Eyebread by Marta Maria Figlerowicz a Dissertation Submitted in Partial
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Crash Kills 75-Storm Toll 100,000 Story in Columns 1—3 Story in Columns 5 -6
Crash kills 75-Storm toll 100,000 Story in Columns 1—3 Story in Columns 5 -6 Vol. V , No.THE 4 , Serving the OBSERVER.Notre Dame and Saint Mary’s College Community Monday, November 16, 1970 Cyclone, waves % m assail Pakistan DACCA, East Pakstan (UPI; since floods and tidal waves Government officials said yester killed 200,000 in northern China day the cyclone and tidal wave in 1939. that struck the southern coast of The country of Pakistan is East Pakistan last week deva divided into two parts, its princi stated an area of possibly 10,000 pal western section on India’s square miles and may have western border and East Pakis killed more than 100,000 per-' tan about the size of the state of sons. Arkansas more than 1,000 miles The confirmed death toll was across India to the east. 11,163 they said and more than Officials flying over the af 2,000 persons were reported fected areas estimated that in missing in areas with which com addition to the deaths at least 200,000 houses were washed This is the group team football picture of the Marshall team taken prior to the start of the regularmunication has been reestab away, thousands of boats and season. Most but not all of the players were on the ill-fated plane.(U PI) lished. But most of the area affected is still isolated and un other sessels were sunk, 500,000 der water they said. cattle died and all crops in the Among those missing were area were lost. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
ON PAIN in PERFORMANCE ART by Jareh Das
BEARING WITNESS: ON PAIN IN PERFORMANCE ART by Jareh Das Thesis submitted in fulfilment of the requirements for the degree of PhD Department of Geography Royal Holloway, University of London, 2016 1 Declaration of Authorship I, Jareh Das hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 19th December 2016 2 Acknowledgments This thesis is the result of the generosity of the artists, Ron Athey, Martin O’Brien and Ulay. They, who all continue to create genre-bending and deeply moving works that allow for multiple readings of the body as it continues to evolve alongside all sort of cultural, technological, social, and political shifts. I have numerous friends, family (Das and Krys), colleagues and acQuaintances to thank all at different stages but here, I will mention a few who have been instrumental to this process – Deniz Unal, Joanna Reynolds, Adia Sowho, Emmanuel Balogun, Cleo Joseph, Amanprit Sandhu, Irina Stark, Denise Kwan, Kirsty Buchanan, Samantha Astic, Samantha Sweeting, Ali McGlip, Nina Valjarevic, Sara Naim, Grace Morgan Pardo, Ana Francisca Amaral, Anna Maria Pinaka, Kim Cowans, Rebecca Bligh, Sebastian Kozak and Sabrina Grimwood. They helped me through the most difficult parts of this thesis, and some were instrumental in the editing of this text. (Jo, Emmanuel, Anna Maria, Grace, Deniz, Kirsty and Ali) and even encouraged my initial application (Sabrina and Rebecca). I must add that without the supervision and support of Professor Harriet Hawkins, this thesis would not have been completed. -
Schizoproduction: Artistic Research and Performance in the Context of Immanent Capitalism
Schizoproduction: Artistic research and performance in the context of immanent capitalism TERO NAUHA 45 ACTA SCENICA Schizoproduction: Artistic research and performance in the context of immanent capitalism TERO NAUHA TERO NAUHA Schizoproduction: artistic research and performance in the context of immanent capitalism DOCTORAL RESEARCH Acta Scenica 45 2016 ISBN (print): 978-952-6670-69-0 ISBN (pdf): 978-952-6670-70-6 ISSN (print): 1238-5913 ISSN (pdf): 2242-6485 PUBLISHER: University of the Arts Helsinki, Theatre Academy, Performing Arts Research Centre © 2016 University of the Arts Helsinki, Theatre Academy, Performing Arts Research Centre and Tero Nauha GRAPHIC DESIGN BOND Creative Agency www.bond.fi COVER PHOTO Tero Nauha LAYOUT Annika Marjamäki, Edita Prima Ltd PRINTED BY Edita Prima Ltd, Helsinki 2016 PAPER Scandia 2000 Natural 240 g / m2 & Scandia 2000 Natural 115 g / m2 FONTS Benton Modern Two & Monosten Schizoproduction: Artistic research and performance in the context of immanent capitalism TERO NAUHA 45 ACTA SCENICA Contents Tiivistelmä 9 Abstrakt 11 Abstract 13 Acknowledgements 15 Vestibule 21 Cross-section 23 THE FIRST FLOOR PRACTICE 35 Infection with performance art 37 CHAPTER 1: From Practice to Practice as Research 43 CHAPTER 2: Performance and the production of subjectivity 55 CHAPTER 3: Loop Variations, 2008 65 CHAPTER 4: Tell me about your machines, 2012 81 CHAPTER 5: Life in Bytom, 2012 87 CHAPTER 6: The Astronomer: Experiment, 2013 115 CHAPTER 7: Man-a-machine: schizoproduction, 2014 125 THE SECOND FLOOR: THEORY 142 -
