DOCSLIB.ORG

Risk Music Credits

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Risk Music Credits composer Don Miller-Robinson Music Supervision Christine Woodruff Music Recorded at Big Bang Theory Trackdown Digital Engineered by Don Miller-Robinson & Damian Candusso Hammond, Fender Rhodes Stu Hunter Drums Hamish Stuart Bass Sam Dixon Analogue Synthesizers Alexander Nettelbeck Percussion Huey Benjamin Guitars, various instruments Don Miller-Robinson "Friday On My Mind" written by Harry Vanda/George Young. © 1966 J. Albert & Son Pty Ltd performed by The Easybeats, courtesy of Albert Productions "The Sound" written by Ash Hansen (control), performed by Rumanastone ℗ 2000 Mushroom Records Australia Pty Ltd, licensed from Festival Music Group "Whatever Makes You Happy" written by Ben Nash, Ivy League Music/Mushroom Music Publishing performed by 78 Saab, courtesy of Ivy League Records "Undecided" written by Michael Bower & Richard Morrison, Universal Music Publishing Pty Ltd performed by The Masters Apprentices, courtesy of Jim Keays "Hej" written by Harada/Skinner/Battah/Blackshaw published by Chatterbox Records Pty Ltd, performed by Skulker, ℗ 2000 Chatterbox Records Pty Ltd, Licensed from Chatterbox/Phantom Records "20th Century Boy" written by Marc Bolan, courtesy of Wizard (Bahamas) Limited licensed from Festival Music Pty Ltd, performed by Skulker ℗ 2000 Chatterbox Records Pty Ltd, Licensed from Chatterbox/Phantom Records "Naughty" written by Blackshaw/Skinner/Battah/Harada published by Chatterbox Records Pty Ltd, performed by Skulker, ℗ 2000 Chatterbox Records Pty Ltd, Licensed from Chatterbox/Phantom Records "Another Up" written by Automatic, Sony/ATV Music Publishing Pty Ltd performed by Automatic, courtesy of murmur licensed from Sony Music Entertainment Australia Limited "Intrinsic" written by Tanith Sherman and Yaniv Finkelstein (control) performed by Centipede "Sunshine" written by Ben Nash, Ivy League Music/Mushroom Music Publishing performed by 78 Saab, courtesy of Ivy League Records Sound track available on Warner Music Australia Warner Music Australia logo Lyrics: At first there’s some eerie electronic sounding score as crash test vehicles and dummies plough in slow motion into a wall. Then The Easybeats’ Friday on My Mind breaks in as Bryan Brown’s credit comes up, and runs over the rest of the head credits. Lyrics as heard in the film: Monday mornin' feels so bad Everybody seems to nag me Comin' Tuesday, I feel better Even my old man looks good Wed'sday just don't go Thursday goes too slow I've got Friday on my mind Gonna have fun in the city Be with my girl, she's so pretty She looks fine tonight She is out of sight to me Tonight I'll spend my bread, tonight I'll lose my head, tonight I've got to get to night Monday I'll have Friday on my mind Do the five day grind once more I know of nothin' else that bugs me More than workin' for the rich man … (The song then fades down and runs under Ben’s voice over, delivered as he walks away dazed from a big car pile-up on the freeway). Hey! I'll change that scene one day Today I might be mad, tomorrow I'll be glad 'Cause I'll have Friday on my mind Gonna have fun in the city Be with my girl, she's so pretty She looks fine tonight. She is out of sight to me … (The voice over continues over Ben in bed, but there’s a slight change in the mix to the song, implying that it’s now source and is coming from a clock radio next to his bed) Tonight I'll spend my bread, tonight I'll lose my head, tonight (There’s an edit of a line in the original version) Monday I'll have Friday on my mind (Then the song goes into repeat) Gonna have fun in the city I’ll be with my girl she’s so pretty … (Ben slams down on the clock radio, cutting the song off). Tail credits: 78 Saab’s Sunshine runs over the tail credits. It kicks in after Ben’s last line of voice over. Lyrics as heard in the film: Sunshine ...paints these open seas so green Car lines hug the coastline before tea And theyyy …stretch as far as I can see On the way home ... before the need to fall asleep Sun in the eyes isn't easy Making your way home Sun in the eyes isn't easy Making your way home Strangers ...dreaming hard of a new life Away, away from dead end ties that bind And I'd believe them... If the clouds don't block the sun outside Sun in the eyes isn't easy Making your way home Sun in the eyes isn't easy Making your way home … (The song then fades out on an instrumental section as the final legal and copyright notice comes up. In published versions