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Micheal S.Ojeda, perf.)BZBUJ"LBCBT %7% OPUGPDVTFEPOUIFQFSGFDUIVNBOGPSNJOTUFBE FNPUJPOTPG TPSSPXBOEHSJFGDPNFUISPVHIDMFBSMZɨFCPEZPG$ISJTU 21 (FO e Holy Bible, New International Version. (SBOESBQJET ;POEFSWBO1VCMJTIJOH)PVTF Q MPPLTEFBEBOEIFBWZ BT+PTFQITUSVHHMFTUPIPMEJUVQ UXJTUJOH 22 (BTU 8BMUFS&Symbols in Christian Art and Arcitecture. BDDFTTFE.BSDI BT/JDPEFNVTDVUTUIFOBJMTGSPNIJTGFFUɨFëHVSFTBSPVOE IUUQXFHBTUIPNFBUUOFUTZNCPMT 23 (BTU 8BMUFS&Symbols in Christian Art and Arcitecture. BDDFTTFE.BSDI $ISJTUBSFFMPOHBUFEBOEEJTUPSUFE TIPXJOHUIFJSTBEOFTT IUUQXFHBTUIPNFBUUOFUTZNCPMT XIJMFCPUI.BSZ.BHEBMFOFBOEUIF7JSHJO.BSZBSFTUSFUDIFE 24 (BTU 8BMUFS&Symbols in Christian Art and Arcitecture. BDDFTTFE.BSDI IUUQXFHBTUIPNFBUUOFUTZNCPMT FOPVHIUPSFBDIBOEUPVDI$ISJTUCFGPSFIJTCPEZJTUBLFO 25 e Holy Bible, New International Version, ((SBOESBQJET;POEFSWBO 1VCMJTIJOH)PVTF Q 27 ɨFQBJOUJOHIBTBOVOLOPXOBSUJTU&NJM,FSO %BOJFM.BSY 8FC 26 YDNQBOFM QBJOUFEJO3ZODL 1BUSJDL%F How Gallery of Art. BDDFTTFE.BSDI IUUQXXXXHBIV to Read a Painting: Lessons from the Old Master (/FX:PSL)BSSZ/ 28 Meiss, Millard, Painting in Florence and Sienna after the Black Death. "CSBNT /FX:PSL)BSQFS5PSDI#PPLT Q HOHONU Volume 8 2010 - 67 EPXOɨJTQBJOUJOHTIPXTUIBUEJTUPSUJPOXBTBSPVOECFGPSF %VCF 8PMG%JFUFS e Expressionists.-POEPOɨBNFTBOE #FDLNBOOTUJNF BOEFWFOVUJMJ[FETJNJMBSUFDIOJRVFTPG )VETPO DSPXEJOHTQBDFBOEIFBWZCMBDLMJOFT &NJM,FSO %BOJFM.BSYWeb Gallery of Art.IUUQXXXXHB 5XPPUIFSQJFDFTUIBUSFTFNCMF#FDLNBOOTXPSLBSFPG IV BDDFTTFE.BSDI DSVDJëYJPOT OPUEFQPTJUJPOT CVUTUJMMIPMETJNJMBSRVBMJUJFTJO &ODZDMPQFEJB#SJUBOOJDB0OMJOFDry point.IUUQ UIFTUZMFPGBSU'JSTU JTBNPTBJDDBMMFECruci xion, from 1200- XXXCSJUBOOJDBDPN&#DIFDLFEUPQJDESZQPJOU UIJTQJFDFIBTIFBWZCMBDLMJOFTBOENVDITPSSPXDBVTFE BDDFTTFE"QSJM CZUIFEJTUPSUFEëHVSFT4FDPOEMZ JTUIFIsenheim AlterpieceCZ 'FSHVTPO (FPSHFSigns and Symbols in Christian Art. New .BUUIJBT(SàOFXBMEJO30ɨJTQJFDFJTOPUEJTUPSUFEBOE :PSL0YGPSE6OJWFSTJUZ1SFTT UIFëHVSFTBSFQBJOUFEOBUVSBMJTUJDBMMZ IPXFWFS UIFBSUJTUDSFBUFT 'SJFESJDI)FDLNBOOT 'SJU[-PðFS & CFSIBSE3PUFST 4UFQIBO BEJTUVSCJOHEFBE$ISJTU)JTTLJOJTZFMMPXBOEMPPLTCFBUFO WPO8JFTFGerman Expressionism 1915-1925, e Second IFJTWFSZTLJOOZBOEIJTBSNTBSFTUSFUDIFEBOEUXJTUFEUPSFBDI Generation..VOJD1SFTUFM7FSMBH UIFDSPTTɨFGFFMJOHPGMPPLJOHBUUIJTJNBHFPG$ISJTUJTWFSZ (BTU 8BMUFS&Symbols in Christian Art and Arcitecture. June TJNJMBSUPUIFGFFMJOHSFDFJWFEGSPN#FDLNBOOTDescent from the IUUQXFHBTUIPNFBUUOFUTZNCPMT BDDFTTFE Cross .BSDI #FDLNBOOTXPSLëUTOJDFMZJOUPUIF(PUIJDFSBPGBSU )BMM +BNFTDictionary of Subjects and Symbols in Art, Second CFDBVTF EVSJOHUIJTUJNF UIFJSXPSLXBTBMMEJTUPSUFEJOBO Edition. 