Towards Deep Player Behavior Models in Mmorpgs Johannes Pfau Jan David Smeddinck Rainer Malaka Digital Media Lab, TZI Open Lab, School of Comp
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A Third Age of Avatars Bruce Damer, [email protected] Damer.Com | Digitalspace.Com | Ccon.Org | Biota.Org | Digibarn.Com
A Third Age of Avatars Bruce Damer, [email protected] damer.com | digitalspace.com | ccon.org | biota.org | digibarn.com Ò Started life on a PDP-11 fresh out of high school (1980), programmed graphics, videotext systems, dreamed of self replicating robots on the moon, designed board games, built model space stations. Ò Worked at IBM Research in 1984 (Toronto, New York), introduced to Internet, optical computing. Ò At Elixir Technologies 1987-94, wrote some of first GUI/Windows-Icons Publishing software on the IBM PC platform used 100 countries. Ò Established Contact Consortium in 1995, held first conferences on avatars (Earth to Avatars, Oct 1996) Ò Wrote “Avatars!”in 1997. Hosted and supported 9 conferences until 2003 on various aspects of virtual worlds (AVATARS Conferences, VLearn3D, Digital Biota) Ò Founded DigitalSpace in 1995, produced 3D worlds for government, corporate, university, and industry. Evangelism for Adobe (Atmosphere), NASA (Digital Spaces, open source 3D worlds for design simulation of space exploration) and NIH (learning games for Autism) Ò Established DigibarnComputer Museum (2002) Ò Virtual Worlds Timeline project (2006-2008) to capture and represent the history of the medium Ò The Virtual World, its Origins in Deep Time Ò Text Worlds Ò Graphical Worlds Ò Internet-Connected Worlds Ò The Avatars Cyberconferences Ò Massive Multiplayer Online RPGs Ò Virtual World Platforms Ò Virtual Worlds Timeline Project and Other Research History of Virtual Worlds The Virtual World, its Origins in Deep Time So what is a Virtual World? A place described by words or projected through pictures which creates a space in the imagination real enough that you can feel you are inside of it. -
Company of Heroes 2 (Classic Controls) Keyboard Shortcuts
Page 1 of 4 Company of Heroes 2 (classic controls) cheat sheet Note about classic and grid controls U Reverse move V Enter primary build menu Company of Heroes 2 allows you to select between B Enter secondary build menu "Classic" and "Grid" hotkeys. The default option is classic hotkeys, and they are easy to remember because the key and the action is generally related to Unit selection each other (e.g. press A to (A)ttack). Infantry Grid hotkeys are organized closer, so you can use Cmd + . Select all infantry units them easily only with your left hand. Cmd + Alt + . Select all idle infantry units Hotkey type can be changed in Menu > Options > Gameplay tab . Select next infantry unit The list below are the classic hotkeys taken from the Alt + . Select next idle infantry unit game manual. Vehicles Cmd + / Select all vehicles General Cmd + Alt + / Select all idle vehicles PauseBreak Pause the game / Select next vehicle F10 Toggle in-game menu Alt + / Select next idle vehicle Engineers / Pioneers Camera Cmd + , Select all engineers/pioneers Move the mouse (move mouse to the edge of the Cmd + Alt + , or Select all idle engineers/pioneers screen) Move camera Cmd + F1 Middle click + Move camera , Select next engineer/pioneer Move the mouse Alt + , Select next idle engineer/pioneer or Arrow keys Miscellaneous Wheel up or Page Zoom in Cmd + F2 Select all units Up ; Select all units currently on screen Wheel down or Zoom out Tab Select next unit in a group of Page Down selected units Alt + Move the Rotate and tilt Control + Tab Select previous unit in a group of mouse selected units Backspace Reset camera tilt F10 or Esc Clear all selections Backspace then Reset camera rotation and zoom Backspace General Home Move camera to starting position General Universal unit controls Left click Select Right click Give orders (move, attack, etc.) Keyboard controls below are same for all units. -
The Daedalus Project
