Ibetlul<Febet
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Representation of Suicide in the Cinema
The Representation of Suicide in the Cinema John Saddington Submitted for the degree of PhD University of York Department of Sociology September 2010 Abstract This study examines representations of suicide in film. Based upon original research cataloguing 350 films it considers the ways in which suicide is portrayed and considers this in relation to gender conventions and cinematic traditions. The thesis is split into two sections, one which considers wider themes relating to suicide and film and a second which considers a number of exemplary films. Part I discusses the wider literature associated with scholarly approaches to the study of both suicide and gender. This is followed by quantitative analysis of the representation of suicide in films, allowing important trends to be identified, especially in relation to gender, changes over time and the method of suicide. In Part II, themes identified within the literature review and the data are explored further in relation to detailed exemplary film analyses. Six films have been chosen: Le Feu Fol/et (1963), Leaving Las Vegas (1995), The Killers (1946 and 1964), The Hustler (1961) and The Virgin Suicides (1999). These films are considered in three chapters which exemplify different ways that suicide is constructed. Chapters 4 and 5 explore the two categories that I have developed to differentiate the reasons why film characters commit suicide. These are Melancholic Suicide, which focuses on a fundamentally "internal" and often iII understood motivation, for example depression or long term illness; and Occasioned Suicide, where there is an "external" motivation for which the narrative provides apparently intelligible explanations, for instance where a character is seen to be in danger or to be suffering from feelings of guilt. -
A Tribute to Michael Curtiz 1973
Delta Kappa Alpha and the Division of Cinema of the University of Southern California present: tiz November-4 * Passage to Marseilles The Unsuspected Doctor X Mystery of the Wax Museum November 11 * Tenderloin 20,000 Years in Sing Sing Jimmy the Gent Angels with Dirty Faces November 18 * Virginia City Santa Fe Trail The Adventures of Robin Hood The Sea Hawk December 1 Casablanca t December 2 This is the Army Mission to Moscow Black Fury Yankee Doodle Dandy December 9 Mildred Pierce Life with Father Charge of the Light Brigade Dodge City December 16 Captain Blood The Private Lives of Elizabeth and Essex Night and Day I'll See You in My Dreams All performances will be held in room 108 of the Cinema Department. Matinees will start promptly at 1:00 p.m., evening shows at 7:30 p.m. A series of personal appearances by special guests is scheduled for 4:00 p.m. each Sunday. Because of limited seating capacity, admission will be on a first-come, first-served basis, with priority given to DKA members and USC cinema students. There is no admission charge. * If there are no conflicts in scheduling, these programs will be repeated in January. Dates will be announced. tThe gala performance of Casablanca will be held in room 133 of Founders Hall at 8:00 p.m., with special guests in attendance. Tickets for this event are free, but due to limited seating capacity, must be secured from the Cinema Department office (746-2235). A Mmt h"dific Uredrr by Arthur Knight This extended examination of the films of Michael Only in very recent years, with the abrupt demise of Curtiz is not only long overdue, but also altogether Hollywood's studio system, has it become possible to appropriate for a film school such as USC Cinema. -
