The Baxter's Curve Train Robbery
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NORMAN K Denzin Sacagawea's Nickname1, Or the Sacagawea
NORMAN K DENZIN Sacagawea’s Nickname1, or The Sacagawea Problem The tropical emotion that has created a legendary Sacajawea awaits study...Few others have had so much sentimental fantasy expended on them. A good many men who have written about her...have obviously fallen in love with her. Almost every woman who has written about her has become Sacajawea in her inner reverie (DeVoto, 195, p. 618; see also Waldo, 1978, p. xii). Anyway, what it all comes down to is this: the story of Sacagawea...can be told a lot of different ways (Allen, 1984, p. 4). Many millions of Native American women have lived and died...and yet, until quite recently, only two – Pocahantas and Sacagawea – have left even faint tracings of their personalities on history (McMurtry, 001, p. 155). PROLOGUE 1 THE CAMERA EYE (1) 2: Introduction: Voice 1: Narrator-as-Dramatist This essay3 is a co-performance text, a four-act play – with act one and four presented here – that builds on and extends the performance texts presented in Denzin (004, 005).4 “Sacagawea’s Nickname, or the Sacagawea Problem” enacts a critical cultural politics concerning Native American women and their presence in the Lewis and Clark Journals. It is another telling of how critical race theory and critical pedagogy meet popular history. The revisionist history at hand is the history of Sacagawea and the representation of Native American women in two cultural and symbolic landscapes: the expedition journals, and Montana’s most famous novel, A B Guthrie, Jr.’s mid-century novel (1947), Big Sky (Blew, 1988, p. -
Nebraska's Unique Contribution to the Entertainment World
Nebraska History posts materials online for your personal use. Please remember that the contents of Nebraska History are copyrighted by the Nebraska State Historical Society (except for materials credited to other institutions). The NSHS retains its copyrights even to materials it posts on the web. For permission to re-use materials or for photo ordering information, please see: http://www.nebraskahistory.org/magazine/permission.htm Nebraska State Historical Society members receive four issues of Nebraska History and four issues of Nebraska History News annually. For membership information, see: http://nebraskahistory.org/admin/members/index.htm Article Title: Nebraska’s Unique Contribution to the Entertainment World Full Citation: William E Deahl Jr, “Nebraska’s Unique Contribution to the Entertainment World,” Nebraska History 49 (1968): 282-297 URL of article: http://www.nebraskahistory.org/publish/publicat/history/full-text/NH1968Entertainment.pdf Date: 11/23/2015 Article Summary: Buffalo Bill Cody and Dr. W F Carver were not the first to mount a Wild West show, but their opening performances in 1883 were the first truly successful entertainments of that type. Their varied acts attracted audiences familiar with Cody and his adventures. Cataloging Information: Names: William F Cody, W F Carver, James Butler Hickok, P T Barnum, Sidney Barnett, Ned Buntline (Edward Zane Carroll Judson), Joseph G McCoy, Nate Salsbury, Frank North, A H Bogardus Nebraska Place Names: Omaha Wild West Shows: Wild West, Rocky Mountain and Prairie Exhibition -
Calamity Jane
Calamity Jane Calamity Jane was born on May 1, 1852 in Princeton, Missouri. Her real name was Martha Jane Cannary. By the time she was 12 years old, both of her parents had died. It was then her job to raise her 5 younger brothers and sisters. She moved the family from Missouri to Wyoming and did whatever she could to take care of her brothers and sisters. In 1876, Calamity Jane settled in Deadwood, South Dakota, the site of a new gold rush. It has been told that during this time she met Wild Bill Hickok, who was known for his shooting skills. Jane would later say that she married him in 1873. Many people think this was not true because if you look at the years, she said she married him 3 years before she really met him. When she was in Deadwood, Jane carried goods and machinery to camps outside of the town and worked other jobs too. She was known for being loud and annoying. She also did not act very lady like. However, she was known to be very generous and giving. Jane worked as a cook, a nurse, a miner and an ox-team driver, and became an excellent horseback rider who was great with a gun. She was a good shot and a fearless rider for a girl her age. By 1893, Calamity Jane was appearing in Buffalo Bill's Wild West Show as a trick shooter and horse rider. She died on August 1, 1903, in Terry, South Dakota, at the age of 51. -
