Calamity Jane: the Life and the Legend
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Reimagining Dodge Appendices A
APPENDIX A DODGE CITY HISTORICAL ESSAY William M. Hunter, M.A. Heberling Associates, Inc. A-1 Dodge City Although seemingly remote, Dodge City has always linked to the broader world in important ways. Dodge City, working through the urban centers of the Middle West, was the meeting place of country and city where cattlemen from the prairie states accessed eastern markets (Cronon 1991:211-212). Indeed, the ecological transformation of mixed prairie into the current agriculture is but one manifestation of the interpenetration of city and country that continues to characterize the production of landscape (Cronon 1991: 212). The settlement of the area around Dodge by migrants from the Old Northwest introduced agents of landscape change into a new environment, one dependent on weather and climate and subject to drought (Cronon 1991:214). Only through extensive irrigation and the development of special techniques could farmers consistently produce staple crops, forcing many to adapt to the conditions and turn from the cultivation of wheat to the raising of livestock. However, if livestock was to become the foundation of a new western agriculture, farmers and ranchers had to transform the landscape by confining or eliminating its original human and animal inhabitants, particularly the vast millions of American bison (Cronon 1991:214). Prior to advent of the railroad, the herd of bison was a defining feature of the grasslands. With the introduction of the world economy into the region, market and sport hunters prized the bison, like the earlier furbearing animals of the east and upper Midwest, as commodities (Cronon 1991:216). The perfection of tanning bison hide by 1870 doomed the herds. -
Filed a Motion for Partial Summary Judgment
UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA ) HOPI TRIBE, et al., ) ) Plaintiffs, ) Case No. 1:17-cv-2590 (TSC) ) v. ) ) DONALD J. TRUMP, et al., ) ) Defendants. ) ) ) UTAH DINÉ BIKÉYAH, et al., ) ) Plaintiffs, ) Case No. 1:17-cv-2605 (TSC) ) v. ) ) DONALD J. TRUMP, et al., ) ) Defendants. ) ) ) NATURAL RESOURCES DEFENSE ) COUNCIL, INC., et al., ) ) Plaintiffs, ) Case No. 1:17-cv-2606 (TSC) ) v. ) ) DONALD J. TRUMP, et al., ) )CONSOLIDATED CASES Defendants. ) ) ) AMERICAN FARM BUREAU ) FEDERATION, et al., ) ) Defendants-Intervenors. ) ) TRIBAL PLAINTIFFS’ MEMORANDUM IN SUPPORT OF MOTION FOR PARTIAL SUMMARY JUDGMENT Table of Contents TABLE OF AUTHORITIES ........................................................................................................... i INTRODUCTION ...........................................................................................................................1 BACKGROUND .............................................................................................................................3 I. Bears Ears: Home Since Time Immemorial .........................................................................3 II. Establishment of the Bears Ears National Monument .........................................................7 III. Revocation of the Bears Ears National Monument and the Bears Ears Commission .........8 STANDARD OF REVIEW ...........................................................................................................10 STANDING ..................................................................................................................................10 -
The Formation of Temporary Communities in Anime Fandom: a Story of Bottom-Up Globalization ______
THE FORMATION OF TEMPORARY COMMUNITIES IN ANIME FANDOM: A STORY OF BOTTOM-UP GLOBALIZATION ____________________________________ A Thesis Presented to the Faculty of California State University, Fullerton ____________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Geography ____________________________________ By Cynthia R. Davis Thesis Committee Approval: Mark Drayse, Department of Geography & the Environment, Chair Jonathan Taylor, Department of Geography & the Environment Zia Salim, Department of Geography & the Environment Summer, 2017 ABSTRACT Japanese animation, commonly referred to as anime, has earned a strong foothold in the American entertainment industry over the last few decades. Anime is known by many to be a more mature option for animation fans since Western animation has typically been sanitized to be “kid-friendly.” This thesis explores how this came to be, by exploring the following questions: (1) What were the differences in the development and perception of the animation industries in Japan and the United States? (2) Why/how did people in the United States take such interest in anime? (3) What is the role of anime conventions within the anime fandom community, both historically and in the present? These questions were answered with a mix of historical research, mapping, and interviews that were conducted in 2015 at Anime Expo, North America’s largest anime convention. This thesis concludes that anime would not have succeeded as it has in the United States without the heavy involvement of domestic animation fans. Fans created networks, clubs, and conventions that allowed for the exchange of information on anime, before Japanese companies started to officially release anime titles for distribution in the United States. -