Death and Katherine Anne Porter a Reading
DEATH AND KATHERINE ANNE PORTER A READING OF THE LONG STORIES By ERIC RYGAARD GRAY Bachelor of Arts University of Oklahoma Norman, Oklahoma 1984 Master of Fine Arts University of Alabama Tuscaloosa, Alabama 1991 Submitted to the Faculty of the Graduate College of Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY May, 2003 DEATH AND KATHERINE ANNE PORTER A READING OF THE LONG STORIES °Q, of th~ Graduate College 11 ACKNOWLEDGEMENTS I want to express my appreciation to my advisor, Dr. Linda Leavell, who made this dissertation possible and who has been supportive and encouraging for many years. I also want to thank Dr. Linda Austin for her assistance with the introduction, Dr. William Decker for his many reassurances, and Dr. Edward Lawry for doing more than his duty. The suggestions and support of my committee were a great help. Thanks to my family and friends for their love and prodding. I am grateful to Celeste Portier for her proofreading, to Kevin Cleary for his editorial help, to Shawn Crawford for his support, to Mike Gray for his unwavering friendship, to Fred Katz for his lively optimism, and to Steven Woods for his steady encouragement and for his special assistance with the revision of the introduction. iii TABLE OF CONTENTS Chapter Page I. INTRODUCTION ................................................................................. ! II. MIRANDA IN MOURNING ..... , ............................................................23 III. "HOLIDAY" AND FEMININITY .......................................................... .47 IV. THE DREAMS OF "PALE HORSE, PALE RIDER" ....................................72 V. ''NOON WINE" AND "THE 'UNCANNY"' ............................................. 113 VI. "HACIENDA" AND THE CULTURE OF MEXIC0 .................................. 145 VII. "THE LEANINGTOWER," WAR, SEX, AND DEATH ............................ -
MICHAEL CURTIZ: from HUNGARY to HOLLYWOOD Release
The Museum of Modern Art For Immediate Release November 1992 MICHAEL CURTIZ: FROM HUNGARY TO HOLLYWOOD November 27, 1992 - January 23, 1993 A survey of more than fifty films by Michael Curtiz (1888-1962), one of cinema's most prolific directors from the studio era, opens on November 27, 1992, at The Museum of Modern Art. As Warner Bros, house director in the 1930s and 1940s, Curtiz symbolizes the crispness and energy that distinguished the Warners' style. On view through January 23, 1993, MICHAEL CURTIZ: FROM HUNGARY TO HOLLYWOOD explores the consistent quality and versatility of the filmmaker's work. The Hungarian-born Curtiz mastered virtually all genres and, during his twenty-seven-year career at Warner Bros., made every type of film from westerns and musicals to social dramas and comedies. A strong director of actors, he made stars of such disparate types as Errol Flynn, John Garfield, and Doris Day, and earned an Academy Award and a renewed career for Joan Crawford in Mildred Pierce (1945). Many of his films were popular critical and financial successes. Curtiz possessed an acute narrative sense, displayed in such remarkable films included in the exhibition as The Adventures of Robin Hood (1938), with Flynn and Olivia de Havilland; Casablanca (1942), for which Curtiz received an Academy Award for Best Director; Yankee Doodle Dandy (1942), the musical which won James Cagney an Academy Award; Mildred Pierce, the film noir portrait of an imperfect American family; Young Man with a Horn (1950), starring Kirk - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 Douglas as an obsessed jazz trumpeter and inspired by Bix Beiderbecke's life; and The Breaking Point (1950), based on Ernest Hemingway's To Have and Have Not, His early successes -- Cabin in the Cotton (1932), a melodrama about sharecroppers, and The Mystery of the Max Museum (1933), an early all-color horror film -- are also included in the exhibition. -
This Month on Tcm Showcases
WEEKLY THIS MONTH ON TCM SHOWCASES 1 PBERNARD HERRMANN 7 TRIBUTE TO THE TELLURIDE 11 MILLION DOLLAR COMEDIES 18 STARRING HARRY BELAFONTE 25 DIRECTED BY PHIL KARLSON THE ESSENTIALS FILM FESTIVAL Early Career – Part One Million Dollar Baby (’41) Carmen Jones (’54) Scandal Sheet (’52) Must-See Classics Hangover Square (’45) The Godless Girl (’29) Brewster’s Millions (’45) Buck and the Preacher (’72) The Phenix City Story (’55) Saturdays at 8:00pm (ET) The Devil and Daniel Webster (’41) I’m King Kong: The Exploits of Man with a Million (’54) The Angel Levine (’70) The Brothers Rico (’57) 5:00pm (PT) Citizen Kane (’41) Merian C. Cooper (’05) Always Together (’47) Ladies of the Chorus (’49) The Guns of Navarone (’61) The Magnifi cent Ambersons (’42) King Kong (’33) The Long, Hot Summer (’58) On Dangerous Ground (’52) Uncle Silas (’51) 12 STARRING JOANNE WOODWARD 19 THE MOORS THE MERRIER 26 STARRING STEPHEN BOYD Wuthering Heights (’39) The Black Book (’49) The Long Hot Summer (’58) Wuthering Heights (’39) Ben-Hur (’59) Ben-Hur (’59) S The Men Who Made the Movies: 2 CLAUDE RAINS The Three Faces of Eve (’57) Devotion (’46) Genghis Khan (’65) Sam Fuller (’02) Summer Wishes, Winter Dreams (’73) The Hound of the Baskervilles (’59) The Beasts of Marseilles (’57) Academy-Nominated Performances Park Row (’52) Mr. Smith Goes to Washington (’39) Count Three and Pray (’55) The Man from Planet X (’51) Abandon Ship! (’57) TCM UNDERGROUND An Optical Poem (’38) Casablanca (’42) Paris Blues (’61) Kes (’70) Cult Classics The Phantom Tollbooth (’69) Mr. -
Soturdoy. Traditions" Will Be the Theme of the Program to Be $ 4 Q Q O U R $ Q 7 O U R O F F Reg
r * a« - EVENING HERALD. Frl., Dec. R lOT Be Wary of Holiday Appeals for Fake Causes By L'niled Pm« inlernalional you may be squandering money that legitimate charities easy. It could happen during this holiday season: you open a need. “The generoaity of Americans is equaled by their Before giving to any of these, try to find out who Y o u r N O lQ h b O rS ’ V iO W S I what do you think of Iho court ruling that part of the piece of junk mall and out tumbles a toe-nail clipper. The "A good rule on Christmas giving; make your gullibility and there’s plenty of proof from experimenU benefits from your donation, he said. atata’s death penalty law It unconstitutional? Iraq Army letter explains this is a free gift from the Ingrown Toenail donations to reputable local philanthropic conducted from time to time," he said. Bakal said b ^ a r s and panhandlers work overtime this Foundation, appealing to your holiday spirit and organizations.” He cited these examples; time of yea*, too. generosity. The fake charities are common. In one year, Bakal “blind shop” sold |2,IXI0 worth of concert tickets in IMleCMSMIMIMlaitWMSKlMIKlaMIlMMSiaSMSWWIS The Foundation, mythical in this case, wants money. said, the New York State Attorney General's office its behalf before authorities discovered the operation had What should you do? received complaints about no less than 1,600 phony nothing to do with blind persons. The shop sold Venetian [LIVE cunsnus Keep the merchandise and toss the letter, unless you philanthropies. -
Web Paramount Historical Calendar 6-12-2016.Xlsx
