Wisconsin Horse Judging & Showing Guidelines (PDF)
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WOR/(Lp 'Tv and OPERATORS D.8 OFFI~IAL PUBLICATION INTERNATIONAL BROTHERHOOD of ELECTRICAL WORKERS
THE JOURNAL OF ~ t~~\\lCAL WOR/(lP 'tV AND OPERATORS d.8 OFFI~IAL PUBLICATION INTERNATIONAL BROTHERHOOD OF ELECTRICAL WORKERS ,J u:$-r Jet II Oi-J J"J II AFFILIATED AMERICAN F. OF LABOR 11'1 DEPARTM II BtI.I. II DEVOTED TO THE CAUSE OF ORGANIZED LABOR II -r lSlA II II 302~ . ;jfi::,. These bits are made with both course and fine WGml. They both give complete satisfaction. i,,'''W If you need a bit for any special work write us about it. THE W. A. IVES MFG. CO., Wallingford, Connecticut. Blake Insulll.~ Slalllll BLAKE "3 )tIS Signal & Mfg, Co, 4 Sizel 251 Cauleway St. BOSTON :.: MASS. Pat. No" 1900. BLAKE TUBE flUX Pat. July 1906 ff Convenient to carry and' to use. Will not collect dust ani'! dirt nor get On toolo in kit. You can get the Bolder ing lIux just where you want it and in just the desired quantity. Named shoes are frequently made ill non-union factories 'DO NOT BUY ANY SHOE No matter what its name, unless it bears a plain and readable impression of the UNION STAMP All shoes without the UNION STAMP are always Non-Union Do not accept any excuse for absence of the UNION STAMP BOOT AND SHOE WORKERS' UNION 246 Summer Street, Boston, Mass. JOHN F. TOBIN, Pres. CHARLES L. BAINE, Sec.-Tre&. When writing mention The Journal of Electrical Workers and Operators. The Journal of Electrical Workers and' Operators. OFFICIAL PUBLICATION OF THE International Brotherhood of Electrical Workers Affiliated with the American Federation of Labor and all Its Departments. -
2019-2020 Undergraduate Catalog Alfred University Undergraduate Catalog 2019-2020 1
2019-2020 Undergraduate Catalog Alfred University Undergraduate Catalog 2019-2020 1 Table of Contents Alfred at a Glance Alfred University Vision, Mission and Values Academic Calendars Campus Map, Location and Directions Admissions Tuition and Fees Financial Aid Policies Student Life Consumer Complaint Procedure Student Rights under the Family Educational Rights and Privacy Act Academics.................................................................................................................................................................2 Academic Regulations Degree Requirements.............................................................................................................................................2 General Education Goals .......................................................................................................................................2 Credits, Grades and Grade Point Average (GPA) ..................................................................................................3 Transfer Credit and Credit by Exam ......................................................................................................................4 Credit by Exam ...........................................................................................................................................5, 12-14 Academic Standing (Scholastic Standards)............................................................................................................6 Academic Honors ..................................................................................................................................................6 -
World's Greatest Horsewoman Information
World’s Greatest Horsewoman Information, Rules and Guidelines ● Open to all breeds of horses of all ages regardless of show history. ● Equipment: · Horses must be shown in a bridle throughout all phases, no tie-downs will be permitted. · The traditional bridle with romal must be used. With romal reins, hand is to be around the reins in a fist position with thumb up and no fingers between the reins. In the herd work only, romal reins can be held in one hand. Roping reins are optional in the Steer Stopping. · Bridle bits must be NRCHA legal · The preliminaries will consist of four events: herd work, reined work, steer stopping and cow work. · A rider may show only one horse. An owner may enter more than one horse provided there is a different rider for each entry. No change (substitution) to a horse / rider combination is allowed once the first go has taken place. Finals: · 10 horse/rider combinations will advance to the finals. All ties will be broke by fence work scores. In the event that any finals qualified horse / rider combinations do not compete in the finals (scratch), the next placing horse / rider from the preliminary round will fill that spot. NRCHA Bit requirements and rules: · Equipment – Bridle Classes (Bit): A spade bit or a bit having the following characteristics must be used in any of the bridle classes. Said characteristics shall be: · 5.2.1 Unbroken bar mouthpiece · 5.2.2 One inch or higher port measured from the bottom of the bar to the top of the port. -
Some Remarks on Urartian Horse Harnesses