Wild West Photograph Collection
THE KANSAS CITY PUBLIC LIBRARY Wild West Photograph Collection This collection of images primarily relates to Western lore during the late 19th and parts of the 20th centuries. It includes cowboys and cowgirls, entertainment figures, venues as rodeos and Wild West shows, Indians, lawmen, outlaws and their gangs, as well as criminals including those involved in the Union Station Massacre. Descriptive Summary Creator: Brookings Montgomery Title: Wild West Photograph Collection Dates: circa 1880s-1960s Size: 4 boxes, 1 3/4 cubic feet Location: P2 Administrative Information Restriction on access: Unrestricted Terms governing use and reproduction: Most of the photographs in the collection are reproductions done by Mr. Montgomery of originals and copyright may be a factor in their use. Additional physical form available: Some of the photographs are available digitally from the library's website. Location of originals: Location of original photographs used by photographer for reproduction is unknown. Related sources and collections in other repositories: Ralph R. Doubleday Rodeo Photographs, Donald C. & Elizabeth Dickinson Research center, National Cowboy and Western Heritage Museum, Oklahoma City, Oklahoma. See also "Ikua Purdy, Yakima Canutt, and Pete Knight: Frontier Traditions Among Pacific Basin Rodeo Cowboys, 1908-1937," Journal of the West, Vol. 45, No.2, Spring, 2006, p. 43-50. (Both Canutt and Knight are included in the collection inventory list.) Acquisition information: Primarily a purchase, circa 1960s. Citation note: Wild West Photograph Collection, Missouri Valley Special Collections, Kansas City Public Library, Kansas City, Missouri. Collection Description Biographical/historical note The Missouri Valley Room was established in 1960 after the Kansas City Public Library moved into its then new location at 12th and Oak in downtown Kansas City. -
Frederick Jackson Turner and Buffalo Bill Richard White
Frederick Jackson Turner and Buffalo Bill Richard White Americans have never had much use for history, but we do like anniversaries. In 1893 Frederick Jackson Turner, who would become the most eminent historian of his generation, was in Chicago to deliver an academic paper at the historical congress convened in conjunction with the Columbian Exposition. The occasion for the exposition was a slightly belated celebration of the four hundredth anniversary of Columbus's arrival in the Western Hemisphere. The paper Turner presented was "The Significance of the Frontier in American History." 1 Although public anniversaries often have educational pretensions, they are primarily popular entertainments; it is the combination of the popular and the educational that makes the figurative meeting of Buffalo Bill and Turner at the Columbian Exposition so suggestive. Chicago celebrated its own progress from frontier beginnings. While Turner gave his academic talk on the frontier, Buffalo Bill played, twice a day, "every day, rain or shine," at "63rd St—Opposite the World's Fair," before a covered grandstand that could hold eighteen thousand people.2 Turner was an educator, an academic, but he had also achieved great popular success because of his mastery of popular frontier iconography. Buffalo Bill was a showman (though he never referred to his Wild West as a show) with educational pretensions. Characteristically, his program in 1893 bore the title Buffalo Bill's Wild West and Congress of Rough Riders of the World (Figure 1).3 In one of the numerous endorsements reproduced in the program, a well-known midwestern journalist, Brick Pomeroy, proclaimed the exhibition a ''Wild West Reality . -
Four Years in Europe with Buffalo Bill
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln University of Nebraska Press -- Sample Books and Chapters University of Nebraska Press Fall 2010 Four Years in Europe with Buffalo Bill Charles Eldridge Griffin Follow this and additional works at: https://digitalcommons.unl.edu/unpresssamples Part of the Arts and Humanities Commons Griffin, Charles Eldridge, our"F Years in Europe with Buffalo Bill" (2010). University of Nebraska Press -- Sample Books and Chapters. 