Albert Oehlen
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Martha Jungwirth Albert Oehlen Opening
Galerie Mezzanin Karin Handlbauer 63, rue des Maraîchers CH -∂205 Geneva T + 4∂ 22 328 38 02 [email protected] www.galeriemezzanin.com Martha Jungwirth Albert Oehlen Opening: 23.03.2017 Exhibition: 24.03.-13.05.2017 -- This exhibition is a project between Martha Jungwirth and Albert Oehlen. As I know Albert now quite for a long time, I asked him if he wants to do an exhibition with Martha Jungwirth. Aware that he honours Martha’s work a lot. Albert Oehlen was choosing the works of Martha what you see in the exhibition. Karin Handlbauer Martha Jungwirth was born in 1940 in Vienna, Austria, she lives and works in Vienna. She had solo exhibitions at Secession, Vienna, Austria (with Franz Ringel, 1972) ; Museum des 20. Jahrhunderts, Vienna, Austria (1976) ; documenta 6, Fridericianum, Kassel, Germany, (1977) ; Künstlerhaus Klagenfurt, Austria (1982) ; Museum der Moderne – Rupertinum, Salzburg, Austria (1991) ; Kulturhaus der Stadt Graz, Austria (1999) ; Malfluchten, Museum Moderner Kunst – Stiftung Wörlen, Passau, Germany (1999) ; Künstlerhaus Klagenfurt, Austria (2000) ; Kunsthaus Mürz, Mürzzuschlag, Austria (2008) ; Stadtmuseum Bruneck, Italy (2011) and Kunsthalle Krems, Austria (2014). Jungwirth’s work belongs to known private and institutional collections in US and Europe such as Rubell Family Collection (USA) ; The Barnes Foundation (Philadelphia, USA) ; Albertina (Vienna, Austria) ; Mumok (Vienna, Austria) ; Joanneum (Graz, Austria) ; Lentos (Linz, Austria) ; Rupertinum (Salzburg, Austria) ; Collection City of Vienna (Austria) ; Essl Collection (Klosterneuburg, Austria) ; Museum Angerlehner (Wels, Austria) ; Sammlung Liaunig (Vienna / Neuhaus) ; Sammlung Wemhöner (Berlin / Herfort) ; Sammlung Dichand (Vienna). Albert Oehlen was born in 1954 in Krefeld, Germany and currently lives and works in Switzerland. -
Marian Goodman Gallery John Baldessari
MARIAN GOODMAN GALLERY JOHN BALDESSARI Born: National City, California, 17 June 1931 Died: Venice, Los Angeles, California, 2020 Education: 1949-53 B.A., San Diego State College, California 1954-55 University of California at Berkeley 1955 University of California at Los Angeles 1955-57 M.A., San Diego State College, California 1957-59 Otis Art Institute, Los Angeles Chouinard Art Institute, Los Angeles Awards: School of the Museum of Fine Arts Boston Medal Award, 2015 Kaiserringträger der Stadt Goslar, Goslar, Germany, 2012 Golden Lion Award for Lifetime Achievement, La Biennale di Venezia, Venice, Italy, 2009 B.A.C.A. International 2008 (Biennial Award for Contemporary Art), Bonnefantenmuseum Maastricht. Maastricht, The Netherlands, 2008 American Academy of Arts and Letters, New York, NY, 2008 Archives of American Art Medal, the Archives of American Art. Washington DC, 2007 Certificate of Recognition, the Los Angeles Convention and Visitors Bureau. Los Angeles, CA, 2006 Rolex Mentor and Protégé' Arts Initiative, 2006-2007 Lifetime Achievement Award, Americans for the Arts. New York, NY, 2005 Rolex Mentor and Protégé' Arts Initiative, Honoring, New York, 2005 American Academy of Arts & Sciences 2004 Fellow. Cambridge, MA, 2004 Best Show In a Commercial Gallery Nationally: Second Place, AICA USA Best Show Awards, 2002-2003 Season, for exhibit at Margo Leavin Gallery, 2003 Best Web-Based Original Art, AICA USA Best Show Awards, 2001-2002 Season. New York, NY, 2002 Los Angeles Institute for the Humanities Fellow, sponsored by the University of Southern California. Los Angeles, CA, 2002 SPECTRUM International Award for Photography, Stiftung Niedersachsen. Hannover, Germany, 1999 Distinguished Artist Award for Lifetime Achievement, The College Art Association. -
For Immediate Release 14 October 2011
For Immediate Release 14 October 2011 Contacts: Cristiano de Lorenzo +44 (0) 20 7389 2283 [email protected] Matthew Paton +44 (0) 20 7389 2965 [email protected] CHRISTIE’S EVENING AUCTIONS OF POST-WAR & CONTEMPORARY ART AND THE ITALIAN SALE TOTAL £55.6 MILLION / $87.6 MILLION / €63.4 MILLION London - The evening auctions of Post-War & Contemporary Art Auction and The Italian Sale realised a combined total of £55,630,000 / $87,672,880 / €63,473,83, the second highest total for an October sale in London. The top price of the evening was paid for Gerhard Richter‟s seminal Kerze (Candle) painted in 1982, which after a fierce bidding battle was sold for £10,457,250 / $16,480,626 / €11,931,722, a world record price for the artist at auction. In total 10 lots for over £1 million and 20 lots for over $1 million. 9 artist records were set. The corresponding auctions in October 2010 realised a combined total of £38.2 million / $61.2 million / €43.4 million, with 6 lots selling for over £1 million and 18 for over $1 million. POST-WAR & CONTEMPORARY ART This evening‟s Post-War and Contemporary Art Evening Auction realized a total of £38,070,350 / $59,998,872 / €43,438,269 against a pre-sale estimate in the region of £30 million, selling 92% by value and 89% by lot. Buyer breakdown (by lot) was 49% Europe including the UK, 38% Americas and 13% Asia. 7 lots sold for over £1 million / 12 for over $1 million. -
C O L L E C T I O N B O
THYSSEN-BORNEMISZA ART CONTEMPORARY T HE COLLECTION BOOK y �� THYSSEN-BORNEMISZA ART CONTEMPORARY ��THE T H E COLLECTIONCOllECtIoN BOOK y BOOK VERLAG DER BUCHHANDLUNG WALTHER KÖNIG, KÖLN 4 5 CONTENTS 6 Acknowledgments by FRANCESCA VON HABSBURG 01 02 03 04 t t t t 10 WAYS BEYOND 72 DIE OR PERFORM 280 T H E A L E P H 354 PRESERVATION OBJECTS by ANDREAS SCHLAEGEL P O T E N T I A L AND REANIMATION FRANCESCA VON HABSBURG by ELKE KRASNY THROUGH in conversation with 88 MONICA BONVICINI CONTEMPORARY ART HANS ULRICH OBRIST 92 CANDICE BREITZ 288 PARADOXES OF AND ARCHITECTURE 97 JANET CARDIFF COLLECTING 22 AI WEIWEI 107 MAURIZIO CATTELAN FRANCESCA VON HABSBURG 361 MONUMENTAL 28 DOUG AITKEN 110 CHEN QUILIN in conversation with by MARK WIGLEY 34 DARREN ALMOND 116 ANETTA MONA CHISA & PETER PAKESCH 40 KUTLUĞ ATAMAN LUCIA TKÁČOVÁ 366 JULIAN ROSEFELDT 52 FIONA BANNER 120 CYBERMOHOLLA HUB 292 RIVANE NEUENSCHWANDER 376 THOMAS RUFF 56 JOHN BOCK 125 EMANUEL DANESCH & 298 JUN NGUYEN-HATSUSHIBA 378 RITU SARIN & DAVID RYCH 302 CARSTEN NICOLAI TENZING SONAM 129 DON’T TRUST ANYONE 308 OLAF NICOLAI 383 HANS SCHABUS OVER THIRTY 314 PAUL PFEIFFER 390 CHRISTOPH SCHLINGENSIEF 138 OLAFUR ELIASSON 320 WALID RAAD / 398 GREGOR SCHNEIDER 152 ELMGREEN & DRAGSET THE ATLAS GROUP 406 ALLAN SEKULA 160 MARIO GARCÍA TORRES 330 RAQS MEDIA COLLECTIVE 414 NEDKO SOLAKOV 164 ISA GENZKEN 336 JASON RHOADES 419 MONIKA SOSNOWSKA 168 DOUGLAS GORDON 340 PIPILOTTI RIST 422 THOMAS STRUTH 172 FLORIAN HECKER 344 MATTHEW RITCHIE 426 DO HO SUH 176 CARSTEN HÖLLER 430 CATHERINE SULLIVAN 181 TERESA -
100 Years of Helmut Newton: the Making of SUMO and the Birth of BABY SUMO HELMUT NEWTON the BABY SUMO Edition
100 Years of Helmut Newton: The Making of SUMO and the Birth of BABY SUMO HELMUT NEWTON The BABY SUMO Edition The Making of Helmut Newton’s Helmut Newton checks a printing sheet during Frankfurt Book Fair, 1999. SUMO _065-240_TASCHEN_MAGAZIN_2020-1_GB_EU_37454.indb 180 01.10.20 15:17 _065-240_TASCHEN_MAGAZIN_2020-1_GB_EU_37454.indb 181 01.10.20 15:17 Over a period of two years, Helmut Newton and Benedikt Taschen exchanged letters, faxes, and phone calls to define details of the SUMO pro duc tion. At some point, not amused by the prospect of having to sign the entire print run of 10,000 copies, Newton tried to wrestle out of the agreement, Helmut Newton signing the pages which were suggesting to “maybe sign a few dozen” printing sheets. subsequently bound into SUMO. Monte Carlo, 1999. Photo by Photo: © Alice Springs / Maconochie Photography Photography Maconochie Maconochie / / Springs Springs Alice Alice © © Photo: Photo: Alice Springs. _065-240_TASCHEN_MAGAZIN_2020-1_GB_EU_37454.indb 182 01.10.20 15:17 _065-240_TASCHEN_MAGAZIN_2020-1_GB_EU_37454.indb 183 01.10.20 15:17 Benedikt Taschen with suite at the Sunset Helmut Newton, the book. At 620,000 the handmade dummy Marquis Hotel, Benedikt Taschen and deutschmarks it made of SUMO when first Hollywood, 1997. Photo auctioneer Simon de the world record price present ing his idea of by Helmut Newton. Pury after the auction of for a book published in producing a gigantic SUMO copy number the 20th century, Berlin, book to stunned Helmut one, signed by over 100 2000. Photo by Alice and June Newton in his celebrities portrayed in Springs. -
Albert Oehlen
Galerie Max Hetzler Berlin | Paris | London ALBERT OEHLEN Spiegelbilder (1982 – 1990) London: 41 Dover Street, 26 September – 16 November 2019 Galerie Max Hetzler, London is delighted to announce the exhibition Albert Oehlen: Spiegelbilder. Bringing together singular paintings from a significant early series in Albert Oehlen’s oeuvre, this will be the first exhibition dedicated to the Spiegelbilder (‘Mirror Paintings’) in the UK. The exhibition coincides with a major solo show of the artist’s work at the Serpentine Gallery, London, which opens on 2 October 2019. Spanning eight years, from 1982 – 1990, the Spiegelbilder series straddles a decisive period for the artist, during which he moved from the crude figuration and “bad painting” of the late 1970s and early 80s, towards non- objective painting in the late 1980s. Through the Spiegelbilder, Oehlen cemented his reputation for subverting painting conventions. “This mirror idea allowed me to make an ‘original’ invention, but one that is bearable because it is so hackneyed.” –– Albert Oehlen One of Oehlen’s earliest bodies of work, the Spiegelbilder are distinguished by actual pieces of mirror collaged onto the surface of the canvas, highlighting the artist’s unconventional approach to painting from the outset. Although visually distinct, there is an attitude and approach in these paintings towards colour, light, scale and line that carries through later series. Belonging to the Spiegelbilder are some of Oehlen’s first self-portraits, a primary example of which will also be exhibited. Many of the works in the series depict domestic interiors and politically-charged exteriors in a palette of muted colours. -
Ingressi Di Milano Curated by Karl Kolbitz Photographs by Matthew Billings, Paola Pansini, and Delfino Sisto Legnani
Press Release Ingressi di Milano Curated by Karl Kolbitz Photographs by Matthew Billings, Paola Pansini, and Delfino Sisto Legnani TASCHEN Store Milan (1st Floor Gallery), Via Meravigli 17 April 5 – June 18 2017 “One might call the ingressi Milan’s best-kept secret, the architectural equivalent of Poe’s purloined letter: a secret that is “prominently hidden” for all to see, and for a more restricted number to enter. With the ingressi, in fact, we are dealing with spaces that, by a peculiar logic of representation, start as passages to a given place but end up becoming their own destinations.” - Daniel Sherer TASCHEN is pleased to announce the opening of Ingressi di Milano, a new exhibition of photographs curated by Karl Kolbitz. The show is presented in parallel with the release of Kolbitz’s eponymous TASCHEN publication, an unprecedented look at Milan’s design DNA. Over the course of countless trips to Milan, Kolbitz’s exploration of the city’s eclectic aesthetics triggered the following, paradoxical question: in a city famous the world over as an exporter of design, how has its multitude of exuberant entryways remained so inconspicuous? In his book, Kolbitz opens the doors to these remarkable Milanese spaces, leading us through 144 of the city’s most sumptuous entrance halls dating from 1920 to 1970. At the intersection of art, architecture, and design, the collection showcases the work of some of the city’s most illustrious architects and designers, including Giovanni Muzio, Gio Ponti, Piero Portaluppi, and Luigi Caccia Dominioni, as well as non-pedigreed architecture of equal impact and interest. -
Press Release
True Stories A Show Related to an Era - The Eighties curated by Peter Pakesch Goethestraße 2/3, 10623 Berlin Kurfürstendamm 213, 10719 Berlin 14 September – 27 October 2018 Opening: 14 September, 6-9 pm Goethestraße 2/3, 10623 Berlin 9 November – 22 December 2018 Opening: 9 November, 6-8 pm Galerie Max Hetzler is pleased to announce the group show True Stories. A Show Related to an Era – The Eighties, curated by Peter Pakesch. The show includes works by Mirosław Bałka, Herbert Brandl, Werner Büttner, Clegg & Guttmann, Mathis Esterhazy, Günther Förg, Isa Genzken, Robert Gober, Félix González-Torres, Georg Herold, Axel Hütte, Cristina Iglesias, Mike Kelley, Martin Kippenberger, Jef Koons, Liz Larner, Zoe Leonard, Inge Mahn, Meuser, Reinhard Mucha, Cady Noland, Albert Oehlen, Markus Oehlen, Richard Prince, Didi Sattmann, Julian Schnabel, Wilhelm Schürmann, Cindy Sherman, Mariella Simoni, Thomas Struth, Rosemarie Trockel, Franz West, Terry Winters, Christopher Wool, Otto Zitko, Heimo Zobernig and will take place both at Goethestraße 2/3 and our temporary space at Kurfürstendamm 213. Seen from today’s perspective, during this decade, the way art would function in society has changed largely. Within the history of the late 20th Century, the very two years 1968 and 1989 are truly signifcant for politics as well as for culture. One signifes the height of the Cold War and the departure to new freedoms, the other one the end of this Cold War and the dawn of a new world order (that still is not in place yet). Christopher Wool & Richard Prince, My Act, 1988 © Christopher Wool In a certain reading of Western culture, visual art, as well as other Courtesy of the artists, Luhring Augustine, New York felds of the cultural domain, have come to a certain end by the 1960s and Galerie Max Hetzler, Berlin | Paris | London - the end of the Modern. -
Exhibition Booklet to the Exhibition Albert Oehlen. Malerei
8. 6.–20. 10. 2013 English museum moderner kunst stiftung ludwig wien Introduction Albert Oehlen is not only one of the most infl uential but also one of the most controversial painters of our time. Born in 1954 in Krefeld, Germany, he has since the end of the 1970s been a key fi gure in the resurgent discussion about the contemporary relevance of painting. The artist has worked systematically to bring painting into confl ict on several fronts — with its own history, with its clichés and its missed opportunities, and also with the ubiquity of images from the worlds of advertising and pop. Painting may have been declared dead, but Oehlen attempts to give it back its freshness and complexity — not by sweeping under the carpet the attacks it has been subjected to and the controversies surrounding its tradition, but rather by making painting itself the live site where they unfold. His forays into pop culture and advertising, trash and computer aesthetics, as well as into political iconography are methodically brought into the overall context of a crafted and composed image. It is as if Oehlen were continually outwitting painting. Oehlen brings the medium’s internal and external enemies — from the avant-garde to new technologies — into his work, while fi nding devious ways to smuggle in tropes as beauty and virtuosity. The exhibition at mumok shows several groups of the artist’s works, beginning with early works from the 1980s such as the “Mirror Paintings,” collages, and paintings featuring mannequins, as well as two of the so-called “Tree Pictures.” Around 1990, a programmatic turn towards abstraction took place in Oehlen’s practice, evident in the artist’s “post-nonrepresentational” works and the “Computer Paintings.” On Level 3, works from the series “Gray Paintings” are on view, along with “Poster Paintings.” The most recent work in the show is presented on Level 4 — a large-format series made between 2010 and 2012, on view here for the fi rst time, in which Oehlen meshes together actionist painting and collaged elements. -
PUBLICATIONS Spring 2012 CORNERHOUSE PUBLICATIONS SPRING 2012 INDEX to FEATURED PUBLISHERS
PUBLICATIONS Spring 2012 CORNERHOUSE PUBLICATIONS SPRING 2012 INDEX TO FEATURED PUBLISHERS Welcome to our new catalogue featuring 156 titles from many of the most innovative Arnolfini 1 galleries, museums and publishers working in contemporary visual arts. We are Art Editions North 1 particularly pleased to have been appointed distributor for Blain|Southern, Lisson Gallery, Blain|Southern 1 Parasol unit, and Tatton Park Biennial, and new titles from these publishers are featured. Cornerhouse 2 Our list encompasses all the visual arts including architecture, art theory and education, Drawing Room 3 design, digital media, fashion, film and video, painting, photography, performance and DuMont Buchverlag 3 sculpture. We have over 2,700 titles currently available. If you require further details or if Ffotogallery 4 you want to order any of these titles, please contact us or visit our online bookstore. Firstsite 5 GlobalArtAffairs Publishing 5 For further information about our services, please contact Paul Daniels, Publications Haunch of Venison 5 Director. Hayward Publishing 7 Cornerhouse Publications Information as Material 9 JRP|Ringier* 10 70 Oxford Street, Manchester M1 5NH, England Kerber Verlag** 19 Publications Director Paul Daniels Verlag der Buchhandlung Walther König 25 Lisson Gallery 39 Arnolfini Art Editions North Blain|Southern orders / customer services contact Debbie Fielding, James Brady or Suzanne Davies distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide trade orders -
PAUL Mccarthy
PAUL McCARTHY Born in 1945 in Salt Lake City (Utah, USA) Lives and works in Los Angeles (California, USA) SELECTED SOLO EXHIBITIONS 2012 Propo, Hauser & Wirth, Zurich, Switzerland White Snow, Peder Lund, Oslo, Norway Paul McCarthy. The Box, Neue Nationalgalerie, Berlin, Germany Rebel Dabble Babble, Los Angeles CA, USA Paul McCarth, Nine Dwarves, Kukje Gallery, Seoul, South Korea 2010! Fondazione Trussardi, Milan, Italy 2009! White Snow, Hauser & Wirth New York, New York, NY, USA Paul McCarthy – Air Pressure, De Uithof, City of Utrecht, The Netherlands! Paul McCarthy, Hauser & Wirth, Zurich, Switzerland! Paul McCarthy & Benjamin Weissman – Quilting Sessions, KUMU Eesti Kunstimuuseum, Tallinn, Estonia (Travelling Exhibition)! Contemporary trends in video art – Paul McCarthy, Salt Lake Art Center, Salt Lake City UT, USA Paul McCarthy & Benjamin Weissman – Quilting Sessions, Zacheta National Gallery of Art, Warsaw, Poland (Travelling Exhibition) 2008! Three Installations, Two Films, Whitney Museum of American Art, Central Symmetrical Rotation Movement, New York, NY, USA! Paul McCarthy & Benjamin Weissman – Quilting Sessions, Galleria Civica di Arte Contemporanea, Trento, Italy (Travelling Exhibition) ! 2007 Paul McCarthy’s Chocolate Factory, Maccarone Gallery, New York, NY, USA Head Shop/Shop Head, S.M.A.K., Stedelijk Museum voor Actuele Kunst, Ghent, Belgium; Paul McCarthy – Head Shop / Shop Head, Moderna Museet, Stockholm, Sweden; ARoS – Aarhus Museum of Art, Denmark (Travelling Exhibition) Paul McCarthy: Tokyo Santa, The Essl Collection, -
Jonathan Meese ACROSS the UNIVERSE (DR
Jonathan Meese ACROSS THE UNIVERSE (DR. SPACE-ANIMALISM ,,E.A.G.L.E.”: FLY LIKE AN EAGLE) New Paintings, Sculptures and Works on Paper February 4 - March 27, 2021 David Nolan Gallery is pleased to present ACROSS THE UNIVERSE (DR. SPACE-ANIMALISM ,,E.A.G.L.E.”: FLY LIKE AN EAGLE), a selection of new paintings, sculptures and works on paper by Jonathan Meese. The exhibition marks the artist’s second collaboration with the gallery and his first show in New York in five years. These works were produced in the last 12 months in the midst of the global quarantine, apart from the social interactions of daily life. Greeted with isolation, the artist delves into a vocabulary both real and imaginary, armed with a rich arsenal of cultural references and a penchant for the fantastical. Meese invites the viewer, without prejudice or preconceived notion, into his dynamic, spectacular universe. Jonathan Meese was born in Tokyo in 1970 to a German mother and Welsh father. Together with his siblings and mother, Jonathan relocated shortly thereafter to Hamburg. He spent his childhood escaping into alternate worlds, surrounded by toys, comics, Star Trek, and mesmerized by cinema. His mother nurtured his artistic sensibility by buying his first sketchpad and pastel set and encouraged him to study at the renowned Hochschule für bildende Künste Hamburg, where he studied under Franz Erhard Walther, a pioneer of participatory art. Walther’s philosophy favors improvisational installation that are activated by the viewer’s imagination; he conceived corporeal sculptures that could be arranged in multiple ways or display solutions imbued with a humanism that would profoundly affect Meese’s practice.