The Daedalus Project Vol. 2-4 (10/12/2004) by Nicholas Yee (http://www.nickyee.com/daedalus) The Prince and The Pauper: The Transaction of Virtual Capital for Real-Life Currency Very interesting arguments arose from player responses as to their views on the sale and purchase of virtual items, currency and accounts for RL currency. One common argument for the acceptability of these transactions rests on the inherent nature of capitalism. More importantly, some argue that the real underlying transaction is a transaction of time rather than a transaction of virtual items. I have had friends purchase items from EBay and they have been very happy with the result. I have never been involved myself. I find it much more fun to earn the item rather than purchase it. Though, I do think the idea of making a business by selling virtual goods is intriguing and should not be the 'big deal' many game companies have made of it. These goods have value to many and many simply don't have the time to invest to get the items they want. Just like in life, if you have money, why shouldn’t you be able to buy it? [CoH, F, 44] There are some people that are vehemently against the sale of virtual goods for real life money. However, these 'virtual goods' are things that you could get in any case. Merely paying real life money for them indicates to you that your relaxing time after work is worth real life money to you. I have a friend who makes $50,000 annually. -
Massive Multi-Player Online Games and the Developing Political Economy of Cyberspace
Fast Capitalism ISSN 1930-014X Volume 4 • Issue 1 • 2008 doi:10.32855/fcapital.200801.010 Massive Multi-player Online Games and the Developing Political Economy of Cyberspace Mike Kent This article explores economics, production and wealth in massive multi-player online games. It examines how the unique text of each of these virtual worlds is the product of collaboration between the designers of the worlds and the players who participate in them. It then turns its focus to how this collaborative construction creates tension when the ownership of virtual property is contested, as these seemingly contained virtual economies interface with the global economy. While these debates occur at the core of this virtual economy, at the periphery cheap labor from less-developed economies in the analogue world are being employed to ‘play’ these games in order to ‘mine’ virtual goods for resale to players from more wealthy countries. The efforts of the owners of these games, to curtail this extra-world trading, may have inadvertently driven the further development of this industry towards larger organizations rather than small traders, further cementing this new division of labor. Background In the late 1980s, multi-user dungeons (MUDs) such as LambdaMOO were text-based environments. These computer-mediated online spaces drew considerable academic interest.[1] The more recent online interactive worlds are considerably more complex, thanks to advances in computing power and bandwidth. Encompassing larger and more detailed worlds, they also enclose a much larger population of players. The first game in the new category of Massively Multi-player Online Role-playing Games (known initially by the acronym MMORPG and more recently as MMOG) was Ultima Online http://www.uo.com, which was launched over a decade ago in September 1997. -
Information Privacy in Virtual Worlds: Identifying Unique Concerns Beyond the Online and Offlineorlds W
NYLS Law Review Vols. 22-63 (1976-2019) Volume 49 Issue 1 State of Play Article 11 January 2004 Information Privacy in Virtual Worlds: Identifying Unique Concerns Beyond the Online and Offlineorlds W Tal Z. Zarksy Yale Law School Follow this and additional works at: https://digitalcommons.nyls.edu/nyls_law_review Part of the Computer Law Commons, Gaming Law Commons, Internet Law Commons, and the Privacy Law Commons Recommended Citation Tal Z. Zarksy, Information Privacy in Virtual Worlds: Identifying Unique Concerns Beyond the Online and Offlineorlds W , 49 N.Y.L. SCH. L. REV. (2004-2005). This Article is brought to you for free and open access by DigitalCommons@NYLS. It has been accepted for inclusion in NYLS Law Review by an authorized editor of DigitalCommons@NYLS. \\server05\productn\N\NLR\49-1\NLR113.txt unknown Seq: 1 8-DEC-04 13:13 INFORMATION PRIVACY IN VIRTUAL WORLDS: IDENTIFYING UNIQUE CONCERNS BEYOND THE ONLINE AND OFFLINE WORLDS TAL Z. ZARSKY* I. INTRODUCTION Online virtual gaming communities are evolving into an in- triguing phenomenon, which is provoking legal scholars to ac- knowledge the unique legal issues associated with the proliferation of this technology.1 As online virtual worlds consist of ongoing, dig- ital interactions among many individuals, it is only natural that legal scholars will inquire into how personal information is collected and used within this realm.2 In this Essay, I analyze how information privacy concerns are implicated by the expansion of online virtual worlds.3 In doing so, I intend to address both the information pri- vacy and gaming communities. -
