Boston Symphony Orchestra Concert Programs, Season 113, 1993-1994

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Season 113, 1993-1994 Boston Symphony Orchestra ' Twentieth Anniversary Season 19 9 3-94 V.. — —X €B€L th arc h i t e c t s of t i m e beluga Soft and elegant. Hand sculpted in Switzerland exclusively in 18 karat gold. Water resistant. Five year international limited warranty. Intelligently priced. E.B. HORN Jewelers Since 1839 Positively The Best Value In Jewelry 429 WASHINGTON ST BOSTON 02108 ALL MAJOR CREDIT CARDS ACCEPTED • BUDGET TERMS MAIL OR PHONE ORDERS 542-3902 • OPEN MON. AND THURS. 'TIL 7 Seiji Ozawa, Music Director One Hundred and Thirteenth Season, 1993-94 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Nicholas T. Zervas, Vice-Chairman and President-elect Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. William M. Crozier, Jr. Julian T. Houston Mrs. August R. Meyer Peter A. Brooke Deborah B. Davis Mrs. BelaT. Kalman Molly Beals Millman James F. Cleary Nina L. Doggett Allen Z. Kluchman Mrs. Robert B. Newman John F Cogan, Jr. Dean Freed Harvey Chet Krentzman Peter C. Read Julian Cohen Avram J. Goldberg George Krupp Richard A. Smith William F. Connell Thelma E. Goldberg R. Willis Leith, Jr. Ray Stata Trustees Emeriti Vernon R. Alden Nelson J. Darling, Jr. Mrs. George I. Kaplan Mrs. George Lee Sargent Philip K. Allen Archie C. Epps Albert L. Nickerson Sidney Stoneman Allen G. Barry Mrs. Harris Fahnestock Thomas D. Perry, Jr. John Hoyt Stookey Leo L. Beranek Mrs. John L. Grandin Irving W. Rabb John L. Thorndike AbramT. Collier Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Daniel R. Gustin, Clerk Michael G. McDonough, Assistant Treasurer Board of Overseers of the Boston Symphony Orchestra, Inc. Thelma E. Goldberg, Chairman Robert P. O'Block, Vice-Chairman Jordan L. Golding, Secretary Mrs. Herbert B. Abelow Harry Ellis Dickson Martin S. Kaplan Robert J. Murray Helaine B. Allen Phyllis Dohanian Susan B. Kaplan David S. Nelson Amanda Barbour Amis Mitchell L. Dong Richard L. Kaye Mrs. Hiroshi H. Nishino Harlan E. Anderson Hugh Downs Frances Demoulas Paul C. O'Brien Caroline Dwight Bain Goetz B. Eaton Kettenbach Vincent M. O'Reilly Mrs. David Bakalar Harriett Eckstein Robert D. King Louis F Orsatti Mrs. Leo L. Beranek George M. Elvin Mrs. Gordon F John A. Perkins Donald C. Bowersock, Deborah A. England Kingsley Millard H. Pryor, Jr. Jr. Edward Eskandarian David I. Kosowsky Robert E. Remis William L. Boyan Katherine Fanning John R. Laird William D. Roddy Robin A. Brown J. Richard Fennell Mrs. William D. Larkin, John Ex Rodgers William M. Bulger Eugene M. Freedman Jr. Keizo Saji Mrs. Levin H. Mrs. James G. Mrs. Hart D. Leavitt Mrs. Raymond H. Campbell Garivaltis Thomas H. Lee Schneider Earle M. Chiles Mrs. Susan D. Hall Laurence Lesser Mrs. Carl Shapiro Dean Robert C. Clark John P. Hamill Frederick H. Lovejoy, Malcolm L. Sherman Gwendolyn Cochran Ellen T. Harris Jr. L. Scott Singleton Hadden Daphne P. Hatsopoulos Diane H. Lupean Micho F Spring William H. Congleton Joe M. Henson Barbara Jane Macon Vondal M. Taylor, Jr. William F Connell Bayard Henry Mrs. Harry L. Marks William F Thompson Wells Jack Connors, Jr. Ronald A. Homer William F Meagher Robert A. Albert C. Cornelio Mrs. Marilyn Brachman Nathan R. Miller Mrs. Thomas H.P Joan P. Curhan Hoffman Catalina B. Monies Whittle) Nader F. Darehshori F Donald Hudson Richard P. M<>is< Margaret Williams- JoAnne Dickinson Ix»la Jaffe David C. Mugar Decelles Programs copyright "^1994 Boston Symphony Orchestra, Inc. Cover design by Jaycote Advertising, Inc. I Photo by Steve J. Sherman I Overseers Emeriti Mrs. Weston W. Adams Mrs. Richard D. Hill Hanae Mori Angelica L. Russell Bruce A. Beal