of the song’s lyrics, it continues and ends this way) … All in all I know, I know the way All in all I know, I know the way All in all I know, I know the way All in all I know, I know the way Sun in the eyes isn't easy Making your way home Sun in the eyes isn't easy Making your way home Sun in the eyes isn't easy Making your way home Soundtrack CD: A CD of the soundtrack was released: CD Warner Music Australia 8573881652 2001 Composer: Don Miller-Robinson Music Supervisor: Christine Woodruff 1. Friday On My Mind The Easybeats 2. Off To Work Original Score 3. The Sound Rumanastone 4. Internal Audit Original Score 5. Whatever Makes You Happy 78 Saab 6. Undecided Masters Apprentices 7. Hej Skulker 8. 20th Century Bay Skulker 9. Naughty Skulker 10. Another Up Automatic 11. R U Fucking Kriesky Original Score 12. Intrinsic Centipede and Tzar 13. Bribe The Copper Original Score 14. Speed Crash Original Score 15. Lost His Head Original Score 16. Sunshine 78 Saab Bonus Tracks: 17. Talk Pretty Violet Stain 18. Calling On Weta Composer Don Miller-Robinson: Miller-Robinson had a listing at the Origin Music Publishing website here, which contained this short bio: Don is a multi-instrumentalist, skilled producer and engineer, sound designer and composer. His work covers many genre’s and his experience both in Australia and the USA over the years has brought him many great opportunities. Originally from Canberra Don was first seen and heard when he appeared in the feature film Monkey Grip (alongside Divinyls). Later Don had a stint as a touring member of Dragon as well as the rock group Big Storm but his most consistent work through the years has been in film and TV. More recently Don has been collaborating with his partner Sunny Amoreena on her original recordings. A story in The Australian here (may be subscriber limited, google text for original) by Iain Shedden on 13th September 2014 under the header A life of song, and lifesaving surgery: a Sunny success story provided these additional details about Robinson and Amoreena: As a child, Sunny Amoreena didn’t have many prospects as a musician. Or of having lots of friends — or even of surviving into adulthood. At the age of three, while growing up in Canberra, Amoreena was disembowelled by a swimming pool filter, an injury that prevented her from having a normal life for the next 30 years. She spent most of her childhood in hospitals or at home, unable to play with other children because she was too weak. “I was incredibly lucky to survive that,” the 32- year-old said yesterday, near her home at Bronte Beach in Sydney. “People before that had not survived. There were predictions that I wouldn’t live for long and would be on machines for years. Because of that there was a lot of isolation.” Amoreena’s story is one of triumph over adversity, and of how music can be a life- affirming inspiration. Three months ago, the singer had successful, groundbreaking surgery developed by a team of Australian surgeons specialising in her injuries. It means that, next week, when Amoreena launches her debut album Check For Wolves in Sydney, it will mark a new chapter in her life, one in which she has a clean bill of health and the prospect of a normal life as well as a long-term music career. “They worked out that I was missing three of the crucial ligaments that hold up the abdomen. “They basically restrung me and it has completely changed my life.” Amoreena is grateful to the surgeons — Sydney’s Darren Gold and Peter Petrof and Melbourne’s Max Haberfield — for giving her a “little miracle”, but she is indebted also to music, a world into which she retreated and found solace soon after her accident. From the age of five, she played piano and wrote songs as well as listening intently to her parents’ record collection. Only now is she able to bring that talent to the public. “I’ve always written songs. I have boxes of them. The battle with health has been a big thing, but with music it doesn’t matter what state you’re in. You can work as a little hermit.” Amoreena and her musician/producer partner Don Miller-Robinson have spent the past 10 years working on her songs, flitting between Sydney and Los Angeles, where he does much of his work, when she has been able to travel. Her album was completed two years ago, which was when Amoreena suffered kidney failure. “My health fell in a heap and it was an 18-month mystery to try and find out what had gone on.” Now, thanks to the surgery, she can look forward to her album launch next Thursday.