FILM & TV GENRES: the Western
FILM & TV GENRES: The Western [J-Term, Taos, 2016] FILM 3300-0012 Dr. RICK WORLAND SMU Fort Burgwin Campus, Taos, NM. Daily, Jan 4-13. 9:00am-Noon; and 1:00-4:00pm. Hours: No regular office hours for J-term; email or see me after class. Phone: 214/768-3708 (Main campus office) email: [email protected] Required Text: Mary Lea Bandy & Kevin Stoehr, Ride, Boldly Ride: The Evolution of the American Western. (UC Press, 2012). Course Description: The genre film is inextricably linked with the Hollywood style of production. Yet our assumption will be that popular movie genres are not simply entertainment; they also present, challenge, and negotiate particular cultural values, assumptions, and conflicts. The Western is probably the most studied genre since it is closely tied in complex ways to American history itself. Until the mid 1970s, the Western was also the most perennially popular American movie genre; at this point it virtually disappeared. Why? The objectives of the class are: i) to describe some of the major conventions and concerns of the Western genre and its history; ii) introduce some concepts about the function of popular genres generally; iii) provide tools of film criticism and analysis applicable to a variety of films and genres. iv) understand how and why the Western evolved in relation to particular industry and historical forces over the years. Overall, we will study the movies with reference to American culture. Instructor Bio: Dr. Rick Worland received his Ph.D. in Motion Picture/Television Critical Studies from UCLA. He is a Professor in the Division of Film & Media Arts at SMU where his teaching includes Film History, Documentary, popular genres including the Western and the horror film, television history, and the films of Alfred Hitchcock. -
Cochise-County-History-Duncan.Pdf
"K rf sC'U 't ' wjpkiJ'aiAilrfy "j11" '.yj.jfegapyp.-jtji1- M THE BISBEE DAILY T vk EVIEW MEMBER ASSOCIATED PRESS. VOLUME 14. SECTION TWO BISBEE, ARIZONA, SUNDAY MORNING, NOVEMBER 5, 1911 PAGES 9 TO 14. NUMBER 154. i , ! v Stories of the Early Days of Cochise County Written For The Review By James F. Duncan Of Tombstone ' In 187C I was at Signal, Arizona, a that it could not do tbc work, and to the Tombstone Mill and Mining would havo put to rest all the trumped lug of tlie trouble; dreaming of noth- Corblns up town at that time or probably one hun the jut a mill of their own, company f Hartford, Conn., by Rich- - tip stories that have been told by ing, only working away, and fifty people. to work tho ore from tho Lncky Cujs never think- dred L. j persons I first became acquainted with Dick mine, which they purchased In the P' Gus Barron's Own Storv jsrd Gird; Nellie, his. wife, Ed. who knew nothing only from ing for a moment of what was coming. Gird In the year l&i.,atthelia"kberry winter of 1878 or 187U. After the jH Schieffelln and A. H. Schieffelln of j hearsay. Although Gird was very Not so with Al Schieffelln. Ho re- mine, where ho was at that time run mm wits vrecicu nicy Hinrieu anu ran Arizona. I. S. Vosburg otjerous In dividing up with tho Schlef-Tucso- membered well how ho used to wort; It twenty-tw- o days, ning the mill. -
NORMAN K Denzin Sacagawea's Nickname1, Or the Sacagawea
NORMAN K DENZIN Sacagawea’s Nickname1, or The Sacagawea Problem The tropical emotion that has created a legendary Sacajawea awaits study...Few others have had so much sentimental fantasy expended on them. A good many men who have written about her...have obviously fallen in love with her. Almost every woman who has written about her has become Sacajawea in her inner reverie (DeVoto, 195, p. 618; see also Waldo, 1978, p. xii). Anyway, what it all comes down to is this: the story of Sacagawea...can be told a lot of different ways (Allen, 1984, p. 4). Many millions of Native American women have lived and died...and yet, until quite recently, only two – Pocahantas and Sacagawea – have left even faint tracings of their personalities on history (McMurtry, 001, p. 155). PROLOGUE 1 THE CAMERA EYE (1) 2: Introduction: Voice 1: Narrator-as-Dramatist This essay3 is a co-performance text, a four-act play – with act one and four presented here – that builds on and extends the performance texts presented in Denzin (004, 005).4 “Sacagawea’s Nickname, or the Sacagawea Problem” enacts a critical cultural politics concerning Native American women and their presence in the Lewis and Clark Journals. It is another telling of how critical race theory and critical pedagogy meet popular history. The revisionist history at hand is the history of Sacagawea and the representation of Native American women in two cultural and symbolic landscapes: the expedition journals, and Montana’s most famous novel, A B Guthrie, Jr.’s mid-century novel (1947), Big Sky (Blew, 1988, p. -
