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  • Jeff Apter @320Kbps.Mp3
    Jeff Apter @320kbps.mp3 [00:00:00] Welcome to the Inner West Library Speaker series. Before we begin, I would like to acknowledge the Gadigal and Wangal people of the Eora nation and pay my respects to the elders past, present and emerging. Today's conversation will be with Jeff Apter, Jeff is the author of more than 20 music biographies, many of them bestsellers. His subjects include Johnny O'Keefe, Keith Urban, Johnny Farnham, the Bee Gees and AC/DC. Jeff worked with Rolling Stone for many years and has written about music legends Aretha Franklin, Bob Dylan and Patti Smith. In 2015, he worked on the Helpmann Award nominated live show A State of Grace, The music of Jeff and Tim Buckley. Today, we speak about his new book, Friday On My Mind, The Life of George Young. This podcast is relevant to the music library, which will open at Ashfield Library in November this year. So, Jeff, can you talk a little about George Young and his early relationship with Harry Vanda while staying at the Villawood migrant hostel? [00:01:04] George Young and his family. He was one of 10, came to Australia in nineteen sixty three. They were part of what we now know, known as the ten pound POM scheme. And they've been hoping they've been invited basically over to the sunny side of Australia. And they ended up in the Villawood Migrant Hostel, which was not the most hospitable place then or now. But George one day was walking around the hostel and he heard a sound coming from the laundry room.
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  • Alison's Birthday Music Credits
    Music Brian King Alan Oloman Mirne's Theme by Ian Coughlan Music Recorded At E.M.I. Studios Sydney Composers Brian King and Alan Oloman once worked together in the band The Executives. The essential for music buffs site Miles Ago provides this obituary of Oloman here: Australian musician, songwriter and audio engineer Alan "Olly" Oloman died in Sydney on 9 August (2008) after a long illness. Alan started his music career as the singer and lead guitarist with legendary Lithgow band The Black Diamonds and wrote most of their material. The band had a large set- list that consisted almost entirely of originals, but sadly only three tracks were ever commercially recorded -- the two sides of their classic debut single "See The Way" / "I Want, Need Love You" (Festival, 1966) and the A-side of their second single "Not This Time" (Festival, 1967). They were reported to be the first pop band from country NSW to score a recording contract without having relocated to Sydney first. The Black Diamonds played extensively around the NSW central west, and they were hailed by The Easybeats as the best support act they ever worked with. They eventually relocated to Sydney in the late Sixties, where their next recording was a version of "The Lion Sleeps Tonight", released under the pseudonym Love Machine. After a name change to Tymepiece, the group released three singles and one superb self-titled progressive album (Infinity, 1971) before splitting up. Alan subsequently joined a later lineup of The Executives as bassist. He spent many years at EMI's Studio 301 in Sydney working on film, TV and radio projects under studio manager Martin Benge, who went on to head Abbey Rd Studios in London.
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  • Risk Music Credits
    composer Don Miller-Robinson Music Supervision Christine Woodruff Music Recorded at Big Bang Theory Trackdown Digital Engineered by Don Miller-Robinson & Damian Candusso Hammond, Fender Rhodes Stu Hunter Drums Hamish Stuart Bass Sam Dixon Analogue Synthesizers Alexander Nettelbeck Percussion Huey Benjamin Guitars, various instruments Don Miller-Robinson "Friday On My Mind" written by Harry Vanda/George Young. © 1966 J. Albert & Son Pty Ltd performed by The Easybeats, courtesy of Albert Productions "The Sound" written by Ash Hansen (control), performed by Rumanastone ℗ 2000 Mushroom Records Australia Pty Ltd, licensed from Festival Music Group "Whatever Makes You Happy" written by Ben Nash, Ivy League Music/Mushroom Music Publishing performed by 78 Saab, courtesy of Ivy League Records "Undecided" written by Michael Bower & Richard Morrison, Universal Music Publishing Pty Ltd performed by The Masters Apprentices, courtesy of Jim Keays "Hej" written by Harada/Skinner/Battah/Blackshaw published by Chatterbox Records Pty Ltd, performed by Skulker, ℗ 2000 Chatterbox Records Pty Ltd, Licensed from Chatterbox/Phantom Records "20th Century Boy" written by Marc Bolan, courtesy of Wizard (Bahamas) Limited licensed from Festival Music Pty Ltd, performed by Skulker ℗ 2000 Chatterbox Records Pty Ltd, Licensed from Chatterbox/Phantom Records "Naughty" written by Blackshaw/Skinner/Battah/Harada published by Chatterbox Records Pty Ltd, performed by Skulker, ℗ 2000 Chatterbox Records Pty Ltd, Licensed from Chatterbox/Phantom Records "Another Up" written
