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Boston Symphony Orchestra Concert Programs, Summer, 1967-1968
IAN 13 ***>*!& EIGHTH WEEK August 18, 19, 20, 1967 7 .T)S TWO MAGNIFICENT RECORDING ACHIEVEMENTS BY THE BOSTON SYMPHONY UNDER ERICH LEINSDORF BOSTON I NTLSSON I , ^v Wagner r Rt SYMPH()NY CHOOKASIAN aZtZ ?ATTTl?M j [i/yUIrjiVJ LEINSDORF BERGONZ1 Pro M"liir" Vohtngnti &&L**j6kl*m\ FLAGELLO \ Complete Boston Symphony Orchestra/Leinsdorf Konya • Amara Gorr Dooley • Hines • Marsh Boston Chorus Pro Musica • Patterson rca Victor nvtwsHoovt The first absolutely complete Verdi Requiem featurin; Lohengrin on records. four celebrated soloists rca Victor d @The most trusted name in sound ^*- EIGHTY-SIXTH SEASON 1966-1967 BOSTON SYMPHONY ORCHEST ERICH LEINSDORF, Music Director Charles Wilson, Assistant Conductor Thirtieth Berkshire Festival - 1967 MUSIC SHED AT TANGLEWOOD Concert Bulletin of the EIGHTH WEEK Copyright, 1967, by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer FIenby B. Cabot Talcott M. Banks John L. Thorndtkb Philip K. Allen Francis W. Hatch Henry A. Laughlin >v. Abram Berkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James FI. Perkins Sidney R. Rabb Raymond S. Wilkins Trustees Emeritus Pale rey Perkins Lewis Perry Edward A. Taet Tangleivood Advisory Committee Alan J. Blau George E. Mole Jesse L. Thomason Lawrence K. Miller Whitney S. Stoddard Robert K. Wheeler H. George Wilde Chairmen of the Boards of Selectmen (Ex Officio): Stockbridge, Arthur W. Maskell, Jr. Lenox, John Pignatelli Lee, Andre Jaotjbn Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator William Moyer Harry J. -
Barber US 11/09/2003 11:14 Am Page 36
669140-41bk Barber US 11/09/2003 11:14 am Page 36 AMERICAN OPERA CLASSICS Also available in this series: SAMUEL BARBER Vanessa Chickering • Matthews • Dry • Bauwens • Conrad • Lima National Symphony Orchestra of Ukraine • Capella Dumka Gil Rose 8.559024 8.559088 8.559044 8.669140-41 36 669140-41bk Barber US 11/09/2003 11:14 am Page 2 Samuel (She kisses the Baroness.) (to the Baroness) Do you really think she believes what I said? ANATOL BARBER Goodbye, Erika. When I see you again (The Baroness pauses.) perhaps you will have learned to smile. (1910-1981) Grandmother? (Pause) Oh, I forgot that you will not ERIKA speak to me either now. I am truly alone! Vanessa I hope you will still be smiling (An opera in three acts) when I see you again. Goodbye, Anatol. (The Baroness sits by the fire.) DOCTOR (The Major-Domo comes in.) Vanessa, a lady of great beauty, in her late thirties . Ellen Chickering Goodbye, goodbye, my dear ones! (wiping his eyes) Will you please cover all the mirrors in this house Erika, her niece, a young girl of twenty . Andrea Matthews VANESSA (gently to Doctor) again. The Old Baroness, Vanessa’s mother and Erika’s grandmother . Marion Dry Please, please, no tears! Come in the sleigh with us, MAJOR-DOMO Anatol, a handsome young man in his early twenties . Ray Bauwens we shall drop you in the village. (astounded) What, Mademoiselle? The Old Doctor . Richard Conrad (The Major-Domo and a maid enter with coats and ERIKA Nicholas, the Major-Domo . Philip Lima wraps.) Yes, just as before. -
By David Irving. (2017) Directed by Dr
HAYWARD, JULIANNA MARTIN, D.M.A. An Exploration of Four Songs for Soprano, Horn, and Piano (1990) by David Irving. (2017) Directed by Dr. Joseph DiPiazza. 