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Strange Planet Music Credits

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Strange Planet Music Credits Music Supervision (head credit) Roger Grierson Leah Warwick Gary Seeger (tail credits) Music Supervision Simon Kain Libby Blakey Josh Abraham "Music Takes You High" Written by Jerome Isma-Ae & Marcel Krieg Performed by Future Funk © Edition ICM/Hanseatic Courtesy Sony Music Entertainment (Germany) GmbH By Arrangement Sony Music Entertainment Australia "Can't Live Without You" Metro Music Production Music Department APRA "Peepshow" A Wasiliev/S Miller © Rondor Music Australia Pty Ltd /EMI Music Publishing Australia Licensed courtesy of EMI Music Australia "Guajia Guantanmera" Jose Fernandez Diaz Ediciones Quiroga S.L. (1962) /Fable Music Australia P/L Performed by Waldo Fabian Under Exclusive License from Festival Records Pty Ltd "Llego La Banda" F. Aguirre, Control 100% "Message To My Girl" Written by N. Finn (Mushroom Music) Performed by Sprit Enz (sic) Courtesy of Mushroom Records Pty Ltd "Auld Lang Sayne" Performed by Waldo Fabian Under Exclusive License from Festival Records Pty Ltd "Time" Written by Keira Hodgkison/Swirl Licensed by Festival Records Pty Limited Publishing in Control "Hold Your Head Up High" T Mousse/Errol Rennalls/Inya Davies © Rondor Musikverlag/Edition Merge Music /Rondor Music Australia/GEMA "The Look Of Love" B Bacharach/H David, Performed by Dusty Springfield Courtesy of Mercury Records Under License from Universal Music Australia Pty Limited © 1967 Screen Gems - EMI Music Inc Licensed by EMI Music Publishing Australia Pty Limited "Tape Loop" Written by P Godfrey/R Godfrey/S Edwards (Mushroom Music) "Hard" By Cindy Ryan Courtesy of Sony/ATV Music Publishing "Going In Circles" Tameka Starr Beaver Music B.V. Performed by Tameka Starr Under Exclusive License from Big Dog Music "Never Take You Back" Dr Rhythm, Written by BURGESS Vocals by Meagan Corson Produced & Mixed by N Burgess for Performance Industry P/L at The Doghouse © 1999 Pacific Records Thanks to Toni, Nigel and Sam "Superstar Baby" A Salkeld/R Berg Copyright Control, Performed by Palefield Mountain Under Exclusive License from Stress Records "Reflections" Metro Music, Production Music Department APRA "Hour Of Need" Written by Rolo Armstrong/Ayalah Bentovim/ Jamie Catto, By Faithless Used by kind permission of Warner/Chappell Music Ltd © BMG Music Publishing Ltd Admin locally by BMG Music Pty Ltd "Learning To Fly" Written and Produced by Big C (Andrew Cocup) Vocals by Dee Used by kind permission of Warner/ Chappell Music Ltd (P) & © Heat Recordings 1999 "Aliens" A Wasiliev © Rondor Music Australia P/L (P) EMI Music Australia Licenced courtesy of EMI Music Australia "The First Noel" Apple Trax, Production Music Department APRA "Tainted Love" Words & Music by Ed Cobb Copyright © 1976 Embassy Music Corp (BMI) International Copyright Secured All Rights Reserved "Theme" B Rosenberg Copyright control, Performed by Brett Rosenberg Under Exclusive License from Big Dog Music "Sweet Pain" - (Joi Remix) Nusrat Fateh Ali Khan (Michael Brook/Nusrat Fateh Ali Khan) Momentum Music Ltd (P) Real World Records Licensed Exclusively to Virgin Records, EMI/Virgin Music Publishing /Polygram Music Publishing Licensed courtesy of EMI Music Australia "Original Soundtrack Taxi Driver" Bernard Hermann, EMI Music Publishing (P) 1976 Arista Records Inc. Licensed from BMG Australia Limited © 1976 Screen Gems - EMI Music Inc Licensed by EMI Music Publishing Australia Pty Limited "Je Suis A Toi" J Abrahams Festival Music Publishing Pty Ltd Performed by Amiel Daemion Under Exclusive License from Festival Records Pty Ltd "! (The Song Formerly Known As)" Performed by Regurgitator Written by Quan Yeomans, EMI Music Publishing Contains samples of Get Up and Boogie and Thank You Mr DJ written by Sylverster Levay & Stephen Prager, Warner Chappell Music (P) 1998 Warner Music Australia Pty Limited Licensed courtesy of Warner Music Australia Pty Limited © 1997 EMI Music Publishing Australia Pty Ltd Licensed by EMI Music Publishing Australia Pty Limited "Do You Wanna Funk" Sylvester, Patrick Cowley/Sylvester James Festival Music/Control (P) 1982 Megatone Records/Fantasy Records Inc Warner Chappell "I Feel Love" D Summer/G Moroder/P Bellote © Sweet Summer Night Music/Rondor Music Australia Pty Ltd, Rondor Music (Aust) /Warner Chappell Music Australia/Gema © 1977 Rick's Music Inc. (BMI) o/b/oItself & Budde Songs, Inc. (Formerly Sebanine Music, Inc) (BMI) & Sweet Summer Night Music (BMI) Used by permission., All rights reserved "Kung Fu Fighting" Carl Douglas © Edition Carren a division of Octave Musikverlag Alfred K Schaacht Courtesy of Shock Music Publishing Pty Ltd (Australia) Performed by David Bowers Re-Recorded by Stone Cold Bonners "Wood Cabin" Written by Sarah Cracknell/Robert Stanley/Peter Wiggs Used by kind permission of Warner/Chappell Music Ltd Momentum Music Ltd Music: The film doesn’t have a credit for a composer for a conventional underscore, but rather there are three head credits for music supervision - Roger Grierson, Leah Warwick and Gary Seeger. Music in the film: A live band appears near the start of the film, and there is an inclination to dance in the film, with the music shifting from the nostalgia of Love and Other Catastrophes to a more upbeat club beat: Head Credits: A beat-driven instrumental number runs over the opening footage, done home movie frame within the frame style with snatches of dialogue (a less rough, more upmarket version of the home movies opening for Love and Other Catastrophes). We see Judy (Claudia Karvan) being snapped with Sally (Alice Garner) and Alice (Naomi Watts), while holding a degree in Sydney University grounds; Ewan (Tom Long) shaking hands in office drinks; Sally handing Judy a book she got her from America, How to Stop Falling in Love with Married Men, by Dr. S. Kazantzidis (Judy drops it on the pavement); Sally chopping off the bottom of a Christmas tree to fit it in the boot; the hero lads having a game of slapstick footy on a muddy ground and then leading a Swans cheer in the front bar; Judy reading a newspaper; Ewan lounging in a swimming pool; Sally tossing a cricket ball through a window and everybody scarpering; Joel (Aaron Jeffery) showing off his new SAAB convertible to a disapproving Amy (Loene Carmen); Neil (Felix Williamson) furtively reading Cosmopolitan; and then Sally and Alice watching as an electricity pole topples on to her car. As all this slapstick goes on, the music develops a repetitive, heavy with echo, funk lyric, “music takes you high/er”, it being the Future Funk performance of Jerome Isma-Ae and Marcel Krieg’s number with the same name. The music continues over a title reading “New Year’s Eve”, and then over fast-motion shots from on high of Sydney Harbour Bridge, a whip track along streetscapes and a supermarket shelf, fading out as the camera comes to rest on Claudia Karvan’s Judy picking out a box of condoms from the shelf, and telling Alice the world of romantic love is dead, finished. “It’s been fucked up the arse by pop culture …” Tail credits: The Bacharach/David number The Look of Love runs over most of the the tail credits. Lyrics as heard in the film: The song begins as a smiling Alice comes into the kitchen, where Joel is preparing breakfast. He tells her the power’s back on, and she says that’s nice, and after a kiss and caress, she heads outside ... The look of love Is in your eyes (Alice pauses to tenderly caress the head Sally as she lies on a couch with dog and Neil) The look your heart can't disguise … (Alice steps outside, sees Judy and Ewan on the beach, and as the song continues to play, they all eventually sit outside at a table, the water stretching behind them. Joel delivers food to the table and they all sit and raise glasses for a toast) The look of love Is saying so much more than Just words could every say And what my heart has heard Well it takes my breath away I can hardly wait to hold you Feel my arms around you How long I have waited Waited just to love you Now that I have found you You've got the look of love It's on your face A look that time can't erase Be mine, tonight … (A high overhead shot looking down at the toasting six fades to black and end credits begin to roll) Let this be just the start of So many nights like this Let's take a lovers vow And then seal it with a kiss I can hardly wait to hold you Feel my arms around you How long I have waited Waited just to love you Now that I have found you Don't ever go… (Extended saxophone solo with piano, strings and soft percussion ) I can hardly wait to hold you Feel my arms around you How long I have waited Waited just to love you Now that I have found you ... Don't ever go Don’t ever go ... I love you so … (There’s a final flourish from the saxophone, and then the sound of a jet crossing overhead wipes away the music. For the last c 33 seconds of end credits, bush noises, waves on the shore and bird song fill the soundtrack). CD: A CD of the music in the film was released: CD Festival/Best Boy D 32113 1999 Music Supervision: Roger Grierson, Leah Warwick, Gary Seeger Music Takes You Higher Vocals: Future Funk The Look of Love Vocals: Dusty Springfield Tape Loop Vocals: Morcheeba Going in Circles Vocals: Tameka Star Hour of Need Vocals: Faithless Tainted Love Vocals: Soft Cell Time Vocals: Swirl Hard Vocals: Stella One Eleven Sweet Pain (Remixed by Joi) Vocals: Nusrat Fateh Ali Kahn & Michael Brook Never Take You Back Vocals: Dr Rhythm Learning To Fly Vocals: Mothers Pride Woodcabin Vocals: St.Etienne Superstar Baby Vocals: Palefield Mountain ! (Song Formerly Known As) Vocals: Regurgitator.
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