Load more

Recommended publications
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • Hard Knocks Music Credits
    (Cast) Maple Leaf Jazz Band Drums Roger Kennedy Bass Gary Dunbier Banjo John Withers Trombone Don Santin Trumpet Rob Green Alto sax Kim Rushworth Music Editor Zbigniew Friedrich Music Consultant Greg Pickhaver Hard Knocks Performed by Paul Kelly & the Dots Written by Kelly Published by Mushroom Courtesy of Mushroom Records Evie Part 1 Performed by Stevie Wright Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Most People I Know Performed by Aztecs Written by Thorpe Published by Rock of Ages Courtesy of Havoc Records Who Listens To The Radio Performed by Sports Written by Cummings/Pendelbury Published by Antipodes/Mushroom Courtesy of Mushroom Records My Little Angel Performed by William Shakespeare Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Take A Long Line Performed by Angels Written by Brewster/Neeson/Brewster Published by Alberts Courtesy of Albert Productions Where The Action Is Performed by John Paul Young Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Birmingham Performed by John Paul Young Written by Vanda/Young Published by Alberts Courtesy of Albert Productions High Voltage Performed by AC/DC Written by Scott/Young/Scott Published by Alberts Courtesy of Albert Productions I Remember When I Was Young Performed by Matt Taylor Written by Matt Taylor Published by Mushroom Courtesy of Mushroom Records Breakfast at Sweethearts Performed by Cold Chisel Written by Walker Published by Rondor Courtesy of W.E.A. Records When The Heat's Off Performed by Richard Clapton Written by Richard Clapton Published by Gypsy Courtesy of Infinity Records High Class Women Performed by John St.
    [Show full text]
  • 31 July 2013 Ms Sabina Wynn the Executive Director Australian Law
    31 July 2013 Ms Sabina Wynn The Executive Director Australian Law Reform Commission GPO Box 3708 Sydney NSW 2001 Dear Ms Wynn Submission by J. Albert & Son Pty Ltd (Alberts) in response to the ALRC’s “Copyright and the Digital Economy” Discussion Paper As Managing Director of Alberts , I welcome the opportunity to respond to the Discussion Paper. Alberts’ view Alberts is a family-owned company established by my great-great grandfather in 1885, the main business of which is the creation, protection and exploitation of music copyright. In its early days, Alberts’ copyright interests tended towards acquisition of local rights for overseas musical works. That changed in 1964 when Alberts established Albert Productions, an enterprise with the express purpose of being a developer and (in due course) exporter of music copyrights. Alberts went on to work with some of Australia’s most significant artists and writers including the Easybeats, the Angels, Rose Tattoo, John Paul Young and AC/DC. In association with Alberts, AC/DC has gone on to become one of the most successful rock bands of all time, and helped Alberts become a net-exporting Australian copyright owner. Alberts is a member of the following Australian copyright collecting societies and trade associations: AMPAL, APRA|AMCOS, ARIA and PPCA. I am aware that a number of these organisations, together with the Australian Copyright Council, have tendered submissions to the ALRC. Alberts is broadly supportive of those submissions and the information contained within them. Rather than restate their position, my aim is to provide a perspective from an independent family company that is actively engaged in the music business.
    [Show full text]
  • Jeff Apter @320Kbps.Mp3
    Jeff Apter @320kbps.mp3 [00:00:00] Welcome to the Inner West Library Speaker series. Before we begin, I would like to acknowledge the Gadigal and Wangal people of the Eora nation and pay my respects to the elders past, present and emerging. Today's conversation will be with Jeff Apter, Jeff is the author of more than 20 music biographies, many of them bestsellers. His subjects include Johnny O'Keefe, Keith Urban, Johnny Farnham, the Bee Gees and AC/DC. Jeff worked with Rolling Stone for many years and has written about music legends Aretha Franklin, Bob Dylan and Patti Smith. In 2015, he worked on the Helpmann Award nominated live show A State of Grace, The music of Jeff and Tim Buckley. Today, we speak about his new book, Friday On My Mind, The Life of George Young. This podcast is relevant to the music library, which will open at Ashfield Library in November this year. So, Jeff, can you talk a little about George Young and his early relationship with Harry Vanda while staying at the Villawood migrant hostel? [00:01:04] George Young and his family. He was one of 10, came to Australia in nineteen sixty three. They were part of what we now know, known as the ten pound POM scheme. And they've been hoping they've been invited basically over to the sunny side of Australia. And they ended up in the Villawood Migrant Hostel, which was not the most hospitable place then or now. But George one day was walking around the hostel and he heard a sound coming from the laundry room.