174pp. The purpose of this study is to bring attention to the life and music of David Gerow Irving, in particular, his Four Songs for Soprano, Horn, and Piano, composed in 1990. As no previous academic writing has been committed to this subject matter, the study includes an introduction to the life and career of David Irving as well as an overview of his compositional techniques. Chapter 2 includes biographical information about his life in general, his career as a horn player, and his journey to composition. Chapter 3 gives a detailed description of his progression from student to composer. Chapter 4 provides an overview of some of his characteristic compositional tendencies found in a number of his compositions with examples. Chapter 5 focuses on the history and process in composition of the Four Songs for Soprano, Horn, and Piano, including a detailed analysis of each of the songs with comments from the composer. The appendices include a full score of the Four Songs for Soprano, Horn, and Piano, full list of works by David Irving, a written interview with the author, and permissions granted for the use of his correspondence with the author as well as the inclusion of his self-published works. AN EXPLORATION OF FOUR SONGS FOR SOPRANO, HORN, AND PIANO (1990) BY DAVID IRVING by Julianna Martin Hayward A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Greensboro 2017 Approved by _____________________________ Committee Chair APPROVAL PAGE This dissertation written by JULIANNA MARTIN HAYWARD has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. -
Classical by Composer
Classical by Composer Adolphe Adam, Giselle (The Complete Ballet), Bolshoi Theater Orchestra, Algis Zuraitis,ˆ MHS 824750F Isaac Albeniz, Iberia (complete), Maurice Ravel, Rapsodie Espagnole, Jean Morel, Paris Conservatoire Orchestra, RCA Living Stereo LSC-6094 (audiophile reissue) 2 records Tomaso Albinoni, Adagio for Strings and Organ, Concerto a Cinque in C Major, Concerto a Cinque in C Major Op. 5, No. 12, Concerto a Cinque in E Minor Op. 5, No. 9, The Sinfonia Instrumental Ensemble, Jean Witold, Nonesuch H-71005 Alfonso X, El Sabio, Las Cantigas de Santa Maria, History of Spanish Music, Volume I MHS OR 302 Charles Valentin Alkan, Piano Pieces Bernard Ringeissen Piano Harmonia Mundi B 927 Gregorio Allegri, Miserere, and other Great Choral Works CD ASV CD OS 6036 DDD, ADD 1989 Gregorio Allegri, Miserere, and other Choral Masterpieces CD Naxos 8.550827 DDD 1993 Gregorio Allegri, Miserere, Giovanni Pierluigi, Stabat Mater, Hodie Beata Virgo, Senex puerum portabat, Magnificat, Litaniae de Beata Virgine Maria, Choir of King’s College, Cambridge, Sir David Willcocks, CD London 421 147-2 ADD 1964 William Alwyn, Symphony 1, London Philharmonic Orchestra, William Alwyn, HNH 4040 Music of Leroy Anderson, Vol. 2 Frederick Fennell, Eastman-Rochester “POPS” Orchestra, 19 cm/sec quarter-track tape Mercury Living Presence ST-90043 The Music of Leroy Anderson, Frederick Fennell, Eastman-Rochester Pops Orchestra, Mercury Living Presence SR-90009 (audiophile) The Music of Leroy Anderson, Sandpaper Ballet, Forgotten Dreams, Serendata, The Penny Whistle Song, Sleigh Ride, Bugler’s Holiday, Frederick Fennell, Eastman-Rochester POPS Orchestra, 19 cm/sec half-track tape Mercury Living Presence (Seeing Ear) MVS5-30 1956 George Antheil, Symphony No. -
Swr2-Musikstunde-20131007.Pdf
__________________________________________________________________________ 2 SWR 2 Musikstunde mit Ulla Zierau, 7.10.2013 Viva Verdi (1) Operngigant, Bauer, Nationalheld Mein erster Besuch in Busseto, der Geburtsstadt Giuseppe Verdis in der Provinz Parma, inmitten der Po-Ebene ist verbunden mit dem betörenden Duft einer üppig blühenden Linde, unmittelbar vor dem Hotel der Familie Bergonzi, „I due Foscari“ heißt es, benannt nach einer frühen Verdi-Oper. Es war an einem heißen Junitag – die lähmende Stille einer hoch- sommerlichen Siesta lag über dem kleinen Städtchen, nur die Bienen summten emsig um die Linde und ja Giuseppe Verdi war allgegenwärtig, nicht nur in Stein gemeißelt, in Bronze gegossen, im Theater oder Museen, nein in der Luft, in der Wärme, der Stille, in jeder Ritze war sein Geist zu spüren, war seine Musik imaginär zu hören.