Some Remarks on Urartian Horse Harnesses Manuel Castelluccia and Roberto Dan 1. Introduction1 There is no doubt that metalwork production is the most distinguished aspect of Urartian art. This circumstance was certainly favoured by the presence in Urartian territory of rich deposits of metal ores (generally lacking in Mesopotamia), as well as important trade routes running from the Iranian plateau and the Cauca- sus. Ambition regarding the direct ownership and exploitation of these mineral deposits was certainly one of the main reasons for the conflict between Assyria and Urartu. The purpose of this study is to analyse the series of metal objects which can be considered components of horse harnesses. Items belonging to war-chariots are not included, since they will be the subject of a further specific study. This article —after a series of detailed studies— is devoted to a general review of Urartian metalwork production.2 The kingdom of Urartu expanded greatly in a rather brief period, between the 9th and 7th centuries BC. Notwithstanding this limited chronological span, the amount of metal artifacts ascribed to the Urartian culture is far larger than any other cultural sphere of the Ancient Near East, except probably the well-known and much discussed corpus of the “Luristan Bronzes”. Numerous studies have been devoted over the years to metalwork production and its artistic features; today this constitutes the most developed field of Urartian studies.3 Despite the richness of this specific literature, several problems still limit our understanding of Urartian metalwork production. These problems mainly depend on the lack of a sufficient number of well doc- umented excavation reports regarding Urartian sites. -
Effortless. All Flat Shod Pleasure Entries Should Have Comfortable Gaits; Giving the Distinct Impression It Is an Agreeable Mount to Ride
effortless. All Flat Shod Pleasure entries should have comfortable gaits; giving the distinct impression it is an agreeable mount to ride. The Flat Shod Pleasure horse should be effortless in their motion and for their rider. The Flat Shod Pleasure classes are to be judged on true pleasure qualities and the performance of the horse. Talent should be rewarded in this division. Neatness and appearance of the horse and exhibitor and conformation of the horse should be a consideration in final judging. All Flat Shod Pleasure entries must stand quietly in the lineup and back readily. The judge must walk the line-up in all flat shod classes and ask each entry to back individually. Any entry that leans back on its haunches and drags both front feet instead of picking them up individually to back must be heavily penalized. Also, the flat shod horse that refuses to back cannot be placed over a horse that does back in the final judging. If any horse that has been judged comes out of a class line up presenting a non-standard image (See Standards Chart), the judge(s) must report the class and entry number to SHOW and a letter of warning will be sent to the trainer. English flat shod pleasure entries must be ridden with a light/relaxed rein at all gaits. Western flat shod entries must be ridden on a loose rein at all gaits. Loose reins along with neck reining and a lower head set are the main factors differentiating the Western flat shod horse from the English flat shod horse. -
Idaho Quarter Horse Annual
Work. We’ll beat any legitimate deal on a new Chevy or similar make by $500! serViCes artificial insemination witH: outback stallion station & embryo transfer center, owned by dr. nick kalafatic and his wife Jennifer, opened in 1997 on 4 acres in sand Hollow, with a total of 6 inside stalls and FresH, sHipped cooled & FrozeN semeN 19 outside mare pens. since that time, outback stallion station has continued to grow and oN-siTe embryo TraNsFer & resideNT recipieNT Herd expand in spite of recent economic ups and downs; they have continued to adjust to what semeN collecTioN, sHippiNg & receiViNg their clients have asked for and needed in order to help make their breeding programs successful. oocyte transfer semeN & embryo FreeziNg outback stallion station & embryo transfer center has an amazing embryo transfer program, featuring conception rates above the national average while FrozeN semeN sTorage keeping costs reasonable and affordable. clients travel from all over the northwest semeN eValuaTioN and canada to utilize the expertise of the services received at outback stallion station. mare & sTallioN breediNg souNdNess exams sTallioN & mare maNagemeNT outback stallion station is also continuing to improve and invest in each individual breeding moNiTored FoaliNg serVices & year arouNd mare care program, understanding the needs, and helping fulfill the goals of their clients. recent advances sub FerTile mares & sTallioNs at outback stallion station include a new running horse division, standing a number of outstanding racehorses along with our working horses, as well as new advanced foal monitoring technology for the clients that choose the facility for foaling out their mares. the goal for outback stallion station & embryo transfer center, each season to provide great customer service along with personalized mare and stallion care. -
Family Generations Stay with the Gentle Giants