Susan M. Hilles Mrs. Stephen V.C. Francis P. Sears, Jr. Mary Louise Cabot Glen H. Hiner Morris W. Davies Sohier, Jr. Johns H. Congdon H. Eugene Jones Mrs. Thomas Spun- Ralph Z. Sorenson Phyllis Curtin Mrs. Louis I. Kane Morse Mrs. Edward S. Peter H.B. Leonard Kaplan David R. Pokross Stimpson Frelinghuysen Robert K. Kraft Daphne Brooks Prout Mrs. Arthur L. Strang Mrs. Thomas J. Benjamin H. Lacy Mrs. Peter van S. Rice Mark Tishler, Jr. Galligan Mrs. James F. Mrs. Jerome Rosenfeld Luise Vosgerchian Mrs. Haskell R. Lawrence Mrs. William C. Mrs. Donald B. Wilson Gordon C. Charles Marran Rousseau Business Leadership Association Board of Directors Harvey Chet Krentzman, Chairman Emeritus William E Connell, President James F. Cleary, Chairman William L. Boyan, Vice-President Nader E Darehshori William E Meagher Patrick J. Purcell Ray Stata Francis A. Doyle Robert J. Murray William D. Roddy Stephen J. Sweeney John P. Hamill Robert P. O'Block Malcolm L. Sherman William C. Van Faasen Emeriti Leo L. Beranek • Nelson J. Darling Ex-Officio J. P. Barger 'George H. Kidder Officers of the Boston Symphony Association of \blunteers Molly B. Millman, President Patricia L. Tambone, Treasurer Florence T. Whitney, Executive Vice-President Arline Ziner, Secretary Mce-Presidents Krista K. Baldini, Fundraising Joan W. Erhard, Membership Debra A. Korb, Adult Education Kathryn Bray, Public Relations Linda W. Fenton, Development Seth Nichols, Resources Development Pamela N. Czekanski, Fundraising Joseph K. Handler, Carole G. Siegel, Helen A. Doyle, Symphony Shop Tanglewood Association " Tanglewood Association Elizabeth B. Eaton, Hall Services Marilyn Hunter, Youth Activities Faces of the BSO: Orchestra Members Onstage and Off Currently on display in the Huntington Avenue corridor of the Cohen Wing is an exhibit that presents an informal look at the men and women of the Boston Symphony Orchestra over the years. Drawing from the extensive collection of photo- graphs in the BSO Archives, as well as scores, programs, and other memorabilia, the exhibit not only examines the players as members of the BSO but also explores some of their special tal- ents and outside activities. BSO bass trombonist Douglas Yeo, who has published several articles on the history of the BSO's brass section, con- ceived the idea for this exhibit and worked with the Archives staff to mount it. Pictured here with composer Roy Harris (center), on the occasion of the February 26, 1943 world premiere of his Fifth Symphony, are BSO brass players Lucien Hansotte, Georges Mager, Jacob Raichman, and John Coffey. Administration Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager ofTanglewood Michael G. McDonough, Director ofFinance and Business Affairs Caroline Smedvig, Director ofPublic Relations and Marketing Josiah Stevenson, Director ofDevelopment Ray F. Wellbaum, Orchestra Manager ADMINISTRATIVE STAFF/ARTISTIC Dennis Alves, Program Coordinator, Boston Pops • Cynthia Curme, Executive Assistant to the Tanglewood Manager* Faith Hunter, Executive Assistant to the Managing Director • Karen Leopardi, Artist Assistant/ Secretary to the Music Director • Vincenzo Natale, Chauffeur/Valet • Emily Raymer, Administrative Assistant, Management Office ADMINISTRATIVE STAFF/PRODUCTION Scott Schillin, Assistant Manager, Boston Pops and Youth Activities Michelle Leonard Techier, Media and Production Manager, Boston Symphony Orchestra Nancy Cohen, Administrative Assistant/ Auditions Coordinator, Orchestra Personnel • Virginia Hecker, Chorus Manager/TMC Vocal Activities Coordinator* Diane M. Read, Executive Assistant to the Orchestra Manager BOX OFFICE Russell M. Hodsdon, Manager ofBox Office Mary J. Broussard, Clerk • Cary Eyges, Clerk • Lawrence