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    ABC TV presents a Playmaker Production MEDIA KIT as at 25.8.17 © 2017 Playmaker Media Pty Ltd, Australian Broadcasting Corporation, Screen Australia and Screen NSW. About the Production This landmark two-part mini-series tells the story of five young newly-arrived immigrants who met in a Sydney migrant hostel and formed the band that would take Australian rock’n’roll to the world. This is the story of The Easybeats. Written by Christopher Lee (Howzat, Paper Giants, Gallipoli) and directed by Matt Saville (Seven Types of Ambiguity, Please Like Me, The Slap), Friday On My Mind stars AACTA award winner Ashley Zukerman (The Code, Manhattan) as Australian music industry pioneer and record producer, Ted Albert. He is joined by an exciting line-up of talented newcomers, Christian Byers (December Boys) as Stevie Wright, William Rush (Waterloo Road) as George Young, Mackenzie Fearnley (Dance Academy: The Movie) as Harry Vanda, Du Toit Bredenkamp (Molly) as Dick Diamonde and Arthur McBain (Blue Eyes) as Snowy Fleet. Produced by Diane Haddon, David Taylor and David Maher in association with the ABC, Screen Australia and Create NSW, Friday On My Mind tells the story of five young men from incredibly diverse backgrounds creating Australia’s iconic rock and roll sound and taking it to the world. Sally Riley, ABC’s Head of Scripted Production and Executive Producer, said: “The Easybeats are truly iconic and hold such a special place in Australia’s musical history. The ABC is proud to team up with Playmaker, Screen Australia and Create NSW to bring audiences this incredible home grown story which will no doubt be just as upbeat as the band’s biggest hits.” Playmaker Producers David Taylor and David Maher said: “We’re massive Easybeats fans so to be involved in bringing this incredible story to life is a real honour, and something we’re both proud and excited to be producing for the ABC.” 2 © 2017 Playmaker Media Pty Ltd, Australian Broadcasting Corporation, Screen Australia and Screen NSW.
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  • Rock Or Bust Australian Tour November and December Dates Confirmed Tickets on Sale Monday 20 April!
    ROCK OR BUST AUSTRALIAN TOUR NOVEMBER AND DECEMBER DATES CONFIRMED TICKETS ON SALE MONDAY 20 APRIL! Promoter Garry Van Egmond announced the Australian dates for AC/DC’s ROCK OR BUST WORLD TOUR today. Following on from the release of their worldwide Number One album ‘Rock Or Bust’, the legendary band will play Australian stadium shows in November and December. AC/DC will blast their way through each of the five major capital cities where they will appear at outdoor stadiums. MELBOURNE – Sunday 6 December 2015 at Etihad Stadium PERTH – Friday 27 November 2015 at Domain Stadium (formerly Patersons Stadium) Tickets to the Australian tour go on sale Monday 20 April. Ticket prices range from: *$99.00 and *$159.00 Visit: www.acdctour.com.au for more tour information The Australian tour announcement comes soon after AC/DC delivered an explosive performance of the single “Rock or Bust” and their classic “Highway To Hell” at the 57th annual Grammy Awards. This weekend AC/DC are confirmed to headline the Coachella Valley Music and Arts Festival on April 10 and 17 kicking off what is slated to be a massive touring year for AC/DC. The Rock or Bust World Tour begins in Holland on May 5 and will play dates in Europe through to July. When tickets went on sale in Europe Rock or Bust World Tour sold 1.75 million tickets in 24 hours! The North American leg commences in August through to September before the band head to Australia in November. New Zealand dates have also been confirmed for December with tickets going on sale in May.
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  • The Easybeats Gonna Have a Good Time (Good Times) Mp3, Flac, Wma
    The Easybeats Gonna Have A Good Time (Good Times) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Gonna Have A Good Time (Good Times) Country: US Released: 1968 Style: Hard Rock MP3 version RAR size: 1915 mb FLAC version RAR size: 1484 mb WMA version RAR size: 1371 mb Rating: 4.2 Votes: 553 Other Formats: APE TTA FLAC MP3 AIFF DTS DXD Tracklist A Gonna Have A Good Time (Good Times) 3:10 B Lay Me Down And Die 2:55 Credits Producer – Mike Vaughan , The Easybeats Written-By – Vanda-Young* Notes "PROMOTION COPY NOT FOR SALE" A: From the UA LP "Falling Off The Edge Of The World" UAS6667 B: Instrumental Barcode and Other Identifiers Matrix / Runout (Scribed A): 2148 (backward 'S' in circle) 16224(backwards) Matrix / Runout (Scribed B): 2149 16225(backwards) Other versions Category Artist Title (Format) Label Category Country Year Land Of Make A-8406 The Easybeats Believe/Good Times (7", Parlophone A-8406 Australia 1968 Single) United Artists UP 2243 The Easybeats Good Times (7", Single) UP 2243 UK 1968 Records United Artists 38.226 UAF The Easybeats Good Times (7", Single) 38.226 UAF France 1968 Records Gonna Have A Good Time United Artists UA 50488 The Easybeats UA 50488 US 1968 (Good Times) (7", Single) Records Land Of Make A-8406 The Easybeats Believe/Good Times (7", Parlophone A-8406 Australia 1968 Single, Promo) Related Music albums to Gonna Have A Good Time (Good Times) by The Easybeats The Easybeats - The Easybeats Shirley & Lee - Let The Good Times Roll / That's What I Wanna Do The Easybeats - The Best Of The Easybeats + Pretty Girl The Easybeats - Friday On My Mind The Easybeats - The Definitive Series Easybeats, The - Easy Fever Vol.2 Beatnicks, The - With A Little Help From My Friends / Good Times The Easybeats - Hello, How Are You Jay & The Americans - Think Of The Good Times The Easybeats - Vigil.