Frontier Re-Imagined: the Mythic West in the Twentieth Century
University of South Carolina Scholar Commons Theses and Dissertations 2018 Frontier Re-Imagined: The yM thic West In The Twentieth Century Michael Craig Gibbs University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Gibbs, M.(2018). Frontier Re-Imagined: The Mythic West In The Twentieth Century. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5009 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. FRONTIER RE-IMAGINED : THE MYTHIC WEST IN THE TWENTIETH CENTURY by Michael Craig Gibbs Bachelor of Arts University of South Carolina-Aiken, 1998 Master of Arts Winthrop University, 2003 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2018 Accepted by: David Cowart, Major Professor Brian Glavey, Committee Member Tara Powell, Committee Member Bradford Collins, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Michael Craig Gibbs All Rights Reserved. ii DEDICATION To my mother, Lisa Waller: thank you for believing in me. iii ACKNOWLEDGEMENTS I wish to thank the following people. Without their support, I would not have completed this project. Professor Emeritus David Cowart served as my dissertation director for the last four years. He graciously agreed to continue working with me even after his retirement. -
Marc Simmons; Historian of the Southwest
New Mexico Historical Review Volume 80 Number 3 Article 11 7-1-2005 Review Essay: Marc Simmons; Historian of the Southwest Richard W. Etulain Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Etulain, Richard W.. "Review Essay: Marc Simmons; Historian of the Southwest." New Mexico Historical Review 80, 3 (2005). https://digitalrepository.unm.edu/nmhr/vol80/iss3/11 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. Review Essay MARC SIMMONS: MAVERICK HISTORIAN OF THE SOUTHWEST Richard W. Etulain arc Simmons, New Mexico's leading historian, has always ridden a Mhorse ofanother kind. Freed from aCCiclemic turfsquabbles, working primarily outside the classroom, and writing most often for newspaper and other lay historians, Simmons remains his own historian. Launched as a doctoral graduate in the mid-196os from the University of New Mexico (UNM), Simmons's subsequent historiographical journey, although indi vidualistic, followed more closely the paths ofFrance V. Scholes and Herbert Eugene Bolton than the newer revisionist writings of scholars like Ramon Gutierrez. But to be more precise, Simmons is sui generis, a historian ofhis " own stripe, different from most other historians of New Mexico and the Southwest. The volume under review, librarian Phyllis Morgan's exceptionally use ful bio-bibliography, thoroughly displays the extraordinary dimensions of Marc Simmons ofNew Mexico: Maverick Historian. By Phyllis Morgan. -
1457054074479.Pdf
Dead/ands'" Dime Novel'" #4 lXDER;A- ++-~O/ED f'..'ool (P,4-1<f O tE): .slK:.P!~ BEDFFI I Oil5=- Written by: Matt Forbeck Production: Barry Doyle & Hal Mangold Cover Art and Logo: Ron Spencer Interior Art: Kevin Sharpe Maps: Jeff Lahren Special Thanks to: Justin /\chilli. Kelley Foote, Shane & Michelle Hensley. John Hopler, Ann Kolinsky. Ashe Marler. Dave seay. Ethan Skemp. Richard Thomas, Matt Tice. Mike TInney. Stephen Wieck, John Zinser. Dead/ands created by Shane Lacy Hensley werewo!f:The Wild West created by Justin Achilli &Ethan Skemp PINNACLE ENTERTAINMENT GROUP, Inc. elM! STUDIO .. ~." "Iito-" "t< • 'lito'''' ~-. lito-.· Pinnade Entertainment Group, Inc. P.O. Box 10908 Blacksburg. VA 24062-()908 www.peginc.comordeadlandSiiaol.com (BOO) 214-5645 (orders only) DeadIandJ. Dime -.. WciId WesI..he DaclIIrIds Iogo..r>d the P"",ack SUrtlunl If\! Tl"IIdema,'u <If Plnnaele Enteruolnmenl Gmup. In<. ~ The WlId west is. Trademarl< d WMc WOlf. Inc. The White 'M;>If GP'Ie S1udoo lot<> is. R"IIkSI~ Tr.aoern.rt 0( Whole WOlf. inc. C 1997 Pinnae" Enlt!flllnlMrll Group. Inc.. Ind While WOlf. InC. ~!I Rights R<'5tfW:d. _Icd In ,he USA .?~ t;EDt-E.LONS There was something different about this camp, though. The larger tents bore the brassy emblems of Wasatch, the company controlled by Dr. Darius Hellstromme, the most notorious master of steam technology the West had to offer. That wasn't why Ronan was here though-at least not directly. Wasatch was laying dozens of spurs off of their main line on their way toward the coast. -