Fraher, Clerk • Kathleen Kennedy, Assistant Manager ofBox Office • Roland Pridham, Clerk BUSINESS OFFICE Sarah J. Harrington, Budget Manager Craig R. Kaplan, Controller Julie Miner White, Manager ofFund Reporting Michelle Green, Executive Assistant to the Director ofFinance and Business Affairs • Ian Kane, Financial Analyst • Roberta Kennedy, General Accountant • John O'Callaghan, Payroll Accountant • Robert Reidy, Budget Analyst • Sharon Sherman, Accounts Payable Clerk • Heather Spence, Cash Accountant • Shawn Wilder, Mailroom Clerk DEVELOPMENT Deborah Bennett, Director of Corporate Development Daniel P. Breen, Director ofBoston Symphony Annual Fund Madelyne Cuddeback, Director of Corporate Sponsorships John C. Marksbury, Director ofFoundation and Government Support Joyce M. Serwitz, Associate Director of Development/Director ofMajor Gifts Robin J. Yorks, Director of Tanglewood Development Julie Beck, Assistant Director, Corporate Development • Hilary B. Cohen, Assistant Director, Boston Sympho- ny Annual Fund • Sally Dale, Administrative Secretary, Major Gifts • Sarah Fitzgerald, Assistant Data Coor- dinator* Deborah Hersey, Coordinator of Development Information Systems • Shelley Kooris, Researcher* Pauline McCance, Executive Assistant to the Director ofDevelopment • Jeffrey D. Phillips, Administrative Secretary, Corporate Development • Floyd Richardson, Data Production Assistant • Rebecca A. Robinson, Administrative Secretary, Boston Symphony Annual Fund • Brian Van Sickle, Administrative Secretary, Tangle- wood Development • Katharine Wilkens, Assistant Director, Major Gifts Boston Symphony Orchestra concerts are funded in part hy the National Endowment for the Arts and the Massachusetts Cultural Council, a state agency. EDUCATIONAL ACTIVITIES/ARCHIVES Richard Ortner, Administrator of the Tanglewood Music Center My ran Parker-Brass, Coordinator of Youth Activities Bridget P. Carr, Archivist Barbara Logue, Administrative Assistant, Tanglewood Music Center EUNCTIONS OFFICE Cheryl L. Silvia, Function Manager Elizabeth Anne Francey, Administrative
Recommended publications
  • The Development of English Choral Style in Two Early Works of Ralph Vaughan Williams
    Connecticut College Digital Commons @ Connecticut College Music Department Honors Papers Music Department 1-1-2011 The evelopmeD nt of English Choral Style in Two Early Works of Ralph Vaughan Williams Currie Huntington Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/musichp Recommended Citation Huntington, Currie, "The eD velopment of English Choral Style in Two Early Works of Ralph Vaughan Williams" (2011). Music Department Honors Papers. Paper 2. http://digitalcommons.conncoll.edu/musichp/2 This Honors Paper is brought to you for free and open access by the Music Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Music Department Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. THE DEVELOPMENT OF ENGLISH CHORAL STYLE IN TWO EARLY WORKS OF RALPH VAUGHAN WILLIAMS An Honors Thesis presented by Currie Huntington to the Department of Music at Connecticut College in partial fulfillment of the requirements for Honors in the Major Field and for the Concentration in Historical Musicology Connecticut College New London, Connecticut May 5th, 2011 ABSTRACT The late 19th century was a time when England was seen from the outside as musically unoriginal. The music community was active, certainly, but no English composer since Handel had reached the level of esteem granted the leading continental composers. Leading up to the turn of the 20th century, though, the early stages of a musical renaissance could be seen, with the rise to prominence of Charles Stanford and Hubert Parry, followed by Elgar and Delius.