Family Generations Stay With the Gentle Giants Kelly McCarthy, Writer Louisville, KY - November 16, 2013 – Today at the North American International Livestock Exposition (NAILE), the Draft Horse Show came to a close after two days of impressive competition. Alternating with the action-packed Cowboy Mounted Shooting Classes, draft horses and their exhibitors provided spectacular entertainment for audiences in Freedom Hall. After the first round of Ladies Mounted Shooting, a two horse hitch entered the arena pulling more than just a carriage and its passengers… but also a legacy. While the Minniear’s Belgian horses are beautiful in all their glory, the family’s history with Belgian draft horses is something beautiful as well. Mike and Glenna Minniear, competing in the North American International from Goodland, IN, have made showing their draft horses a family affair. The Honey Locust Belgians began with Mike Minniear’s grandfather and uncle in the 1950’s, who started using horses in competitive pulling. Since then, Mike and Glenna have taken over and, after showing competitively themselves, have ignited a passion for draft horses in the rest of their family. The couples’ grandsons, Austin and Joel Huff, have also become involved in the draft horse showing community, making them the fourth generation since the founding of the Honey Locust Belgians. Appearing together while showing in horse hitch classes, the brothers take the reins for certain events. Austin Huff, 18, drives the carriage for the six horse and unicorn hitches, while Joel, 16, takes the lead during four horse hitches and the cart classes. Since their start in the draft horse community, the Minniear’s have always kept Belgians in their barn. -
A Comprehensive Investigation of Lead Sheathing from the Emanuel
A COMPREHENSIVE INVESTIGATION OF LEAD SHEATHING FROM THE EMANUEL POINT SHIPWRECKS IN PENSACOLA BAY, FLORIDA by Andrew Wallace Marr B.A., Colorado State University, 2006 A thesis submitted to the Department of Anthropology College of Arts and Sciences The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2012 The thesis of Andrew Wallace Marr is approved: ____________________________________________ _________________ Gregory D. Cook, M.A., Committee Member Date ____________________________________________ _________________ Amy Mitchell-Cook, Ph.D., Committee Member Date ____________________________________________ _________________ John E. Worth, Ph.D., Committee Member Date ____________________________________________ _________________ John R. Bratten, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ John R. Bratten, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate Studies Date ACKNOWLEDGMENTS This study would never have been possible without the contributions and support of a number of different organizations and individuals. Many facets of my research involved scientific analysis, and I would like to thank Dr. Elizabeth Benchley and the UWF Archaeology Institute, as well as the Pensacola Archaeological Society for their financial support. Without their grants and funding much of this thesis would have gone unwritten. I am very appreciative to my committee for their efforts throughout the course of this study, from helping me to plan the excavations and experimentation to tirelessly editing draft after draft of each of my chapters. I would also like to thank a number of friends and fellow students for their contributions to my research. These include Dr. Felipe Castro, Dr. -
The Stapleton for Over 100 Years
SERVING LOGAN & McPHERSON COUNTIES THE STAPLETON FOR OVER 100 YEARS SinceLOGAN 1912 COUNTY, • creativeprintersonline.com STAPLETON NEBRASKA 69163 (USPS THURSDAY, 518780) FEBRUARY 4, THURSDAY, 2021 JANUARY 5, 2017 NO. NO. 1 5 Auditor makes fire district SPS board of recommendations The Nebraska Auditor of The auditor selected responder agencies. education reorganizes Public Accounts office has minutes from fire district The state auditor’s office Electing officers and ap- Rex Walz. was tabled until after the urged 83% of the state’s board meetings and reports that audit-waiver pointing committees Buildings & Grounds & building and grounds 414 rural fire districts to noted the boards had not letters were being issued were on the agenda of the Safety: Rich Burnside, committee meeting. correct one or more prob- actually voted to approve to help smaller boards January 18 regular board Kristy Opela, and Rex • The board approved lems with their fiscal spending items. protect taxpayers against of education meeting at Walz. Ameritas as the Bond Un- processes. Only one board member embezzlement. Stapleton Public Schools. Transportation: Frank derwriter for $2,900,000. Recommendations were signed checks in several Craig Kubicek, assistant Kristy Opela was elected Kramer, Steve Schaeffer, • The Nebraska Associa- included in letters sent to cases. State law requires deputy state auditor said president, Steve Schaef- and Rex Walz. tion of School Board’s 343 of the 397 Nebraska the board’s president and while an audit is still not fer, vice president, Kim Committee on American Code of Conduct will be fire districts that re- secretary-treasurer must required, the office is ask- Kramer, secretary, and Civics: Frank Kramer, used as best practice quested audit waivers for sign checks. -