    [Show full text]
  • Alison's Birthday Music Credits
    Music Brian King Alan Oloman Mirne's Theme by Ian Coughlan Music Recorded At E.M.I. Studios Sydney Composers Brian King and Alan Oloman once worked together in the band The Executives. The essential for music buffs site Miles Ago provides this obituary of Oloman here: Australian musician, songwriter and audio engineer Alan "Olly" Oloman died in Sydney on 9 August (2008) after a long illness. Alan started his music career as the singer and lead guitarist with legendary Lithgow band The Black Diamonds and wrote most of their material. The band had a large set- list that consisted almost entirely of originals, but sadly only three tracks were ever commercially recorded -- the two sides of their classic debut single "See The Way" / "I Want, Need Love You" (Festival, 1966) and the A-side of their second single "Not This Time" (Festival, 1967). They were reported to be the first pop band from country NSW to score a recording contract without having relocated to Sydney first. The Black Diamonds played extensively around the NSW central west, and they were hailed by The Easybeats as the best support act they ever worked with. They eventually relocated to Sydney in the late Sixties, where their next recording was a version of "The Lion Sleeps Tonight", released under the pseudonym Love Machine. After a name change to Tymepiece, the group released three singles and one superb self-titled progressive album (Infinity, 1971) before splitting up. Alan subsequently joined a later lineup of The Executives as bassist. He spent many years at EMI's Studio 301 in Sydney working on film, TV and radio projects under studio manager Martin Benge, who went on to head Abbey Rd Studios in London.
    [Show full text]
  • The Easybeats Discography 19652005Torrent
    The Easybeats - Discography (1965-2005).torrent The Easybeats - Discography (1965-2005).torrent 1 / 3 2 / 3 Jai Veeru 2009 Full Movie FREE DOWNLOAD TORRENT HD 1080p . ..... Frank Simoes ... The Easybeats - Discography (1965-2005).torrent · AIO Crack Toolkit .... The Easybeats - Discography (1965-2005).torrent. 15 March 2020. easybeats discography, easybeats discography wiki, easybeats discography download, .... The Easybeats - Discography (1965-2005).torrent http://tinyurl.com/pm5xerl.. The Easybeats - Discography (1965-2005).torrent · download crystal report 8.5 activex designer runtime library · Supreme Commander 2 Crack Only Razor1911 .... Alien Skin Eye Candy 5 Nature v5.1 (Retail) crack, 9553. Alien.Skin.. Alien. ... The Easybeats - Discography (1965-2005).torrent · silent hunter 5 .... The Easybeats - Discography (1965-2005).torrent, download telugu gunde jari galanthindi c18a082122 ivanka trump sim evils mp3 rar The.. The Easybeats - Discography (1965-2005).torrent. DOWNLOAD http://urlca.com/16yr79. The Easybeats - Discography (1965-2005).torrent .... The Easybeats foi uma banda australiana de rock, formada em ... Are My Friends (Completely Different Version of ''Friends'' From UK Album). Jump to Discography - On 23 September 1965, the group released their first album Easy. It was one of the earliest albums of all original material written by .... The Easybeats - Discography (1965-2005).torrent. mejores Liderado claims Training boton Ujahana · nairopenla • 2017. november 13. 0 .... Denny Laine discography and songs: Music profile for Denny Laine, born 29 October 1944. Genres: Pop ... The Easybeats - Discography (1965-2005).torrent. GUN (2005) Free Download PC Game Cracked in Direct Link and Torrent. GUN (2005) is a . ... The Easybeats - Discography (1965-2005).torrent. 9bb750c82b.. The Easybeats - Discography (1965-2005).torrent -- http://bytlly.com/181sf7 4f33ed1b8f 83.4k Followers, 7486 Following, 2327 Posts - See ...