    [Show full text]
  • Walter Piston, Practical Theorist
    Walter Piston, Practical Theorist Mark DeVoto, Tufts University given at Harvard University, April 18, 1994 revised for Notre Dame, November 1, 1994 University of North Carolina at Chapel Hill, November 10, 1994 It hardly seems possible that Walter Piston would be a century old this year. Or even that it was eighteen years ago that he died. It doesn't even seem thirty-four years ago that he retired from teaching, so vivid is the memory of the man himself to many of us. But perhaps even more vivid than our personal memories of Walter Piston, which include his total dedication to his art, his quiet wit, his charm, modesty, generosity, and reserve, even more vivid than these is the legacy of his teaching, which so many of us knew so well and continue to know so well today because of the enduring value of his writings. Many others have written about his compositions, which after a period of eclipse that was perhaps inevitable, even in Boston, are beginning to emerge again with the vigorous attention that they deserve. But it's the Piston of his four books that I particularly want to speak about today, in part because of our work together on Harmony, but also because I so much admire his economical, precise prose style. I suppose that everyone knows that Piston got a certificate in draftsmanship from the Massachusetts Normal Art School in 1916, even before entering Harvard to study music, and that his calligraphic scores were the basis of facsimile editions of many of his works.
    [Show full text]
  • We Are TEN – in This Issue
    RVW No.31 NEW 2004 Final 6/10/04 10:36 Page 1 Journal of the No.31 October 2004 EDITOR Stephen Connock RVW (see address below) Society We are TEN – In this issue... and still growing! G What RVW means to me Testimonials by sixteen The RVW Society celebrated its 10th anniversary this July – just as we signed up our 1000 th new members member to mark a decade of growth and achievement. When John Bishop (still much missed), Robin Barber and I (Stephen Connock) came together to form the Society our aim was to widen from page 4 appreciation of RVW’s music, particularly through recordings of neglected but high quality music. Looking back, we feel proud of what we have achieved. G 49th Parallel World premieres Through our involvement with Richard Hickox, and Chandos, we have stimulated many fine world by Richard Young premiere recordings, including The Poisoned Kiss, A Cotswold Romance, Norfolk Rhapsody No.2, page 14 The Death of Tintagiles and the original version of A London Symphony. Our work on The Poisoned Kiss represents a special contribution as we worked closely with Ursula Vaughan Williams on shaping the libretto for the recording. And what beautiful music there is! G Index to Journals 11-29 Medal of Honour The Trustees sought to mark our Tenth Anniversary in a special way and decided to award an International Medal of Honour to people who have made a remarkable contribution to RVW’s music. The first such Award was given to Richard Hickox during the concert in Gloucester and more .
