Uniconflicts 113 09 The conflicting transformations of the city in the photographs of contemporary Moroccan artist Yto Barrada Chourouq Nasri University Mohammed 1, Oujda, Morocco e-mail:
[email protected] INTRODUCTION Yto Barrada is a contemporary female Moroccan artist who uses photography to criticize the government policies concerning the city and its inhabitants. Her focus is on her hometown, Tangier, which she transforms into a series of pictures and forces us to perceive in a new way. In her photographs, Tangier is illustrated as a closed city, full of boundaries and walls. Its massive concrete buildings are similar and faceless; its new architecture is soulless and its urban development projects do not take into consideration the real needs of the community. In this chapter, I explore the way Barrada reflects on public space and the city in her photographs. Barrada’s work also includes films, publications, installations and sculptures, but my focus in this paper is on her photographs. Yto Barrada works with pictures and I work with words to engage in a debate concerned with urbanism and the city in Morocco. 114 Moroccan artist Yto Barrada There has always been a close link between art and architec- ture, especially in the early part of the twentieth century. City photography goes back to the beginning of the last century with photographers such as Walker Evans, Berenice Abbott and Eugène Atget. In Cities and Photography, Jane Tormey explains how “photographic representations translate the city for us and con- tribute to how we conceive it, as they visualize changing attitudes to the world and ourselves” (xiv).