Laughing at Our Inadequacies: Contemporary Cartoonish Painting, Internet Culture and the Tragicomic Character
Laughing at Our Inadequacies: Contemporary Cartoonish Painting, Internet Culture and the Tragicomic Character Amber Boardman A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of Art and Design Faculty of Art and Design October 2018 Thesis/Dissertation Sheet Surname Boardman Given Name Amber Degree PhD Faculty Art and Design School Art and Design Thesis Title Laughing at Our Inadequacies: Contemporary Cartoonish Painting, Internet Culture and the Tragicomic Character Abstract This practice-based project examines ‘cartoonish painting’, an emerging trend of contemporary figurative painting which draws on links between cartoons, humour, narrative, character and bodily transformation. In my practice, cartoonish painting depicts and comments on the endless desire to transform body and self as promoted by Internet culture and social media. This thesis argues that the social media driven desire for self-improvement—bodily alteration and transformations of the self—creates a tragicomic effect that unfolds through the devices of narrative and character. I examine the still influential, Romantic theory of character developed by William James. James articulated well-rounded characters evolve over time through a series of identifications with external others. This thesis proposes that James’s formulations about character retain currency, as people identify with depictions of idealised bodies, high-performing and socially sanctioned selves disseminated through the Internet. This thesis argues, however, that this aspirational selfhood and identifying with idealised others creates feelings of inadequacy. The ideology of a striving, perfected self in search of the ‘American Dream’ will be analysed through Henri Bergson’s theory of the comic. Bergson argued that the failure of machine-like pursuits uncontrolled by consciousness can be manifested through comic depictions of the human body. -
Preview Book
To my ol’ pal GREG GOLDSTEIN without whom there wouldn’t be this book nor even YOE! Books... And the swab’s got a greak twisker sock! If you like this book, please blog, facebook, and tweet about it! Join the fun on Facebook on the “Celebrating Popeye” page! Check out our videos: YouTube.com/TheYoeTube. ISBN: 978-1-68405-051-2 20 19 18 17 1 2 3 4 Ted Adams is a big Popeye fan and a terrifc encouragement to me. Thanks, Ted! A special thank you to my good friend Jerry Beck. I deeply appreciate the help, consultation, and loans of materials from: Giovanna Anzaldi, Mykal Banta, Chuck Fiala, Fred Grandinetti, Susan Hack-Lane, Chuck Johnston, Hal Ottaway, Donnie Pitchford, Giuseppe Scapigliati, Robert Schaad, Stewart Silver, and Susan Allen Yonas. The offcal Popeye fan club Web site is popeyethesailor.com Craig Yoe & Clizia Gussoni, Chief Executive Offcers and Creative Directors • Jeff Trexler, Attorney • Mark Lerer, Peter Sanderson, and Steven Thompson, Proofreaders and Fact-checkers • Steven Thompson, Publicist www.IDWPUBLISHING.com Ted Adams, CEO & Publisher • Greg Goldstein, President & COO • Robbie Robbins, EVP/Sr. Graphic Artist • Chris Ryall, Chief Creative Offcer • David Hedgecock, Editor-in-Chief • Matthew Ruzicka, CPA, Chief Financial Offcer • Jerry Bennington, VP of New Project Development • Lorelei Bunjes, VP of Digital Services. December 2010. First printing. Popeye: The Great Comic Book Tales by Bud Sagendorf is © 2018 Gussoni-Yoe Studio, Inc. All Rights Reserved, including the digital remastering of the material not held by copyright owners. YOE Books is a trademark of Gussoni-Yoe Studio, Inc. -
MARINA ABRAMOVIĆ Bibliography
MARINA ABRAMOVIĆ Bibliography Selected Publications 2018 Goldberg, RoseLee. Performance Now: Live Art for the 21st Century. New York: Thames & Hudson, 2018. 2017 Abramovic, Marina. The Cleaner. Hatje Cantz Verlag, 2017. 2015 Clemens, Justin. Private Archaeology. Tasmania: Museum of Old and New Art, 2015. Džuverović, Lina. Monuments Should Not Be Trusted, Nottingham: Nottingham Contemporary, 2016. Marina ABramovic: In Residence Education Kit, Sydney: Kaldor Public Art Projects, 2015. The Sense of Movement: When Artists Travel. Hatje Cantz: Ostfildern, 2015. Sardo, Delfim. Afinidades Electivas | Julião Sarmento Coleccionador, Fundacão Carmona e Costa. Lisbon: Portugal, 2015. Westcott, James. Quando Marina ABramovic Morrer: uma Biografia, São Paulo: SESC Editions, 2015. 