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
    TANGLEWOOD Festival of Contemporary American Music August 14, 15, 16, 17, 18, 1966 Sponsored by the Berkshire Music Center In Cooperation with the Fromm Music Foundation I " STMVINSKY tt.VlOW agon vam 7/re Boston Symphony SCHULLER 7 STUDIES ox THEMES of PAUL KLEE BOSTON SYMPHONY ORCHESTRA/ERICH lEINSDORf under Leinsdorf Leinsdorf expresses with great power the vivid colors of Schuller's Seven Studies on Themes of Paul Kiee and, in the same album, Stravinsky's ballet music from Agon. Forthe majorsinging roles in Menotti's dramatic cantata, The Death of the Bishop of Brindisi. Leinsdorf astutely selected George London, and Lili Chookasian, of whom the Chicago Daily Tribune has written, "Her voice has the Boston symphony ecich teinsooof / luminous tonal sheath that makes listening luxurious. menotti Also hear Chookasian in this same album, in songs from the death op the Bishop op BRSndlSI Schbnberg's Gurre-Lieder. In Dynagroove sound. Qeonoe ionoon • tilt choolusun s<:b6notec,/ou*«*--l(eoeo. sooq of the wooo-6ove ac^acm rca Victor fa @ The most trusted name in sound ^V V BERKSHIRE MUSIC CENTER ERICH LeinsDORF, Director Joseph Silverstein, Chairman of the Faculty Aaron Copland, Chairman of the Faculty Emeritus Louis Speyer, Assistant Director Victor Babin, Chairman of the Tanglewood Institute Harry J. Kraut, Administrator FESTIVAL of CONTEMPORARY AMERICAN MUSIC presented in cooperation with THE FROMM MUSIC FOUNDATION Paul Fromm, President Alexander Schneider, Associate Director FELLOWSHIP PROGRAM Contemporary Music Activities Gunther Schuller, Head Roger Sessions, George Rochberg, and Donald Martino, Guest Teachers Paul Zukofsky, Fromm Teaching Fellow James Whitaker, Chief Coordinator Viola C Aliferis, Assistant Administrator The Berkshire Music Center is maintained for advanced study in music sponsored by the BOSTON SYMPHONY ORCHESTRA Erich Leinsdorf, Music Director Thomas D.
    [Show full text]
  • Symphony Hall, Boston Huntington and Massachusetts Avenues
    SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephones \ Ticket Office ) g^ g y \4d2 Branch Exchange ( Administration Offices ) ©e SjimphonjOre INCORPORATED THIRTY-EIGHTH SEASON, 1918-1919 HENRI RABAUD, Conductor LSI Mi WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, DECEMBER 13 AT 2.30 O'CLOCK SATURDAY EVENING, DECEMBER 14 AT 8.00 O'CLOCK COPYRIGHT, 1918, BY BOSTON SYMPHONY ORCHESTRA, INCORPORATED W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 281 "The world needs music more when it's in trouble than at any other time. And soldiers, and the mothers and wives and sweethearts and children of soldiers get more of the breath of life from music than the man on the street has any notion of."—JOHN McCORMACK MUSIC is an essential of every well-regulated home. It is a factor of vital importance in the education of the children, an unending source of inspiration and recreation for the growing gener- ation, a refining, cultivating influence touching every member of the family. It is the common speech that is understood by all, that appeals to everybody, that enlists the sympathies of man, woman and child, of high and low, of young and old, in every walk of life. The PIANO is the universal musical instrument of the home, the instrument that should be in every household. And the greatest among pianos is the STEINWAY, prized and cherished throughout the wide world by all lovers of good music. Or, in the words of a well-known American writer: "Wherever human hearts are sad or glad, and songs are sung, and strings vibrate, and keys respond to love's caress, there is known, respected, revered—loved—the name and fame of STEINWAY." Catalogue and prices on application Sold on convenient payments Old pianos taken in exchange Inspection invited 1INWAY & SOMS, STEINWAY Hi 107-109 EAST 14th STREET.
