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The Great War and Narnia: C.S. Lewis As Soldier and Creator
Volume 30 Number 1 Article 8 10-15-2011 The Great War and Narnia: C.S. Lewis as Soldier and Creator Brian Melton Liberty University in Lynchburg, VA Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Melton, Brian (2011) "The Great War and Narnia: C.S. Lewis as Soldier and Creator," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 30 : No. 1 , Article 8. Available at: https://dc.swosu.edu/mythlore/vol30/iss1/8 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Looks at influence of orldW War I in Lewis’s autobiography and on war in Narnia, correcting mistaken search by some critics for deep-seated war trauma in Lewis’s life. Reinforces that Lewis and Tolkien were not psychological twins, had differing personalities going into the war, and came out of it with different approaches to dealing with war in their fiction. -
The Use of the Vertical Plane to Indicate Holiness in C.S. Lewis's Space Trilogy
Volume 34 Number 2 Article 3 4-15-2016 The Use of the Vertical Plane to Indicate Holiness in C.S. Lewis's Space Trilogy Sarah Eddings Northern Arizona University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Eddings, Sarah (2016) "The Use of the Vertical Plane to Indicate Holiness in C.S. Lewis's Space Trilogy," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 34 : No. 2 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol34/iss2/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Examines the contrasting symbolism and imagery of perpendicular structures (mountains, trees, built structures, and so on) and waves in the Space Trilogy as a whole. Eddings finds more than simple gendered symbolism in these clusters of images; verticality indicates reaching for the heavens and waves show submission to the will of Maleldil. -
Astrological and Other Images of Divinity in the Fantasies of CS Lewis
Volume 7 Number 4 Article 3 12-15-1981 The Host of Heaven: Astrological and Other Images of Divinity in the Fantasies of C.S. Lewis (Part 2) Nancy-Lou Patterson Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Patterson, Nancy-Lou (1981) "The Host of Heaven: Astrological and Other Images of Divinity in the Fantasies of C.S. Lewis (Part 2)," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 7 : No. 4 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol7/iss4/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Study of the astrological symbolism present in Lewis’s fantasies. Part 2 covers the Chronicles of Narnia and Till We Have Faces. Additional Keywords Astrology in C.S. -
BONES ! the Last Battle by C.S
BOOK BONES ! The Last Battle by C.S. Lewis ! Key Insights • The planetary influence in this novel is Saturn, a planet associated with age, weakness, decay, darkness, and death. Saturn exerts a bitter influence on the Earth, and tends to evoke two drastically different responses (“for bane or blessing”): 1) to abandon faith and hope in a Goodness beyond the evils of this world (the “Tash response”), or 2) to persevere and believe in spite of all evidence to the contrary (the “Aslan response”). • The influence of Saturn on the earth should lead good people to contemplate what is really true and really important; Saturn’s bitter wisdom should deepen their faith not destroy it. This points to the Christological significance of Saturn and the central theme of The Last Battle: the presence of Christ in human loneliness and suffering (“hope when all other lights have gone out”). • Ginger is an example of the first kind of response to Saturn, the response that loses faith in Aslan. Greeted with the idea that Aslan is “nothing more” than Tash, Ginger abandons his faith in anything divine and becomes a ringleader in the “Tashlan conspiracy.” King Tirian exemplifies the obedient response to Saturn: though he has temporary doubts about Aslan’s goodness, he perseveres in hope and acts as a good and faithful king of Narnia—even though there is very little evidence that Aslan cares about the plight of his people. • This novel differs from the others in many ways: an adult protagonist (makes the book older and more mature, like Saturn himself), no clear quest/objective, several narrow misses (“if only”); situation for the company gets continually worse, every hope frustrated by some unfortunate, unforeseen circumstance; far more characters die in this novel as well—every major character tastes death before the novel ends. -
An Introduction to Narnia - Part II: the Geography of the Chronicles
Volume 2 Number 3 Article 5 Winter 1-15-1971 An Introduction to Narnia - Part II: The Geography of the Chronicles J. R. Christopher Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Christopher, J. R. (1971) "An Introduction to Narnia - Part II: The Geography of the Chronicles," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 2 : No. 3 , Article 5. Available at: https://dc.swosu.edu/mythlore/vol2/iss3/5 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Part two is an overview of the geography of Narnia based on textual clues and maps. Speculates on the meaning of the geography in theological and metaphysical terms. Additional Keywords Lewis, C.S. Chronicles of Narnia—Geography This article is available in Mythlore: A Journal of J.R.R. -
The Last Battle. (First Published 1956) by C.S
The Last Battle C. S. L e w i s Samizdat The Last Battle. (first published 1956) by C.S. Lewis (1895-1963) Edition used as base for this ebook: New York: Macmillan, 1956 Source: Project Gutenberg Canada, Ebook #1157 Ebook text was produced by Al Haines Warning : this document is for free distribution only. Ebook Samizdat 2017 (public domain under Canadian copyright law) Disclaimer This eBook is for the use of anyone anywhere at no cost. Copyright laws in your country also govern what you can do with this work. Copyright laws in most countries are in a constant state of flux. If you are outside Canada, check the laws of your country before down- loading, copying, displaying, performing, distributing or creating derivative works based on this Samizdat Ebook. Samizdat makes no claims regarding the copyright status of any work in any country outside Canada. Table Of Contents CHAPTER I By Caldron Pool 1 CHAPTER II The Rashness of the King 8 CHAPTER III The Ape in Its Glory 15 CHAPTER IV What Happened that Night 22 CHAPTER V How Help Came to the King 28 CHAPTER VI A Good Night's Work 35 CHAPTER VII Mainly About Dwarfs 42 CHAPTER VIII What News the Eagle Brought 50 CHAPTER IX The Great Meeting on Stable Hill 57 The Last Battle iii CHAPTER X Who Will Go into the Stable? 64 CHAPTER XI The Pace Quickens 71 CHAPTER XII Through the Stable Door 78 CHAPTER XIII How the Dwarfs Refused to be Taken In 85 CHAPTER XIV Night Falls on Narnia 93 CHAPTER XV Further Up and Further In 100 CHAPTER XVI Farewell to Shadow-Lands 107 CHAPTER I By Caldron Pool n the last days of Narnia, far up to the west beyond Lantern Waste and close beside the great waterfall, there lived an Ape. -
The Last Battle
Quick Card: The Last Battle The Last Battle, by C. S. Lewis. Reference ISBN: 978-0060764883 Using an old lion’s skin as a disguise, Shift the monkey dupes Narnians into following a false Aslan, forsaking true Narnian ways and welcoming Plot Calormene domination. Aided by Eustace Scrubb and Jill Pole, King Tirian leads a band of true Narnians into battle against the invaders and their false gods. The story is set in Narnia during her last days. Foreigners threaten her Setting borders and, unlike the old days, some Narnians aid the foreigners in their attacks, betraying their own countrymen. King Tirian of Narnia- (protagonist) Still a young ruler, Tirian is impetuous and hotheaded, but well-meaning and earnest. Loyal to the end, he never falters in his efforts to protect Narnia and honor Aslan. Eustace Scrubb and Jill Pole- (protagonists) More than a year older than they were in The Silver Chair, they are still young enough to be sent into Narnia to help Tirian (unlike the Pevensie children who have outgrown their adventures there). Their age helps them to adapt easily to the changes in Narnia and accept their difficult task. They give Tirian the encouragement he needs to face the end of the world. Shift the monkey- (antagonist) An evil old beast, he manipulates simpler animals into serving him. He dresses in a lion’s skin for the express purpose of hoodwinking loyal Narnians. In so doing, he demonstrates an utter lack of faith or compunction, making a farce out of the Lord of Characters Narnia to further his own ends. -
Religion and Literature: C. S. Lewis and Tolkien Syllabus
1 Religion 4600/6600: Religion and Literature: C. S. Lewis and Tolkien Carolyn Jones Medine, Professor of Religion and in the Institute for African American Studies Office: 19 Peabody Hall Telephone: 706-542-5356 (messages) E-Mail: [email protected] Office Hours: Monday and Wednesday 1:30-2:30 and by appointment Graduate Teaching Assistants: Noah Pollock, Jessica Couch, Eduardo Mendez I Course Description Religion and Literature’s goal is to examine the problematic of religion in the modern world and to explore basic human questions, such as those of identity, community, ethical action, and spirituality and how those have been expressed in literature. The language of such an exploration is sometimes specifically Christian; sometimes it interprets Christian language in new way, but often, the religious meanings are hybrid, using a number of traditions in syncretic ways. The first work in the field was on specifically Christian writers. We will, this semester, revisit that landscape. This course will examine the works of two of the group of writers who called themselves The Inklings: J. R. R. Tolkien and C. S. Lewis. Each was a Christian who expressed his faith through his art. We want to ask: Why do Christian writers—not just the Inklings, but also, for example, Walker Percy, Flannery O’Connor, Madeline L’Engle, and others—turn to fiction—in particular, to what Lewis and Tolkien called “the fairy story”—as a medium of expression of their ideas? What is gained or lost by such a choice? What is the relationship between art, imagination and belief? II Course Goals: In this course we will learn and come to: 1. -
C. S. Lewis and Animal Experimentation Michael J
Article C. S. Lewis and Animal Experimentation Michael J. Gilmour Michael J. Gilmour C. S. Lewis is one of those rare Christian thinkers giving careful attention to the place of nonhuman animals in theology and the religious life. We fi nd this career-long concern for animal well-being across diverse genres, and also in his public opposition to vivisection. This article proposes a particular link between Lewis’s refl ections on animal cruelty and wartime, and identifi es certain theological assumptions informing his ideas. he Christian tradition is curiously about Nineveh … in which there are ambivalent about animals and their more than a hundred and twenty thou- place in theology and ethics. This T sand persons … and also many animals?” is somewhat surprising given the New (Jonah 4:11). Testament’s high view of nonhuman sen- tient life, as is evident in Jesus’s remarks So why, in light of this, does Christianity about donkeys and sparrows (Luke 13:15; largely ignore animal ethics? Why are the Matt. 10:29), and the Pauline tradition’s vast majority of churches silent regarding repeated use of the inclusive ta panta unnecessary, human-caused animal pain? (“all things,” Col. 1:15–20; cf. Rom. 8:18– There is not space here to do justice to such 23) when speaking of the eschatological important questions though the views hope of restoration in Christ. To be sure, of certain highly infl uential theologians there are passages appearing to indicate contribute to Christianity’s tendency indifference toward animals and animal toward anthropocentrism. Augustine and suffering (Mark 5:1–20; 1 Cor. -
Open Vickery Thesis .Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF ENGLISH C.S. LEWIS AND GENDER: THE STRUGGLE BETWEEN EQUALITY AND TRADITIONAL VALUES REBECCA VICKERY SUMMER 2014 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in English with honors in English Reviewed and approved* by the following: Sanford Schwartz Associate Professor of English Thesis Supervisor Marcy North Associate Professor of English Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT This thesis examines how C.S. Lewis addressed various issues involving sex and gender. The female characters in his various works of fiction are analyzed in an effort to determine if they are subordinate to their male counterparts or turned into stereotypes. It examines Lewis’s attempts to create distinctions between gender and sex and his conception of a gendered cosmic hierarchy as they appear in the Space Trilogy. It compares the value and the activities of the female and male villains and protagonists in The Chronicles of Narnia. Finally, the thesis analyzes the correlation between the objectification of women and their lack of influence on the plot as well as a deliberate attempt to behave in a masculine fashion in order to reclaim the ability to affect change in Till We Have Faces. ii TABLE OF CONTENTS Introduction ........................................................................................................................... 1 The Space Trilogy ................................................................................................................. -
BYU Studies Quarterly Volume 55 Number 3
Quds Bentley Snow he part that got me was that I had to take off my Chacos to enter the Tsanctuary. I was irked at first, drifting at the back of our group—apa- thetic, iPod on—deliberately detached and not in the mood for ceremo- nial inconveniences. I looked into the sanctuary’s square, open-air center. The floor, I had to admit, was beautiful—thin blue rivulets streamed deep within white marble—but imagine how many feet had mixed their oils with the dirt that faintly coated it. Red wooden poles lined the edges of the square, rising out of white pedestals to support the red tiles that sloped down toward the center, where the rest of my friends had gone on ahead. I skirted the poles until I came to a few rows of shoes lying simply beside a pole on my right. Amid them, I recognized two small, slipperlike white ones, then, almost reflexively, imagined their owner’s face; then I recognized more shoes, and then I saw more faces; then the cold stones finally sent thrills through my feet. The baring of my feet no longer felt ceremonial, but significant: I stood somewhere else—somewhere like the Himalayas, someplace steeped with seclusion where principle trumped practicality: the hid- den place where faith lives. • One year before, a different group of friends and I were welcoming Heidi back from Jerusalem, or al-Quds—the Holy. Someone had just slighted the Muslims with an ignorant joke. Heidi’s eyes weren’t angry, but their blue was clearly burning: “You have no idea how good, how generous, and how warm-hearted those people are,” she said, which BYU Studies Quarterly 55, no. -
Alchemy and Initiation in out of the Silent Planet
Volume 11 Number 3 Article 3 Winter 2-15-1985 The Wonder of Passage, The Making of Gold: Alchemy and Initiation in Out of the Silent Planet John Hollwitz Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Hollwitz, John (1985) "The Wonder of Passage, The Making of Gold: Alchemy and Initiation in Out of the Silent Planet," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 11 : No. 3 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol11/iss3/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Sees Out of the Silent Planet as a narrative of Ransom’s spiritual development, using the imagery of shamanic initiation, alchemy, and medieval hermeticism. In Out of the Silent Planet, though not in later books in the series, Ransom’s initiation and function are almost exclusively masculine.