Downloaded Directly to the Computer and Some Are Even F2P [Free to Play]) and Begin My Entry in the Virtual World
FANTASTIC REALITIES: SOLID AND VIRTUAL RESONANCE IN MMORPGS by ZEK CYPRESS VALKYRIE B.A., University of Colorado at Colorado Springs, 2004 M.A., University of Colorado at Colorado Springs, 2005 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Sociology 2011 This thesis entitled: Fantastic Realities: Solid and Virtual Resonance in MMORPGs Written by Zek Cypress Valkyrie has been approved for the Department of Sociology ____________________________________________ Joanne Belknap, Ph.D. Chair, Dissertation Committee ____________________________________________ Jane Menken, Ph.D. Member, Dissertation Committee ________________________________________________ Heather Albanesi, Ph.D. Member, Dissertation Committee _________________________________________________ Matthew C. Brown, Ph.D. Member, Dissertation Committee ____________________________________________ Scott Bruce, Ph.D. Member, Dissertation Committee _________________________________________________ Stefanie Mollborn, Ph.D. Member, Dissertation Committee Date: __________ The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. HRC Protocol # 1007.4 Valkyrie, Zek Cypress (Ph.D., Sociology) Fantastic Realities: Solid and Virtual Resonance in MMORPGs Thesis directed by Professor Joanne Belknap This dissertation is a qualitative study that examines how game worlds and positive game experiences are neither equally accessible nor equally enjoyable to many who wish to participate in them. Newer research on games argues that those who master them are fulfilled socially, are highly productive, are motivated, and are invigorated by participation in grand narratives. Using a mixed methods approach, I drew on seventy in-depth interviews with gamers coupled with observational data from my membership role in several virtual worlds. -
MMORPG Demographics, Motivations and Experiences 1
MMORPG Demographics, Motivations and Experiences 1 Running Head: MMORPG DEMOGRAPHICS, MOTIVATIONS, AND EXPERIENCES The Demographics, Motivations and Derived Experiences of Users of Massively Multi-User Online Graphical Environments Nick Yee Department of Communication Stanford University Nick Yee Department of Communication Stanford University Stanford, CA, 94305 [email protected] Citation: Yee, N. (2006). The Demographics, Motivations and Derived Experiences of Users of Massively-Multiuser Online Graphical Environments. PRESENCE: Teleoperators and Virtual Environments, 15, 309-329. MMORPG Demographics, Motivations and Experiences 2 Abstract Online survey data were collected from 30,000 users of Massively Multi-User Online Role- Playing Games (MMORPGs) over a three year period to explore users’ demographics, motivations and derived experiences. Not only do MMORPGs appeal to a broad age range (Mage= 26.57, range = 11-68), but the appeal is strong (on average 22 hours of usage per week) across users of all ages (r = -.04). An exploratory factor analysis revealed a five factor model of user motivations - Achievement, Relationship, Immersion, Escapism and Manipulation - illustrating the multi-faceted appeal of these online environments. Male players were significantly more likely to be driven by the Achievement and Manipulation factors, while female players were significantly more likely to be driven by the Relationship factor. Also, the data indicated that users derived meaningful relationships, salient emotional experiences as well as real-life -
7 Multi-Player Online Role-Playing Games