47. https://digitalcommons.unl.edu/unpresssamples/47 This Article is brought to you for free and open access by the University of Nebraska Press at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in University of Nebraska Press -- Sample Books and Chapters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Four Years in Europe with Buffalo Bill Buy the Book series editor D. Kurt Graham Buy the Book charles eldridge griffin Four Years in Europe with Buffalo Bill Edited and with an introduction by Chris Dixon University of Nebraska Press Lincoln & London Buy the Book Support for this volume was provided by a generous gift from The Dellenback Family Foundation. © 2010 by the Board of Regents of the University of Nebraska. All rights reserved. Manufactured in the United States of America All images courtesy the Buffalo Bill Historical Center. Support for the printing of this volume was provided by Jack and Elaine Rosenthal. Library of Congress Cataloging-in-Publication Data Griffi n, Charles Eldridge. Four years in Europe with Buffalo Bill / Charles Eldridge Griffi n; edited and with an introduction by Chris Dixon. p. -
Wild West Canada: Buffalo Bill and Transborder History
Wild West Canada: Buffalo Bill and Transborder History A Thesis Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of History University of Saskatchewan Saskatoon Adam Grieve Copyright Adam Grieve, April, 2016. All Rights Reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Head of the Department of History University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 i Abstract Canadians continue to struggle with their western identity. For one reason or another, they have separated themselves from an Americanized “blood and thunder” history. -
Concordia Cemetery and the Power Over Space, 1800-1895 Nancy Gonzalez University of Texas at El Paso, [email protected]
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2014-01-01 Reinventing the Old West: Concordia Cemetery and the Power Over Space, 1800-1895 Nancy Gonzalez University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Chicana/o Studies Commons, History Commons, Latina/o Studies Commons, and the Other International and Area Studies Commons Recommended Citation Gonzalez, Nancy, "Reinventing the Old West: Concordia Cemetery and the Power Over Space, 1800-1895" (2014). Open Access Theses & Dissertations. 1630. https://digitalcommons.utep.edu/open_etd/1630 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. REINVENTING THE OLD WEST: CONCORDIA CEMETERY AND THE POWER OVER SPACE, 1800-1895 NANCY GONZALEZ Department of History APPROVED: Yolanda Chavez Leyva, Ph.D., Chair Jeffrey Shepherd, Ph.D. Maceo C. Dailey, Ph.D. Dennis Bixler Marquez, Ph.D. Bess Sirmon-Taylor, Ph.D. Interim Dean of the Graduate School Copyright © by Nancy Gonzalez 2014 Dedication I dedicate this work to my parents Salvador Gonzalez+ and Nieves T. Gonzalez, to my siblings Juan, Gloria Velia, Sal and Ray and to my good friend Joseph Michael Cascio+ REINVENTING THE OLD WEST: CONCORDIA CEMETERY AND THE POWER OVER SPACE, 1800-1895 by NANCY GONZALEZ, M.A. DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Department of History THE UNIVERSITY OF TEXAS AT EL PASO May 2014 Acknowledgements I am very fortunate to have received so much support in writing this dissertation. -
It's Time to Check out Our Online Collections
P INTSWESTfall/winter 2014 It’s Time To Check Out Our Online Collections ■ Rough riding the Wild West ■ Hickok et. al: How good were they? ■ Traveling West page by page About the cover: P INTSWESTfall/winter 2014 It’s Time To Check Out Our Pocket watches Online Collections ■ Rough riding the Wild West ■ from the Center’s Hickok et. al: How good were they? to the point ■ Traveling West page by page collection. (Details on back cover.) Learn BY BRUCE ELDREDGE | Executive Director about the Center’s online collection and more on pages 4 - 9. ©2014 Buffalo Bill Center of the West. Points West is published for members and friends of the Center of the West. Written permission is required to copy, reprint, or distribute Points West materials in any medium or format. All photographs in Points West are Center of the West photos unless otherwise noted. Direct all questions about image rights and reproduction to [email protected]. Bibliographies, works cited, and footnotes, etc. are purposely omitted to conserve space. However, such information is available by contacting the editor. Address correspondence to Editor, Points West, Buffalo Bill Center of the West, 720 Sheridan Avenue, Cody, Wyoming 82414, or [email protected]. “Yes, keeping up with it all is a tall order.” ■ Managing Editor | Marguerite House – bruce eldredge ■ Assistant Editor | Nancy McClure ■ Designer | Desirée Pettet f you’re like me, today’s technology leaves us baffled. Websites, social ■ Contributing Staff Photographers | Nancy media, e-newsletters, cell phones, and everything in between, are simply so McClure and Ken Blackbird for the Center big, it’s hard to grasp how they all fit together. -
Did Buffalo Bill Visit Your Town?