    [Show full text]
  • Much to Look Forward To
    Journal of the No.18 June 2000 EDITOR Stephen Connock RVW (see address below) Society In this issue... Much to look forward to... Vaughan Williams and Bach The RVW Society is involved in a Members will also be delighted to learn number of important and exciting that Sir John in Love will be performed G R.V.W. & J.S.B. projects, some of which will come to in Newcastle City Hall by the Northern fruition quickly and others will take Sinfonia under Richard Hickox on by Michael Kennedy place in the 2002-2003 season. Of the September 29th 2000 as part of the Page 4 greatest interest to RVW Society preparation for the recording. There is members is the major Festival of such marvellous, heart warming music symphonies and choral works being in this opera that all members are urged G Lewis Foreman reviews VW planned under the title Toward the to get to Newcastle, somehow, for the conducting the St. Matthew Unknown Region. concert performance on 29th September. Passion. Page 7 Toward the Unknown Region Charterhouse Symposium G This Festival will be conducted by Following the success of the Conference VW and ‘the greatest of all Richard Hickox using his new orchestra Vaughan Williams in a New Century at composers’ the BBC National Orchestra of Wales. the British Library last November, Robin by Timothy Day Eight concerts are being planned for Wells of Charterhouse and Byron Adams Wales and there are likely to be four of the University of California have Page 10 concerts in London. The Festival begins jointly planned a superb series of at the end of 2002 and many rare choral lectures, concerts and other events at works will be programmed alongside all Charterhouse School from 23rd to 29th Postscripts on George the nine symphonies.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1967-1968
    IAN 13 ***>*!& EIGHTH WEEK August 18, 19, 20, 1967 7 .T)S TWO MAGNIFICENT RECORDING ACHIEVEMENTS BY THE BOSTON SYMPHONY UNDER ERICH LEINSDORF BOSTON I NTLSSON I , ^v Wagner r Rt SYMPH()NY CHOOKASIAN aZtZ ?ATTTl?M j [i/yUIrjiVJ LEINSDORF BERGONZ1 Pro M"liir" Vohtngnti &&L**j6kl*m\ FLAGELLO \ Complete Boston Symphony Orchestra/Leinsdorf Konya • Amara Gorr Dooley • Hines • Marsh Boston Chorus Pro Musica • Patterson rca Victor nvtwsHoovt The first absolutely complete Verdi Requiem featurin; Lohengrin on records. four celebrated soloists rca Victor d @The most trusted name in sound ^*- EIGHTY-SIXTH SEASON 1966-1967 BOSTON SYMPHONY ORCHEST ERICH LEINSDORF, Music Director Charles Wilson, Assistant Conductor Thirtieth Berkshire Festival - 1967 MUSIC SHED AT TANGLEWOOD Concert Bulletin of the EIGHTH WEEK Copyright, 1967, by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer FIenby B. Cabot Talcott M. Banks John L. Thorndtkb Philip K. Allen Francis W. Hatch Henry A. Laughlin >v. Abram Berkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James FI. Perkins Sidney R. Rabb Raymond S. Wilkins Trustees Emeritus Pale rey Perkins Lewis Perry Edward A. Taet Tangleivood Advisory Committee Alan J. Blau George E. Mole Jesse L. Thomason Lawrence K. Miller Whitney S. Stoddard Robert K. Wheeler H. George Wilde Chairmen of the Boards of Selectmen (Ex Officio): Stockbridge, Arthur W. Maskell, Jr. Lenox, John Pignatelli Lee, Andre Jaotjbn Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator William Moyer Harry J.
    [Show full text]
  • Edition 3 | 2018-2019
    Did You Know? Young people who participate in the arts for at least three hours on three days each week through at least one full year are: • 4 times more likely to be recognized for academic achievement • 3 times more likely to be elected to class office within their schools • 4 times more likely to participate in a math and science fair • 3 times more likely to win an award for school attendance • 4 times more likely to win an award for writing an essay or poem GET INVOLVED www.americansforthearts.org/public_awareness Patron Information Late Arrival Seating Policy Accessible Seating For the consideration of other patrons, we will Accessible seating for people with wheelchairs not seat anyone in his/her regular seat while a is available on all levels of the Schuster Center. performance is in progress. Latecomers will be Reservations should be made with Ticket Center seated in Latecomer Seating at the back of the Stage when ordering tickets. Orchestra Level until there is an appropriate break in the performance. Latecomers and TTY/TTD Service patrons leaving their seats during a performance For TTY/TTD Service, please use the Ohio Relay for any reason will be seated on a seat-available Service at (800) 750-0750. If you have any other basis. For those patrons who cannot be special needs for future performances, please immediately accommodated, television viewing call the box office at (937) 228-3630. of the performance is available in the lobby of the Schuster Center. Ticket Exchanges Subscribers who are unable to attend a concert Children’s Seating Policy may exchange their tickets for another regular Only children who are mature enough to sit series concert.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 107, 1987-1988
    BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director lOTtli Season 1987-88 g 1987 80 FYoof. Imported from France by Regal Brands, Inc., New York, N.Y TO SEND A GIFT OF B&B LIQUEUR ANYWHERE IN THE US CALL 1 -800-238-4373 VOID WHERE PROHIBITED ^^^ Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman George H. Kidder, President Mrs. John M. Bradley, Vice-Chairman J. P. Barge r, Vice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Eugene B. Doggett Roderick M. MacDougall David B. Arnold, Jr. Mrs. John H. Fitzpatrick Mrs. August R. Meyer Mrs. Norman L. Cahners Avram J. Goldberg David G. Mugar William M. Crozier, Jr. Mrs. John L. Grandin Mrs. George R. Rowland Mrs. Lewis S. Dabney Francis W Hatch, Jr. Richard A. Smith Mrs. Michael H. Davis Harvey Chet Krentzman Ray Stata Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Ir\ang W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc. Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager of Tanglewood Michael G.