2014 Belisle, Josee. Beaute du Geste, Montreal: Musee d’Art Contemporain de Montreal, 2014. Biesenbach, Klaus and Hans Ulrich Obrist. 14 Rooms, Ostfildern, Germany: Hatje Cantz, 2014. Bojan, Maria Rus and Alessandro Cassin. Whispers, Ulay on Ulay, Amsterdam: Valiz Foundation, 2014. Day, Charlotte. Art As a Verb, Victoria, Australia: Monash University Museum of Art, 2014. Hoffman, Jens. Show Time: The 50 Most Influential ExhiBitions of Contemporary Art, New York: DAP, 2014. Marina ABramovic: Entering the Other Side, Jevnaker, Norway: Kistefos Museet, 2014. Marina ABramovic: 512 Hours, London: Serpentine Galleries, Koenig Books, 2014. 2013 Moving Pictures / Moving Sculpture: The Films of James Franco, California: Oh Wow, 2013. Munch By Others. Norway: Arnivus + Orfeus Publishing and Haugar Vestfold Museum, 2013. Walk on, From Richard Long to Janet Cardiff: 40 Years of Art Walking, Manchester: Cornerhouse Publications, 2013. Westcott, James. When Marina ABramovic Dies, China: Gold Wall Press, 2013. 2012 Anelli, Marco. Portraits in the Presence of Marina Abramovic. -
The Drowned Girl Karen Brown Gonzalez University of South Florida
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-27-2008 The Drowned Girl Karen Brown Gonzalez University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Gonzalez, Karen Brown, "The Drowned Girl" (2008). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/265 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Drowned Girl by Karen Brown Gonzalez A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Co-Major Professor: Rita Ciresi, M.F.A. Co-Major Professor: Hunt Hawkins, Ph.D. A. Manette Ansay, M.F.A. William T. Ross, Ph.D. Date of Approval: March 27, 2008 Keywords: stories, women, Connecticut, suburbia, adultery © Copyright 2008, Karen Brown Gonzalez The girl is leagues and leagues away from the first kiss of prologue, but she, throat caked with mud, white skin scaled verdigris, must be the message within the bottle. —Eve Alexandra, “The Drowned Girl” Acknowledgments Grateful acknowledgment is made to the following publications for publishing portions of this work in slightly altered form: “Send Me” in American Fiction: The Best Unpublished Short Stories by Emerging Writers, Number 4, 1992, “Affairs of a Career Girl” and “Tropical Passions” as Things I Did While You Were Gone, in Epoch, Vol. -
Authority, Autonomy, and Choice: the Role of Consent in the Moral and Political Visions of Franz Kafka and Richard Posner
Georgetown University Law Center Scholarship @ GEORGETOWN LAW 1985 Authority, Autonomy, and Choice: The Role of Consent in the Moral and Political Visions of Franz Kafka and Richard Posner Robin West Georgetown University Law Center, [email protected] Georgetown Public Law and Legal Theory Research Paper No. 11-04 This paper can be downloaded free of charge from: https://scholarship.law.georgetown.edu/facpub/489 http://ssrn.com/abstract=1737920 99 Harv. L. Rev. 384 (1985-1986) This open-access article is brought to you by the Georgetown Law Library. Posted with permission of the author. Follow this and additional works at: https://scholarship.law.georgetown.edu/facpub Part of the Law and Economics Commons, Law and Society Commons, Legal History Commons, and the Public Law and Legal Theory Commons AUTHORITY, AUTONOMY, AND CHOICE: THE ROLE OF CONSENT IN THE MORAL AND POLITICAL VISIONS OF FRANZ KAFKA AND RICHARD POSNER Robin West* Law-and-economics theorist Richard Posner has argued that principles of consent support wealth maximization as a rule of judicial decisionmaking. According to Posner, wealth-maximizing consensual transactions are morally desirable because they promote both well-being and autonomy. In this Ar- ticle, Professor West draws on Franz Kakfa's depictions of human motivation to dispute the empirical basis of both justificatory prongs of Posner's thesis. Kafka's characters, she argues, suggest that when individuals consent to transactions,they often do so because of a desire to submit to authority, and not to maximize well-being or autonomy. Thus, Professor West concludes, Posner's identification of consent as the moral justification of wealth max- imization rests on an inadequate view of human motivation. -
Issues of Originality and Ownership in Relationship to Elzie Crisler Segar's Popeye the Sailor Man Stephen Smith