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New #FDLNBOOXBTEJêFSFOUGPSIJTUJNFCFDBVTFPGIJT :PSL/PSUPOBOE$PNQBOZ FYQFSJFODFTJOXBSBOEXJUOFTTJOHUSBVNBUJDEFBUITBTBNFEJDBM .FJTT .JMMBSEPainting in Florence and Sienna after the Black PSEFSMZ)FTFUIJNTFMGVQGPSDSFBUJOHQBJOJOIJTBSUCZVTJOH Death./FX:PSL)BSQFS5PSDI#PPLT UIFNPSHVFBOEUIFIPSSJëFEQBUJFOUTBTNPEFMTGPSIJTXPSL Museum of Modern Art.IUUQXXXNPNBPSH /PUIJOHPUIFSUIBOJOBDPMEDPNQPTJUJPODPVMECFFYQFDUFEPG DPMMFDUJPOCSPXTF@SFTVMUTQIQ DSJUFSJB 0""%"& IJN#FDLNBOOTDescent from the CrossFBTJMZQPSUSBZTIJTMJGF "QBHF@OVNCFS UFNQMBUF@JE TPSU@PSEFS FYQFSJFODFTJOBUJNFPGEJTUSFTT XIFOBMMIFIBEMFGUUPUVSOUP BDDFTTFE+BOVBSZ XBTIJTSFMJHJPO*OGBDU #FDLNBOOTUBUFEEVSJOHUIFXBS 3PI 'SBOYGerman painting in the 20th Century.(SFFOXJDI i.ZXJMMUPMJWFJTBUQSFTFOUTUSPOHFSUIBOFWFS BMUIPVHI* /FX:PSL(SBQIJD4PDJFUZ IBWFFYQFSJFODFEHSFBUIPSSPSBOEIBWFTFFNFEUPEJFXJUI 3ZODL 1BUSJDL%FHow to Read a Painting: Lessons from the Old UIFPUIFSTTFWFSBMUJNFT#VUUIFNPSFPGUFOPOFEJFT UIF Masters./FX:PSL)BSSZ/"CSBNT NPSFJOUFOTFMZPOFMJWFT*IBWFESBXOUIJTJTXIBULFFQT 4FM[ 1FUFS)PXBSEi.BY#FDLNBOOw#Z.VTFVNPG.PEFSO NFGSPNEFBUIBOEEBOHFSw31 "SU/FX:PSL"ZFS1VCMJTIJOH "MMiEFTDFOUGSPNUIFDSPTTwQJFDFTEFBMXJUIBEFBE$ISJTU 4QJEMF +BLFi$PMPOJBM4UVEJFTJO*NQFSJBM(FSNBOZwHistory of EVSJOHBQBJOGVMUJNF CVUOPBSUJTUIBTFWFSCFFOBTWVMHBSBT Education Quarterly .BY#FDLNBOO*UDBOPOMZCFDPODMVEFEUIBUUIFSFJTOPXBZ e Holy Bible, New International Version.(SBOESBQJET UPFYQSFTTEFBUIBOEQBJOTPBDDVSBUFMZJOBSUVOMFTTZPVIBWF ;POEFSWBO1VCMJTIJOH)PVTF FYQFSJFODFEJUZPVSTFMG ɨF.FUSPQPMJUBO.VTFVNPG"SUCentral Europe (Austria, Germany, and Switzerland), 1900 A.D.–present”. In Bibliography Heilbrunn Timeline of Art History.0DUPCFSIUUQ XXXNFUNVTFVNPSHUPBIIUFVXDNIUFVXDNIUN Science of the Bible.1FSGPSNFECZ)BZBUJ"LBCBT BDDFTTFE+BOVBSZ #VFOHFS # BSCFSB$i.BY#FDLNBOOT*EFPMPHVFT4PNF 8FSOFS)BGUNBOO "MGSFE)FOU[FO 8JMMJBN-JFCFSNBO GPSHPUUPO'BDFTw e Art Bulletin OP German art of the Twentieth Century./FX:PSLɨF .VTFVNPG.PEFSO"SU 8IJUF $ISJTUPQIFSRembrandt.-POEPOɨBNFTBOE)VETPO ɨJTQJFDFJTDSFBUFECZBOVOLOPXOBSUJTU MPDBUFEJOUIF#BTJMJDBEJ4BO .BSDP 7FOJDF&NJM,FSO %BOJFM.BSY 8FC(BMMFSZPG"SU. BDDFTTFE .BSDI IUUQXXXXHBIV 30 &NJM,FSO %BOJFM.BSY 8FC(BMMFSZPG"SU. BDDFTTFE.BSDI IUUQXXXXHBIV 31 4FM[ 1FUFS)PXBSEMax Beckmann .VTFVNPG.PEFSO"SU /FX:PSL "ZFS1VCMJTIJOH Q 68 - HOHONU Volume 8 2010