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  • Ten Best Australian Songs
    MEDIA RELEASE Embargoed until 28 May 2001 at 11.00pm THE FINAL LIST: APRA’S TEN BEST AUSTRALIAN SONGS “Friday on My Mind” has been on the minds of Australians since 1967, earning itself the number one position on APRA’s list of Ten Best Australian Songs. The Harry Vanda/George Young composition was honoured at the 2001 APRA Music Awards in Sydney tonight, with an electrifying performance of the song by You Am I featuring special guest guitarist, Harry Vanda himself. After weeks of speculation, APRA revealed the ten best and most significant Australian songs of the past 75 years at tonight’s Awards ceremony, which featured an extraordinary, poignant and sometimes humorous retrospective of classic Australian music. Voted by 100 distinguished Australian writers, musicians, critics and broadcasters, the complete APRA Top 30 list was compiled to celebrate APRA’s 75th anniversary, and to honour the songwriters who have provided the soundtrack for generations of Australians. While numbers 11-30 were announced earlier this month, APRA saved details of the big ten until tonight’s celebrations. Originally immortalised by Vanda and Young’s 1960s group The Easybeats, “Friday on My Mind” was subsequently covered by David Bowie. Tonight’s rocking version capped off APRA’s biggest Awards night ever. Ross Wilson was on hand to sing the number 2 song, “Eagle Rock,” which he penned for his group Daddy Cool and made a hit in 1971. A video tribute to the number 3 song, Midnight Oil’s classic “Beds Are Burning,” was introduced by Senator Aden Ridgeway, Australian Democrats Deputy Parliamentary Leader and spokesperson for Reconciliation.
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  • Whiter Rock: Why the Easybeats Didn't Suceed In
    Oz Rock and the ballad tradition in Australian popular music ‘While we are sitting here, singing folksongs, in our folksong clubs, the folk are somewhere else, singing something different.’ Quoted in Jeff Corfield ‘The Australian Style’1 Billy Thorpe and the Aztecs, and the Twilights, discussed in chapter one, were manifestations of an Australian popular music sensibility which was fundamentally European-derived, white. It was a tradition that valued melody, musical linearity and lyrical clarity. These bands, in particular Billy Thorpe and the Aztecs, and the Easybeats, laid the basis for the flowering of Australian rock in the 1970s and for Oz Rock groups such as Rose Tattoo, the Angels, Midnight Oil, Cold Chisel, Australian Crawl, and, in the 2000s, You Am I and Powderfinger among others.2 This tradition has continued to blend melody with strong guitar riffs and a big beat. Billy Thorpe’s self-penned ‘Most People I Know (Think That I’m Crazy)’, released in 1972, with its melody, driving beat and anthemic chorus combined with an emphasis on the lyrics, provided a template for Australian rock, for a tradition of bands—those Oz Rock bands that I mentioned above—whose success in Australia has, in the main, continued to be far greater than what they have achieved overseas.3 This tradition continues to privilege elements drawn from the white, European musical tradition over influences from African-American, and other Black musics. This hard rock development in Australia has another strand, the importance of the traditional ballad tradition and, along with this, the influence of American country music.
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  • Let There Be Rock: the AC/DC Phenomenon
    Proceedings of the 24th Association of Public Authority Surveyors Conference (APAS2019) Pokolbin, New South Wales, Australia, 1-3 April 2019 Let There Be Rock: The AC/DC Phenomenon Volker Janssen APAS Publications Officer [email protected] ABSTRACT In a successful career spanning more than 45 years, AC/DC have persistently ignored trends in popular music and resolutely stuck to their bluesy, stripped-to-the-bone brand of high- voltage rock ’n’ roll. This paper investigates the AC/DC phenomenon by examining song lyrics and connotations, the band’s work rate, and the vocalist debate (Bon Scott vs. Brian Johnson). Furthermore, a group of 82 hardcore fans is examined to get a better understanding of their passion for the band, and it is outlined how the AC/DC brand is increasingly being marketed to a larger consumer base not limited to music lovers. It was found that the word ‘rock’ is by far the most prominent in AC/DC song titles but lyrically almost half of all AC/DC songs revolve around sex. While the frequency of album releases slowed considerably over time, the band generally played 150 live gigs following each studio album. Bon Scott material continues to account for at least 45% of the songs included in typical AC/DC live sets. Analysis of a questionnaire revealed how committed the cohort of hardcore fans is. They generally became serious fans in their early teens, prefer the older material, experienced their first gig during early adulthood and enjoyed up to 124 gigs since. This paper also demonstrates how one can collect, analyse, interpret and present data.
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