Nebraska's Unique Contribution to the Entertainment World
Nebraska History posts materials online for your personal use. Please remember that the contents of Nebraska History are copyrighted by the Nebraska State Historical Society (except for materials credited to other institutions). The NSHS retains its copyrights even to materials it posts on the web. For permission to re-use materials or for photo ordering information, please see: http://www.nebraskahistory.org/magazine/permission.htm Nebraska State Historical Society members receive four issues of Nebraska History and four issues of Nebraska History News annually. For membership information, see: http://nebraskahistory.org/admin/members/index.htm Article Title: Nebraska’s Unique Contribution to the Entertainment World Full Citation: William E Deahl Jr, “Nebraska’s Unique Contribution to the Entertainment World,” Nebraska History 49 (1968): 282-297 URL of article: http://www.nebraskahistory.org/publish/publicat/history/full-text/NH1968Entertainment.pdf Date: 11/23/2015 Article Summary: Buffalo Bill Cody and Dr. W F Carver were not the first to mount a Wild West show, but their opening performances in 1883 were the first truly successful entertainments of that type. Their varied acts attracted audiences familiar with Cody and his adventures. Cataloging Information: Names: William F Cody, W F Carver, James Butler Hickok, P T Barnum, Sidney Barnett, Ned Buntline (Edward Zane Carroll Judson), Joseph G McCoy, Nate Salsbury, Frank North, A H Bogardus Nebraska Place Names: Omaha Wild West Shows: Wild West, Rocky Mountain and Prairie Exhibition -
Settlement of the West
Settlement of the West The Western Career of Wild Bill Hickok James Butler Hickok was born in Troy Grove, Illinois on 27 May 1837, the fourth of six children born to William and Polly Butler Hickok. Like his father, Wild Bill was a supporter of abolition. He often helped his father in the risky business of running their "station" on the Underground Railroad. He learned his shooting skills protecting the farm with his father from slave catchers. Hickok was a good shot from a very young age, especially an outstanding marksman with a pistol. He went west in 1857, first trying his hand at farming in Kansas. The next year he was elected constable. In 1859, he got a job with the Pony Express Company. Later that year he was badly mauled by a bear. On 12 July 1861, still convalescing from his injuries at an express station in Nebraska, he got into a disagreement with Dave McCanles over business and a shared woman, Sarah Shull. McCanles "called out" Wild Bill from the Station House. Wild Bill emerged onto the street, immediately drew one of his .36 caliber revolvers, and at a 75 yard distance, fired a single shot into McCanlesʼ chest, killing him instantly. Hickok was tried for the killing but judged to have acted in self-defense. The McCanles incident propelled Hickock to fame as a gunslinger. By the time he was a scout for the Union Army during the Civil War, his reputation with a gun was already well known. Sometime during his Army days, he backed down a lynch mob, and a woman shouted, "Good for you, Wild Bill!" It was a name which has stuck for all eternity. -
The Baxter's Curve Train Robbery
Territorial News www.territorialnews.com www.facebook.com/TerritorialNews Vol. 33, No. 9 Your Connection to the Old West November 27, 2019 Next Issue The Baxter’s Curve Wednesday December 11 Train Robbery Play Express Agent Foils the Tall Texan’s Plan Arizona Trivia By Michael Murphy convicted and sentenced to See Page 2 for Details fifteen years in prison. Af- t’s been said that Ben ter serving ten years at the Kilpatrick, AKA “The federal penitentiary in At- This Week’s I Tall Texan,” was pretty lanta, Georgia, Kilpatrick incompetent when it came to was released in June 1911. Question: robbing trains. As a member He immediately re- of both the Ketchum Gang turned to a life of crime and and the Wild Bunch, Kil- pulled off a series of mild- Looming over the patrick had plenty of suc- ly successful robberies in East Valley, Four cess, but without the likes West Texas. On March 12, Peaks is a part of of Butch Cassidy or Black 1912, The Tall Texan’s luck what mountain Jack Ketchum along for the would run out again. range? ride, well, not so much. Baxter’s Curve is locat- (8 Letters) The thing is, it wasn’t ed almost midway between that he couldn’t rob a Sanderson and Dryden, just train—in fact he had a re- east of Sanderson Canyon markable string of suc- in West Texas. It was a cesses in a short period of sharp bend in the railway’s Index time—it’s just that he could rail bed named for an engi- never quite secure enough neer who died there when funds from these robberies his train derailed.