Did Buffalo Bill Visit Your Town? A comprehensive Country/State listing of William “Buffalo Bill” Cody’s tour destinations. Compiled by: Buffalo Bill Museum and Grave 987 ½ Lookout Mountain Road Golden, CO 80401 303-526-0744 www.buffalobill.org (revised 2010) Table of Contents Canada and Europe Austria . .. 4 France . .. 9 - 11 Luxemburg . 14 Belgium . 4 Germany . .. 12 Scotland . .. 14 - 15 Canada . 5 Hungary . 13 Spain . 15 Croatia . 6 Italy . .. 13 - 14 Wales . 15 England . 7 – 9 United States Alabama . 16 Massachusetts . 30 - 31 Rhode Island . 51 Arizona . 16 Michigan . 32 - 33 South Carolina . 52 Arkansas . 16 Minnesota . 33 - 34 South Dakota . 52 California . 17 - 18 Mississippi . 34 Tennessee . 52 - 53 Colorado . 18 Missouri . 34 - 35 Texas . 53 - 54 Connecticut . 19 Montana . .. 35 Utah . 55 Delaware . 20 Nebraska . 36 Vermont . 55 Florida . 20 Nevada . 36 Virginia . 55 - 56 Georgia . 20 New Hampshire . 37 Washington St. 56 Idaho . 21 New Jersey . 37 - 38 Washington DC . 57 Illinois . 21 - 23 New Mexico . 38 West Virginia . 57 Indiana . 23 - 24 New York . 39 - 42 Wisconsin . 58 Iowa . 25 - 26 North Carolina . 42 Wyoming . 59 Kansas . 27 North Dakota . 43 Kentucky . 28 Ohio . 44 - 46 Louisiana . 28 Oklahoma . 47 Maine . 29 Oregon . 47 Maryland . 29 Pennsylvania. 48 - 51 Buffalo Bill traveled with five different attractions during his lifetime: *1872 - 1886: Buffalo Bill’s Combination acting troop 1884 - 1908: Buffalo Bill’s Wild West 1909 - 1913: Buffalo Bill’s Wild West and Pawnee Bill’s Far East 1914 - 1915: Sells-Floto Circus and Buffalo Bill’s Wild West 1916: Buffalo Bill and the 101 Ranch Combined Dates in italics have not been confirmed. -
Buffalo Bill's Wild West As a Drawing Table for American Identity
Constructing the Past Volume 7 Issue 1 Article 8 2006 "Through Their Eyes": Buffalo Bill's Wild West as a Drawing Table for American Identity Kathyrn White Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/constructing Recommended Citation White, Kathyrn (2006) ""Through Their Eyes": Buffalo Bill's ildW West as a Drawing Table for American Identity," Constructing the Past: Vol. 7 : Iss. 1 , Article 8. Available at: https://digitalcommons.iwu.edu/constructing/vol7/iss1/8 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by editorial board of the Undergraduate Economic Review and the Economics Department at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. "Through Their Eyes": Buffalo Bill's Wild West as a Drawing Table for American Identity Abstract This article discusses the Wild West shows and their role as educational, entertainment, and also American rituals. It also describes the contradictory elements in these shows, particularly the portrayal of the Native Americans. This article is available in Constructing the Past: https://digitalcommons.iwu.edu/constructing/vol7/iss1/8 Constructing the Past 'ThroughTheirEyes": Buffalo Bill's Wild West asa Drawing Table for American Identity Kathryn White During the last quarter ofthe 19th century, in places such as New York, Chicago, Califomia, London, Georgia, even in smaller towns like Bloomington, lllinois, WIld West shows were the "it" thing. -
Mount Hope and Buffalo Bill Cody
MOUNT HOPE AND largest newspaper chain; Myron Holley, the BUFFALO BILL CODY constructor of the Erie Canal; Lewis Henry Morgan, founder of the science of By Milos Andjelic anthropology; Col. Nathaniel Rochester, founder of the city; Hiram Sibley, who Having the first of the great American founded Western Union and persuaded Czar Municipal Victorian cemeteries in the Alexander to sell Alaska to the U.S.; Margaret neighborhood gives an excellent opportunity Woodbury Strong, and many others. for examining gravestones and funerary architecture. With the current size of 196 acres What surprised me and attracted my attention and 14-and-a-half miles of road winding was the fact that Buffalo Bill’s children are through its unique and picturesque burial buried in Mount Hope Cemetery. How did it ground, Mount Hope is one of the most come to be that three children of the western beautiful and enchanting cemeteries in showman are buried there? The story begins America. When all the available plots in the Portrait of the young Buffalo Bill Cody, signed on February 26, 1846, in LeClaire, Iowa, old Buffalo Street burying ground were taken “Yours Truly, W. F. Cody, Buffalo Bill”. where William F. Cody was born. His family after a cholera epidemic in Rochester in 1832, soon moved west. In Fort Laramie, Wyoming, the city acquired 54 acres of thick woods and Buffalo Bill and his Wild West Show 12-year-old William met the Indian scouts Kit inaccessible hills and valleys one-and-a-half complement of Indians in full dress on both Carson and Jim Bridger.