Issues of Originality and Ownership in Relationship to Elzie Crisler Segar’s Popeye the Sailor Man Stephen Smith 1 Elzie Crisler Segar’s Popeye the Sailor Man is one of the most recognizable characters in American fiction. He was not the creation of one man but rather the product of a particular place, time and culture. Segar worked within an established tradition and was supported by the newspaper and film industries that depended on the approval of their intended audiences for survival. The newspaper comic strip was a relatively new phenomenon when Segar entered the field, the landscape had already been established and his contributions would not include inventing any new language or unique art form. What Segar did accomplish was to create a world of screwball comedy and engaging characters that satisfied the needs of the American public looking for escape from the hardships of the Great Depression. In 2008, with the widespread acceptance of postmodern art theory, it is redundant to speculate on whether or not comic strips are an art form. This is an issue only relevant to modernism. It was the high standards and professional competition along with the nurturing environment provided by industries that freed artists such as Segar from the burdens of business and allowed them to prosper. Segar’s Popeye existed within two well-established genres and his adventures provided one of the primary themes for both the newspaper comic strip and the animated movie when these art forms reached a level of quality that has not been achieved since. Thimble Theatre, the comic strip that Popeye was featured in, was originally published in William Randolph Hearst’s New York Journal American. -
1 1 MEMOIR Pakradouhi (Peggy) Kalpakian at the Present Day, April 2013, I Am 91 Years Old – I Am Writing My Child
1 MAUDIE'S MEMOIRS/ PAGE 1 1 MEMOIR Pakradouhi (Peggy) Kalpakian At the present day, April 2013, I am 91 years old – I am writing my childhood and other memories at the suggestion (insistence !) of my daughter, Laura McCreary. I have been raised in America, I am a Naturalized American citizen, I feel I am American in every way, but in my heart of hearts, I know that a part of me is still Old-Country-Armenian. Sometimes (in my very old age) I wonder if I might perhaps have come from the Old Country to bring to my current American family, Old-Country-Armenian-Intensity to Love, to Personal Strength and to Courage. Also, I am indescribably drawn toward deep-seated feelings for Armenians everywhere. I arrived in the United States in the fall of 1923 with my parents and my sister, Angaghouhi. (The ship docked on the day of President Harding’s death. No departures from ship. We had to wait another 24 hours to disembark.) I was 19 months old and Angie was about 4. Angie was born in Adana, Turkey (December 26, 1918) where our parents met and married (October 18, 1917) and I was born in Constantinople (now Istanbul March 26, 1922) – on the road to re-locate in the United States of America. To my sons, daughters, grandsons and great-grandchildren – I hope that these remembrances convey to you my everlasting unconditional love for all of you. You will always be in my heart no matter where I am. Know always that Maudie loves you. -
Sample File to E.C
POPEYE SECOND EDITION Sample file To E.C. Segar, who created Popeye; to Max Fleischer, who brought him to the screen; and to Jack Mercer, who gave the sailor personality and life with his wonderful vocal characterization Sample file POPEYE An Illustrated Cultural History FRED M. GRANDINETTI SECOND EDITION Sample file McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London ACKNOWLEDGMENTS I am grateful to the following people for their help in making this book possible: Frank Caruso, Ita Golzman, and Mark Johnson of King Features Syndicate; Bill Maling, Craig Davison, Tim Hollis, Jackson Beck, Gordon Sheehan, Leonard Kohl, Mike and Debbie Brooks of the International Popeye Fanclub; Jerry Beck, Steve Bierly, Donnie Pitchford, and Barry I. Grauman. Special thanks go to my family and friends for all their support. All opinions in this book are those of the author and do not represent the opinions of anyone else who has been connected with the Popeye character over the years. Popeye cartoons and images are reprinted throughout this book by permission of King Features Syndicate. The cover drawing is by the author. LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Grandinetti, Fred M. Popeye : an illustrated Samplecultural history / Fredfile M. Grandinetti.—2nd ed. p. cm. Includes index. ISBN-¡3: 978-0-7864-1605-9 softcover : 50# alkaline paper ¡. Popeye (Fictitious character) in mass media. I. Title. P96.P65G73 2004 74¡.5'0973—dc22 2003027765 British Library cataloguing data are available ©2004 Fred M. Grandinetti. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher.