(Ne) 10013 – a Case in Which
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MVP Packet 7.Pdf
Musical Visual Packet A tournament by the Purdue University Quiz Bowl Team Questions by Drew Benner, John Petrovich, Patrick Quion, Andrew Schingel, Lalit Maharjan, Pranav Veluri, and Ben Dahl ROUND 7: Finale 1) In a musical production choreographed by John Heginbotham, this scene introduces an electric guitar to the acoustic score and during it, boots fall from the rafters one by one. Gabrielle Hamilton stars in this scene in a revival that has it performed by a single dancer, barefoot, in a modern style. The film version of this scene has a tornado roaring in the background, while Susan Stroman’s choreography for this scene has the main cast perform it themselves, instead of having trained dancers play (*) avatars of them. This sequence occurs after a character consumes the “Elixir of Egypt,” and it begins with a cheerful wedding that changes tone when the bride realizes two men have suddenly switched characters. Originally choreographed by Agnes de Mille, this revolutionary scene is regarded as the first dance sequence in a musical to incorporate plot. For ten points, name this fantasy sequence from a Rodgers and Hammerstein musical, where Laurey struggles choosing between Jud and Curly after taking a sleeping drug. ANS: the dream ballet from Oklahoma! (prompt on partial, ask for “from what musical” if just dream ballet is given) <Musicals | Quion> 2) For one show, this composer created polyphonic chants in the fictional Zentraedi language and songs for the pop star Sharon Apple. Sound engineer Rudy Van Gelder, famous for recording albums like Coltrane’s A Love Supreme, recorded this composer’s tracks for their most famous show. -
Press Release
Contact: Kristyn Souder Communications Director Email: [email protected] Phone: (267)536-9566 PRESS RELEASE Zenkaikon Convention to Bring Anime and Science Fiction Fans to Lancaster in March Hatboro, PA – January 21, 2013: On March 22-24, 2013, Zenkaikon will hold its seventh annual convention in a new location at the Lancaster County Convention Center in Lancaster, Pennsylvania. The convention expects to welcome over two thousand fans of Japanese animation (anime), comics (manga), gaming, and science fiction to downtown Lancaster for the weekend-long event. Zenkaikon had typically been held in the Valley Forge area of Pennsylvania. However, with the conversion of the Valley Forge Convention Center to a casino and the continued growth of the event, Zenkaikon moved its convention to Lancaster. Many convention attendees don costumes of their favorite characters to attend the annual convention. Planned convention events include a variety of educational panels and workshops hosted by volunteers and guests; anime and live action screenings; a costume and skit competition (the "Masquerade"); a hall costume contest; performances by musical guests; a live action role play ("LARP") event; video game tournaments and tabletop gaming; a formal ball and informal dances; and an exhibit hall of anime-themed merchandise and handmade creations from artists. A number of Guests of Honor have already been announced for Zenkaikon 2013. John de Lancie, best known for his roles on Star Trek and Stargate SG-1, and more recently known for his role as Discord on My Little Pony: Friendship is Magic, will be hosting panels and meeting attendees. Prolific voice and live action actor Richard Epcar (Ghost in the Shell, The Legend of Korra, Kingdom Hearts) and actress Ellyn Stern (Robotech, Gundam Unicorn, Bleach) will also be participating in a variety of programming. -
Commercials Issueissue
May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era. -
Politics and Mecha Sci-Fi in Anime Anime Reviews
July 27, 2011 Politics and Mecha Why you can’t have one without the other Sci-Fi in Anime Looking at the worlds of science fiction summer 2011 through a Japanese lens Anime Reviews Check out Ergo Proxy, Working!!, and more Mecha Edition MECHA EDITION TSUNAMI 1 Letter from the Editor Hey readers! Thanks for reading this In any case, I’d like to thank Ste- magazine. For those of you new to ven Chan and Gregory Ambros for Tsunami Staff this publication, this is Tsunami their contributions to this year’s is- fanzine. It’s a magazine created by sue, and Kristen McGuire for her EDITOR-IN-CHIEF current and former members of Ter- lovely artwork. I’d also like to thank Chris Yi rapin Anime Society, a student orga- Robby Blum and former editor Julia nization at the University of Mary- Salevan for their advice and help in DESIGN AND LAYOUT land, College Park. These anime, getting this issue produced. In addi- Chris Yi manga, and cosplay fans produce ar- tion, it was a pleasure working with ticles, news, reviews, editorials, fic- my fellow officers Ary, Robby, and COVERS tion, art, and other works of interest Lucy. Lastly, I want to thank past Kristen McGuire that are specifically aimed towards contributors and club members who you, our fellow fan, whether you’re made the production of past issues NEWS AND REVIEWS an avid otaku...or someone looking possible, and all the members that I Chris Yi for some time to kill. ...Hence the had the pleasure of getting to know word “fanzine.” and meet in my lone year as Editor- WRITERS Greg Ambros, Steven Chan, Chris Yi in-Chief, and in my two years as a This year, I decided to give Tsunami club member with Terrapin Anime a sort of “TIMES Magazine” look. -
Gesamtkatalog Japan DVD Zum Download
DVD Japan (Kurzübersicht) Nr. 33 Juli 2004 Best.Nr. Titel Termin Preis** Animation 50009604 .Hack // Sign (DD & PCM) 25.08.2002 109,90 € 50011539 .Hack//Legend Of Twilight Bracelet Vol. 1 25.04.2003 94,90 € 50010369 .Hack//Sign Vol. 5 (PCM) 25.11.2002 109,90 € 50010725 .Hack//Sign Vol. 6 (PCM) 21.12.2002 109,90 € 50011314 .Hack//Sign Vol. 9 (PCM) 28.03.2003 109,90 € 50002669 1001 Nights 25.08.2000 60,90 € 50001721 1001 Nights (1998) 18.12.1999 154,90 € 50003015 101 Dalmatians 18.10.2000 78,90 € 50010612 101 Dalmatians 2: Patch's London Adventure 06.12.2002 64,90 € 50008214 11 Nin Iru! 22.03.2002 79,90 € 50010894 12 Kokuki 8-10 Vol. 4 (DD) 16.01.2003 79,90 € 50007134 24 Hours TV Special Animation 1978-1981 22.11.2001 281,90 € 50009578 3chome No Tama Onegai! Momochan Wo Sagashite! (DD) 21.08.2002 49,90 € 50011428 3x3 Eyes DVD Box (DD) 21.05.2003 263,90 € 50008995 7 Nin Me No Nana 4 Jikanme 03.07.2002 105,90 € 50008431 7 Nin No Nana 2jikanme 01.05.2002 89,90 € 50008430 7 Nin No Nana 4jikanme 03.07.2002 127,90 € 50008190 7 Nin No Nana Question 1 03.04.2002 89,90 € 50001393 A.D. Police 25.07.1999 94,90 € 50001719 Aardman Collection (1989-96) 24.12.1999 64,90 € 50015065 Abaranger Vs Hurricanger 21.03.2004 75,90 € 50009732 Abenobasi Maho Syotengai Vol. 4 (DD) 02.10.2002 89,90 € 50007135 Ace Wo Nerae - Theater Version (DD) 25.11.2001 94,90 € 50005931 Ace Wo Nerae Vol. -
Medium and Mediators: Tracing Collaborative Authorship
International Journal of Languages, Literature and Linguistics, Vol. 2, No. 1, March 2016 Medium and Mediators: Tracing Collaborative Authorship Jesse C. Newman Cowboy Bebop is the definitive example of the porting of Abstract—This paper investigates how stylistic decisions of Bebop Jazz procedures to film and animated formats. Genre is authors can be tracked in the context of the inherently emphasised, the interactions of the creatives are spontaneous collaborative mediums of film, television and animated serials. and de-hierarchised, even the plot itself, the overarching In order to measure and evaluate authorial input, dual sets of cases studies in credit taking, inspiration and collaboration are characteristic of serial entertainment, is given a backseat role explored and assessed. The jealously credited script writing and to structural and aesthetic objectives and considerations. As in concept development of Aaron Sorkin is compared with the Bebop Jazz, the viewer is forced to read the work closely, or more reflexive and pluralistic credit of Japanese animated series risk missing the key concepts and narrative subtleties. authored by ‘Sunrise’ creative staff under a shared nom de plume of ‘Hajime Yatate’. B. A Ghost out of the Corporate Machine The central figure in the Bebop project is unquestionably Index Terms—Anime, authorship, collaboration, Shinchiro the director, Shinchiro Watanabe. With his career proper Watanabe, Sorkin. starting only a few years prior on 1994‟s action animated special „Macross Plus‟, Watanabe‟s first project as full director was to be „Cowboy Bebop‟ [3]. The „Macross‟ entry I. INTRODUCTION he codirected was a jetfighter space opera populated with The question can be raised, in the case of collaborative arts, stock characters put forward without apparent irony. -
Protoculture Addicts Is ©1987-2003 by Protoculture
Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ P r o t o c u l t u r e A d d i c t s # 7 9 November / December 2003. Published bimonthly by Protoculture, P.O. Box 1433, Station B, Montreal, Qc, ANIME VOICES Canada, H3B 3L2. Web: http://www.protoculture-mag.com Presentation ............................................................................................................................ 3 Letters ................................................................................................................................... 70 E d i t o r i a l S t a f f Claude J. Pelletier [CJP] – Publisher / Editor-in-chief [email protected] NEWS Miyako Matsuda [MM] – Editor / Translator ANIME & MANGA NEWS: Japan ................................................................................................. 5 Martin Ouellette [MO] – Editor ANIME RELEASES (VHS / R1 DVD) .............................................................................................. 6 PRODUCTS RELEASES (Live-Action, Soundtracks) ......................................................................... 7 C o n t r i b u t i n g E d i t o r s MANGA RELEASES .................................................................................................................... 8 Keith Dawe, Kevin Lillard, James S. Taylor MANGA SELECTION .................................................................................................................. 8 P r o d u c t i o n A s s i s t a n t s ANIME & MANGA NEWS: North America ................................................................................... -
PORSCHE 911 TARGA Dropping the Top
GET YOUR GEEK ONON! CES 2014 What tech to expect PORSCHE 911 TARGA Dropping the top FIND INSIDE: • Offi ce Attire • Fitness Gear • Manbags • Heist Movies • Tech Horoscope FROM THE EDITOR The End of the Virus s Facebook on its way out? If you compare the social network to that of an infectious disease, then by 2017 it could only have as little as 20% of its peak user base left. IThat is according to researchers at Princeton University, who used epidemiological models to explain user adoption and abandonmentndonmmeent of social networks. Granted, they did base their conclusionsons off Facebook on that of the disaster that was Myspace, whichh wass left abandoned because of mass migration to Facebook. For now there is no new social network that threatens Facebook’sceboookk’s popularity, but the fact that younger people are simply nott ass enamoured by the big F (3 million less 13-17 year old userserss thanthhan inin Jan 2011) is interesting. This might be because posting becomesbeecocomes increasingly less cool once you’ve accepted that friend requesteququest from mom. I have also heard a number of users complaining about simply not coping with Facebook’s continuous updates ofof smiling selfies, happy loving couples, ‘inspirational’ pictures,rress, kids off to their first day of school, babies born, new brilliant jobs, and friends showing off their holiday cabin at the edge of Mount Couldntcareless. Complaining about that though seems a bit like criticising a chair because itt forces you to sit down. There are a couple of solutions to this problem – defriend, defriend, defriend, or simply uninstall that stupid Facebook app. -
Future Pioneers - Macross Plus As Both Nexus and New Paradigm for Genre Tropes in 90S Anime
Masters dissertation awarded by the department of East Asian Languages and Cultures, SOAS University of London eprints.soas.ac.uk/id/eprint/29828 Future pioneers - Macross Plus as both nexus and new paradigm for genre tropes in 90s anime Laurence Green 1 Table of Contents Abstract 2 Introduction 3 Part 1: ‘Post-Human’ entities - The machine in imitation of life 5 Part 2: ‘Stateless’ states - Crafting a culturally diverse future-topia 13 Part 3: A carnival of genres - Robots, romance and revelry 25 Conclusion 32 Bibliography 33 2 Abstract Traditionally, studies of the cyberpunk genre within anime have centered around landmark films such as Akira (1988) and Ghost in the Shell (1995); their techno-orientalist aesthetic contributing toward a ‘boom’ in anime’s popularity in the West. In contrast, I take Shōji Kawamori & Shinichirō Watanabe’s Macross Plus (1994) as my focal point, examining how the film blends and remixes diverse audio and visual influences to present a more globalistic, culturally-blended vision of the future. I argue that this distinctly postmodern, stateless quality allows the film to act as both nexus between old modes and new, as well as a lens through which me might better understand how key genre tropes have evolved as part of anime’s wider media mix. Introduction 3 The 1990s represented a crucial turning point for Japanese animation - marking a watershed for the medium’s burgeoning fandom in the West, whilst also encapsulating rapidly evolving visual and stylistic trends; driven forward by a new generation of creative figures - born in the 60s, voraciously consuming a broad range of media of both Eastern and Western origin as they grew up, and now coming of age. -
The Robotech/Macross License Has Been Extended (Exclusive)