    [Show full text]
  • Barber US 11/09/2003 11:14 Am Page 36
    669140-41bk Barber US 11/09/2003 11:14 am Page 36 AMERICAN OPERA CLASSICS Also available in this series: SAMUEL BARBER Vanessa Chickering • Matthews • Dry • Bauwens • Conrad • Lima National Symphony Orchestra of Ukraine • Capella Dumka Gil Rose 8.559024 8.559088 8.559044 8.669140-41 36 669140-41bk Barber US 11/09/2003 11:14 am Page 2 Samuel (She kisses the Baroness.) (to the Baroness) Do you really think she believes what I said? ANATOL BARBER Goodbye, Erika. When I see you again (The Baroness pauses.) perhaps you will have learned to smile. (1910-1981) Grandmother? (Pause) Oh, I forgot that you will not ERIKA speak to me either now. I am truly alone! Vanessa I hope you will still be smiling (An opera in three acts) when I see you again. Goodbye, Anatol. (The Baroness sits by the fire.) DOCTOR (The Major-Domo comes in.) Vanessa, a lady of great beauty, in her late thirties . Ellen Chickering Goodbye, goodbye, my dear ones! (wiping his eyes) Will you please cover all the mirrors in this house Erika, her niece, a young girl of twenty . Andrea Matthews VANESSA (gently to Doctor) again. The Old Baroness, Vanessa’s mother and Erika’s grandmother . Marion Dry Please, please, no tears! Come in the sleigh with us, MAJOR-DOMO Anatol, a handsome young man in his early twenties . Ray Bauwens we shall drop you in the village. (astounded) What, Mademoiselle? The Old Doctor . Richard Conrad (The Major-Domo and a maid enter with coats and ERIKA Nicholas, the Major-Domo . Philip Lima wraps.) Yes, just as before.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2001
    SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S.
    [Show full text]
  • By David Irving. (2017) Directed by Dr
    HAYWARD, JULIANNA MARTIN, D.M.A. An Exploration of Four Songs for Soprano, Horn, and Piano (1990) by David Irving. (2017) Directed by Dr. Joseph DiPiazza. 174pp. The purpose of this study is to bring attention to the life and music of David Gerow Irving, in particular, his Four Songs for Soprano, Horn, and Piano, composed in 1990. As no previous academic writing has been committed to this subject matter, the study includes an introduction to the life and career of David Irving as well as an overview of his compositional techniques. Chapter 2 includes biographical information about his life in general, his career as a horn player, and his journey to composition. Chapter 3 gives a detailed description of his progression from student to composer. Chapter 4 provides an overview of some of his characteristic compositional tendencies found in a number of his compositions with examples. Chapter 5 focuses on the history and process in composition of the Four Songs for Soprano, Horn, and Piano, including a detailed analysis of each of the songs with comments from the composer. The appendices include a full score of the Four Songs for Soprano, Horn, and Piano, full list of works by David Irving, a written interview with the author, and permissions granted for the use of his correspondence with the author as well as the inclusion of his self-published works. AN EXPLORATION OF FOUR SONGS FOR SOPRANO, HORN, AND PIANO (1990) BY DAVID IRVING by Julianna Martin Hayward A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Greensboro 2017 Approved by _____________________________ Committee Chair APPROVAL PAGE This dissertation written by JULIANNA MARTIN HAYWARD has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro.
    [Show full text]