: Jonathan Tunick Opened in San Diego on the 4th of December 1986 and premiered in Broadway on the 5th of November, 1987 Won 3 Tony Awards in 1988 Drama Desk for Best Musical Laurence Olivier Award for Best Revival Figure 1: Stephen Sondheim Performances Into the Woods has been produced several times including revivals, outdoor performances in parks, a junior version, and has been adapted for a Walt Disney film which will be released at the end of 2014. Stephen Sondheim (1930) Stephen Joshua Sondheim is one of the greatest composers and lyricists in American Theatre. -
Jenweirmathesis1.Pdf
Copyright By Jennifer Leann Weir 2020 Abstract This thesis reviews four young adult/new adult retellings to understand how these novels shape understanding of and empathy for real world social issues. The first chapter explores the novel Girls Made of Snow and Glass and how the reshaping of the “Snow White” narrative, within the text, undermines the patriarchal narrative that pits woman against woman and, instead, tells a story of female solidarity. Chapter two considers A Court of Thornes and Roses and A Court of Mist and Fury and how the fallout of “The Beauty and the Beast” narrative in book one carries into book two as a means to build empathy and understanding for those suffering with mental health issues, including those suffering with PTSD. Finally, Chapter three reviews The Lunar Chronicles and how the pandemic within these science fiction retellings foster discussion around medical injustices and the dehumanization that allows such injustice to occur. A Spoon Full of Sugar: Exploring Real World Social Issues in YA/NA Retellings By Jennifer Leann Weir, B.A. A Thesis Submitted to the Department of English California State University, Bakersfield In Partial Fulfillment for the Degree of Masters of English Spring 2020 ProQuest Number:27833383 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 27833383 Published by ProQuest LLC (2020). -
Cinderella's Metamorphoses: a Comparative Study of Two English Translations of Perrault's Tales
Przekładaniec. A Journal of Literary Translation 22–23 (2009/2010): 249–266 doi:10.4467/16891864ePC.13.044.1461 MARTINE HENNARD DUTHEIL DE LA ROCHÈRE CINDERELLA’S METAMORPHOSES: A COMPARATIVE STUDY OF TWO ENGLISH TRANSLATIONS OF PERRAULT’S TALES Abstract: This comparative analysis of two translations of Charles Perrault’s “Cendrillon ou la petite pantoufle de verre” shows how the French conte was adapted for children in England at different moments and reflects different projects. Robert Samber’s “Cinderilla: or, The Little Glass Slipper,” published in Histories, or Tales of Past Times. With Morals (1729), is known as the first English translation of the tale. More recently, Angela Carter’s retranslation “Cinderella: or, The Little Glass Slipper,” published in The Fairy Tales of Charles Perrault (1977), pays homage to Samber but also modernises the tale to carry a more emancipatory message. While Samber’s translation reflects the working conditions of Grub Street writers and acculturation of Perrault’s fairy tale in Protestant England, Carter gives it a feminist twist as she turns it into a “fable of the politics of experience.” She would later rewrite it as “Ashputtle or The Mother’s Ghost” (1987), this time using Manheim’s English translation of the Grimms’ “Aschenputtel” as a starting point. Keywords: Charles Perrault, Cinderella, translation, Robert Samber, Angela Carter Ainsi une traduction n’est-elle qu’un moment d’un texte en mouvement. Elle est même l’image qu’il n’est jamais fini. Elle ne saurait l’immobiliser. 1 (Meschonnic 1999: 342) This comparative study of two translations of “Cendrillon ou La Petite Pantoufle de Verre,” from Charles Perrault’s famous collection, Histoires ou Contes du Temps Passé (1697), shows how the tale has been redirected 1 “Thus, a translation is an instant of a text in movement, even an image that it is never over. -
If You Like Fairy Tales the Last Unicorn by Peter S. Beagle (Original) the Amaranth Enchantment by Julie Berry (Original) Serend
If You Like Fairy Tales The Last Unicorn by Peter S. Beagle (original) The Amaranth Enchantment by Julie Berry (original) Serendipity Market by Penny Blubaugh (mix of several fairy tales) Sisters Grimm series by Michael Buckley (mix of several fairy tales) A Curse Dark as Gold by Elizabeth C. Bunce (Rumplestiltskin) Further Tales series by P.W. Catanese (several fairy tales) Runaway Princess and Runaway Dragon by Kate Coombs (original) Entwined by Heather Dixon (Twelve Dancing Princesses) Into the Wild and Out of the Wild by Sarah Beth Durst (mix of several fairy tales) Fortune’s Folly by Deva Fagan (mix of several fairy tales) Once Upon a Marigold and Twice Upon a Marigold by Jean Ferris (original) Shadow Spinner by Susan Fletcher (Arabian Nights) Reckless by Cornelia Funke (mix of several Grimm fairy tales) Stardust by Neil Gaiman (original) Into the Woods and Out of the Woods by Lyn Gardner (mix of several fairy tales) Princess of the Midnight Ball and Princess of Glass by Jessica Day George (Twelve Dancing Princesses and Cinderella) Sun and Moon, Ice and Snow by Jessica Day George (East of the Sun, West of the Moon) Book of a Thousand Days by Shannon Hale (Maid Maleen) Rapunzel’s Revenge and Calamity Jack by Shannon and Dean Hale (Rapunzel and Jack and the Beanstalk) – graphic novel Goose Girl by Shannon Hale (Goose Girl) Princess Curse by Merrie Haskell (Twelve Dancing Princesses/Beauty and the Beast) Goose Chase by Patrice Kindl (Goose Girl) Keturah and Lord Death by Martine Leavitt Cinder and Ella by Melissa Lemon (Cinderella) -
Perrault's LITTLE RED RIDING HOOD
Perrault’s LITTLE RED RIDING HOOD “Little Red Riding Hood” began as an oral folk tale and continued to be told to children for centuries before being published in a French version by Charles Perrault in 1697, and then in 1812 in the German version by Jacob and Wilhelm Grimm. Over the years, scholars have piled an entire cosmos of meanings on this small girl’s shoulders. Some call her tale a seasonal myth, an allegory of the sun swallowed by night, or the personification of Good triumphing over Evil. Her basket of wine and cakes, it’s said, represents Christian Commu- nion; her red cape stands for menstrual blood. Some see the tale in Freudi- an terms as the Ego overcome by the Id; others see it as symbolic of the relationship between Man and Woman. And inevitably the tale has been a vehicle for imparting sexual ethics in keeping with the social fabric of the times. Tellers have consciously and subconsciously manipulated the plot to portray a seduction by a temptress, the rape of a virgin or the passage of a young girl into womanhood.1 It is hard to believe that the anonymous creator of the tale would have had the slightest notion of what Freudians, Jungians, anthropologists, deconstruc- tionists, and others have read into it. The story is worth examining because it reveals the genius of the original storyteller. It is noteworthy that Catherine Orenstein assumes that Perrault’s version “must be a truncated, fragmentary version of the original oral tale.”2 The same applies to the version by the brothers Grimm because it was derived from Perrault.3 Much has been made of the fact that the little girl wears a red riding hood.