(0‟45) Musik 1 Giuseppe Verdi: Ouvertüre zur Oper „Attila“ Wiener Philharmoniker / Giuseppe Sinopoli M0019983 003, 3‘25 Ouvertüre zu „Attila“, eine frühe Verdi Oper, die zweite, die er für Venedig geschrieben hat. Giuseppe Sinopoli leitete die Wiener Philharmoniker. In dem kleinen Dorf Le Roncole, das heute zu Busseto gehört, ist Verdi laut französisch-sprachiger Geburtsurkunde, am 10. Oktober 1813, abends um 8 Uhr zur Welt gekommen. Französisch deswegen, weil Busseto damals zum Departement Taro gehörte und damit direkt Frankreich angeschlossen 2 3 war. Vielleicht ist Verdi auch schon einen Tag zuvor geboren, am 9. Oktober, man weiß es nicht genau. Auf jeden Fall sollen in der väterlichen Schenke Straßenmusikanten zur Feier des Heiligen Donnino gespielt haben. Mit dem ersten Atemzug ist Verdi von Musik umgeben. (1‟00) Musik 2: Don Francisco Xavier Cid, Tarantella italiana bearbeitet für Instrumentalensemble L'Arpeggiata M0067415 013, 1‘47 Das Ensemble L'Arpeggiata mit einer italienischen Tarantella. -
A PERSONAL EXPERIENCE of UNFOLDING SELF THROUGH SINGING Douglas Schneider, M.D
Report A PERSONAL EXPERIENCE OF UNFOLDING SELF THROUGH SINGING Douglas Schneider, M.D. ABSTRACT The autonomic nervous system (ANS) is linked to the Unconscious, a relationship which has been therapeutically addressed with autogenic training, sometimes leading to transcendent experi ences. The ANS is also involved in stored traumatic experiences and must be addressed for the release of stored trauma. Bodily storage of trauma can also involve the vocal apparatus. This report briefly describes a pedagogy of singing that involves the ANS and that lead this writer into an unexpected transcendent experience of self. KEYWORDS: Autonomic nervous system, vocal, singing Subtle Energies 6- Energy Medicine • Volume 16 • Number 3 • Page 219 he autonomic nervous system (ANS), with its balanced sympathetic and parasympathic aspects, has become a fascinating topic for me ever T since encountering the work of Elmer and Alyce Green in autogenic trammg and intentional self-regulation of the ANS.l Their findings were counter to what I had learned in medical school, namely, that the ANS is unconscious and involuntary. Later I met Robert Scaer, M.D., and after reading his first book, came to appreciate the role of the ANS in stored traumatic experience. 2 Most recently I have learned of a relationship between the ANS and the act of singing, particularly a certain kind of singing, which was a surprise discovery for me this past spring. One of my interests is the study of singing. I work with a voice teacher named Richard Conrad who early in his career recorded with Joan Sutherland, Marilyn Horne, and Richard Bonynge.3 In mid-career Richard's voice was severely injured in a mugging incident. -
Overture to Opera (90Mpany
OVERTURE TO OPERA (90MPANY 1971 ~easoll Dr. David Di Chiera General Director Copyright 2010, Michigan Opera Theatre OVERTURE TO OPERA What is it? Overture to Opera is a Who is it? The best young singers, non-profit Detroit-based organization dancers, actors, designers and directors that, since 1961, has served as the Detroit from Michigan in addition to highly Grand Opera Association's producing regarded national and international arm. Guided by the principle that opera performers. Many world-famous artists should be musical theater, Overlure to have enhanced the company's creative Opera emphasizes freshness and youth impact, including !talo Tajo (star of in its productions. All the operas but one Metropolitan Opera, La Scala, records have been presented in English to provide and movies), Muriel Greenspon (star of audiences with a total theatrical ex N"ew York City Opera and Festival 01 perience. The audiences have included Two Worlds), John Broom (Director and opera buffs as well as young people and Choreographer for the Royal adults who have never heard or seen Shakespeare Company and the original operatic entertainment before. The com London production of Stop theWorld) and pany's productions have gained consider Richard Conrad (renowned coloratura able popular and critical acclaim. tenor, and featured artist on London Records). These assembled great talents and technicians are all under the inventive supervision of Overture to Opera's Why is it? Three reasons mainly. brilliant young General Director, Dr. David Di Chiera. 1. To create supportive audiences for opera in the future by performing to young audiences today. Overture to . -