7 Multi-Player Online Role-Playing Games Mark Chen; Riley Leary; Jon Peterson; David Simkins This chapter describes multiplayer online role-playing games (MORPGs) where players participate through networked connections to collectively build a narrative or experience with a game that persists independent of who is logged in. We discuss two main traditions of these games (see Chapter 8 for an emerging tradition): 1. Multi-User Dungeons (MUDs), and 2. Massively Multiplayer Online Role-Playing Games (MMORPGs). MUDs and MMORPGs generally allow for a “massive” amount of players—sometimes hundreds, thousands, or tens of thousands of players who simultaneously engage in the same game. Most MUDs and MMORPGs feature worlds where players log in at any time to visit, providing players with a persistent world independent of who is logged in. A variety of agents are at play shaping the multiplayer online RPG form. Creators have introduced novel game systems or narratives while dealing with the affordances of what everyone agrees is an RPG, but creators are also constrained by the technologies of their time rather than inherent limitations in RPGs. There also exists a parallel history in non-digital RPGs and computer role-playing games (CRPGs) that influence the online games. Thus the evolution of MORPGs is not channeled through just one tradition. Thankfully, first-hand accounts of the history of the multiplayer online RPG industry (Bartle, 2010) and first-hand accounts of design and management decisions for specific games (e.g. Morningstar & Farmer, 1991; Curtis, 1996; Mulligan & Patrovsky, 2003) exist. One thing these accounts lack is scrutiny from scholars across multiple disciplines, studying specific player phenomena in online gaming, so this chapter complements the historical timeline with notable scholarly research on player behavior and community engagement. -
Building an MMO with Mass Appeal: a Look at Gameplay in World of Warcraft
Games and Culture Volume 1 Number 4 October 2006 281-317 © 2006 Sage Publications Building an MMO 10.1177/1555412006292613 http://gac.sagepub.com hosted at With Mass Appeal http://online.sagepub.com A Look at Gameplay in World of Warcraft Nicolas Ducheneaut Nick Yee Eric Nickell Robert J. Moore Palo Alto Research Center World of Warcraft (WoW) is one of the most popular massively multiplayer games (MMOs) to date, with more than 6 million subscribers worldwide. This article uses data collected over 8 months with automated “bots” to explore how WoW functions as a game. The focus is on metrics reflecting a player’s gaming experience: how long they play, the classes and races they prefer, and so on. The authors then discuss why and how players remain committed to this game, how WoW’s design partitions players into groups with varying backgrounds and aspirations, and finally how players “consume” the game’s content, with a particular focus on the endgame at Level 60 and the impact of player-versus-player-combat. The data illustrate how WoW refined a formula inher- ited from preceding MMOs. In several places, it also raises questions about WoW’s future growth and more generally about the ability of MMOs to evolve beyond their familiar template. Keywords: multiplayer online games; player behavior; automated data collection; game design Introduction World of Warcraft (WoW) recently took the world of online gaming by storm, achieving levels of success previously unheard-of for U.S.-based massively multi- player online games (MMOs). Whereas MMOs in Southeast Asia (and in particular Korea) have routinely reported subscribers numbering in the millions (Woodcock, 2005), WoW far surpassed the pioneering EverQuest to place itself at the top of U.S. -
Games of Empire Electronic Mediations Katherine Hayles, Mark Poster, and Samuel Weber, Series Editors
Games of Empire Electronic Mediations Katherine Hayles, Mark Poster, and Samuel Weber, Series Editors 29 Games of Empire: Global Capitalism and Video Games Nick Dyer- Witheford and Greig de Peuter 28 Tactical Media Rita Raley 27 Reticulations: Jean-Luc Nancy and the Networks of the Political Philip Armstrong 26 Digital Baroque: New Media Art and Cinematic Folds Timothy Murray 25 Ex- foliations: Reading Machines and the Upgrade Path Terry Harpold 24 Digitize This Book! The Politics of New Media, or Why We Need Open Access Now Gary Hall 23 Digitizing Race: Visual Cultures of the Internet Lisa Nakamura 22 Small Tech: The Culture of Digital Tools Byron Hawk, David M. Rieder, and Ollie Oviedo, Editors 21 The Exploit: A Theory of Networks Alexander R. Galloway