    [Show full text]
  • ADJS Top 200 Song Lists.Xlsx
    The Top 200 Australian Songs Rank Title Artist 1 Need You Tonight INXS 2 Beds Are Burning Midnight Oil 3 Khe Sanh Cold Chisel 4 Holy Grail Hunter & Collectors 5 Down Under Men at Work 6 These Days Powderfinger 7 Come Said The Boy Mondo Rock 8 You're The Voice John Farnham 9 Eagle Rock Daddy Cool 10 Friday On My Mind The Easybeats 11 Living In The 70's Skyhooks 12 Dumb Things Paul Kelly 13 Sounds of Then (This Is Australia) GANGgajang 14 Baby I Got You On My Mind Powderfinger 15 I Honestly Love You Olivia Newton-John 16 Reckless Australian Crawl 17 Where the Wild Roses Grow (Feat. Kylie Minogue) Nick Cave & The Bad Seeds 18 Great Southern Land Icehouse 19 Heavy Heart You Am I 20 Throw Your Arms Around Me Hunters & Collectors 21 Are You Gonna Be My Girl JET 22 My Happiness Powderfinger 23 Straight Lines Silverchair 24 Black Fingernails, Red Wine Eskimo Joe 25 4ever The Veronicas 26 Can't Get You Out Of My Head Kylie Minogue 27 Walking On A Dream Empire Of The Sun 28 Sweet Disposition The Temper Trap 29 Somebody That I Used To Know Gotye 30 Zebra John Butler Trio 31 Born To Try Delta Goodrem 32 So Beautiful Pete Murray 33 Love At First Sight Kylie Minogue 34 Never Tear Us Apart INXS 35 Big Jet Plane Angus & Julia Stone 36 All I Want Sarah Blasko 37 Amazing Alex Lloyd 38 Ana's Song (Open Fire) Silverchair 39 Great Wall Boom Crash Opera 40 Woman Wolfmother 41 Black Betty Spiderbait 42 Chemical Heart Grinspoon 43 By My Side INXS 44 One Said To The Other The Living End 45 Plastic Loveless Letters Magic Dirt 46 What's My Scene The Hoodoo Gurus
    [Show full text]
  • Plattenbörsen 2007
    2 Oldie-Markt 3/07 Schallplattenbörsen Plattenbörsen 2007 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, dass sie längst nicht mehr nur Tummelplatz für Insider sind. Neben teuren Raritäten bieten die Händler günstige Second-Hand-Platten, Fachzeitschriften, Bücher Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeitschrift monatlich den aktuellen Börsenkalender. Folgende Termine wurden von den Veranstaltern bekannt gegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 1. März Berlin Parkcenter Treptow Kurt Wehrs (030) 87 77 62 42 4. März Leipzig Werk II First & Last (03 41) 699 56 80 10. März Wels/Österreich Pfarrsaal Vogelweide Werner Stoschek (086 09) 25 09 11. März Braunschweig Mensa 2 Jürgen Schwarz (05 31) 35 18 92 11. März Mainz Legienhof Wolfgang W. Korte (061 01) 12 86 62 11. März Lindau Inselhalle Robert Menzel (07 31) 605 65 17. März Kiel Legienhof Aftermath (04 31) 80 19 31 17. März Salzburg/Österreich Kleingmainer Hof Werner Stoschek (086 09) 25 09 18. März Aschaffenburg Unterfrankenhalle Wolfgang W. Korte (061 01) 12 86 62 18. März Berlin TU-Mensa Michael Kohls (030) 341 10 35 24. März München Max-Emanuel-Halle Werner Stoschek (086 09) 25 09 25. März München Elserhalle Skull Concerts (089) 25. März Neusäß Stadthalle Robert Menzel (07 31) 605 65 25. März Oberhausen Revierpark Vonderort Agentur Lauber (02 11) 955 92 50 31. März Gießen Kongreßhalle Kai Engel (01 73) 470 79 06 31. März Erfurt Thüringerhalle Iris Lange (056 59) 73 24 1.
    [Show full text]
  • May 2017.Pub
    Volume 31 Issue 5 City Park Radio FM 103.7 Launceston May 2017 Entries for the 2017 CBAA Commu- Meetings nity Radio Awards are now open! These awards promote and recognise excellence in community broadcasting, acknowledging the accomplishments of stations and their programs, initiatives or Management Committee practices that increase their capability and improve the services offered to that Saturday 20th May 9.30am station's community. If you love some of our programs and think they are good enough to be a CPR finalist in these national awards, consider entering now. The deadline for entries end soon To find out more about the 2017 Awards categories, criteria and how to SPONSORS enter, download the guide. http://www.cbaa.org.au/sites/default/files/ • media/2017 -CBAA -Awards -Criteria.pdf 2 Fix It All entries are via the CBAA online entry platform • Barratts Music https://cbaa.awardsplatform.com/ and remember, entries close on at 9am • Carbil Computers AEST on 8 May . If you enter one of our programs, please also let one of the programming • Community Care Tas committee know as well. • Launceston Travel and Translator Mast & Hut Cruise Centre As you can see, the mast • M&A Flood Rural Supplies has been erected, the anten- • Neil Pitt Menswear na and microwave dish in- stalled and the compound • Northern Midlands RSLA has been fenced… and of • Olde Tudor Hotel/Bistro course the power has been connected. • Olde Tudor Pharmacy Ian Campbell has advised • Outside Flowers the installation of transmitter and STL receive equipment • Rob Soward has been completed. Test • Rosemary Armitage transmissions are not too far away.