Rulebook21.Pdf
APPALOOSA A HORSE FOR ALL REASONS 2 0 2 Share your reasons with us at [email protected] 1 RIDE WITH US into the NEW DECADE ApHC DIRECTORY The Appaloosa Horse Club is on Pacific Time, three hours behind New York, two hours behind Texas, one hour behind Colorado, in the same time zone as California. Business hours are 8 a.m. to 5 p.m., Monday through Friday. Administration Member Services Executive Secretary— Membership information ext. 500 Lynette Thompson ext. 249 [email protected] [email protected] Administrative Assistant— Museum [email protected] www. appaloosamuseum.org [email protected] Director— Crystal White ext. 279 Accounting [email protected] Treasurer— Keith Ranisate ext. 234 Racing Coordinator— Keri Minden-LeForce ext. 248 Appaloosa Journal [email protected] [email protected] Editor— Registration Dana Russell ext. 237 General information ext. 300 [email protected] Registry Services— Advertising Director— [email protected] Hannah Cassara ext. 256 [email protected] Performance General Information ext. 400 Art/Production Director— Barbara Lawrie Performance Department Supervisor— [email protected] Keri Minden-LeForce ext. 248 [email protected] Graphic Designer & Circulation Manager— Judge Coordinator and Show Secretary— Jonathan Gradin ext. 258 Debra Schnitzmeier ext. 244 (circulation & subscriptions, address [email protected] changes, missing & damaged issues, Appaloosa Journal Online) [email protected] [email protected] Show Results/Show Approvals— [email protected] Deb Swenson ext. 265 [email protected] Information Technnology ACAAP— Information Technology Supervisor— Amber Alsterlund ext. 264 Dave O’ Keefe ext. 251 [email protected] [email protected] Trail & Distance Coordinator— [email protected] ext. 221 Marketing Marketing/Public Relations Director— Youth Programs Hannah Cassara ext. -
Read Book Through England on a Side-Saddle Ebook, Epub
THROUGH ENGLAND ON A SIDE-SADDLE PDF, EPUB, EBOOK Celia Fiennes | 96 pages | 02 Apr 2009 | Penguin Books Ltd | 9780141191072 | English | London, United Kingdom Sidesaddle - Wikipedia Ninth century depictions show a small footrest, or planchette added to the pillion. In Europe , the sidesaddle developed in part because of cultural norms which considered it unbecoming for a woman to straddle a horse while riding. This was initially conceived as a way to protect the hymen of aristocratic girls, and thus the appearance of their being virgins. However, women did ride horses and needed to be able to control their own horses, so there was a need for a saddle designed to allow control of the horse and modesty for the rider. The earliest functional "sidesaddle" was credited to Anne of Bohemia — The design made it difficult for a woman to both stay on and use the reins to control the horse, so the animal was usually led by another rider, sitting astride. The insecure design of the early sidesaddle also contributed to the popularity of the Palfrey , a smaller horse with smooth ambling gaits, as a suitable mount for women. A more practical design, developed in the 16th century, has been attributed to Catherine de' Medici. In her design, the rider sat facing forward, hooking her right leg around the pommel of the saddle with a horn added to the near side of the saddle to secure the rider's right knee. The footrest was replaced with a "slipper stirrup ", a leather-covered stirrup iron into which the rider's left foot was placed. -
NE 4-H Horse Show Bit Rules
New England 4-H Horse Show Bit Rules and Guidelines Basic guide to local, county, and state/regional 4-H Horse shows as well as for those classes in open shows limited to 4-H membership entry. This rules manual is for organizers, officials, exhibitors, parents and judges. Revised February 2020 These guidelines should be used in conjunction with the current New England 4-H Horse Show Rulebook. See rulebook for additional details involving bits and equipment for respective classes. Because the New England 4-H Horse Program is diverse in both its divisions and in the breeds that compete, it is difficult to generate a complete list of acceptable bits. Bits that are permitted by respective breed associations may be acceptable at the judge's discretion. A judge at his/her discretion can penalize a horse with non-conventional types of bits. Please understand that this supplement gives only examples of legal and u acceptable bits. In no way does it try to include every bit that is allowed or not allowed. If exhibitors have questions concerning a bit they wish to use, and that specific bit is not mentioned in the current rules or these guidelines, then exhibitors should ask the show stewards and/or the judge if the bit is acceptable for that show. Exhibitors should have alternative bits available so that they can make a change if it is determined by show officials that their preferred bit is unacceptable for that show. Each county, district or regional, and state show is officiated by different stewards and judges.