Paramount Historical Calendar Last Update 612-2016 Paramount Historical Calendar 1928 - Present Performance Genre Event Title Performance Performan Start Date ce End Date Instrumental - Group Selections from Faust 3/1/1928 3/7/1928 Movie Memories 3/1/1928 3/7/1928 Movie News of the Day 3/1/1928 3/7/1928 Instrumental - Group Organs We Have Played 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Dance Accent & Jenesko 3/1/1928 3/7/1928 Dance Felicia Sorel Girls 3/1/1928 3/7/1928 Vocal - Group The Royal Quartette 3/1/1928 3/7/1928 Comedian Over the Laughter Hurdles 3/1/1928 3/7/1928 Vocal - Group The Merry Widow Ensemble 3/1/1928 3/7/1928 Movie Feel My Pulse 3/1/1928 3/7/1928 Instrumental - Individual Don & Ron at the grand organ 3/1/1928 3/7/1928 Movie The Big City 3/8/1928 3/14/1928 Instrumental - Individual Don & Ron at the grand organ 3/8/1928 3/14/1928 Variety Highlights 3/8/1928 3/14/1928 Comedian A Comedy Highlight 3/8/1928 3/14/1928 Vocal - Individual An Operatic Highllight 3/8/1928 3/14/1928 Variety Novelty (The Living Marionette) 3/8/1928 3/14/1928 Dance Syncopated 3/8/1928 3/14/1928 Dance Slow Motion 3/8/1928 3/14/1928 Dance Millitary Gun Drill 3/8/1928 3/14/1928 Comedian Traffic 3/8/1928 3/14/1928 Instrumental - Group novelty arrangement 3/8/1928 3/14/1928 Comedian Highlights 3/8/1928 3/14/1928 Movie West Point 3/15/1928 3/21/1928 Instrumental - Individual Don & Ron at the grand organ 3/15/1928 3/21/1928 Variety -
Movies from Academy Award Winning
:% > - -,^ 'mm .:; ?r- -I' ^%*^;<x^- •f V -*-:^ J. V ';-.^;^f-:.t.; r' -r* •-*,/>. i-^^^., .*: ^.^'^ ym^iv '/W>s^^; ;_'S- V^. ^ -'"" -* '1 Mf' -r*t!^"w:J*^ .. >-^i<iS^.' * "5?^pf^ '^.^e-i:S^v^*. Scanned from the collection of David Pierce Coordinated by the Media History Digital Library www.mediahistoryproject.org Digitized by the Internet Archive in 2011 with funding from Media History Digital Library http://www.archive.org/details/moviesfromaappro1957asso ^- Warner Bros. Features and cartoons Popeye cartoons > Copyright 2957 Associated Artists Productions Corp. All rights reserved. ( Great entertainment draws bi^, responsive ^- a.u.cl This is true of theatre, radio, movies, television, and all media For more than 30 years, between 45 and 60 million people every single week have gone out to the movies. Americans have the »> m 4%. \ ^ ^_ Now on television, they're watching movies in ever increasing numbers. And they watch every picture from start to finish. Who ever walked out in the middle of a movie? George Raft, Marlene Dietrich and Edivard G. Robinson in "Manpower." i For decades, one of the greatest names in the most popular medium of entertainment has been Box office admissions and critical acclaim have proved the Herbert Corthell, with PaJtl Muni, star of "The Story of Louis Pasteur' of Warner Bros, movies from Academy Award winning "STORY OF LOUIS PASTEUR" to Academy Award Winning "TREASURE OF SIERRA MADRE" Humphrey Bogart in "The Treasure of Sierra Madre," * also starring Walter Huston I Warner Bros. Movies have amassed a total up to 1950 of ee 99 and have grossed a box-office total of nearly billion dolla^i* Only great entertainment could achieve this record Irene Manning and Dennis Morgan, star of "My Wild Irish Rose," which grossed $3,1,(10,000. -
WARNER ARCHIVE DVD COLLECTION – Informal List As of Fall 2011. for Updated Information Or to Arrange Viewing, Please E-Mail [email protected]
WARNER ARCHIVE DVD COLLECTION – informal list as of Fall 2011. For updated information or to arrange viewing, please e-mail [email protected]. ITEM TITLE NUMBER DVD8925 2 WEEKS IN ANOTHER TOWN [1962] DVD7519 20,000 YEARS IN SING SING [1933] DVD9691 24 HOURS TO KILL [1965] DVD7301 3 SAILORS AND A GIRL [1953] DVD8754 -30- [1959] DVD9877 7 FACES OF DR. LAO [1963] DVD9174 ABBOTT AND COSTELLO MEET CAPTAIN KIDD [1952] DVD7192 ABDICATION, THE [1974] DVD7206 ABE LINCOLN IN ILLINOIS [1940] DVD7171 ABOVE AND BEYOND [1952] DVD7934 ABOVE SUSPICION [1943] DVD9781 ACROSS THE WIDE MISSOURI [1951] DVD7520 ACROSS TO SINGAPORE [1928] DVD7201 ACTRESS, THE [1953] DVD8764 ADAM’S WOMAN [1969] DVD9634 ADVANCE TO THE REAR [1963] DVD9780 ADVENTURE [1945] DVD7191 ADVENTURES OF HUCKLEBERRY FINN, THE [1939] DVD7216 ADVENTURES OF MARK TWAIN, THE [1944] DVD7743 ADVENTURES OF ONE ESKIMO, THE [2009] DVD8554 AGATHA [1978] DVD9136 AGE OF INNOCENCE, THE [1934] DVD7195 AH, WILDERNESS! [1935] DVD7669 AIRBORNE [1993] DVD9800 AKIRA KUROSAWA’S DREAMS [1990] DVD7226 AL CAPONE [1959] DVD9807 ALEX IN WONDERLAND [1970] DVD8845 ALIAS THE DOCTOR [1932] DVD8118 ALIBI IKE [1935] DVD7196 ALL FALL DOWN [1962] DVD7218 ALL THE BROTHERS WERE VALIANT [1953] DVD7541 ...ALL THE MARBLES [1981] DVD8723 ALL-AMERICAN BOY, THE [1973] DVD7227 ALONG THE GREAT DIVIDE [1951] DVD7991 AMAZING CAPTAIN NEMO, THE [1978] DVD9074 AMBUSH [1949] DVD7965 AMERICAN ANTHEM [1986] DVD7940 AMERICAN DREAM, AN [1966] DVD7865 AMERICAN ROMANCE, AN [1944] DVD8995 AMERICATHON [1979] DVD7230 ANGEL BABY [1961] DVD7849 ANGEL DUSTED [1981] DVD8577 ANGELS WASH THEIR FACES [1939] DVD7650 ANGUS [1995] DVD8757 ANIMAL WORLD, THE [1955] DVD9885 ANIMALS ARE BEAUTIFUL PEOPLE [1974] DVD9778 ANY NUMBER CAN PLAY [1949] DVD7527 ANY WEDNESDAY [1966] DVD8603 ARE YOU LISTENING? [1932] DVD7932 ARIZONA DREAM [1991] DVD9692 ASSIGNMENT TO KILL [1967] DVD7960 AT SWORD’S POINT [1952] DVD9690 ATHENA [1954] DVD8749 ATLANTIS, THE LOST CONTINENT [1960] DVD9862 ATTACK OF THE 50 FT. -
Criminal Justice in America. INSTITUTION Constitutional Rights Foundation, Los Angeles, Calif
DOCUMENT RESUME ED 238 766 SO 015 198 AUTHOR Croddy, Marshall; And Others TITLE Criminal Justice in America. INSTITUTION Constitutional Rights Foundation, Los Angeles, Calif. SPONS AGENCY Califorria State Dept. of Education, Sacramento.; Office of Juyenile Justice and Delinquent Prevention (Dept. of Justice), Washington, D.C. PUB DATE 83 GRANT 3-0045-8-CA-JN; 82-03648-X857 NOTE 216p.; Photographs may not reproduce clearly. AVAILABLE FROMConstitutional Rights Foundation, 1510 Cotner Ave., Los Angeles, CA 90025 ($6.95). PUB TYPE Guides - Classroom Use -7 Materials (For Learner) (051) EDRS PRICE MFO1 Plus rostage. PC Not Available from EDRS. DESCRIPTORS Constitutional Lew; Corectional Institutions; Courts;j*Crime; *Criminal Law; Criminals; Delinquency; Due Process; High Schools; Instructional Materials; *Justice; Juvenile Courts; Law Enforcement; Learning Activities; *Legal Education; Police; Police Community Relationship; Simulation; -Social Problems; Victims of Crime IDENTIFIERS *United States ABSTRACT An introduction-to criminal law, processes, and justice is provided in this high school level text. Content is divided into six chapters, each treating a particular aspect of I criminal procedure and, the social and political issues surrounding it. Chapter 1 considers the criminal, the effects of crimeon its ani legislation to aid victims. Chapter 2 focuses on the I police, the laws regulating them, and the public reaction to them. The entire process involved in a criminal court case is detailed in chapter 3, from arrest, bail, and initial hearing to trial procedure and verdict. Sentencing and correction facilities are discussed in chapter 4. Chapter 5 provides an overview of the juvenile justice system, examining the problems of delinquency and juvenile corrections. -