    [Show full text]
  • MEDIA KIT As at 25.8.17
    ABC TV presents a Playmaker Production MEDIA KIT as at 25.8.17 © 2017 Playmaker Media Pty Ltd, Australian Broadcasting Corporation, Screen Australia and Screen NSW. About the Production This landmark two-part mini-series tells the story of five young newly-arrived immigrants who met in a Sydney migrant hostel and formed the band that would take Australian rock’n’roll to the world. This is the story of The Easybeats. Written by Christopher Lee (Howzat, Paper Giants, Gallipoli) and directed by Matt Saville (Seven Types of Ambiguity, Please Like Me, The Slap), Friday On My Mind stars AACTA award winner Ashley Zukerman (The Code, Manhattan) as Australian music industry pioneer and record producer, Ted Albert. He is joined by an exciting line-up of talented newcomers, Christian Byers (December Boys) as Stevie Wright, William Rush (Waterloo Road) as George Young, Mackenzie Fearnley (Dance Academy: The Movie) as Harry Vanda, Du Toit Bredenkamp (Molly) as Dick Diamonde and Arthur McBain (Blue Eyes) as Snowy Fleet. Produced by Diane Haddon, David Taylor and David Maher in association with the ABC, Screen Australia and Create NSW, Friday On My Mind tells the story of five young men from incredibly diverse backgrounds creating Australia’s iconic rock and roll sound and taking it to the world. Sally Riley, ABC’s Head of Scripted Production and Executive Producer, said: “The Easybeats are truly iconic and hold such a special place in Australia’s musical history. The ABC is proud to team up with Playmaker, Screen Australia and Create NSW to bring audiences this incredible home grown story which will no doubt be just as upbeat as the band’s biggest hits.” Playmaker Producers David Taylor and David Maher said: “We’re massive Easybeats fans so to be involved in bringing this incredible story to life is a real honour, and something we’re both proud and excited to be producing for the ABC.” 2 © 2017 Playmaker Media Pty Ltd, Australian Broadcasting Corporation, Screen Australia and Screen NSW.
    [Show full text]
  • BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE
    LYRIC THEATRE, QPAC BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE THE STORY THAT INSPIRED THE WORLD TO DANCE Global Creature PRESENTS Baz Luhrmann’ STRICTLY BALLROOM THE MUSICAL DIRECTED BY BAZ LUHRMANN BASED ON THE MUCH LOVED AUSTRALIAN FILM BRISBANE SEASON CONFIRMED AT THE QUEENSLAND PERFORMING ARTS CENTRE FROM SEPTEMBER 2015 Global Creatures confi rmed today that Baz Luhrmann’s much-loved hit show STRICTLY BALLROOM THE MUSICAL will open in Brisbane at the Lyric Theatre, Queensland Performing Arts Centre (QPAC) in September 2015. STRICTLY BALLROOM THE MUSICAL had its Global Premiere on Saturday 12 April at the Sydney Lyric Theatre, The Star and is currently playing at Her Majesty’s Theatre, Melbourne. This new production is staged by the original creative team behind the classic 1992 fi lm, including director and co-writer Baz Luhrmann, set and costume designer Catherine Martin, choreographer John “Cha Cha” O’Connell and co-writer Craig Pearce. Playing the pivotal roles of ‘Scott Hastings’ and ‘Fran’ is Thomas Lacey and Phoebe Panaretos who lead an outstanding Australian cast of 43 including Bob Baines as Les Kendall, Drew Forsythe as Doug Hastings, Natalie Gamsu as Abuela, Robert Grubb as Barry Fife, Fernando Mira as Rico, Heather Mitchell as Shirley Hastings and Mark Owen-Taylor as JJ Silvers. STRICTLY BALLROOM THE MUSICAL features break-into-song numbers created from original classics from the fi lm, Love is in the Air, Perhaps Perhaps Perhaps, and Time After Time as well as some wonderful new songs by artists such as Eddie Perfect and Sia. STRICTLY BALLROOM THE MUSICAL is the inspiring story of a championship ballroom dancer who defi es all the rules to follow his heart.
    [Show full text]
  • Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
    Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer.
    [Show full text]