Historymusicdepartment1 1
THE HARVARD UNIVERSITY DEPARTMENT OF MUSIC 1991 TO 2011 Compiled and Edited by Lesley Bannatyne 2015 John Knowles Paine Concert Hall. Photo by Shannon Cannavino. Cover photos by Kris Snibbe [Harvard News Office], HMFH Architects, Inc., Harvard College Libraries, Rose Lincoln [Harvard News Office] THE HARVARD UNIVERSITY DEPARTMENT OF MUSIC 1991 TO 2011 Compiled and Edited by Lesley Bannatyne Department of Music Harvard University Cambridge, Massachusetts 2015 Photographs in this volume were provided by the Department of Music unless otherwise noted. Articles are reprinted from the Department’s newsletters, Harvard Crimson and Harvard Gazette. © 2015 President and Fellows of Harvard University 2nd printing January 2017 All rights reserved. CONTENTS Preface vii Chapter One: The Chairs 1 Chapter Two: Undergraduate Studies 11 Chapter Three: Graduate Studies 23 Chapter Four: Musicology 33 Chapter Five: Ethnomusicology 51 Chapter Six: Theory 67 Chapter Seven: Composition 77 Chapter Eight: Performance 97 Chapter Nine: Conferences, Symposia, Colloquia, Lectures 111 Chapter Ten: Concert Highlights 119 Chapter Eleven: Eda Kuhn Loeb Music Library 127 Chapter Twelve: The Building 143 Appendices 151 Index 307 Music Department, 1992 Music Department picnic, late 1990s Appendices i. Music Department Faculty 151 ii. Biographical Sketches of Senior Professors, Lecturers & Preceptors 165 iii. Donors 175 iv. Teaching Fellows 179 v. Curriculum 183 vi. Fromm Commissions 207 vii. Recipients of the PhD degree 211 viii. Faculty Positions Held by Former Graduate Students 217 ix. Recipients of Department Awards and Fellowships 221 x Recipients of the AB degree and Honors Theses 227 xi. Visiting Committees 239 xii. Conferences, Colloquia, Symposia, Lectures 241 xiii. Concerts and Special Events 255 xiv. -
Alcina Del 27 Novembre 2014
Alcina del 27 Novembre 2014 GEORGE FRIDERIC HAENDEL ALCINA •Alcina JOAN SUTHERLAND •Ruggiero TERESA BERGANZA •Bradamante MONICA SINCLAIR •Oronte LUIGI ALVA •Morgana GRAZIELLA SCIUTTI •Oberto MIRELLA FRENI •Melisso EZIO FLAGELLO London Symphony Orchestra RICHARD BONYNGE + Giulio Cesare, selezione •Cleopatra JOAN SUTHERLAND •Cesare MARGRETA ELKINS •Cornelia MARILYN HORNE •Tolomeo MONICA SINCLAIR •Sesto RICHARD CONRAD London Symphony Orchestra RICHARD BONYNGE Luogo e data di registrazione: Walthamstow, Marzo-Aprile 1962 (Alcina) e Luglio 1963 (Giulio Cesare Edizione discografica: Decca, 3 CD Note tecniche: registrazione di alta qualità tecnica Pregi: la prima vera registrazione divulgativa di un capolavoro Difetti: se riferita al periodo in cui comparve non ce ne sono, ma è una registrazione invecchiata più di altre. Una versione troppo “one woman show” in cui la Sutherland non fa percepire una sola consonante Giudizio complessivo: BUONO Ora, bisogna che ci caliamo nel periodo: nel 1962 questa era più o meno la prima registrazione veramente disponibile di un’opera lirica di Haendel in genere e di questa in particolare (ce n’è una anche del 1959, sempre con Dame Joan diretta da Leitner, e con Wunderlich), ma questa – per il milieu, l’eccellenza del cast messo in campo, la credibilità di Bonynge che si faceva garante del tutto – divenne una pietra miliare del repertorio barocco; e come tale viene ancora vista da alcuni nostalgici. La registrazione, tagliatissima, nasce intorno alle possenti spalle di Joan Sutherland, che tutto vuole e tutto fa, a cominciare ovviamente dall’appropriazione indebita di “Tornami a vagheggiar” che, a regola di spartito, sarebbe toccata a Graziella Sciutti, Morgana, che mi sarebbe piaciuto ascoltare in questo meraviglioso brano. -
View 1999 Rome - Teatro Dell' Opera