The Robotech/Macross License Has Been Extended (Exclusive) Harmony Gold’s deal with Tatsunoko to continue making Robotech and more will continue for years to come. FEATURE Shamus Kelley Jul 5, 2019 For the past few years the future of the Robotech franchise seemed to be in question. Back in 2017 a California court upheld a license agreement between Harmony Gold U.S.A. Inc. and Tatsunoko Production, which affirmed Harmony Gold’s license to the three-anime programs from Tatsunoko that were combined to create the unique Robotech anime series. The big problem? In the upholding of that licensing agreement it also became public knowledge that Harmony Gold’s license to the three series that made up Robotech, The Super Dimension Fortress Macross, The Super Dimension Cavalry Southern Cross, and Genesis Climber Mospeada, would expire on March 14, 2021. PUBLICITÉ When this news originally broke many fans assumed that once the 2021 date hit, Tatsunoko would simply take their programs back from Harmony Gold. In a sense, the Robotech franchise had a ticking clock on it. However, it has now been officially confirmed by Harmony Gold that their license agreement with Tatsunoko has been extended beyond the 2021 date. Yes, Robotech isn’t going anywhere anytime soon. Below is the official release. HOLLYWOOD, CA, July 5 – Harmony Gold USA, Inc. announced today that it has reached an agreement with the Japanese anime studio, Tatsunoko Productions, Co., to extend the worldwide, co-copyright ownership and exclusive management, excluding Japan, for its landmark anime series Robotech (including Macross, Southern Cross and Mospeada). -
ANIME / MANGA WORLD 6 Issues: $30 US, $32.10 Can (GST Included), Or $45 US ANIME EAST '95
Sample file Sample file Sample file CONTENTS 5 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ STAFF Publisher Claude J. Pelletier EDITORIAL THE COMPUTER IS YOUR FRIEND! ......................................................................... 6 Editor-in-chief Claude J. Pelletier Art Director WHAT'S GOING ON? Pierre Ouellette ECHOES FROM THE NET AND OTHER NEWS ........................................................... 7 Layout ANIME ............................................................................................................... 8 Normand Bilodeau, Jeff Fortier, Pierre Ouellette MANGA .......................................................................................................... 10 NEW RELEASES ................................................................................................. 11 Production Staff Ghislain Barbe, Normand Bilodeau, Jean Carrières, Élie Charest, Robert Dubois, Martin Ouellette Claude J. Pelletier, Marc-Alex Vézina REVIEWS Contributors GAMES REVIEWS: ANIMOUCH! & ROBOTECH STRIKE FORCE .................................. 16 DIC Entertainment, Tim Eldred, CD: AH! MY GODDESS & MYLENE JENIUS SINGS LYNN MINMAY ............................. 34 FUNimation Productions, Miyako Graham, David Nakamura, James Taylor MODELS: ROBOT CARNIVAL FIGURES ................................................................. 35 BOOK: AMERICA AND THE FOUR JAPANS ............................................................ 40 Proofreading ANIME ............................................................................................................. -
Sakura-Con 2009
1 of 12 SAKURA-CON 2009 FRIDAY - SATURDAY, April 10th - 11th (2 of 4) FRIDAY - SATURDAY, April 10th - 11th (3 of 4) FRIDAY - SATURDAY, April 10th - 11th (4 of 4) Convention Events Schedule, April 9 revision Panels 5 Fan Workshop 1 Fan Workshop 2 Autographs Console Gaming Music Gaming Anime Theater 1 Anime Theater 2 FUNimation Theater Anime Music Video Classic Anime Theater Live-Action Theater Fansub Theater Karaoke Collectible Card Miniatures Gaming Tabletop Gaming Cosplay Photo 3AB 204 205 Time 4B 4C-3,4 4C-1 Time Time 611-612 615-617 618-620 Time Theater: 6A 604 613-614 310 2AB Time Gaming: 307-308 305 306 Gatherings (Location) Time Bold text in a heavy outlined box indicates revisions to the Pocket Programming Guide schedule. Also see corrections to the Cosplay Photo Gathering locations on p. 11. Closed Closed Closed 7:00am Closed Closed Closed 7:00am 7:00am Closed Closed Closed 7:00am Closed Closed Closed Closed Closed 7:00am Closed Closed Closed See p. 11 for the key 7:00am 7:30am 7:30am 7:30am 7:30am 7:30am to photo shoot locations. 7:30am FRIDAY - SATURDAY, April 10th - 11th (1 of 4) 8:00am 8:00am 8:00am Elemental Gelade 1-5 To Heart 1-4 Fate/stay night 1-3 8:00am Voltron 1-5 New Legend of Shaolin Haruka Nogizaka’s Secret Closed for setup 8:00am 8:00am Main Stage Arena Stage Panels 1 Panels 2 Panels 3 Panels 4 (SC-PG V, dub) (SC-PG D, sub) (SC-PG VS, dub) (SC-PG V, dub) (SC-14) 1-4 4A 6E 6C 608-609 606 607 8:30am 8:30am 8:30am 8:30am 8:30am 8:30am Time Time (SC-PG SD) Koichi Ohata Showcase: 9:00am Closed for setup Closed Closed