Promotion of Classic Hollywood Film Costume In
PROMOTION OF CLASSIC HOLLYWOOD FILM COSTUME IN 1930S AMERICAN FASHION MAGAZINES by LINDSAY DANIELLE REAVES VIRGINIA S. WIMBERLEY, COMMITTEE CHAIR AMANDA J. THOMPSON XIAO TONG WILLIAM F. BOMAR SHIRLEY P. FOSTER A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Science in the Department of General Human Environmental Sciences in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2013 Copyright Lindsay Danielle Reaves 2013 ALL RIGHTS RESERVED ABSTRACT The world of twenty-first-century fashion evolves into new forms at a more rapid pace when compared with clothing developments of the past. Elements of previous fashion trends are constantly recycled into new clothing to appease the public’s cravings. But, to whom does the public look for fashion inspiration? According to the “trickle-down” theory proposed by Simmel (1904) and Sproles (1985), the lower classes turn to the upper classes to find out what styles are in vogue at the moment. Although emulation of upper-class fashions appears to have been happening for some time, it seems fashion inspiration was “kicked into high gear” with the glamorous effects and global outreach of American Hollywood cinema, beginning in the 1930s. When the American film industry boomed in the first half of the twentieth century, actors became the inspiration for fashion as well. The glamour exuding from the Hollywood films produced during the 1930s inspired and influenced the clothing choices of the American public. Well-known costume designers such as Gilbert Adrian, Edith Head, Travis Banton, Howard Greer, Walter Plunkett, and Orry-Kelly designed costumes and personal clothing for many Hollywood leading ladies. -
Selective Bibliography and Filmography Praeger, 1971
Furhammer, Leif, and Folke Isaksson. Politics and Film. New York: How Politics, Profits & Propaganda Shaped WWII Movies. New Selective Bibliography and Filmography Praeger, 1971. York: Free Press, 1987. Fyne, Robert. The Hollywood Propaganda of World War II. Metuchen, Lingeman, Richard R. Don’t You Know There’s a War On: The American NJ: Scarecrow Press, 1994. Home Front, 1941-1945. New York: Putnam, 1970. Gabler, Neal. An Empire of Their Own: How the Jews Invented Mast, Gerald. The Movies in Our Midst: Documents in the Cultural History Hollywood. New York: Crown Publishers, Inc., 1989. of Film in America. Chicago: University of Chicago Press, 1982. Gledhill, Donald, ed. Press Clipping File on the Senate Subcommittee Moser, John E. “‘Gigantic Engines of Propaganda’: The 1941 Senate War Film Hearings Volume 1. August 1 though October 15, 1941. Investigation of Hollywood.” The Historian 63:4 (2001). Hollywood: The Academy Press, 1941. Nash, Gerald D. The American West Transformed: The Impact of the BIBLIOGRAPHY Colgan, Christine Ann. “Warner Brothers’ Crusade against the Third Gomery, Douglas, ed. The Will Hays Papers. Bethesda, MA: Second World War. Bloomington: Indiana University Press, 1985. Reich: A Study of Anti-Nazi Activism and Film Production, LexisNexis, Cinema History Microfilm Series. Nelson, Richard Alan. A Chronology and Glossary of Propaganda in the Bassinger, Jeanine. The World War II Combat Film: Anatomy of a Genre. 1933 to 1941.” 2 vols. diss. University of Southern California, Hanson, Patricia King, and Alan Gevinson. The American Film United States. Westport, CT: Greenwood, 1996. New York: Columbia University Press, 1986. 1985. Institute Catalogue. Feature Films, 1931-1940, 3 vols.