and Eugene Thacker 20 Database Aesthetics: Art in the Age of Information Overfl ow Victoria Vesna, Editor 19 Cyberspaces of Everyday Life Mark Nunes 18 Gaming: Essays on Algorithmic Culture Alexander R. Galloway 17 Avatars of Story Marie-Laure Ryan 16 Wireless Writing in the Age of Marconi Timothy C. Campbell 15 Electronic Monuments Gregory L. Ulmer 14 Lara Croft: Cyber Heroine Astrid Deuber- Mankowsky 13 The Souls of Cyberfolk: Posthumanism as Vernacular Theory Thomas Foster 12 Déjà Vu: Aberrations of Cultural Memory Peter Krapp 11 Biomedia Eugene Thacker 10 Avatar Bodies: A Tantra for Posthumanism Ann Weinstone 9 Connected, or What It Means to Live in the Network Society Steven Shaviro 8 Cognitive Fictions Joseph Tabbi 7 Cybering Democracy: Public Space and the Internet Diana Saco 6 Writings Vilém Flusser 5 Bodies in Technology Don Ihde 4 Cyberculture Pierre Lévy 3 What’s the Matter with the Internet? Mark Poster 2 High Techne¯: Art and Technology from the Machine Aesthetic to the Posthuman R. -
2012 Video Game Industry Litigation Review
Science and Technology Law Review Volume 16 Number 1 Article 13 2013 2012 Video Game Industry Litigation Review Tanner Robinson Max Metzler Follow this and additional works at: https://scholar.smu.edu/scitech Recommended Citation Tanner Robinson & Max Metzler, 2012 Video Game Industry Litigation Review, 16 SMU SCI. & TECH. L. REV. 1 (2013) https://scholar.smu.edu/scitech/vol16/iss1/13 This Article is brought to you for free and open access by the Law Journals at SMU Scholar. It has been accepted for inclusion in Science and Technology Law Review by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. 2012 Video Game Industry Litigation Review Tanner Robinson* Max Metzler** As far as significant gaming law developments are concerned, 2011 was a tough act to follow.' Last year a new paradigm emerged-courts applied the test set forth in Hart v. Electronic Arts, Inc. to lawsuits involving celebri- ties' publicity rights in video games, 2 and the Supreme Court validated a new art form in Brown v. Entertainment Merchants Association.3 While not new in 2012, an important trend certainly continued in a significant way: the video game industry continued to become more mainstream.4 As video games continue to cross demographic lines and become more ubiquitous, production companies begin to resemble those in other industries. As a result of risk-focused business decisions and industry growth, many of last year's contentious lawsuits have settled. As the scope of a business expands, the variety of its contracts tends to expand as well. -
The Social Life of Guilds in World of Warcraft Dmitri Williams, University
From tree house to barracks: The social life of guilds in World of Warcraft Dmitri Williams, University of Illinois at Urbana-Champaign Nicholas Ducheneaut, XEROX PARC Li Xiong, University of Illinois at Urbana-Champaign Yuanyuan Zhang, University of Illinois at Urbana-Champaign Nick Yee, Stanford University/XEROX PARC Eric Nickell, XEROX PARC Author Contact information: Dmitri Williams, University of Illinois at Urbana-Champaign 244 Lincoln Hall, 702 S. Wright St. Urbana, IL 61801 [email protected] The social life of guilds From tree house to barracks: The social life of guilds in World of Warcraft In 1999, 8% of all Americans (not adolescents) said they played games online. By 2003 that number had risen to 37%1, and it continues to climb (Fallows, 2004). These numbers would be less noteworthy if players were going on to networks to play alone, but they are increasingly playing with others. It follows that in an online networked world, games matter socially (Williams, 2006b). Yet despite public curiosity, intense play patterns and press interest, there is surprisingly little empirical research on the social dynamics of game players. When “games” are reduced further by platform or genre, there is less still. In the current work, we focus on the massively multiplayer online (MMO) game “World of Warcraft,” (WoW) the most popular such game in North America. Our research is concerned with the social dynamics of players within the in-game organizations known as player “guilds.” By focusing on player behavior, attitudes and opinions, we explore the meanings they make, the social capital they derive and the networks they form.