J & J LUBRANO MUSIC ANTIQUARIANS Item 613: Puccini THE PAUL J. JACKSON OPERA COLLECTION Autograph Letters, Signed Scores, Printed Music, Books, Programs, Drawings, Posters, Prints, Photographs, & Related Ephemera Part VI: N-P 6 Waterford Way, Syosset, NY 11791 USA Telephone 516-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all items are in good antiquarian condition unless otherwise described and are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper right of our homepage. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. An 8.625% sales tax will be added to the invoices of New York State residents. We accept payment by: - Checks in U.S. dollars drawn on a U.S. bank - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) - International money order All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full. v Please visit our website at www.lubranomusic.com where you will find full descriptions and illustrations of all items Fine Items & Collections Purchased Members Antiquarians Booksellers’ Association of America International League of Antiquarian Booksellers Professional Autograph Dealers’ Association Music Library Association American Musicological Society Society of Dance History Scholars &c. -
Boston Symphony Orchestra Concert Programs, Season 113, 1993-1994
Boston Symphony Orchestra ' Twentieth Anniversary Season 19 9 3-94 V.. — —X €B€L th arc h i t e c t s of t i m e beluga Soft and elegant. Hand sculpted in Switzerland exclusively in 18 karat gold. Water resistant. Five year international limited warranty. Intelligently priced. E.B. HORN Jewelers Since 1839 Positively The Best Value In Jewelry 429 WASHINGTON ST BOSTON 02108 ALL MAJOR CREDIT CARDS ACCEPTED • BUDGET TERMS MAIL OR PHONE ORDERS 542-3902 • OPEN MON. AND THURS. 'TIL 7 Seiji Ozawa, Music Director One Hundred and Thirteenth Season, 1993-94 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Nicholas T. Zervas, Vice-Chairman and President-elect Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. William M. Crozier, Jr. Julian T. Houston Mrs. August R. Meyer Peter A. Brooke Deborah B. Davis Mrs. BelaT. Kalman Molly Beals Millman James F. Cleary Nina L. Doggett Allen Z. Kluchman Mrs. Robert B. Newman John F Cogan, Jr. Dean Freed Harvey Chet Krentzman Peter C. Read Julian Cohen Avram J. Goldberg George Krupp Richard A. Smith William F. Connell Thelma E. Goldberg R. Willis Leith, Jr. Ray Stata Trustees Emeriti Vernon R. Alden Nelson J. Darling, Jr. Mrs. George I. Kaplan Mrs. George Lee Sargent Philip K. Allen Archie C. Epps Albert L. Nickerson Sidney Stoneman Allen G. Barry Mrs. Harris Fahnestock Thomas D. Perry, Jr. John Hoyt Stookey Leo L. Beranek Mrs. John L. -
WNIB Program Schedule November 1970
1 f November, 1 AUDITORIUM THE RE COUNCIL PRESENTS MARTHA GRAHAM DANCE COMPANY "The great innovator-:-and her ensemble!" TWO PERFORMANCES ONLY Mon. Nov. 2, Tues. Nov. 3, 8=30 P. M. $ 2.50, $3.50, $4.50, $6.00 $7.00, $8.00, $10.00 ELIOT FELD 'S AMERICAN BALLET COMPANY "Sensational new dance theatre!" THREE PERFORMANCES ONLY Tues. Nov.10, Wed. Nov.11, Thurs. Nov.12, 8:30 P.M. $3.00, $4.00, $5.00, $6.50, $7.50, $9.00 BATSHEVA DANCE COMPANY OF ISRAEL "lsraef's new and magnificent troupe" ONE PERFORMANCE ONLY Sun. Nov. 29, 8:00 P.M. $3.00, $ 4.00, $5 00, $6.50, $7.50, $9.00 Tickets at BOX OFFICE & TICKETRON OUTLETS AUDITORIUM THEATER 70 E. CONGRESS CHICAGO Egli riode?" from "Gemma di Vergy" - Mont serrat Caballe, s (HCA 3164) PROGRAM SCHEDULE 10 PM CHICAGO TEMPLE SERVICE Dr. Hobert Bruce Pierce. pastor I 97.1 fm No\i'ember, 1970 MONDAY 2 !O AM ROSSINI Overture to "La Conerento- ia" - Philli/Carlo Maria Giulini; "Vegliar ma1 setnpre11 from nn Conte Oryn ,,. Norman Trei~ WNIB Program Schedule is published by Radio b'tation \1/NIB, 25 East Chestnut, gle,bs (West WST 17145); "Amid in ogni oven• Chicago, Illinois GOCH. Phone: 337-5252. Subscription rates: one year $5. 00; to ••• Pensa alla patria" from "L'Itaiiana in Ai two years $9. 00; three years $12. 00, gori" - Marilyn Horne, ms {Lon OSA 1263); & "Non si da foUl.a maggiore" from "Il Tureo in Italia" - Maria C.1llas, s (Ang SCB 374:J) WEBER Piano Sonata 112 ln A~, Op.